Anne Truitt, from a diary entry featured in Turn: The Journal of an Artist originally published in 1982

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Anne Truitt, from a diary entry featured in Turn: The Journal of an Artist originally published in 1982

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rozmawiamy do później nocy, rano opowiadamy sny
jak to jest już nie mieć marzeń? jak to jest mieć wszystko?
i nagle lato wskakuje na swoje miejsce
i płonie nagrzanymi betonami i kostką brukową, spaniem z otwartym oknem i włączonym wentylatorem, makaronem z truskawkami, botwinką, borówkami zbieranymi po porannym deszczu, wynoszeniem śmieci bio co drugi dzień, rowerem do pracy pomiędzy ludźmi z dmuchanymi materacami pod pachą, ciepłym jak zupa jeziorem po zmroku, wracaniem w upiaszczonych klapkach w samym kostiumie przez osiedle, z otwartymi szybami w samochodzie, z jasnym salonem, z kluskami parowymi w biedrze, z czereśniami i nektarynkami, z młodymi ziemniaczkami, z rozmowami do rana, z dniem tak długim że aż się zachciewa nim żyć
[woman who has never been gentle with herself voice] I just need to be more disciplined
nigdy nie wiesz, kiedy nostalgiczna muzyczka w poczekalni w luxmedzie przeniesie cię w podróż po przeszłości, do letnich nocy, ognisk, jezior i śpiewania tych koszmarnych powtarzalnych basiek i cudownych niepowtarzalnych jolek
których nigdy nie było a już ich nie ma

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NGC 2440: Cocoon of a New White Dwarf
Credits: STScI, PSU, WFPC2, HST, NASA
“Have some fire. Be unstoppable. Be a force of nature. Be better than anyone here, and don’t give a damn what anyone thinks. You’re on your own. Be on your own.”
— Dr. Cristina Yang | Grey’s Anatomy
“Remember that you were art long before he came to admire you, and you’ll continue to be art even when he’s gone. A masterpiece is still a masterpiece when the lights are off, and the room is empty.”
— Charlotte Beier
beauty is in the eye of the beholder though
they were right btw. you have to dig yourself out of your grave over and over again

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Caroline Bynum, excerpt from Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion
czerwiec, czereśnie i cztery ściany
Po pierwsze, dostrzegać przyjemne sytuacje. Po drugie, samemu je stwarzać. Po trzecie, gromadzić je, a nawet wyolbrzymiać. Skoro biologia wbudowała nam w głowy mechanizm, który wyolbrzymia zagrożenia. To dla równowagi, musimy nauczyć się wyolbrzymiać radości. To się nazywa "kapitalizacja pozytywnych emocji".
prof. dr hab. Ewa Trzebińska
Bolesław Biegas, 1927
morza i rzeki żyją, jeziora są martwe

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Kronos' Chalice by Hitoshi Karasawa, 1979
Natalia Motuzko - The Voice of Grass (1992)