Jeff Wood ^o^

Catch my performance in Julian Rosefeldt’s EUPHORIA in NYC thru Jan. 8.

"...being apocalypse-native won’t save us, but it does come in handy—when traumatic sensitivity to the cultural fiction of apocalypse is more believable than the existent real..."

TEXT for limited edition artworks by Helmut Breineder.

VOICE for Nuno Cera’s Symphony of the Unknown Part II.

3:AMers Mark de Silva, Nick Rombes, and Jeff Wood will engage in a wide-ranging exploration of Points of Attack, the new essay collection from de Silva that picks through the hodgepodge of contemporary culture—its mores, technologies, self-image, and forms of engagement—with an arch, philosophical eye. The event, which will be held on Zoom at 6pm …

Points of Attack with de Silva, Rombes & Wood

Two Dollar Radio Radio: A Filmmaker Roundtable: The Making of The Removals

https://snark.art/fortune-cookies/

See No Evil, Speak No Evil, Breathe No Evil By Jeff Wood.     One year ago this week I called my grandmother in Ohio to wish her a happy birthday. It was her 97th birthday and now one year more. We spoke to each other across an ocean. She had the news on mute …

https://www.3ammagazine.com/3am/the-replicant-real-part-ii/

In a culture on the brink of absolute psychosis, the voodoo-magic of a weaponized peace is cantilevered over the abyss of nowhere is safe. It’s a devastating exchange of intolerable sadness and despair, for the mask of hysteria is normalized at the very limits of what it is to be human, or human as we’ve known it. Part II of 'The Replicant Real,' an essay by Jeff Wood.

https://www.3ammagazine.com/3am/the-replicant-real/

'I think I swallowed a bug,' Brando announces. He had. And I had. There was no difference, in those looping late-night moments, between what was happening on the screen behind my eyelids or in front of them. Apocalypse Now had crossed the blood brain barrier of the symbolic and fictional real, just as The Day After had done, and Blade Runner would eventually do in the looping future of itself that has lasted until precisely now. In the first installment of a two-part essay, Jeff Wood considers how we arrived at our hall-of-mirrors world through an exploration of film and television.

THE GLACIER profile at THE COSMIC TWO DOLLAR RADIO HEADQUARTERS.

https://www.3ammagazine.com/3am/we-are-the-world-jordan-peeles-us/

A choreographic and performative theatrical work based on the classic film Angst essen Seele auf by Rainer Werner Fassbinder, performed Feb. 28 - March 3 at Uferstudios Berlin. Photos: Dieter Hartwig