"I can survive well enough on my own ā given the proper reading material." // The place for me to dump fixations while crying knee deep in books. (ao3: BetweentheBookends) Cheers.
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Hmmmm anyway what about the opposite of Devoted Loyal Noble Knight. What about Knight that is Chained to his Duty like a Rabid Dog in a Cage. What about Knight that fucking Loathes The King but is bound by a magic oath that prohibits him abandoning his post or harming his liege. Knight that feigns subservience while boiling with bloodlust. Knight who finds every innocuous form of disobedience and rebellion he can within the limits of his Oath. Knight who decides, after a virtuous little Consort is betrothed to the King and sent to the Palace, he'll make it his mission to corrupt and ruin the Consort with filthy, feral seduction. Fucking them over and over and over again while the King is none the wiser, in every room in the Palace, on the throne, in the King's bed, always an inch away from getting caught.
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Emily Wilde's Map to the Otherlands by Heather Fawcett
āAssassins are a monstrous breed. Either they attack when you are at your worst, or they are having a go at you on your birthday. I have never known a more dishonourable profession.ā
So excited to share this illustrations I had the pleasure of creating for Bloomberg Businessweek for the article āThe Steamy, Magical and Now Very Lucrative Romantasy Businessā by Hannah Miller and Madison Muller.
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Summary: Ozai has been imprisoned for several years. But he refuses to be forgotten. The Fire Lady pays him a visit, to let him know who rules the Fire Nation now. For @zutaraweek 2026 Day 5: Legacy.
Tags: Language, mild violence, threats of violence
Thanks to @witchlingsandwyverns for the beta read!
Read on AO3 or under the cut:
Ozaiās prison is a strange place.
The room is stately, not overly ornate but with touches that could almost make one forget the room was buried leagues underground and divided by iron bars as thick as a manās wrist.
Almost.
Katara knows whose boundless heart is responsible for the thick red woven rug, the full bookcase, the tapestries on the wall.
With a nod to the guard, she slips into the room.
Ozaiās pulse is steady but his blood is thick and sour - a stagnant, burned-ash taste.
The former Fire Lord regards her quietly a moment, then turns away to stare at the far corner of the room.
Kataraās face is frozen as ice, as tranquil as a still pool. She moves to stand before the bars, the rug on this side of them just as thick as the one in Ozaiās cell. There is an empty chair placed to the side of the room. Katara does not move toward it. Measured, she clasps her hands in front of her.
The layers of her kimono are heavy - the deep blue of an afternoon storm. Painted on the skirt are black-grey crags of volcano-built mountains, scattered with the white blossoms of cherry trees. On each hanging sleeve is a pelican, wings outstretched. Across the obi is a curling dragon in threads of silver. The land of the Fire Nation, cloaked in storm blue.
Her hair spills heavy down her back, except for the phoenix-tail, a mirror to the one her husband pulls up every morning. And on top of it sits a crown - silver and sharp, the shape of a half-moon.
She thinks perhaps they will stand here in silence forever.
It is the first time she has laid eyes upon her father-in-law.
āWhere is my son,ā he finally asks. No, demands.
There is a small hearth with a fire burning, through some magic engineering of Toph and the Fire Nation builders no doubt. Candles and torches flicker in the room, lending it a small amount of warmth.
Katara knows Ozai cannot bend. The wisdom of the Avatar made it so.
It does not mean she forgets his hands and what they have done.
Ozaiās eyes are dark and angry. She does not drop them as she takes a step closer. āI forbade him from coming back here.ā
Ozai snorts, a flash of white teeth. Despite his still kingly manner, his captivity has left him unquiet. There are small spasms in his face, and his eyes do not stay in one place for long.
āYouĀ forbadeĀ him?ā He is on his feet now, silk black slippers on a woven rug. His robes are bloodred and hemmed with gold. They match his bloodshot eyes. āThe Fire Nation is truly fallen when a peasant commands the so-called Fire Lord.ā She hears the echo of a voice long ago. āOr was my son a coward, and sent his bitch wife to snivel in his place?ā
āI thought it was time we were properly introduced.ā
Ozai sneers. With a jolt, Katara sees the family resemblance. She hates him, as much as she loves her husband.
āI know who you are. Donāt think because I am imprisoned down here that I do not hear the cries of my nation. Youāre the lowborn whore who keeps my son in a thrall between her legs.ā
Katara lets herself be as cold as the winter tundra. All at once she knows she was wise to never come here before. āIs that all you have, Ozai? I get called worse from the penny papers. But none dare call me such things to my face. No, in my presence they address me as Fire Lady Katara.ā
Ozai spits, his eyes full of lightning. āMy son was always weak. Not only did he give away the Empire his ancestors built, he allows filth like you to kneel beside the throne.ā
Katara cocks her head, lets the crown on her head reflect in the firelight. āOh, I donāt kneel. Zuko had a second one made, so I can sit beside him.ā
Once, that look on his face would have meant a fiery death for all who beheld it. Now, Katara meets his stare, unafraid.
She has fought his daughter, and his son. Faced down his old loyal generals in trials and rooted out his warmongers from her court. It is one of the sweeter parts of her job - learning how to dominate selfish, evil men like him.
Ozai looks away. Katara can feel the jittery skip of his pulse. āI have nothing to say to you. Why do you pollute my room with your presence?ā
āI can do whatever I wish, Ozai. I am the Fire Lady. You areĀ myĀ prisoner. You serve at my pleasure.ā
āI serve no one!ā
āNo, you certainly never have. I wonder if there was ever one good thing youāve done your entire life.ā Katara ignores his rage, the pulsing vein in his forehead, the way he canāt decide whether to pace or tear at the bars with his hands. She allows him his tantrum. Captures a picture of him in her mind - the royal robes, the skin pale from lack of sunlight, the shifty, bulging eyes.
āHe gave me permission, you know.ā
āPermission?ā The man growls.
āTo kill you. If the need arose.ā
He looks her up and down again, over the soft rounded shape of her robes, the silver brocade on her zori over white tabi, balanced gently on the carpet.
Ozai is a fool, so he sees no threat.
āWe talk about it sometimes,ā she continues. Most recently, lying in bed, touching silently as the shadows from the fire danced on the ceiling. Zuko had watched them a long time. Then he had faced her, eyes clear. Running a nation often led to these sorts of macabre bedtime topics. She had held his hand and he had been resolute. Decided and wholly sacrificial. As usual. āHow to do it. Whether itās best to leave you here forever, or just send a quiet assassin. Or we could have you paraded through the streets before dropping you into the ocean with a weight around your ankles.ā She hopes it is obvious which are her ideas. āThe Earth Nation delegates have been particularly creative in their suggestions over the years.ā
Ozai seems paler. āHow dare you threaten me.ā
Katara sighs. Sheās played with him long enough. āZuko survived your assassination attempt, as Iām sure you know by now.ā Ozaiās left eye twitches. He turns a little green. āActually heās rather annoyed that they singed his favorite robes.ā
She watches him, the fire doused in his eyes.
Itās a struggle to stay calm like this. Katara has a hole inside of her chest - fifteen years of war, a childhood stolen from her. The broken, scarred world he had left behind for his child to clean up. And more recently, the searing fire aimed directly at Zuko and the look on his face before her water was crashing around them, before she could even think.
When it all begins to overflow, something takes hold of her, the deep well of anger that she is afraid sometimes has no bottom and no end. And it all begins with the man in front of her, scowling and petulant.
āOh, youĀ didnātĀ know?ā She asks, amused. Katara is not above being petty. āYes - one of the benefits of having aĀ lowborn bitchĀ of a wife is she is also a powerful waterbender. Iāve been fighting firebenders since I was fifteen years old - the second rate assassin you sent for him was almost insulting.ā
She is surprised to see him wilt.
Strong shoulders drop as he grabs an iron bar of his cage in his hand, staring at it hard. Sheās sure at one point he could have burned through them. Wonders what it feels like to have the bending pulled out like a bone.
She realizes this was it - that was the best he could do to scratch back at them - coordinating through walls and whispers. His time of influence is slipping away. And now he knows it.
Katara willĀ notĀ be moved. In her mind she holds the picture of her husband - his soft eyes, the white skin mottled by a wound that transformed him.
āThis is the second time you have sent someone for Zukoās blood. Tomorrow, you will be brought before the Fire Sages and made to stand trial.ā
His face flushes red in the dark room. āI donāt answer to you. My people would revolt.ā
āThey are notĀ yourĀ people anymore. They areĀ mine, and I will care for them more than you or your ancestors ever did.ā
Ozai paces like a tiger in a zoo. āTell my son he is a coward, and brings shame upon himself by not passing the sentence himself.ā
Katara breathes deep. Steps forward, close enough to feel the cold of the iron between them. Gently, she rests a hand on her stomach, the silver thread of a twisting dragon under her palm. āZuko has other things to concern himself with. The Fire Nation will soon have an heir.ā
Ozai is fast. Despite his years here, his hands still carry the remembrance of violence. Theyāre hard on her arms, fingers digging bruises into her skin. He pulls her tight against the unforgiving metal bars, bones forced against hard steel.
His breath is sour and his eyes are black. Murder is in them, in the hard promise of his hands. āYou are the usurper of my throne. You would make a fool of my son and put a waterbender on my throne and laugh at my memory.ā He pulls harder, and her forehead presses against metal. āYou are a fool as well, thinking I am powerless without my bending.ā
This far under the earth, itās harder to sense the silver of the moon, the tides pulling to and from the ocean.
But not impossible. Katara is powerful.
āYou donāt get to hurt me any longer,ā Katara whispers, her eyes ablaze.
Ozai grunts. His eyes go wide. His muscles shake, and the vein in his neck bulges. With a cry, his fingers loosen their rough grip of her arm, peeling back to reveal wrinkled silk.
The large, looming man stumbles back, muscles twitching and awkward, like a marionette. His face is full of fear.
āWhat is this?ā he screams, his face red.
With the gentle command of her fingers, the Fire Lady drops him into his upholstered chair and he rocks back in shock.
āBe thankful of my mercy. I could make you kneel. I could make you stick your head into the fire. But instead you will stand trial, in front of your former people and the world, as it should have been at the beginning. The Avatar will not intercede on your behalf, Ozai.ā
Katara lets her heartbeat slow. He looks at her, all shock and feral rage. With steady hands she brushes out her silk robes. She wants to weep again for the child he tried to destroy with those hands. There are bruises on her arms she will heal before she returns, so her husband does not have to see.
It was worth it, though. She came to let him know who runs the Fire Nation. Thereās a mother, crouching in the snow, whose memory still cries out for justice.
She walks away from the man who would destroy the world. But just before she calls the guards, she lets herself turn back and look at him one last time.
āYou have hurt every person I have ever loved. The best thing you ever did for the world was to banish your son from your horrible presence. I thank Tui and La every night that the wide oceans carried him far, far away from you. And now? Our child will grow up in a world without you. She will only know a father who loves her, a father whose hands are only ever gentle. And you will never, ever be able to hurt her.ā She looks at him one last time. She has done what she promised - to the little girl without a mother, to the child growing within. She has brought peace to the world. And there is no room for old monsters anymore.
āWe will see you at your trial, Ozai.ā
Katara knocks on the metal door, and leaves Ozai to the spirits.
just finished this month's book club book, went skimming goodreads reviews afterwards as you do, got my breath taken away by this absolutely brutal ending to one of the multi-paragraph 1 star reviews
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And never forget that one of the reasons so many Jewish-Americans contributed to comics is because of the antisemitism in much of the creative sector in 20th century America. Many of these highly skilled and creative people ended up in comics because they couldnāt find work in more prestigious and lucrative fields.
also the same reason so many of them worked in the motion picture industry when it first began; working in film wasnt a respected line of work, so it kinda became a jewish culture, and when film unexpectedly caught on, upper-middle class white christians were quick to erase the jewish influence that the film industry had.
also similar to the reason why so many jews in the past millennium worked in finance- in the 1100s it was considered sinful in the christian church to handle large amounts of money, so banking in western Europe was kind of the only profession in which Jews were guaranteed a secure income. because banking was a Jewish thing because it was sinful, when it became a respected profession, the upper-middle class and elites were quick to smear the Jewish involvement in banking as an evil conspiracy to control the world
gonna add real quick that two Jewish men actually created Batman. Bill Finger was uncredited for years, but he is responsible for Batmanās look, backstory, personality,, setting etc. Bob Kane is responsible for the name and thatās pretty much it.
āIn fact, nearly all the great superheroes were created by Jews: Jerry Siegel and Joe (Joseph) Shuster created Superman, Joe Simon and Jack Kirby (Jacob Kurtzberg) created Captain America, Bob Kane (Robert Kahn) and Bill Finger invented Batman, while Kirby, together with Stan Lee (Stanley Martin Lieber) produced a particularly impressive line of heroes such as Spider-Man, The Hulk, the Fantastic Four, Iron Man, the X-Men, Thor and the Avengers. ā āSupermensches.
And more superheroes than those had at least one Jewish creator. For exampleā¦
Aquaman? Created by Paul Norris (not Jewish) and Mort Weisinger (the son of Austrian Jewish parents) in November 1941.
The original Batgirl (spelled Bat-Girl), Betty Kane? Ā Created by Bill Finger and Sheldon Moldoff in 1961.
Dick Grayson, a.k.a. the original Robin? Created by Bob Kane, Bill Finger and Jerry Robinson in 1940. And yes, Robinson was also Jewish.
Green Arrow? Co-created by artist George Papp (not Jewish) and writer Mort Weisinger.
Alan Scott, the original Green Lantern? Bill Finger and artist Martin Nodell (the son of Jewish immigrants).
Wolverine? Created by artist John Romita Sr. (whoās Italian) and writer Len Wein (whoās Jewish).
Jubilee of the X-Men? Created by artist Marc Silvestri and writer Chris Claremont. Ā Claremont is Jewish on his motherās side.
Black Canary? Created by artist Carmine Infantino and writer Robert Kanigher (son of Romanian Jewish parents) Ā in 1947.
Sam Wilson, a.k.a the Falcon, and Captain America in some continuities? Stan Lee and Gene Colan (whose family name was originallyĀ āCohenā).
TāChalla, the Black Panther? Created by Stan Lee and Jack Kirby.
Itās surprising how many superheroes have Jewish roots.
Iām surprised nobody has mentioned this already but a jewish man also invented what we now call graphic novels. His name is Will Eisner and the most prestigious comic book awards were named after him. He drew the Spirit comics as well as many graphic novels like A Contract with God, New York: The Big City and many many more.
He also wrote and illustrated two books about making comics and sequential art.
He was a fucking genius of visual narrative, character design and ripping your heart out with his stories.
[Stomping around the kitchen talking into a landline phone] Oh, look who came crawling back. You nevah call, you nevah write, but now all of a sudden you've got time for your poor, sick mother. What kind of trouble did you get yourself in now? Was it that wizard and his tomes again? Oh, no, I don't wanna hear it. I don't wanna hear about any "unspeakable curse" or any "demon runeblade" or any "infernal demon-knights of Kal'Nurothas" or whatevah. You're just like your fathah.