Dong-soo: Now we might really die.
Woon: Then let’s die together.
Dong-soo: At the wrong palace? What happens if we die at the wrong palace? Shouldn’t
we find the right palace?
Woon: Any palace would be the wrong palace.
Dong-soo: Then let’s live together?
Woon: Yes, let’s live together forever.
Dong-soo: Let’s get out of here fast. I heard Debbie say something about how you don’t want to hear her get started about post-structuralism… and ethical relativism?
Woon: Don’t get me started about her getting started. Let’s go.
The Wrong Palace <---linky to drabble-poems
I recently found out that the action in the historical K-drama Warrior Baek Dong-soo takes place in the wrong palace. The palace where the WBDS characters (some based, albeit loosely, on historical people) are running around is Gyeongbokgung. A beloved landmark in Korea nowadays, Gyeongbokgung was burned down by the Japanese before the events of WBDS and not rebuilt until a century later. The drama, historically, should have taken place in another palace, Changdeokgung.
This information hit me like one of Yeo Woon’s non-lethal stabs. I expected to spring to the land of the conscious and rational soon enough, but like a punctured Cho-rip, I tasted bitterness; I was stricken with a desire to report a crime to a higher authority: How can creators be so negligent? Or might not some creators, like capricious gods, put people in the wrong palace <i>on purpose?</i> Towards what end?
I started to think about history, timelines, fanfiction, interpretation of authorial intent, but before my brain could short-circuit, what usually happens when I’m overthinking happened: I wrote some drabble-poems. So, they were fighting in the wrong palace. Where should they be? Where is the palace I am looking for?
#drabbles #drabble poems #meta #a multiverse k-drama #no fair playing Schrodinger’s Woonie #korean producers and writers borked korean history #one expects that in korean historical drama but dayum #the action takes place in the wrong palace #you heard me the wrong palace #with my own ears I heard Gak and Yi San and Hong talking about a building that didn’t exist in Changdeokgung #I admit the tension between historical canon and drama canon is no biggie in fanfic #the UST between Dong-soo and Woon is what’s important #I’ve done lost my damn mind #reality is just a concept #my mind-palace can only hold so much meta until it’s time to call the cleaners #my mind-palace can only hold so much meta until it’s time to call the cleaners #but BL! #romantic hand-holding I can’t help it
Dedicated with love to Milliecake, who first noted the wrong palace evidence, and to my fandom wife, thememoryofthatday, who with Millie, got me through my 19th WBDS mental breakdown while I was repeating for days on end–THEY’RE AT THE WRONG PALACE? THEY’RE AT THE WRONG PALACE? I love being lost in meta with the both of you. Wherever we go, there we are. Wrong palace or not.
If you cannot protect me, take me with you, the final line of drabble-poem 6 is from a song in the WBDS OST called Goyeo (which means “to well up,” as in “tears well up in my eyes”).
Mentions of the North Star and of Woon taking Dong-soo’s hand in drabble 7 are references to a novelization of WBDS co-authored by the drama’s screenwriter. The book came out as the series was airing on Korean television; in the drama, Woon dies; in the book, Woon takes Dong-soo’s hand, and the two run, chasing the North Star (and no, it’s not a metaphor for them dying together; they are perfectly alive). So, you see, this tiny franchise does play Schrodinger’s Woon; fic writers are free to build and destroy as many palaces as they want. Carry on, my lovelies.
In drabble 9, I took liberties with the last line which is drama canon, episode 21. The accurate translation, from my sister whose Chinese is better than my Korean, is from the word kwaedonanma, which means “quick sword cuts through tangled hemp.”
More notes if you can stand them (or, the above drabble-poems were brought to you by the mental breakdown below):
My fandom wife, thememoryofthatday, while editing episode 28 of her wonderful, funny opus that has to be seen to be loved, Warrior Baek Dong Soo: The Episode Guide, asked me, as she occasionally does, to spot some Korean that seemed off in the translations. The credit for noticing what was “off,” though, goes to our clever friend Milliecake. Kudos to her for paying close attention to the spoken Korean; I am always finding myself distracted by Ji Chang Wook’s shoulders to notice obvious things like, haha, Cho-rip’s glasses have no lenses. (Millie really watches the damn drama… except for ep 29; she hasn’t seen the notorious last episode yet because she’s smarter than I am and knows not to subject herself to such nonsense).
Sure enough, what was being subtitled as “king’s residence” was being pronounced as “Gangnyeongjeon,” over and over, by different characters. Heard it with my own ears: Gangnyeongjeon. But Gangnyeongjeon is the name of the building in a palace, Gyeongbokgung, that was supposed to have been burned down during the drama’s events. The palace of Baek Dong-soo’s time was Changdeokgung, and there, the king’s residence went by another name altogether.
Ok, no biggie, historical dramas are a kind of fanfiction: they are expected to change some things drastically (in WBDS’ case, Crown Prince Sado is more or less a good guy, more of a zealot, only known to history as a madman because his enemies started that rumor), and sageuk always make mistakes (my fave in WBDS is an anachronistic handshake in an early episode). But the wrong palace?
It would have been easy enough for the drama creators to not misname buildings and to just use the proper place for the setting; the outdoor palace scenes are not recognizably one palace or another… except the main entrance gates? When the baddies enter the main gates at the start of the coup, those gates may have been the Gyeongbokgung gates, and many dramas are indeed filmed at Gyeongbokgung. Was the whole drama placed at Gyeongbokgung instead of Changdeokgung just so the coup invasion would look bitchin’ cool?
Oh, I knew which scenes were filmed in Hwaseong Fortress in Suwon (a palace not even built at the time of the drama’s events) because I’m an obsessive fan like that. Hwaseong Fortress is a good set; it’s just a setting; it’s generic palace-looking. So is most of Gyeongbokgung, the burned down palace, where many sageuk are filmed, but why why why specify in the script that the action is happening in the wrong palace? I love to call WBDS the stupidest sageuk ever, but that’s just an affectionate endearment for it. I’ve watched worse. (Many bad sageuk are highly enjoyable; ask me for recs!)
How stupid is this drama, though? Did some mischievous set assistant put josam in everyone’s ginseng power drinks so that the producers and writers were suffering allergic reactions and forgetting basic Korean history that a Westerner like me needs to learn from a Wiki page?
I went around traumatized for a while. They’re in the wrong palace. They’re in the wrong palace. Not that there always hasn’t been a tension between historical canon and drama canon when historical fic writers take up the pen, and not that I haven’t made myself all kinds of crazy enough over my own boo-boos in my WBDS fanfics; I’ve made continuity errors, historical errors–hell, for one whole day I had posted for all to read that Gwang-taek clasped his hands together at a point in the drama when he’d already lost one arm! I’ve mixed up transliteration systems and shoe-horned modern elements into stories… that’s all part of the game.
But the WBDS plot is famous for not having an easily identifiable game. Or for being a plot-hole ridden, sorry-ass mess of a game with some nice scenery, pretty fights, a haunting OST, and no consistent rules to its game. (Or even worse, for being a troll script with no game at all.) What’s your game, WBDS? Mostly, the script’s game seems to be one of teasing the audience as to which way the plot will run. Can you find the plot? Is it what you expect? WBDS is your average old-time sageuk, and yet again, it isn’t. You’ll recognize a scheming queen and the noble peasants, the vague nods to real historical figures, beheadings after said nods, too convenient plot coincidences that are the K-drama standard, and stereotypes the whole world knows–like the sad-eyed prostitute who understands the anti-hero. Then the predictable plot will pull the rug out from under itself, but not in a satisfyingly trope-defying way; it will trip on its own tropes and look… well, stupid.
It’s a fighting-fixes-everything-except-when-it-doesn’t plot; it's a the-hero-never-kisses-a-girl-because-fighting-is-more-important-plot; is it a bromance-coded-as- BL-plot? It’s a coming-of-age plot, but the hero doesn’t learn from his mistakes, and by the last frames, he looks like a washed out mouthpiece for a martial arts philosophy (AAAH, THE LIVING SWORD–what Shaolin blabbity is that anyway?) that the story never sold us as integral to a well-lived life. The plot tells us that evil is everywhere and bad guys finish last, but good guys are bad guys too; ergo, everybody loses; the plot gives promising bad-ass women and then rewards misogynist stereotypes; the plot shows women in a Confucian time period seen through the lens of 2011 prime-time conservative Korean television, and as much as I love so much of the series and the actors, I just hate that the drama so often sacrifices consistency and common sense for what looks good on the screen.
Everyone is at the wrong palace.
I write a lot of fix-it fic for this drama. Are all the palaces wrong? Are some more right than others? What is art? Who is Yeo Woon, really? Who am I? Point me to the right palace.
Yi San has my expression (gif by Milliecake)
And hey, is this where Dong-soo and Woon ended up? In my canon, as everyone knows, Woon is a cookie.