Everything and the Kitchen Sink

we got tom and jerry up in here

I JUST

KATIE TRIED TO SEND US COOKIES OUTTA THE GOODNESS OF HER HEART AND JUST

“OHHHH THESE COOKIES WERE SUPPOSED TO GO TO NEW JERSEY, PHIL? I THOUGHT YOU SAID

THE COOKIES ARE FINALLY ON THEIR WAY TO NEW JERSEY

GO COOKIES GO

@phantomrose96 @cupcakecreeper​ @homebeccer GET READY

@phantomrose96 @homebeccer @cupcakecreeper

holy fuCK HOLY FUCK HOLY FUCK GUYS GUYS GUYS GUYS GUYS

THE THRILLING CONCLUSION

also as a bonus visual here’s a rough approximation of these cookies’ journey

AND 

IT’S

IT’S

IT’S NOT AN OPTION IT’S NOT AN OPTION I CAN’T I-

No one said “hey let’s stop missending things to Nepal” they just said “let’s make a stamp for this” and called it a day.

I did some digging.

"One has indeed personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918, all but one of my close friends were dead."

So, for example, Pilgrim's Progress is an allegory of Christian salvation. It's sort of a novel? There are characters who do stuff? but also they are very one-dimensional. The main character is a guy named Christian--yes, really!--who is journeying from his hometown ("the city of destruction") to the Celestial City (heaven). There is not much subtlety to it. It is pretty much what it is. There is no slippage, no playing around with the theme, no places where the symbolism is ambiguous. John Bunyan, the author, is hitting you over the head every step of the way with the Meaning That You Are Supposed To Be Getting From The Story.

Not all allegories are that crude or simplistic; the Narnia books are also allegory for Christianity. They have a lot more subtlety to them and a lot more nuance, and there's a lot of stuff in there that isn't allegorical, but on the crucial matters there is still a 1:1 correspondence. Aslan is Jesus. He's not like Jesus, he's not a character that has some similarities to Jesus or takes themes from the stories of Jesus, he is Jesus.

Tolkien is not doing allegory. Tolkien is taking the material of his life--his faith, his experiences in WWI, his linguistic and historical knowledge, his favorite books--and using them as the building blocks of his story. The themes and imagery and symbols draw heavily from all of that, the characters and settings draw heavily from all of that, but they are too complex to be allegorical. There's a lot of symbolism! It's not allegory.

So, for example, let's take the Dead Marshes referenced above. Does the experience of walking through this muddy wasteland with corpses all around that are rotting but still look like people draw from Tolkien's WWI battlefield experience of dead bodies in the trenches? Of course it does! but there are also a lot of differences. These dead are not from the current war, they are from a previous one--they are a reminder of old conflicts, of the ways the systems and powers of the current war have not come out of nowhere, there is history here. There is meaning that is not drawn from the Somme. And they are also drawing from literary references Tolkien was familiar with--primarily William Morris. Modern readers don't get the references because we have generally not read The House of the Wolflings, but that doesn't mean that the references aren't there.

A Pear and a Portal by @glowingjellyfishtreelights

Oh my GOODNESS this was the most delightfully silly story and I’ve already read it 3 times😭😭😂😂

Wind is PERFECT as a gull! All of his shenanigans for the gull personality so so well and I love how the “gull brain” just takes over every time Legend waves his fingers around😭😭😭😭😭