Carrie (1976)

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Carrie (1976)

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sylvia plath, Three Women: A Poem for Three Voices/ olivia gatwood, The Lover As A Cult/ Pride and Prejudice, dir. Joe Wright/ mitski, Francis Forever/ maggie stiefvater, The Raven King/ richard siken, Crush/ madeline miller, The Song of Achilles/ post by @milfharrystyles
inspired by @mindhunnter ‘s post
karl bryullov, the last day of pompeii & phoebe bridgers, i know the end
im so sexy and fun and fucking doomed
when lady gaga said “my biggest enemy is me ever since day one” and when lorde said “i’m a liability” and when halsey said “i’m the worst of my enemies and i don’t really know what to do with me” and when paramore said “i can sabotage me by myself”

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I'm the modern Oracle of Delphi but instead of breathing in ground vapors to bring about visions I just drink an extra large french vanilla iced coffee and vibrate until I am tuned in
i’m not angry anymore by paramore
simmer by hayley williams
quote from an article about fiona apple
a cannon by regina spektor
little women (adapted by greta gerwig)
GMF by john grant
cop car by mitski
These opening and closing scenes are two of the most brilliantly written scenes in Gone Girl, at least to me. I really like the idea of these scenes. I think the main idea of starting and ending the film with these scenes is to show us how different Amy Dunne is, how extreme her change is, or I should say; how her husband and all the things happening throughout the whole movie can change her tremendously. We can see in the opening scene, just like how Gillian Flynn describes it, that Amy is giving a look of alarm. That probably means that Amy is under her husband’s control, that Amy might be frightened of her husband because her husband uses her for some inappropriate purposes which makes Amy sees her husband as some kind of threat.
Then look at the closing scene where Amy gives a very different facial expression and movement compared with what she gives in the opening scene. She gives her husband a haunting smile, which means that she has changed into a kind of psychotic woman who is now no longer under her husband’s control, in fact she is the one who’s controlling. She might be a threat for her husband now, and that happens because of her husband himself, because of what he did and has done to his wife, because he didn’t treat his wife well. In other words, he has created himself a villainous wife.
Stooped down and out, you got me beggin for thread To sew this hole up that you ripped in my head...

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simmer - hayley williams / the bell jar - sylvia plath / cop car - mitski / judith slaying holofernes - artemisia gentileschi / fast as you can - fiona apple / animal- aurora / salome - jean benner / tonight i am someone else - chelsea hodson / wishbone - richard siken / ride - lana del rey
Jo March + Sylvia Plath
when richard siken said “it keeps coming back to that: what do i do with these hands?” and when mitski said “i don't know what to do without you, i don't know where to put my hands” and when olivia gatwood said “what am i, if not yours? what do i do with my hands when they are just hands?” and when sylvia plath said “what did my fingers do before they held him? what did my heart do, with its love?”
growth and change
1. reborn: journals and notebooks, susan sontag
2. photograph, laura bee
3. from selected poems, leonard cohen
4. “from my rotting body, flowers shall grow and i am in them, and that is eternity,” edvard munch
5. peaceful transition, tony hoagland
6. painting, charlotte ager
7. letters to a young poet, rainier maria rilke
8. photograph, rimantas dichavičius
9. “poem for a birthday: with burning,” sylvia plath
BRAD PITT Brioni Spring/Summer 2020 › ph. Mikael Jansson

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I want a girl who gets up early. I want a girl who stays up late. I want a girl with uninterrupted prosperity Who uses a machete to cut through red tape With fingernails that shine like justice, And a voice that is dark like tinted glass.
Normal People (2020)