🌀WiiiLd_StOrm🌀

There are going to be days (or weeks, or months) where you sit down to write and feel... disconnected. From your voice, from your characters, from your ideas. Like the person who used to write your stories just packed up and left.

They didn't. They're just tired. Here's how to keep writing anyway:

Lower the bar (Until it's on the floor) You are not here to write something brilliant. You are here to write something. A paragraph. A sentence. A single line of dialogue. Movement matters way more than quality.

Write around the story Don't force it. If you can't write the scene, try: ⋆ A character ramble / journal entry ⋆ A conversation that won't be included in the final draft ⋆ A list of things the character would never admit out loud ⋆ A messy summary of what should happen Engage with the story from a different angle.

Borrow a voice until yours comes back No, not with AI. Read something that feels close to what you want to write, or watch a scene that captures the tone, then write immediately after. Not to copy, to reignite your instincts.

Write the emotion, not the plot. What is your character feeling in this moment? What are they afraid of? What do they want but won't say? What's being kept from them? The emotion leads, the plot catches up later.

Stop trying to "feel like a writer" first. You don't write when you feel like a writer. You feel like a writer because you write.

Finally gathered my thoughts on the new Avatar movie, and my only question is: why did this "legend of a fancy, empty fanservice shell" even exist?

The movie was doomed at the execution stage of its concept and script.

The creators had a bulletproof foundation: one of the most masterfully written shows in television history (Avatar: The Last Airbender), the canon comics, and The Legend of Korra, which already showed us the characters aged, with children and grandchildren.

And that is exactly why the idea of focusing on "Aang’s struggles and rebuilding the Air Nation" feels entirely redundant.

1. The Redundant Arc and Zero Stakes

We have already witnessed Aang’s grief, guilt, and pain over his people’s genocide throughout the original three seasons. That arc was closed and beautifully processed. The comics already showed the Air Acolytes, and TLOK put a definitive period on this storyline by bringing back actual airbenders.

Because we already know the future, the audience has absolutely nothing to worry about:

* We know Tenzin and his kids will remain the only airbenders for decades.

* We know exactly how long the main characters live.

* We know the fate of their families.

There are no stakes. Will they die? No. Will the future change? No. The answer is already known, making the entire narrative arc completely empty. We didn’t need a movie-length repetition of Aang’s trauma just for the sake of it.

Merely drawing pretty, adult versions of the characters is not enough to make a good movie. A film needs a core conflict, meaning, and a fresh idea.

2. Fanservice Wrapping, Empty Inside

If we look at this film as a standalone (even though almost the entire audience consists of old fans), it is hollow. The characters aren't explored; their screen time adds nothing substantial to their personalities.

So, why does this movie even exist?

* To force-feed us the Kataang canon?

* To show off Aang’s bizarre, unrealistic new design with a mountain of muscles that makes zero sense for a vegan monk with his lifestyle?

* To make him look like a self-insert of the creators who desperately need to force the audience into loving him?

The creators seem so attached to Aang as their self-insert that they still cannot accept that he never became the most beloved character in his own show.

So adult Aang is redesigned to be as conventionally attractive as possible. Broad shoulders. Huge muscles. Constant shirtless shots. A heavy emphasis on his romance with Katara.

The message feels almost painfully obvious:

“Look at him. This is the hero you’re supposed to love. This is the man you’re supposed to admire. This is the man Katara is supposed to be obsessed with.”

Seriously, it felt like watching a high-budget fan-animation for a mediocre Kataang fanfiction. It is so primitive and cheap how Katara throws herself at Aang’s neck in almost every scene, completely stripped of her independence. Worse entirely, Aang risks her life for the sake of his own elusive, idealistic hopes, making him the absolute worst partner imaginable. Then again, knowing what a terrible, neglectful father he turns out to be in TLOK, his toxic selfishness here isn't even surprising. What is surprising and deeply frustrating is how the creators force Katara to blindly love THIS and submissively accept whatever crumbs of attention or respect he throws her way. Once again, Katara is reduced to being a mere appendage to the Avatar—a disservice they already started in TLOK.

3. The Nerfing of the Gaang

The rest of the characters fared no better.

Everyone feels like an extended cameo rather than actual living characters.

* Sokka:The brave warrior who wasn't a bender yet stood tall against firebenders amplified by Sozin’s Comet is gone. Instead, we got a cowardly, quirky inventor making stupid jokes. He’s a parody of his former self.

* Toph: Completely useless to the plot. She is just there.

* Zuko: Just a pretty cardboard cutout who lost all of his signature charisma. He isn't even necessary to the plot. Not to mention the sheer stupidity of the writing: the literal Fire Lord, ruler of an entire global empire, is casually piloting a zeppelin completely alone—no crew, no royal guard, as if he has absolutely nothing to manage in his own country. And watching the Fire Lord personally repair a ship... God, it looked so incredibly braindead.

The creators literally removed his chest scar and gave him zero meaningful interaction with Katara.

The authors' eternal fear of the Zutara fandom is honestly getting hilarious at this point.

It is especially glaring how they tried to deflect attention: "Quick, let's throw in some hints for Zukka, and let's have a half-naked Zuko catch Toph!" It’s a desperate attempt to distract Zutara fans, as if stuffing the movie with "cute" Kataang scenes wasn't enough to stop people from even thinking about Zutara. They feel so deeply uncomfortable with Zutara's mere existence that they have to forcefully shove Kataang down our throats while aggressively trying to erase any trace of Zutara.

4. What We ACTUALLY Needed to See

Instead of retreading old ground, the movie could have explored the massive blank spaces in the lore that actually lead into the future we know:

* The Birth of Republic City: Show the first rise of social inequality. Show how Aang failed to solve this issue, leaving it as a heavy mistake of the past Avatar for Korra to fix.

* The Bloodbending Ban: Give us a real story about why Katara had to ban it. Show us why it couldn't even be adapted for medical use. The canon ban still feels unconvincing—sub-bending is potentially useful, and even lethal lightning-bending wasn't banned but redirected for the public good.

* Characters with Unknown Fates: Give us someone to actually worry about! Where is Azula (did she redeem herself or is she still a threat)? What about Ty Lee and chi-blocking leading into the Equalists? What about Mai?

* Suki's Tragedy: Address the theory that Suki died young. It would perfectly and tragically explain why Sokka ended up alone and never started a family—losing two girls he loved could be his personal curse, making him close his heart to risk.

* Kanto: We could have been introduced to the mysterious Kanto as Toph’s future love interest—someone serious, with a personality resembling Lin, so the audience could see something familiar in him.

* King Bumi: Even showing old King Bumi sacrificing his own life to protect the heroes would have been better, so that the name of Aang’s firstborn finally received a powerful emotional justification.

But no. Instead, we wasted time on things that had already been said.

The Bitter Truth About the Creators

It is glaringly obvious that the people who made ATLA deeply emotional and complex were missing here. It was Aaron Ehasz and the brilliant room of writers who gave the original show its soul, layers, and emotional maturity.

On the backbone of that collective work, Bryke built a sequel franchise that proves once again: on their own, they simply do not know how to create something truly great.

It’s a shame so much money and years of work were wasted on this hollow fanservice. People will not be analyzing the depth of this movie years from now like they still do with the original ATLA. Because there is simply nothing to analyze.

The north should have tought Katara waterbending regardless of gender roles as an apology for never stepping foot in the south pole.

I finally finished it...

I think I redid it like 4 times, and I still not satisfied with the end result, but to this point I'm tired,

maybe I'll redo it somewhere in the future, who knows ¯\_(ツ)_/¯

i left out their username but man i hate this

They talked about cultural differences?? Really??? I laughed so hard 🤣

Do they realised that air and water are different too?? That their cultural are completely opposite???

Water tribe people killed animals for food, furniture, clothes, etc. That's their culture! Air nomads don't killed animals, even a fly, for any reasons, they're vegetarian. That's their culture!!

There's nothing wrong with both cultures, but if we think about it with sense, can two people with extreme cultural differences marry and accept each other's cultures easily?

No, it won't be easy. Katara and Aang got married without any problems about cultural differences because Bryke were the writers!

Do they know that Aang/Kataang stand was aware about it and wrote this???

Do they even realise that in canon Aang doesn't really like Water Tribe culture?? Yes, that's CANON!!

Katara : Bato, it looks like home! [Bato, Katara, Sokka, and Aang file inside.] Sokka : Everything's here, even the pelts! Aang : [Sarcastically.] Yeah, nothing's cozier than dead animal skins.

Katara : [Surprised and delighted.] No way! Stewed sea prunes! Bato : Help yourself! Sokka : Dad could eat a whole barrel of these things! Aang takes a bowl of stewed sea prunes and sniffs it, but looks away in disgust and sets it to the side.

Aang : Hey everyone! Sorry I was gone so long. Katara : [Turns to face him.] Hey, Aang, I didn't notice you left. Aang : Yup, but now I'm back. [Sitting down.] Sure could go for some delicious sea prunes! Aang quickly takes some bites of sea prunes, but chokes them back up, yet he pretends to enjoy them. Katara, Bato, and Sokka look at him strangely.

Hama : I wanted to surprise you! I bought all this food today so I could fix you a big Water Tribe dinner. Of course, I can't get all the ingredients I need here, but ocean kumquats are a lot like sea prunes if you stew them long enough. Aang : [Sticking his tongue out in disgust.] Great!

Aang : [Whispering to Toph.] I'd steer clear of the sea prunes. Toph : I thought they were ocean kumquats. Aang : Close enough.

Oh, btw, An ocean kumquat is a small, round fruit often consumed in the Fire Nation. That's close enough with sea prunes, water tribe cuisine.

When Aang doesn't like water tribe cuisine, I can imagine Zuko and Katara having dinner, sharing water tribe and fire nation dishes and they enjoying it because it taste similar. 😂

Fire and water are the opposite elements, that's why they are compliment each other.

Yin and Yang shows a balance between two opposites with a portion of the opposite element in each section.

Remember what Iroh said about the elements? Let's see if fire and water don't mix together, especially for Zuko and Katara.

"Fire is the element of power..."

"...The people of the Fire Nation have desire and will, and the energy and drive to achieve what they want."

"Water is the element of change..."

"...The people of the Water Tribe are capable of adapting to many things..."

"...They have a deep sense of community and love that holds them together through anything."

Young Zuko : [Zuko is shown standing up.] You can't sacrifice an entire division like that! Those soldiers love and defend our nation! How can you betray them?

Zuko and Katara would bicker and not get along well, they said?? Really??

Every time Katara is mad, Zuko just silent and listen to her. Even when they're still enemies!!

Oh, btw, Katara not 'always' threatened Zuko to kill him if he hurt Aang. It happened once. She is still mad at him not because of Aang, but because he betrayed her.

That's personal to her, she is mad not because he hurt someone else but he hurt her. I mean, if she really mad at him because of Aang, why is she connected her anger at Zuko to her mom, not Aang (again)?

And after this moment, after Katara by her own choice, forgives Zuko, do Zuko and Katara always bickering and not get along at all??? No, they're not!!

Zuko gives Katara advice, Katara listens. Katara gives Zuko advice, Zuko listens.

They reassure each other at a very important moment.