Brooke Shields for Vogue Paris, 1984

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Brooke Shields for Vogue Paris, 1984

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JoΓ£o Penalva. "Sumiko", 2009. Pigment prints on HannemΓΌle DFA Photo Rag 308g paper.
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Esti, 1975 Β© Claude Guillaumin
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Paris is Burning (Jennie Livingston, 1990)
Helmut Newton - Dresses by Nina Ricci & by Guy Laroche (Vogue Paris 1976)
William GedneyΒ (American, 1932-1985), Gay Rally, San Francisco, December 1975
Andy Warhol, Grace Jones & Keith Haring

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The Face, September 1995. Ph. Peter Robathan
McDonald's Embarcadero Center (1975) - designed by the firm, Environmental Planning & Research
"The recently opened McDonald's in San Francisco's Embarcadero Center is a complete departure from the usual gold-arches-suburban-drive-in image usually associated with one of America's most popular chains of fast-food restaurants.
Although the design solution provides an entirely new look for the restaurant, it still meets McDonald's specified requirements of non-movable furnishings, fast turnover, flexible seating patterns and pre-established seating/circulation/equipment relationships. In addition, it stayed within the given budget and was completed at a cost of $22.00 a square foot, excluding kitchen.
A total environment was created using specially treated elm wood in a single color tone for walls, floor, ceiling and seating benches. Color accents come from green plants and burnt orange table tops.
Seating for 155 is provided by free-standing benches or wall banquettes which run continuously around the dining area forming seating clusters to accommodate from one to ten people. Tables rest on floor-attached pedestals, and the benches have fully tiled bases making floor maintenance easier. The burnt orange table tops are of a resin material which is heat resistant and easy to clean. To conceal McDonald's standard 24-inch square trash receptacles (18 in all), the designers created architectural forms which also serve as planters.
Of special interest is the ceiling and lighting treatment which is an integral part of the overall design and reflects the restaurant's seating patterns. It also provides variations in light levels; helps absorb sound; and houses heavy mechanical equipment."
Scanned from the Sept. 1975 issue of Interior Design Magazine