Everything and the Kitchen Sink

FanJoyJuly2026# 6 @kikker-oma @SilverneNonsense on ao3 I liked the sketch for this one so I included it with the final.

This is a Four and Legend centric fic regarding family and soulmates, and Four panicking cause his soul mark that he doesn’t remember giving Legend is wrapped around the older boys throat….dun, dun, dun!!!!

This fic is so good and we are left wondering for a bit if they will figure things out, but it genuinely is such a great fic

Link below:

Warriors concepts

Notes:

Like in the first drawing, his soldier and captain uniforms are inspired by the TLOK United Forces uniform, though I did change his jacket to green. And no helm, of course

The casual one mostly comes from a picture of Jack Harkness permanently engraved in the back of my mind

His native element is Fire, and he was a soldier in the Fire Division of the United Hyrulean Forces

This was really funny in my head. I'd like to think that Grace's students like to share their little interests to him. So somehow, he's got this youtuber guy that his kids raved about in his ship with a missing arm, retrieved from an archaic submarine in space..

Tangled Webs by @somer-writes

I’ve read a lot of fics where one of the boys feels guilt and blame over causing their shared adventure, but never for Twilight!

Honestly, what an emotional fic, and the brotherhood is DELICIOUS 🙂‍↕️😩 I love them so much, they understand each other😭

Twilight trying to keep a shred of dignity and Wars silently letting him😭🥺

Was inspired by the wonderful post by @hailed-marys so me and @sam-i-am-27 got possessed by the demons and came out with this.

HC list under the cut

we got tom and jerry up in here

I JUST

KATIE TRIED TO SEND US COOKIES OUTTA THE GOODNESS OF HER HEART AND JUST

“OHHHH THESE COOKIES WERE SUPPOSED TO GO TO NEW JERSEY, PHIL? I THOUGHT YOU SAID

THE COOKIES ARE FINALLY ON THEIR WAY TO NEW JERSEY

GO COOKIES GO

@phantomrose96 @cupcakecreeper​ @homebeccer GET READY

@phantomrose96 @homebeccer @cupcakecreeper

holy fuCK HOLY FUCK HOLY FUCK GUYS GUYS GUYS GUYS GUYS

THE THRILLING CONCLUSION

also as a bonus visual here’s a rough approximation of these cookies’ journey

AND 

IT’S

IT’S

IT’S NOT AN OPTION IT’S NOT AN OPTION I CAN’T I-

No one said “hey let’s stop missending things to Nepal” they just said “let’s make a stamp for this” and called it a day.

I did some digging.

"One has indeed personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918, all but one of my close friends were dead."

So, for example, Pilgrim's Progress is an allegory of Christian salvation. It's sort of a novel? There are characters who do stuff? but also they are very one-dimensional. The main character is a guy named Christian--yes, really!--who is journeying from his hometown ("the city of destruction") to the Celestial City (heaven). There is not much subtlety to it. It is pretty much what it is. There is no slippage, no playing around with the theme, no places where the symbolism is ambiguous. John Bunyan, the author, is hitting you over the head every step of the way with the Meaning That You Are Supposed To Be Getting From The Story.

Not all allegories are that crude or simplistic; the Narnia books are also allegory for Christianity. They have a lot more subtlety to them and a lot more nuance, and there's a lot of stuff in there that isn't allegorical, but on the crucial matters there is still a 1:1 correspondence. Aslan is Jesus. He's not like Jesus, he's not a character that has some similarities to Jesus or takes themes from the stories of Jesus, he is Jesus.

Tolkien is not doing allegory. Tolkien is taking the material of his life--his faith, his experiences in WWI, his linguistic and historical knowledge, his favorite books--and using them as the building blocks of his story. The themes and imagery and symbols draw heavily from all of that, the characters and settings draw heavily from all of that, but they are too complex to be allegorical. There's a lot of symbolism! It's not allegory.

So, for example, let's take the Dead Marshes referenced above. Does the experience of walking through this muddy wasteland with corpses all around that are rotting but still look like people draw from Tolkien's WWI battlefield experience of dead bodies in the trenches? Of course it does! but there are also a lot of differences. These dead are not from the current war, they are from a previous one--they are a reminder of old conflicts, of the ways the systems and powers of the current war have not come out of nowhere, there is history here. There is meaning that is not drawn from the Somme. And they are also drawing from literary references Tolkien was familiar with--primarily William Morris. Modern readers don't get the references because we have generally not read The House of the Wolflings, but that doesn't mean that the references aren't there.