(I understand any confusion! If you canât find a specific fic just send me an ask with the title and Iâll tell you where to find it/give you the link **and a description in the ask would be great because I donât typically remember the titles**
The College ADHD hack thing
Hotchniss
Hotchgan(Mortch)
BAU FAMILY
Hotch-centric (AUs/Backstories)
Hotch Dynamics (Hotch + certain character interactions)
Head Cannons
List 1
List 2
Whumptober
âLetâs Hang Out Sometimeâ
âGet it outâ
âI think Iâve broken somethingâ
âPsych 101âł
âBreathe in and breathe outâ
#MoreHotchContent2020
The Gift: Dad!Hotch
âA Hugâ: Emily & Hotch get hurt
School: Dad!Hotch dropping Jack off to school
Drive-By: Garcia kisses a distracted Hotchâs head
Cancer AU: A Cumbersome And Heavy Body
Chapter One: Tired of This Body
Chapter Two: Impatient They Start, Fearful at the End
Chapter Three: I'm Treading For My life, Believe Me
Chapter Four: How to Disappear Completely
Chapter Five: They Told Me That The End Is Near
Chapter Six: Looking In Their Eyes When Theyâre Down
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Fully understanding that Foyet was stalking Hotch and that to attack and kill Haley in their home is a very deliberate, pointed act⌠it woulda been way cooler in a Walmart parking lot. Foyet was already stalking Hotch so he probably had a camp set up nearby Hotch's apartment. It would make sense that even in a city, the two of them could end up at the same gas station or Walmart at the same time. And Walmart parking lots are basically just arenas for a good old fashioned fist-fight anyway.. Hotch is a sophisticated man, he would drop whatâs in his hands and take the fight to the parking lot and I feel Foyet probably isnât going to walk away from a chance to publicly kill Hotch, if thatâs the way this fight goes.Â
And at ten oâclock, whoâs working the Walmart but mostly high schoolers? So imagine Hotch and Foyet both trying to desperately beat the other to death while a group of high schoolers, all trained for a moment like this, with their phones out, taking sides on which one of the two bloody men is the one that deserves this
Oh, Sinnerman by @whump-town
Chapters: I. II. III. IV. V.
The old woman shakes her head, âIâll be damned if you donât look exactly like that family, though. Could fit right in. Exactly like the daddy of that bunch, spitting image.â She shakes her head and turns to JJ. âMeaner than a snake, that olâ bastard. âBout beat the skin off his oldest more than once. Why if I hadââ.
Hotch clears his throat, and suddenly his collar is too tight. âSorry,â he apologizes immediately. Old habits die hard. Sorry was the first word he ever learned.
saw the hotchgon and was craving hotchniss after đĽšđĽšđĽš
I have seen more than one request for Hotchniss in my inbox and I swear to god I have been thinking about writing it for ages but I am sometimes very slow and very unmotivated... nonetheless, here we are --
Ask
Hotch gets shot, Emily has too much time to worry
Word Count: 5k
This is already on A03 if you'd prefer to read it there!!
Emilyâs been conflicted. Uncertain about the one thing that she knows without a question of a doubt. Thatâs the problem with knowing the right answer but not having the bravery to do the right thing. Is this the right thing? There isnât even such a thing. No way to know except when itâs somehow obvious, but only when itâs wrong. How would Emily even know if this was right? It only appears right, but mirages exist solely in confoundment, in the vulnerability of need.Â
Hotch leaves socks everywhere. His nightstand always has at least three glasses of water and various other things stacked atop its small surface â Hotchâs glasses precariously at the top. He shaves in the sink and âcleansâ it but thereâs always little hairs everywhere. He uses three-in-one soap in the shower. Snores. Hogs the covers. Sweats in his sleep.Â
But⌠Emily has never needed Hotch, heâs always been there. She couldnât explain the feeling because it isnât just one. Itâs like a live wire connects them, courses from one of them to the other in a constant exchange of energy. Which makes it a physical matter, her body knows his well in this exchange of equal parts. She had felt a disturbance in her chest, like her heart couldnât quite work as well as it wanted, before she had found Hotch in the hospital after Foyetâs attack. Her body stung with the burns from the near severance, the entry and exit of burning high voltage through delicate skin. The wire throws sparks, sizzles and arcs a bright white heat but it stays connected.Â
Toe to toe, lip to lip. A give and take of equal parts, understanding until her hand moves to the sore spot on his side or his rough thumb exactly where the throb is in her head. The shivers of desperation and adrenaline, cold lips. The smell of sterility and medicine. The taste of salty tears or copper blood. Love in only desperation, love without bravery and dedication. Love as it exists rawly.Â
She knows that he loves her. It soothes her aching heart just a little to consider the warmth. The way that he extends his fingers out to her, waiting for her to take hold of him. Never speaking, never needing to. He looks at her the way no one else ever has â understanding her. Knowing what she wants, how she needs it. There is never a hint of annoyance, of inconvenience. He wants to love, and god Emily hopes sheâs shown him the same.
He could die and she will never know or he may live and she still doesnât know how to change it. Mostly, she canât.Â
She sits. Pacing becomes taxing, her legs now trying to shake embarrassingly with adrenaline now useless but ever present through her. Reid doesnât seem to mind that she chooses the chair beside him. Heâs chosen to sit right beside JJ, and now Emily is forced to hear the trance-like information in his dry, never fluctuating monotone as if all he is stating is merely facts. Devoid of the attachment they all know Reid has for Hotch. But Hotch has been on blood thinners for years, all kinds of medications that Spencer could recall with incredible accuracy and no hesitation to bridge the gap between prescription names and the duty they fulfilled. These things accounted for how Hotch had panicked, why he had fought them so ceaselessly as they tried to slow the rapid dumping of his blood onto the floor. He was in shock.Â
The team is already in shambles. Uneasily, none of them know where or how to stand by each other. Trust is such a delicate thing, such a tricky feeling to have alongside love. And thatâs what the problem is â love. And if Emily dying and now suddenly being alive was not challenging enough, Hotch has made it worse. Heâs made it impossible to feel petty. Forced open again were the roles they know instinctively with one another. Reid and Morgan had kneeled down beside one another, calling to JJ for help on the radio as Hotch lay crumpled on the floor. It didnât matter that Hotch had lied to them, his warm blood spreading beneath their fingers had warned of distance with permanence. He wouldnât be across the ocean this time, technically only one emergency phone call away. And so they placed their hands over the wounds, trying to ward off the black closing in Hotchâs vision.
Itâs haunting imagery even as Reid recounts it so factually.Â
Somehow, it makes the doctorâs news go down more smoothly. Emilyâs thinking about how the surgeon looks very much like a nonsense kind of military guy, seems very trustworthy, like the perfect guy to be working on Hotch. It takes a moment to hear the doctor and she frowns, âwhat?â
âWeâre going to take Agent Hotchner up to surgery but the operation room wonât be ready for another twenty minutes.â The doctor says this slowly, watching Emilyâs face still mixed with confusion. âHeâs asked for you, I can take you back to his room.â
They go just down the hall, turn and the doctor motions her forward into a room. Fidelity, Bravery, Integrity â not a single trait she possesses at this moment. Professionalism stripped. Masks out of place. The fear of losing Hotch sits immensely on her chest, enough that she canât stand the reality of seeing him. Had he faltered in her doorway like this? Too afraid to see her attached to machines, in moments so intimate and tense Emilyâs mind has wiped them from her memory. It scares her that she might see through him here, feel his weak heart and his dying breath.Â
Still, she canât resist seeing him. Emily has spent so long without them all but even now Hotch feels so far away. She can see that parts of him are not here, have not arrived yet from the plane overseas. Maybe he can see that about her too.Â
Emilyâs stomach sours at the familiarity of the sight of Hotch laying still. His head turns ever slowly towards the noise at the door, his lips cracking upward feebly. Unable to stop herself, Emily smiles at Hotch.Â
âEmââ he mouths the rest of her name and Emily moves faster to him, around the other side of the bed to take his cold, clammy hand. He opens his mouth again and Emily presses her lips to his, preventing his voice from catching on her name. The oxygen canal under his nose is wedged between them, plastic digging into the skin of their faces but deterring neither. Emily moves just enough to touch her forehead to his, their breath hot against the otherâs face and still Hotch tries to tip his head up. âEmily,â her name is so loose on his tongue that itâs no better gargled out but itâs herâs.Â
âShh,â tears finally fall down her face and Emily stands back up, hearing the distressed noise that leaves Hotch. She wipes her eyes and when her hands move from her line of vision, his pale fingers are stretched up in search of her. Emily doesnât think about taking his hand, wrapping both of hers around his, so gentle and mindful of the wires and lines poking under his skin and monitoring his body. His grip is delicate but desperate, her own possessive.
They say nothing. Tears wedge from the corners of their eyes. Uselessly, Hotch opens his mouth and weakly his voice tries to obey his mindless command to say her name. It seems the only thing heâs capable of, the only thing he needs or wants to say. She brings his hand to her lips, first to kiss and then gently pressing a little bit of warmth back his fingers. Emily holds his hand to her face, closes her eyes and relaxes into the feeling of his fingers gently spreading to touch her cheeks, the corners of her eyes, her nose.Â
Overcome by some sort of sorcery, Hotch lies perfectly still, his unseeing eyes are aimed at Emily, fingers loosely woven in herâs as the doctorâs prepare to take him to surgery. Emily knows any sort of separation between them would snap him from wherever heâs sunken to, because she knows heâs only kind of here with her. Tethered by the curl of her fingers around his. She watches his eyes sink as sedatives swirl into his IV, the moment that he becomes tired and fights it.Â
Irritatedly, Hotch tries to shift and he groans, not feeling pain, but his body is still aware of the injury. His fingers clench and Emily steps a little closer, watching his face as she holds his hand tighter, their palms together. His face relaxes against his will, eyes sinking and hardening in intensity for the briefest moment on her.Â
âDonât goââ he chokes out, she feels a fleeting strength in his grip on her hand. Where his fingers press into the skin of her hand, trying to keep her here. Thereâs a sharp clarity in the request, in his eyes. He knows what comes next, knows this feeling, he wants to wake up and find her here. He wants her holding his hand. He wants⌠her.
âIââ her voice is no stronger than his, it breaks more tears from her eyes. I canât â but she can. She could. Emily is here now, she could be here when he wakes again. She stands watching him watch her, the neverending stream of tears following the soft lines of age in the corners of his eyes. Stray tears that slide down the tip nose. But sheâs not brave enough to love him like this when heâll remember.Â
âEmily.â
âRelax,â Emily manages, her voice wet and suddenly Hotchâs hand is so very heavy. âYouâre going to be fine,â she says gently, moving her grip to hold the weight of his arm. Mirroring tears fall from their eyes as weakly Hotch tries one last time to speak her name. Only his lips move, his eyes on her until they finally shut, tears falling down his face. His fingers give a twitch and Emily squeezes his hand back quickly.
She canât let him go. His hand is limp in hers, tears that Emily caused are fat and damp on his dark eyelashes. She hears the doctors and nurses preparing to move him, she knows she needs to place his hand back on the bed, but she holds it. Maybe he is still awake, still fighting desperately to twitch his fingers again, to move his slackened lips to form her name. She squeezes his deadened fingers and this time itâs his name that goes unanswered. âAaron?â Emily reaches to touch his face, not hearing a nurse trying to direct her out. âI love you,â mindlessly, Emily brushes a tear from his eye. âAaron?âÂ
It feels as though there is nothing to say. Dreadfully, aimlessly Emily walks back to the waiting room. The floor⌠the walls⌠tile⌠She moves on feet that just seem to know where to go because her head is empty. Stuffed, almost, with soft cotton like a doll. She can feel the soft, dry edges touching her skull. Maybe itâs just bellows of smoke, nothing solid at all but graciously containing quantities of heat in bursts.Â
Whatever it is â it hurts.
â----------------
The knife bites under the side of Emilyâs chin and burns where her skin splits under the blade. Blood rushes in her ears, drowning out Ianâs grumbled monologue, the hairs on her arms painful pinpricks. Ian stays close, his hot breath burns her cold skin as he breathes her name, Lauren, against her neck. He comes up, lips brushing above the bleeding cut on her jaw, to her ear. Emily can hear Ianâs smile as he whispers into her ear, making her twitch, trying to flinch away from proximity. âThat looks like it hurts.â
Emily takes a shuddering breath, stills herself, and looks over to Ian. Her lips tight, her voice hissing as she reminds him, âYouâve done worse.â She looks into his eyes, unnerved by the knife point touching her skin at one sharp point. Ian had hurt her worse, putting his hands on her too many times to count. Their relationship was always real, regardless of the details. Years ago, she loved him too much, stood in his kitchen with tears in her eyes, glass shards in her hair, and around her feet. Ian would come back a few days later with purple lilies the same shades as her healing bruises.Â
Ian smile sours, twists into a snarl. He grabs the back of Emilyâs hair, jerking her head back, and Emily shouts at the sudden strain, her toes pushing at the floor as much as she can as he pulls for her to move further than she can. Ian puts the knife back against her throat, against where her throat bulges at the angle, but Emily doesnât look away. There is no fear. Sheâs not afraid of him. When Ian sees it, he releases her with a chuckle. Emily rocks back down with a thud, she leans forward, dropping her hair over her face as she wills her tears to go away. She canât cry. She canât.
Ian crouches down in front of her, putting his hand on her knee and guiding it up until heâs touching her side. Heâd bound her arms and legs to the chair, knowing how clever his Lauren could be when presented with a challenge. He just looks at her, taking his time, she canât go anywhere. Ian reaches up from her side and touches her cheek with the back of his hand. He smiles when she leans her head away. Shaking his head, Ian sighs. âI wasnât talking about you,â he says sweetly. Sheâs startled and doesnât flinch when he reaches up to push his hand through her hair and hold the side of her head. Bringing her close to him. âI know what you can take, Lauren.â Emily flinches as Ian stands too suddenly, his hands coming down, and grabs the sides of the chairs and jerks her around. âI was talking about him.â The spin startles her, making her unable to gather her bearings for a moment. Staring through a spinning room full of black dots, it takes her a moment to realize what sheâs looking at. Who sheâs looking at.Â
Laying semi-conscious on the floor in front of two of Ianâs men is Hotch. Emily tries to keep a straight face, seeing his drained complexion and his mouth hanging open to suck at laborious breaths while his eyes rest aimlessly on the concrete below. Â
Ian gives a silent gesture and the men nod, hauling Hotch upright. One grabs Hotch by the hair, pulling his fallen head up, and places the blade under Hotchâs chin, drawing blood.Â
Hotchâs face is pale, white and his throat bared to her as one of Ianâs men holds Hotch upright by his hair. She can see the whites of his eyes. Hotch makes a small sound, a ragged breath, and Emily watches his eyes move. But his efforts get him nowhere, his chest moves faintly with his shallow breaths, his blood just keeps rushing down his front. His pants are soaked. The floor's puddle is only growing. Heâll bleed to death, Emily realizes. He's going to die. Stop. Stop. Stop. Emily sets her eyes forward. Ian starts talking again but she can hardly think, let alone hear. Foyet had Hotch for an hour, at least. Video footage, sheâd watched it all, and Hotch had survived each slow-moving second. Survived. She glances over at Hotch again, watching his eyes slowly roll forward again, his consciousness fleeting but there. Still there.
Caught in Hotchâs deadened glaze, Emily sits perfectly still. She canât look away from him. She watches blood trickle down his neck, slipping down below his collar to gather and soak into his shirt.Â
Ian says nothing. The man with the knife smirks and nods his head.Â
âNo!â Emily yelps but itâs too late.Â
Hotch clutches at his throat, not pain twisted on his face but confusion, and heâs looking right at her. His mouth opens and Emily tries to scream his name but she can make no sound, suddenly doesnât have the breath to. The men release their hold on him and Hotch falls limply forward, head hitting the ground, and he lays on his stomach.Â
Emily watches as he twitches and shakes, as the blood begins to puddle out and slowly stops.Â
It isnât until Ian steps between them that Emily truly believes whatâs in front of her.Â
âTell me where Declan is, sweetheart. Donât make his death senseless.â
Death. Hotch is dead. Heâs really dead. Emilyâs eyes rake over his prone form, waiting, until she realizes that he has fallen completely still. No longer shaking or twitching. Sheâs the one shaking, that she has snot and tears soaking her face. She canât look away from the back of Hotchâs head, all the short hairs on the back sticking this way and that. All Emily can feel is pain, bright and heavy from her shoulders to her stomach. The nevers. All the things that will never happen again. The fact that sheâs sitting here and heâs⌠and heâs gone and all she wants is for him to come back already. The weight of it sucks at Emilyâs air, her hope to live right now bled to death in front of her, and no matter how she gasps for it, every breath isnât enough.
âEmily!â Ian is in her face in an instant. âEmily!â
Emily suddenly finds her arms free and wildly, eyes pinched shut, blindly she swings at him. Her shoulders are grabbed and Emily jerks with the hard shake sheâs giving. Opening her eyes, Emily finds herself inches from Dave, his too-tight fingers holding onto her arms. âEmily?â
She blinks, eyes adjusting to the darkness in the room. Looking at Dave all she can think of is Hotch on that floor. Dave would be devastated, and Emily realizes sheâs still crying, still sucking at the air â sheâs devasted. Dave says nothing more, wrapping his arms around her and pulling her against his chest. His hand rests atop her head and he sways them gently. Emily clings to him, her fingers aching with her hold on his shirt.Â
âOh sweetheart,â Dave whispers, rubbing her back. âIâve been waking up in the middle of the night and worrying myself gray over that man for the last twenty-years.â Pressed against him, Emily can feel him take in a deep breath and shake his head. âShowed his age a little today, huh?â He shivers a little at the thought. Aaron had shuttered, laid there for moments far too long, too still. Even when Aaron had opened his eyes, his mouth had opened to and the only noise to leave was ragged, gasping breaths he took greedily like the air in the room had been thinned out.Â
Emily hides herself against him for a moment, knowing immediately that her dreams must not have been very silent. That she must have screamed for Hotch like she had tried in her dream.
âDo you want to talk about it?â
Sheâs there again in an instant, Hotchâs ashy face looking back at her. âNo.â Emily sits up, turning her head away as she wipes at her face with the end of her t-shirt. The weight of the grief is still there, itâs pressed and wedged itself up under her ribs. And any thought of it brings another wave of tears and she canât keep them at bay.Â
Dave looks at her softly, âalright.â He knows even if she wonât say â he doesnât know but he is correct in the educated guess heâs made. She was dreaming about Hotch, not a happy dream. âHeâs probably awake,â Dave offers, âold habits die hard.â
Hotch is an insomniac. The coffee he consumed never helped but Hotch is a nocturnal man, Emily knows heâd normally be awake. The hospital had released him with medication, cocktails of things that should certainly put Hotch to bed early tonight, but that is dependent on him taking them as prescribed and⌠Emily knows he hasnât taken them.Â
âThey checked him over good,â Dave reaches over and wipes a tear from the side of her face, âheâll be moving slow for a while, but heâs okay.â Dave pats Emilyâs leg, âmight wanna splash some water on your face.â
Emily nods and stops, narrowing her eyes a moment at the ground. She looks at Dave for a moment, compulsively going to question how heâd made the assumption she was going to leave their room and go look for Hotch, and then deciding better. She wipes at her face with her hands again and moves with Dave to stand. Her legs shake beneath her but Emily rights herself, finding them not weak just unstable. All of her is shaking. As she walks to the bathroom, Emily can hear Dave opening the hotel door, peaking outside.Â
He comes to the closed bathroom door and gives a soft knock, âHeâs getting something from the vending machine.âÂ
âOkay,â Emily says back. She doesnât look closely at herself, just under her tired eyes to make sure she really got her mascara off before. Checking the water with her fingers, Emily bows her head and splashes some water over her face, an immediately regrettable decision as she closes her eyes and there he is again. Pale bloodless face and all the whiteâs of his eyes. The back of his head and the cowlick he can never tame.Â
She canât keep seeing him like this.
Emily says nothing to Dave as she leaves, attempting to look inconspicuous without any hope. Nothing she has done in the last forty-eight hours has been very low profile. Most of the first day is blank. Vividly, Emily remembers the hospital but after she left Hotchâs room she had just moved like a robot. For the team she scraped together a few words, Hotch was conscious but too weak to speak. And then she went to the precinct, picked up all the paperwork she could find, and has been cooped up in her hotel room since. Which has been fine because Rossi has stayed at the hospital except tonight Hotch is in the hotel too, waiting with the rest of them on arranging travel plans in the morning.
Emily steps out into the cold and she sees Hotch immediately. Heâs at the end of the hall, leaning on the last bit of railing against the brick. She hasnât seen him since sheâd gone back before his surgery.Â
He looks better than he had before. Heâs back in his own clothing, only a t-shirt and what looks like pajama bottoms. Naturally, she thinks, he wouldnât think to grab a coat. Emily tries to make her eyes wander, she scans miscellaneous trash scattered along the ground, cigarette butts left nearby but seldomly within pots that likely once had flowers but not recently, but she looks back up.Â
Hotch backs up from the rail, holding onto his chest, and his head down.Â
Only a few steps away, Emily moves her foot out and nudges a flowerpot. She smiles when Hotchâs head snaps up. The pain is quickly hidden behind by accusing squinted eyes, âSneaking up on me?â
Emily rolls her eyes, âif you werenât goingââ
âWhat?â Hotch interrupts, loudly.
âNothing,â Emily puffs. She was going to say deaf, if you werenât going deaf⌠He should have heard her coming. He needs to get his hearing checked again. âNevermind. Whatâre you doing out here?âÂ
Hotch painfully straightens himself up and nods his head toward the vending machines humming in the alcove. âSnack,â he answers simply. âI could ask you the same,â he cocks his head to the side in a way that very much means that he is asking.Â
Emily hums, stepping around him, and nodding her head toward the machines â she expects that heâll understand her silence, as thatâs how itâs supposed to go â but he stays right where he is, that gloomy glare all the more frightening without any lights to soften it. âWhat?â she asks, finally.Â
Hotch shifts himself carefully, his hand never leaves the railing, âWhy are you awake?â
Emily huffs, âThat was not the question we agreed on.â
Silence.Â
More gloomy glare.Â
Emily sighs, âIâll tell you, alright?â She motions her hand toward the machines, âBut I need a snack first.â
Hotch accepts the bargain with a nod and his face tenses, jaw clenched as he drags himself forward a step, releasing his grip on the railing, his safety. The next step is stuttered, stiff â
Emily mutters and steps up beside him, wrapping her arm around his back. âThought you got shot in the shoulder, not the leg.â She can think of no better excuse to invade his personal space and Emily finds comfort in the feeling of the muscles in his back constricting and pulling. Emily canât help but look up at him, wondering if this is a good excuse in his mind too.Â
âIâm bruised head-to-toe,â Hotch manages slowly, wrapping his arm around her, each word spoken one by one. âMy head hurtsâŚâÂ
The sound that comes from Emily is wet, a little less dismissing huff than she would have preferred. She can just see his eyes losing their focus as he thinks, itâs half a laugh and half⌠not. His pain is unbearable, worse than her own somehow.Â
Hotch looks at her, steps not exactly moving in a straight direction and therefore reliant on Emily to keep them going forward. Drugs have made his tongue loose in his mouth, and without his normal filter, Hotch raises an eyebrow, âthat canât be why youâre awake.â
Emily repeats the noise and she can see itâs even more confusing for him, and still an unconscious confirmation. She rolls her eyes, âno.âÂ
âVery convincing.â
âNot everythingâs about you, Aaron.â Looking at him, Emily canât help but smile and he canât seem to help it either. Emily turns to the bright lights of the vending machine, slipping out from under Hotch. âI need chocolate. Whatâre you getting?â
Hotch leans against a machine, looking at his options. âPretzels.â
Emily makes a face but makes the selection, watching his treat fall to the bottom of the machine. Her eyes rake over the options, consciously ignoring Hotchâs even gaze on her.
âI have an appointment with an orthopedic surgeon Tuesday.â
Emily gets a Snickers, puts in the code, and bends down for the snacks.
âIt was a relatively clean shot. The bone should heal on its own without a second surgery.âÂ
Emilyâs lip twist, ânot very clean.â It leaves only a whisper but when she stands, she can tell heâs heard her. Heâs looking at her with a flat, interpreting gaze, like heâs right inside her head, floating around with her racing thoughts. âIt wasnât.â Her voice is tight, her whole body fighting his invasion. âYouââ her voice cracks. Sheâs not fighting him, sheâs fighting the tears that have been trying to fall all day.Â
Hotch steps forward and Emily throws her hand up. âNo,â she says, firmly but softly. âPleaseâŚâ her voice is still shaky and he stands still, waiting patiently as she takes a deep breath. Emily clears her throat and wipes her eyes, she looks up at him with a smile. Eyes still wet, she laughs, âI canât handle a hug right now justââÂ
Hotch nods, understanding.Â
She smiles tensely, forcing another laugh, trying to shake the rest of the feelings away. âGod, Hotchner,â she scrubs her hand down her face, âwhy do you always do this to me?âÂ
Hotchâs lips tighten.Â
Emily takes another shaky breath and she rolls her eyes at the expression on Hotchâs face. âYour face is going to get stuck like that one these days,â she says, raising an eyebrow at him.
His dark eyes keep seeing right into her, his silence strong. With the release of a breath he relaxes just a little, âhow do we know it hasnât already?âÂ
âGood point,â Emily agrees. âIt does usually look like that.â
âMmm,â Hotch hums. Seeing the face heâs making, Emily already feels annoyed before he speaks. âI can only assume you have more on your mind tonight besides my face being stuck like this. Itâs never kept you up before, at least.âÂ
Emily narrows her eyes, smiling, âyouâre relentless.â He seems unbothered by the accusation. Emilyâs smile falls into a tense grimace, âit has nothing to do withâ ⌠you.â She really wants to finish the sentiment strongly but she meets his eyes. Lying is fun, itâs easy. When lying can also hide her carefully behind the safety of its shade, thereâs nothing she would rather do. But she doesnât want to lie, not when sheâs looking right at him.Â
âItâs just dreams,â Emilyâs voice surprises herself, how softly, tentatively she speaks.Â
âTheyâre never just dreams.â
Does he know? Somehow, Emily thinks he can see right to the dream itself. A strange mirroring image of the man standing over her now and the one on his knees â both looking at her, waiting on her. âIt was a different dream tonight,â her eyes dart between his, âbut the same thing always happensâŚâÂ
He has to know. Heâs looking at her like he can see himself, like he can see her thrashing in her imaginary bonds. âWhat happens?â
His voice is too soft, heâs too gentle. Emily doesnât want to cry but her lips are bunching up, betraying her with an ugly cry building itself up. She canât look at him. âI lose you,â her voice breaks.
âEmily.â Does she say his name like this? Thereâs little time to wonder, eyes closed she goes where he tips her chin up, knowing heâll taste the tears falling down her face when his lips press to hers. âEmily,â she can feel his breath on her face. She could hear him say her name over and over. He says it like no oneâs ever spoken her name before. The thrill is like hearing your mother language in a foreign country. Like hearing it for the very first time. âIâm here. Iâm here.â
âI know,â she complies miserably, âI know.â She cries anyway and he comes closer. Emily realizes that sheâs leaning into his side. His side because his arm is strapped securely between them, bound to his chest. His hand on the back of her head until sheâs done, left with only a little embarrassment.Â
âI have something for you,â Hotch says and Emily laughs wiping at her face.Â
âWhat is it?â
Emily feels with giddy excitement to take Hotchâs hand to go back down the hall to try and silently slip through the room heâs sharing with Reid without waking him. Sheâs surprised the genius is sleeping at all but the last few days have been exhausting, she doesnât know how sheâs awake. Hotch opens the door to the little porch connected to the room. âWait,â Hotch whispers, easing the door shut.
She waits anxiously outside, shivering with excitement encouraged with the chill of the wind. Itâs all of a minute and the door is opening as Hotch comes back out. Emily can see at once that Hotchâs nerves have taken him over, making him unsure of himself.Â
 âItâs⌠kind of strange,â he says, not meeting her eyes, and she finds the gift curled in his fingers. She moves her hands close to his to accept it into her hand. âThe bullet chipped my collar bone,â his cheeks are flushed, red with embarrassment. âYou don't have to keep it. I thought⌠I thought you might want it.â
Bone, his bone. A chip of his bone. Emily closes her fingers around it, squeezing it in her palm. When her fingers open the bone feels so different. Her thumb strokes it curiously. âI love it,â she says, examining it between her thumb and forefinger.
âYâ You do?â Emily looks up â he seems so surprised. Surprised and then warm, something incredibly warm shines over his eyes, changing the way that heâs looking at her. âI love you.âÂ
Emily opens her mouth, sheâs only more confused by Hotchâs certainty. He makes no move to take it back. No nerves. Heâs looking right at her and he knows it, heâs just telling her. Itâs more than that. She can tell itâs more. He knows she loves him too.Â
âYou were all I could think about.âÂ
He had asked for her in the hospital. Had he been saying her name all that time before sheâd come back? The same persistence or worse than what sheâd seen when she had been right beside him holding his hand. Emily looks all the way up at him as he stands closer and closer. Her lips part for his and she lets him kiss her again, barely restraining from leaning fully into him. Â
âI couldnât stand the thought of dying without seeing you one last time,â he whispers against her lips, looking deep into her surprised eyes. âYouâd better be the last thing I see before I die.âÂ
Emilyâs breath stutters, her eyes dart down to his lips, before coming back up to his eyes. âAsk for me,â she whispers.
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Trust that if I can write nothing... I can always write more about what comes post-foyet's attack. Is this very in character? no. but if you wanted that you'd go elsewhere. Instead, I offer:
Hotch doesn't just go down and when he does... it's terrifying for all involved, and the terror isn't through yet.
here's about 4k of 11k words I have (P.S. the other part has a bit of Reid and JJ but if you want Garcia you're going to have to beg and plead bc I can't write Garcia)
it's also on Ao3!
--
Hotch is sleeping that deep, medicated sleep when Emily sees him and it unnerves her. A full twenty-four hours has not passed since the time she saw him last and he looks damn near like a stranger. John Doe, she vouches, is Aaron Hotchner but as she looks at their John Doe and thinks abouts the Hotch sheâd seen just a little while ago on the jet⌠it feels impossible. He sleeps so utterly still, like a corpse surrounded by medical equipment. Pale and still in a completely unnerving way.Â
Claiming to know the weak, incapacitated man means immediate paperwork. Suddenly, thereâs a doctor standing in between Emily and her view of Hotch. Itâs quite scary now to not have him in her sights, as if he will disappear again. The doctor is talking about the first surgery â thereâs a tube and drains â the strain it placed on Hotchâs heart. Emily looks straight at Hotch, hearing but unwilling to feel anything as the doctor tells her that Hotchâs heart is weak. Weak? Emily shakes her head and the doctor keeps talking. They are watching him closely, the next twenty-four hours are critical. Emilyâs still caught up on Hotchâs weak heart.Â
Maybe this man isnât Hotch at all.Â
Emily never considered anything about Hotch weak. His problem is that he is too strong. He can physically endure the storm, the only living, standing thing for miles and so that makes him think that he has to. Because he can do it by himself, he must. It makes him selfish, guarded, and lonely. It does not make him unfeeling. Heâs always there with his hands balled into fists, his eyes wet with tears he wonât let fall. His voice betrays him, breathy from strain. He feels, thereâs no denying it, but Hotch will try. His body will fail him long before his heart.Â
Some of the doctorâs previous words come back to Emily as she approaches Hotchâs room. From here she can see the tubes running underneath the thin blanket across his chest. Iodine stains his skin in swipes, thick gauze visible beneath his gown. His face is utterly expressionless and Emilyâs throat feels tight, her eyes darting to the floor.Â
Weak, huh... Emily pulls a chair up beside him. She glances again at his face which is so pale, her eyes dart to his hand, he probably feels as cold as he looks stiff.Â
Emily pulls in a slow breath, forcing herself to shake off this unsteady feeling. Itâs more than fair; itâs definitely someone elseâs turn to be strong for a while. Heâs done a good job and held the burden long enough. Restlessly, Emily picks at her fingers. Her hand comes to her teeth, peeling away stubborn bits of her skin until her middle finger is bleeding and her pointer finger stings. On the bed, Hotch's finger twitches. Everytime Emily looks up at it and then at his face, waiting for an expression to cross his blank features, and everytime nothing.Â
A nurse steps in preparing his next round of medications and Emily stands silently and leaves the room.Â
To her annoyance, it is the moment she is not there to see his finger twitch that Hotchâs eyes manage to crack open. Thereâs an intense pressure over the right half of his chest and some machine in the distance sputters out a shrill alarm that irritates the tinnitus in his bad ear. He tries to turn his head, get away from the noise, but the canal under his nose is pinched to his cheek and the plastic hurts. The sound is making his ear hurt and finding his arms immobile, Hotch lets out a panicked grunt. He moves his head uselessly on the bed, a deranged, raw panic overtaking him.
âHotch.â
Emily Prentiss. His eyes lock onto her, a single raft in the middle of the ocean. A familiar face. He flinches from the doctor, pulling in another ragged, scared breath from his straw-like throat, but Prentiss is standing right by the bed. She is comforting enough for that part in the back of his brain alight with terror, seeking to flee, to ease. She is easy to focus on hovering so close, he feels safer with her here. Scary and strong, sheâll protect him. Heâs distracted enough that the doctor is able to slip her cold stethoscope under his gown. She instructs him to breathe, deep breath, but Hotchâs eyes are on Prentiss. It feels like days since heâs seen someone familiar, though he hasnât a clue how long has passed since right now and⌠whatever came before.Â
The doctor speaks to Prentiss and she stands there at the end of the bed, eyes locked with Hotch, while the doctorâs words go in one ear and out the other. One of the machines begins to make a new sound, liquid being moved and another dose of medications snaking through the tubes into the I.V. taped to the back of Hotchâs hand. His head tilts on the pillow, eyes struggling to stay open. She watches his fingers twitch and he moves his head uselessly fighting sleep.Â
The doctor leaves and Emily hesitantly, watching Hotch watch her, takes her seat back at his side. âYou need to rest,â she repeats the doctorâs sentiments.Â
Hotch has no verbal response, just a terribly slow blink.Â
Not bold enough to take his hand, Emily places her hand at the end of his, their fingers grazing. âThe otherâs will be here soon, rest.â
His finger twitches against hers and he exhales slowly, lips hardly moving and distorting the words he mumbles incoherently. Heâs asleep in an instant, pulled back under. For a moment, the creases of pain remain claw-footed in the corners of his eyes, down the sharp lines between his eyebrows. All that time before spent wishing for something from him is all gone, Emily canât tear her eyes away from the lines.Â
He pulls in a deep breath and they ease away.Â
The sounds of the room are never ending. Lights blink back feedback that Emily canât understand, things hiss and churn and move. Emily has nothing to do but think. Should she be grateful itâs not worse? But how much worse can it really get? Hotch isnât dead⌠yet. Thatâs worse but that might just be next. Doesn't make much sense to be grateful for what hasnât happened when it might merely be hours away. She can be angry but she canât do anything. She can cry but she doesnât even feel like doing that. So she sits. Thinks.Â
Emily flinches when her phone vibrates in her pocket and she rises quickly as her adrenaline does, moving from the room to the hall in anxious anticipation for the team to arrive. Still, Hotch remains in her sight. Happy to let someone else take charge, Emily stands on the edge of the group as the otherâs step into Hotchâs room. They havenât had the opportunity to see him yet but Hotchâs eyes open to slivers and Emily can feel their hazy focus gather on her. Sheâs quick to move, eager to make use of the words like whispers leaving his dry lips. Until sheâs holding his bloody clothing, clothes sheâd just seen him in, dried stiff.Â
The otherâs leave to get Haley and Emily watches them from the end of Hotchâs bed.Â
âPrentiss.â
âHmm?â Emily turns slowly back to face Hotch, not sure she can manage to keep her own expression level. Not when looking at him like this makes her stomach hurt.Â
âYou were at my apartment? Could you tell how he got in?âÂ
Emily slowly shakes her head, âI couldnât.âÂ
Hotch nods solemnly, as he stares up at the ceiling.Â
âDo you want to talk about what happened?âÂ
He clears his throat, eyes lowering to find her, âI donât know. After he stabbed me the first time it all goes blank.âÂ
Liar. Sheâs not certain what he does remember but heâs lying about it. He remembers something well enough to wake him in a panic, instantly obtaining attention from a nurse or doctor. She hasnât seen it but sheâs not stupid, Emilyâs aware of whatâs happening. And heâs looking at her now, fully expecting her to let it go, knowing she wonât call his bluff.Â
âIf you do,â Emily offers, with a shrug.Â
Hotch cracks the driest, faintest smile. Graciously, heâs been given a momentary pass and it makes Emily smile too. If thereâs anyone anymore who might poke and prod the information from him it is probably her. And it scares him at the same time it relieves him. Because Emily isnât just saying it, this wonât leave her mind until it leaves his. Sheâs judgemental as hell but she understands, maybe more than he wants her to.Â
The energy is off but Emily tries to find comfort in silence. Itâs usually easier, anyone who spends time with Hotch has to be used to a little silence. Heâs not much of a talker himself, unless inhibited by alcohol or anytime he hasnât got to be in slacks. Or⌠a hospital gown. Hotch has got to be comfortable and heâs clearly not. Itâs easy to be comfortable in silence because when Hotch is comfortable it just feels comfortable. Safe. Easy. Hotch feels like none of those things right now and Emily canât either.Â
Heâs stripped down to his raw skin, no armor in sight, just a weak man, tired and confused by the countless medications fighting his body to live and manage his pain.Â
It feels wrong to even look at him like this. Emilyâs seen him in jeans, Aaron with hair astray from the toddler sitting on his shoulders gripping it for dear life. Sheâs seen him drink himself a little silly, criss-crossing his long legs while he walks like a crane in deep water without any of the grace. But that was a choice. Heâd cried, smiled, and been exhausted before but everytime that was a choice. Even knowing him without the armor, it feels wrong to see him without when she knows he wants it.Â
 If there werenât medications muddling his blood and keeping his heart calm, it would certainly ache more than it does now. Without full access to feeling, Hotch canât even find it within himself to be embarrassed. Later, it will come later.Â
She watches him try and turn his head, uncomfortable in a way neither of them can identify. âDo youââ Emily moves anxiously, âdo you want to sit up?âÂ
âPlease,â he whispers, turning his head back to her.
When the bed moves he flinches and the combined motions make him stiffen and suck in a breath that he holds. Emily stops the bed but he shakes his head and silently heâs thankful she understands and the bed keeps rising until heâs sitting up.Â
Boredom was better than what comes next. Emily looks everywhere but at Haley as she comes down the hall, Derek directing her into the room. Jack goes to Dave who distracts him quickly and effortlessly. Emily looks at the floor, counting linoleum tile to keep her distracted. Otherwise, all sheâs got to think about is her possibly dying friend and the ex-wife and child heâs sending to witness protection.Â
Haley leaves with Jack on her hip and Emily stands, hands anxiously twisting together. She feels panic for Hotch, watching them leave. Her heart pounds in her chest, fear makes her hands shake at her sides, as she watches them leave wondering if they will ever come back.Â
Valiantly, uselessly, Hotch tries to fight off his fear. He jerks himself awake every few hours, sucking in tight breathes and eyes darting around. Foyetâs name isnât far from his lips and Hotch sits vigilantly unconvinced that Foyet isnât the doorâs shadow across the wall or the stuffed bear in the windowsill. Nothing can be done to soothe his irrational fear. Dave tells him that heâs safe, and holds his hand. Derek sits by the door, facing whatever comes in. Emily is hiding in a shadow, the only comfort he can truly find. This feels safe, having her hiding in the same domain as Foyet. Let the man show his face, heâll find someone much scarier waiting for him.
Hotch is in no position to make decisions for himself. However tired but lucid he was worsens as Haley and Jack leave. Fat tears roll down the sides of his face, his words are breathy, weak. Heâs scared and lonely, a little clingy.Â
âEmâly?â
She sees the pulse ox out of the corner of her eye, doesnât hear him call her, and she moves to his side close to the hand heâs moving around vaguely. âWeâre just going down the hall,â she tells him because sheâs already explained twice that heâs going to surgery. His surgical team has already been down, theyâve told him this. But heâs confused and agitated and terrified, so Emily is given permission to come as far as she can. That means sitting in the hall, waiting to move Hotch once heâs asleep, less likely to be alarmed by the changes in his environment. âRest,â she says, placing her hand over his.Â
Heâs asleep by the time they are ready and his eyelashes bat as heâs put under. Emily grabs his hand when he moans, turning his head fitfully, and with an exhale he relaxes again.Â
His sleep is black, soundless, and then he is in that car, the smell of cheap cologne burning his nose. Foyetâs singing along to the radio, drumming his hands on the wheel and singing off-key to Guns Nâ Roses. Bloody, wet hands come from the darkness, blurry eyes peer over surgical masks saying words to him in morphed muttered languages. Fingers take hold of him, arms lift his limp body and his eyes are rolling back into his head. Heâs conscious and not, he feels dead. Floating. A thumb presses on his jaw and a feral part of his brain clamps his teeth together. His mouth is pried open and his breath restored, cold solid oxygen sitting in his balloon lungs. Heâs limp, his oxygen deprived body greedily taking what itâs given. Hotch is taken right back to the car, ends up swarmed and overtaken by the hands. The dream is fitful and never ending.Â
Dave goes with the doctor, the first to take in the news. Hotchâs heart stopped again and heâs still intubated to try and alleviate the strain on his heart. Watching Hotchâs chest move with breaths a machine takes brings tears to Daveâs eyes. Itâs hard to not believe something right in front of you but Dave does it. Hotch had never been that youthful, bright-eyed rookie. Heâd come hardened and strong, too strong for his own good. Dave had thought it would get him killed but it seemed that never knowing when to back out of a fight has been the only thing keeping Hotch alive. Thatâs all Dave has now, hope in the man who has never figured out how to back down. The ICU has different rules and no sooner than Daveâs ten minutes is up, before he can even get off the floor, his phone is ringing. Thereâs a case in Oregon.Â
Hotch is by himself when he wakes twenty-five hours later. Medicated cocktail weighing him down, he was only vaguely present through the veil. He canât be certain heâs actually awake, that heâs not just swept up in another dream. He gags weakly around the tube in his throat. Tears roll down the corners of his eyes and he fights perilously against the doctors. He shifts in and out of consciousness, medicated calm keeping him from fighting the machines helping him, and his drug-addled brain conjures visitors from the shadows of the room.Â
Dave is there six hours later when the doctor removes the tube, in the corner of the room while Hotch coughs, gagging and stiffening in pain. He cries for Haley with a voice and throat too raw to make more than rasps. But fat tears leave his eyes, his lips form her name soundlessly, persistently until his eyes are rolling back into his head before his eyes have fully closed.Â
In his sleep, Hotch cries. He makes small, hurt sounds and whimpers, recoils from fears only he can see. Â
âWhatâs wrong man?â
Hotchâs blurry vision slowly settles on Morgan, âmm?â
âSomething bothering you?â Morgan frowns when Hotch moves his head again. Hotchâs clarity is sharpest in the hour before his next dose of pain medication, when the pain is the clearest. Itâs been only twenty minutes since the most recent dose, Morgan had watched Hotch go from restlessly sedated in his slumber to limp, melted into cot below him. Steadily for the last five minutes Hotch has been making little agitated noises in sleep, now his eyes are open and heâs moving uncomfortably.Â
Morgan is ready to give up when Hotch turns to him, and he steps closer, ready to be beckoned any which way at just a rasp from Hotch.
âHurtsâŚâ he mouths.
âDo you want to sit up?â Morgan asks. He hates not being able to help. He hates sitting here not able to do a damn thing. âI can sit the bed up.â
Hotch nods. He turns his head away, pulling harsh breathes audibly, lips twitching with pain heâs barely hiding. âWanna go home,â he grunts, panting. âPlease,â he whines, turning and hitting Morgan with the full force of gut-wrenchingly teary, pathetic eyes.Â
Morganâs done this job before, sitting by Hotchâs beside, but typically Haley is near. He just covers for a short while, waiting for her to come back and soothe Hotch back to himself. Morgan had tried but he had learned long ago he needed to stick keeping Hotch occupied with games or being the muscle needed to assist. âI canât,â Morgan strains out. âI would,â he lies, because right now he just might, but as quickly as heâd do anything to make the tears stop, the idea of Hotch being home scares him far more right now.Â
Hotch sucks in a sob, turning his head in shame to hide, even if Morgan can see his lips pulled up and more tears squeezing out of his shut eyes.Â
âWe can go outside,â Morgan offers, though heâs not certain. But the idea gets Hotchâs attention and Morgan will bat his eyelashes and flirt with however many nurses or doctors, man or woman, it takes to make it possible. âIâll be right back,â he whispers, squeezing Hotchâs arm.Â
It takes minimal eyelash batting to get a wheelchair. The nurse out in the hall is happy to see that Hotchâs visitors have returned and sheâs willing to see a whim out. He does better with visitors. She had attributed most of his restlessness and somberness to being more alert, perhaps just more himself. But she can see a difference. Hotch watches her with sad but hopeful eyes as she moves medical equipment out of their way, she can tell that he is more himself with his friends nearby.Â
It is not that the roles usually go Morgan in the wheelchair and Hotch pushing but it does feel like roles have been swapped. It makes more sense for Hotch to be the assistance not the assisted, itâs difficult for Morgan to make peace with. But this is what it is.Â
âThe grass.â
Morgan obeys, turning the wheelchair off the path and into the grass. He stops it just a few feet from a bench, pushing the brakes down. âYou up for a walk?â he asks, stepping around the side and watching Hotch gingerly lift and lay his feet in the grass. âWhere are your socks?â He doesnât know how he didnât notice it earlier but now fire burns in chest at the sight, heating up his face. All Hotch does is shiver, every moment of all day. He comes in and out of pain but constantly heâs cold.Â
Hotch ignores him, moving his hands to prepare to stand like heâs capable of summoning enough stubbornness to get himself out.Â
Morgan offers support silently. Again, heâs familiar with this. He knows good and well the only way Hotch will take his shoulder to lean on is if they are silent. Morgan has had to catch Hotch from falling, he knows that if he says anything Hotch will simply push him away and choose to fall.Â
Bare feet on the cold ground eases something in Hotch more nagging and persistent than the pain. Heâd grown up running around without shoes, tracking his muddy footprints on his motherâs scrubbed hardwood. As painful as it is to stand, Hotch bares through it because it feels amazing. Heâs not ready to give it up.
âI forget youâre a good olâ boy,â Morgan chuckles and immediately his eyes dart to Hotch, not certain his comment wonât end in Hotch laying in the grass. He receives a warning, narrowed eyes. But in all fairness, Morgan grew up in the city. He wasnât walking anywhere barefoot, he still wouldnât. âYou canât go anywhere without shoes in Chicago,â he says and Hotch allows the slight distraction as he drags himself through walking. âNails and needles andââ the list goes on and Morgan shakes his head thinking about it. âI donât understand the appeal. Sticks, bugs, and whatâre those plants called with the needles? Iâve seen âem in the grass, man, why would you chance stepping on one of those?â
Hotchâs response is a puff, he clearly has an opinion but he can only focus on one thing at a time.Â
They say nothing on the bench. Morgan watches the breeze move the tree leaves, pleasantly warmed by Hotch proximity.
Leaning into Morgan, too weak to even hold himself upright, Hotch finds himself unable to escape his curiosity. âWhy are you here?â The breeze nearly sweeps up his question and for a moment he thinks Morgan hasnât heard him. Morgan moves his arm around Hotchâs shoulder, carefully pulling his blanket tighter and only then does Hotch realize heâs shivering.Â
âYou hate hospitals,â Morgan says, like itâs the simplest thing in the world. It is the truth so maybe it is. âYouâve never left me alone in a hospital,â he says to the foliage and then he turns, looking at Hotch. âYouâve never left any of us.â Maybe he hasnât personally been there but everytime Hotch has been in the field, doing the hard work, so that they can have visitors when theyâre hurt or sick. Everytime, always. And when the job is done, when things are truly safe again, Hotch will show up. Itâs never been more apparent than now.Â
âItâs late,â Hotch says stupidly and Morgan laughs and looks at him with this sad look that even mind-boggled Hotch knows means Morgan is keeping silent for his sake. That he could say something that would be emotional and very telling about Hotch in a way that he most definitely doesnât want to hear. Certainly not right now.Â
The truth is easy, Hotch asked. Not recently but years ago now, when the only people who showed up at the hospital were Morgan and Haley. His ghosts were different then but Morgan didnât need to know their names, he just wanted to help. The request had come from Haley and Morgan has been with Hotch every night heâs spent in the hospital that Morgan has known of. Heâd sit in the doorway of every hospital room until one or both of them dies, everytime. Nothing would change that.Â
âThank you,â Hotch says, loudly, clear.
Morgan scoffs. Itâs the first heâs heard Hotch sound like himself, voice and all. He reaches for Hotchâs cold hand, hospital bracelets scratching his skin, âalways, man.âÂ
When they return to the room, Hotch sleeps for the first time unbothered. Morgan sits by the door anyway.
I'm stuck in my apartment thanks to snow so I also managed to wrap this fic up too but expect nothing further from me. This one has been a draft for at least a year
Warning: Major Character Death (:
Theyâre one. One person. One breath. One life. (Hotch/Haley)
Word count: 7k
Haley crouches down on the floor beside Aaron, trying to lift the unsteady corners of her mouth up. His eyes are open wide as he pants, his dilated pupils focused on her while his gaze flattens. His chest is a massive hole, sunken in like a drain. Blood pumps out and gathers, weighs down his lungs, fills his lungs. His breathing hitches, grated and raspy, as he lifts his bloody and broken left hand towards her. Lifting it as high as he can, just inches from the floor.Â
Sheâs clean of the carnage all around her â blood splattered across the walls, broken glass around her feet â but she is clean. The moment she touches him, blood slides between their fingers and Haley brings his arm closer to her, pressing their hands to her chest. His bloodied, broken hand weakly holding on. She sniffles back tears, leaning over him gently. Haley kisses his cheek, wiping the tears from his face with her free hand. âHey, sweetheart.â
â---------------------------------
Roy Brookes inherited money from a great-aunt and opened a little convenience store. Jessica and Haley had been raised in Georgia until Roy got that money, and then he moved his family to Virginia, where he had grown up. There were lots of kids in the neighborhood but Haleyâs favorite was Aaron.Â
The first time Haley met Aaron, they were four years old. Aaron was already in Kindergarten and could read and write his name, but Haleyâs first impression was a dirty little boy hiding behind his motherâs sundress. His mother had run a washcloth over his face and hands but the dirt had prevailed, remaining dusted underneath his chin and under his nails. His father had tried to encourage him out but Aaron gave all his replies from behind his mother, wrapping the loose fabric of her dress around himself to hide.Â
He was smaller than her despite being six months older, already missing his front teeth, but still quick to smile, always laughing. He didnât do as well with the crowd of kids as she did, so he mostly played by himself. Off on his own task as the otherâs raged imaginary wars on one another. She liked his company, how he was both calm and yet capable of great chaos.Â
Haley spent so much time with him that she didnât notice that everyone else didnât like him. And they really didnât like him. They excluded him on purpose, unable to say what was so strange about him, but able to narrow it down well enough. There was something inexplicably off about Aaron, something not quite normal. Haley realized it too, she could tell, even if she too could not name it. Aaron being weird had never bothered her, though.Â
Until one day the other kids decided that it wasnât enough to ignore him.Â
Haley punched Robby Pine in the stomach, unable to even hear the words coming out of his mouth. Sheâd felt like a cartoon bull with smoke blowing out of her ears. Unable to feel or hear a thing over the burning anger rising in her. Her body moved on its own mission, stomping over to Robby and punching him so hard that he collapsed down on the spot. Unable to do anything but whimper and gag at the unexpected pain.Â
She told the principal he was making fun of Aaronâs glasses. Haley couldnât remember what heâd said but she knew it was worse than glasses, it always was. But it wouldnât matter anyway. Haley walked away with a new understanding of the world around her.Â
Roy had known in that instant that Aaron Hotchner was going to bring his life nothing but stress. Haley had always been the angel. Jessica was the sort to punch bullies, she had before. His oldest was a spitfire, not his youngest. But the moment Haleyâs elementary school called to inform him that she had hit another student, he knew he was screwed. It was certainly some cosmic vengeance, his own hot-headed protective streak being passed down flawlessly to his daughters.
Haley refused to apologize and she didnât feel bad about it at all.Â
The next damning of fate came when Aaron got pneumonia that winter. Haley went on a hunger strike, stubbornly sitting at the kitchen table with her arms tight across her chest, and her chin pointed away from the dish in front of her. She refused to eat until she could see Aaron. Breakfast was one thing, Haley puts up a fight eating eggs anyway, so they wrote that off. Sheâs upset her friend is sick. But she refuses lunch and even though her stomach growls as she looks down at the dinner her motherâs put in front of her, she shakes her head.
Roy had caved. Knowing he wouldnât cave, Roy knew neither would Haley.Â
The hospital was too silent, too tense. Haley had only ever seen Aaronâs parents from afar. His mother at the front door with a wash rag, wiping him down before letting him come in the house. His fatherâs car pulling into the driveway, the black of his suit and the impossibly large shadow he cast in the last remnants of the dayâs light. Up close they were different. Aaron had gotten his dark hair from his mother and it was his fatherâs grimace that he was mimicking each time he stopped to think. But she didnât think that they looked that similar, too old and too big to look much like Aaron.Â
Aaronâs father moved first. Haley looked up at him as he shook her fatherâs hand, unable to see his clenched jaw and the tears in his eyes until he bent down to her level, trying to force his weak mouth into a smile. âYou must be Haley,â he whispered. Heâd moved his hand as if he was going to touch her, his eyes glazed, and the ache in his chest yearning but it fell back down. The soft tears pooled in his eyes dangerously close to spilling over and he cleared his throat. âHe never stops talking about you.â He had glanced then to Aaron and Haleyâs eyes had followed, and then stayed. âHe loves you a lot, you guys are best friends, huh?âÂ
Sheâd never cleanse the sight of him from her mind. Aaron had always been small, smaller than her, but heâd never this small. He was in pajama bottoms, the Superman ones sheâd seen him in many mornings when she made it to his front door before heâd finished breakfast. It didnât matter that they swiftly tried to keep her distracted, her eyes kept glancing back at Aaron. Haley was convinced heâd eventually wake up, heâd look over and smile, and sheâd be released from talking to the adults. Sheâd crawl on top the bed with him and theyâd play. But he doesnât.Â
Things changed. The pneumonia had nearly killed Aaron, his parents had made preparations for a reality the doctors were fearful was soon coming. No one needed to tell Haley, she could feel it.Â
There was nothing Roy or her mother could do to comfort her, she wept and sobbed until her head throbbed, until her stomach ached, and there were no more tears to come.Â
Two mornings later, Aaronâs father leaves for work an hour late. Haley comes out to wait on the porch for the bus, from across the street she sees Mr. Hotchner and waves, but then she sees Aaronâs blue coat and green hat and shouts with glee, rushing over to them. Ignoring Jessicaâs shout that theyâre not supposed to cross the road.Â
Mr. Hotchner pulls her up on his lap, smiling between the two children. âHeâs still sick, sweetheart,â he warns. Then his attention turns softly to Aaron, sleeping, with his face buried in his fatherâs suit jacket. âWhatâda say, buddy?â Mr. Hotchner asks, bouncing his knee to wake Aaron. âHow do you feel?âÂ
Aaronâs still pale and sweaty but once his eyes are open they focus blearily on his father. Mr. Hotchner rubs his back and Aaron lays his head back down on his fatherâs chest. His eyes still barely cracked open, fighting exhaustion to keep looking.
âDo you have a fever?â Haley asks, touching his head. Mr. Hotchner puts his hand near hers and she looks up, waiting for him to say, and nods her head in agreeance. âDoes your tummy hurt?â she asks, pointing.Â
Aaron groans and hides his face. Heâs old enough to know to use the bathroom on his own, just beginning to be trusted to shower on his ownâ and he can feel the huge, regressing steps heâs taken backward. Being sick made him feel like a baby, so many bad things were happening. He was embarrassed, no matter what his father or mother said. Only babies wet the bed, only babies have accidents.
âAlright little lady,â Mr. Hotchner stands and Haley takes his hand. âHere comes the bus, donât slip.â He lifts Haley up over the steps and she giggles. He stands at the road and waves Haley off and Haley waves extra hard but Aaron doesnât move, not even when Mr. Hotchner tries to get his attention.Â
Haleyâs favorite part about Aaronâs house was the fireplace. Mr. Hotchner cut wood all year round to keep enough for the hard winters and each year, the warmest place to be was curled up on the rug in front of the fireplace. Thatâs where Aaron wanted to be as his fever came down, he was too weak to want to play. Just lay curled up underneath his blanket, not interested in eating. So Haley came to him. Sheâs content just to be there with him, to have her friend back. So Haley lay there with him on the rug, doing her homework and reading. Sheâd ask him questions about the rain cycle or the planets and heâd try to remember. By the end of the week, itâs as if he was never sick at all. Their parents watch them run through the yard screaming and playing.Â
Everything changes the year Aaron goes to middle school. Heâd liked being in Kindergarten, teaching her letters she didnât know, but then first grade came and Haley was in Kindergarten and they realized they would never be in the same grade. Recess was the most important part of the day and Aaron and Haley lived for it, and then middle school came. Haley felt trapped, like a little baby, while Aaron and Jessica got to go to middle school. And then Sean was born. Aaron stops coming out to play, heâs distant, and every time Haley tries to go over Jessica stops her.Â
He starts missing school. Haley tells them about it at dinner, and Jessicaâs eyes stay pointedly fixed on her plate. Roy makes up an excuse and he shifts the conversation.Â
Aaron stops playing with her but he waves as he mows the lawn. Things change slowly, slightly. He talks to her on the bus, and listens more than anything, but Haley always manages to get a little something out of him. He talks about books and his new baby brother, but mostly about books. Heâs reading, Jessica says he reads during class too, and Haley tries to lift his bookbag but she canât, and he tells her that the librarian let him take out four books today. Haley canât keep up with which book heâs reading but she talks to him about them.Â
One night Haley gets up, eerily guided by an off feeling, running down the hall and to her sisterâs room. Jessicaâs already awake, holding Sean and standing at her window. Jessica had been babysitting Sean since he was born, he loved her, but nothing she could do would stop his wailing. Sean screamed and screamed and Jessica held him, standing shocked, as she watched from her window down at the horror outside.Â
Mr. Hotchner runs out to the car with Aaron in his arms, frantically waiting for Roy to throw the door open so he can put Aaron inside. Aaron is completely limp in his fatherâs arms, head and arms swaying as heâs carried. The two men scream at one another, and Jess looks at her sister. Neither had heard their father raise his voice, neither had seen him behave as he does then in the street.Â
No one speaks of what happened that night.Â
Aaron returns, a white cast on his right arm up to his elbow, and a shiny black eye. He wonât tell her either.Â
â---------------------------------
Haley searches the crowd for Aaronâs crooked pirate hat. Her father waves at her from the aisle, a small bouquet of flowers in his hands. Her mother shouts her name and Haley can practically hear Jess grumbling under her breath that Haley isnât looking for them, sheâs looking for Aaron, she always says his name as a sigh, full of disapproval.Â
âHaley?âÂ
She whirls around and finds heâs already behind her, âhey! I was looking for you.â Haley walks right into him, hugging him, and giving him the seconds he always needs to understand whatâs happening. Hesitantly, she feels his left palm press against her back.
Aaron keeps the small flower he has for her protectively hidden in his palm, shy now that heâs standing in front of her. âYou brought me a flower.â Boys had given her flowers before. Pink roses that smelled like perfume and purple lilies sheâd pressed in books. But never a dandelion. She picks up the little flower carefully, brushing her thumb over the top. Haley could remember picking them at recess, braiding their stems together to create flower crowns. She wonders if he remembers this too.Â
Aaron looks away from her, blushing, âSean gave it to me for good luck. Iâ Iâ âŚ. you deserve moreââ
Haley shakes her head, âno. Itâs perfect.â She rocks up on her toes to kiss his cheek, her lipstick on his face the same shade as his flushed cheeks. The perfect gift from the worst pirate in history. âNow,â she says, âyour acting skills, sweetheart, thatâs another conversation.â
He shakes his head but he smiles.
Haley tucks the dandelion behind her ear. She smiles at him one more time and turns, finally answering her friendâs shouts of her name. âIâm coming! Just give me a second!â she shouts back. Haley turns back to Aaron and grabs his hand, âIâm doing Romeo and Juliet with the community theater. Will you help me with my lines?â
âOâOkay.âÂ
âGood!â Haley releases him, the dandelion peaks out of her hair, âIâll talk to you later.â
He stands frozen in place, his hand falling back down to his hip as it leaves hers. Sweetheart. He watches her skip over to her friends, turning away finally when their excited screams become too loud. Aaron hangs his head and slips through a side door, watching the floorboards disappear under his feet as he finds the familiar deserted halls of the school. His feet take him to his locker and he stands frozen in front of it, his hand half-raised to put the combination in the lock.Â
 Sweetheart. He had called her that a million times. Maybe more often than her name. Heâd called her sweetheart just a few hours ago, as they learned over their chemistry project. Oh, sweetheart, heâd glanced over at the math on her page, just copy what I have. He had been her math tutor for as long as theyâd been in school together.Â
It just⌠nobody has called him that since he was little. And now thereâs a big empty sucking hole in his chest. Pressing down on his lungs, creeping up his throat.Â
Itâs pathetic. He puts his back to the lockers and slides down, putting his head on his knees.Â
A month later, he is shipped away to boarding school. His mother hadnât looked at him since his father delivered the news. Aaron had broken down in tears begging her to give him another chance. He hadnât done anything. His grades were fine. He didnât do anything. If she could ignore him as he hyperventilated at her feet, sobbing for her, then she wouldnât break now, not ever.
He cries and pleads to stay but his tears carry no currency, they mean nothing.There is no warning and Haley hates him for not telling her. But Aaron withholds the information from everyone, he canât imagine theyâd care, and he canât face it. The news comes suddenly anyway, he has only one night to prepare his things. And he doesnât tell Haley. They have only an hour and itâd only be wasted if he told her.Â
Sheâs tired, half-asleep on him when he finally moves. She has school in the morning so he helps her climb back down off the roof and back into her room.
âHaley.â He whispers her name from the tree outside her window, smiling when she comes back.Â
She opens the window again. âWhat,â she whispers back, âyouâre gonna get us caught!â
âI love you.â
Haley blushes, âAaronââ
âShh,â he holds and taps his finger to his lips. âShh, go to bed.â
âOkay,â she calls back, âIâll see you tomorrow.â
He hesitates but nods, âIâll see you.âÂ
â---------------------------------
 When Aaron comes back heâs quiet, and never meets their eyes. Two months later Aaron and Sean come over in the middle of the night and Haley wakes to the sounds of the ambulances outside.Â
âMy dad died.â
Aaron had always been tough but he wasnât mean. Grief makes him angry. Haley has never seem him act so coldly. He stands alone during the ceremony and Sean grips Haleyâs hand with all the might he has, never tearing his eyes from his brother. Aaron stares with a wide-gaze, blankly at the unturned ground, never at the casket, never at the minister.Â
âRunaway with me.âÂ
Haley could feel something coming. His heart rate had picked up, she could hear it pounding with his fear. His arm felt a little heavier around her. âWhere?âÂ
Aaron laughs, and the sound makes her stomach twist, she turns her head up to look. To see the awkward too big smile on his face, the tears pooling in his eyes. The anguish. âAnywhere.âÂ
Haley lays back, looking back up at the stars. A few months ago this is all they had. A shared night sky, miles and miles apart. She didnât even know where heâd been sent, just that he was here one day and gone the next. Shipped away in the middle of the night.Â
Thereâs a real thrill to anywhere. Between them they could get away, anywhere they wanted.Â
âAfter I graduate,â she says, turning to look up at him again. âWe can go to collegeââ Aaron sighs, shaking his head, annoyed, and looks away from her. âAaron, please, Iâm being serious.â
He sits up and Haley shrinks when he pulls away, pushing himself away.
âAaron, Iâm notâ Iâm not trying to say anything.â Her parents had been hounding him about plans for months. His own should be worried, but one couldnât be bothered when he was alive, and now dead, only Aaronâs mother remains and she hasnât seemed concerned since the day she brought him home from the hospital. And Aaron couldnât stand the attention, let alone the expectations. The first was uncomfortable, the second foreign and infuriating. Together, they spun Aaron indignant, pissed to be suddenly noticed and lectured.Â
Heâd graduated the year before her, got a steady job, and was staying home taking care of Sean. Which he thought was the right thing to do and it contradicted what her parents thought.Â
Haley leans forward, âI need you to go with me. Youâre the smarty pants, who is else going to read my essays and teach me calculus?âÂ
While he was at boarding school, the Brooks had stepped in. The morning after Aaron left, Jessica found Sean sitting in the driveway sobbing. His shoes werenât tied and his coat missing. Aaron had always gotten him up. Always made sure he remembered to brush his teeth, found his coat, and made sure his clothing was weather-appropriate. Without any guidance, and without any breakfast, Sean had missed his bus. And heâd given up on the spot.Â
Sean needs Aaron.Â
âI like the University of Richmond.â
She watches him carefully. He glances at her and shrugs, huffing, âRichmond?â Aaron crosses his arms,âno. Can you imagine me in the city?â
Haley laughs and scoots through the distance, leaning into him. She crosses her arm over him, âtheyâll turn you into a city boy.â
He huffs, âno.â
âYes,â Haley argues, âyouâll be wearing loafers and suits in no time.â
âOver my dead body.â
â---------------------------------
âNo!â
Jess pounds harder on the bathroom door, âAaron I have to piss! Open the fucking door or Iâm gonna kick it in!â
âIâm showering!â
Jess turns from the door, stomping towards their shared room but Haley pops out of the spare, meeting her halfway. âJust wait,â she requests, slipping past Jess in the small hall and going to the door. âAaron?â she says sweetly, âI gotta brush my teeth.â
They both hear him huff from the other side. âFine,â he hollers, and they hear the shower curtain jerk back. He throws the door open, naked and dripping wet. âThat what you wanted?â he asks Jess, and he turns and gets back into the shower.Â
Jess stands for a moment, shocked and processing, but she rolls her eyes, âlike Iâve never seen you naked.âÂ
Aaron had basically lived with them during Haleyâs last year of high school, which doesnât really matter because the three of them were inseparable. And that became a problem with the dynamic shifts. Aaron and Jessica had split unofficial custody of Sean. Heâd only listen to them, but he was sweet with Haley. Heâd slow down with her, lay in her lap, and let her fill his baby-soft hair with flowers. Sean would hold her hand without a fight but Haley was a good student, a good girl. She had clubs and things to do, theater to perform. Jessica and Aaron had time to burn waiting to pick her up, Sean came with them.Â
Aaron had already been helpless in love with her little sister, heâd always followed her everywhere. And frankly⌠Jessica was too. Haley is annoying, bossy, petty, and way too dramatic, but Jessica couldnât imagine being anywhere else, any place but where her sister is. It was always unspoken that wherever Haley was going, Jessica would be too. And then it became also expected that along with Haley would be the Hotchner boys and Jessica.Â
And it was true. Aaron in one of his dark sweaters, maybe if the humidity were bad enough, and his mother had seemed very convincing with her worry, heâd have on a thinner long-sleeved shirt. Seldomly, heâd have the sleeves pulled to his mid-arm but he was always wearing jeans and his beat-up sneakers. He looked serious and threatening smoking across the street from whatever building Haley was in. Which was entirely the point, he perfected warding everyone off. And beside him would be his baby brother with whatever snack Aaron brought with them and Jessica, in the overalls sheâd worn nearly every day or her Royâs old army jacket.Â
Being sisters, Jessica knew the day after Haley and Aaron lost their virginities. Sheâd clutched her head like she was suffering a bursting aneurysm and rolled back on Haleyâs bed with so much force sheâd rolled straight off and onto the floor. Their mother had come up to see what they were screaming and laughing about and left with as much confusion as sheâd come in with. As disgusted as she was, Jessica still listened to every detail.Â
And now she shares an apartment with them. Sheâs seen his back half already once this week. Theyâve been doing this a long time, he knows that Jessica and Haley go back and forth between bedrooms to show each other what theyâre wearing or if theyâre changing, if he doesnât want that to happen then he shouldnât get dressed in their bedroom while theyâre changing.Â
Living with him just means, far more regularly than she would care for, she catches them in the middle of activities that should really be conducted behind locked doors. The trouble is they donât lock doors like they should.Â
There are prices to be paid with their situation.
Jessica stands scowling as she watches how gently Aaron rubs the lice shampoo through Haleyâs hair. Heâd rubbed her head hard and gotten soap in her eye washing it out. âYour head is such a weird shape,â she says, pouring more soap into his palm. The lucky asshole just shaved his head, rubbed a little soap on his bare scalp, and got to call it done and safe.Â
âI think it looks fine,â Haley says, turning her head and smiling back at Aaron lovingly â a sight that makes Jessica nauseous. âYou look handsome.â
Aaron smiles and leans down to kiss her, âthank you.âÂ
Jessica rolls her eyes, âdisgusting.â She watches closely and her petty plan of retaliation only doubles as she watches how gently Aaron tilts Haleyâs head back, using his hand to shield her eyes, and continuing to take great care.Â
Haley had brought the lice home in the first place. She works at a daycare with, Jessica imagines, a thousand drooling chubby-legged toddlers. Who wobble and sway, grabbing at things with sticky, uncoordinated hands. But Haley loves it. Even though one of them gave her lice, and Aaron and Jessica by approximation.Â
Jessica works in a store, stocking shelves on midnight oil in the peace and quiet of the after-hours, long after everyone else has gone to bed. That is a good job. No snot, or dirty diapers, or crying. Just a quiet, silent store and her.Â
Aaron works at a bakery, which astounds Jessica because sheâs never seen him make a frozen pizza without burning it. They meet one another in the hours that cross over. They get along best when they only have one another, with Haley there they fight for her attention. But Jessica likes to know that Aaron hasnât been mugged on his walk to the bakery at three in the morning and he likes to know that sheâs made it home when she gets off work.Â
When Jessica comes home sheâs expecting a dark, empty living room when she comes in. There are many mornings when she doesnât make it to her bed and she falls asleep on the closest soft thingâ the couch. But as she comes through the door she finds that despite the crescent moon hanging in the sky tonight, thereâs a full moon catching the street light outside through the curtains,
âAaron!â She picks up one of Haleyâs pretty pillows off the other couch and throws it down onto him as hard as she can.
Itâs a pillow so it harmlessly hits his back and rolls down, but he bolts right up. It takes him only half a second to sit up, look around wildly, and become aware of his current lack of dress. The pillow quickly covers what Jessicaâs already been forced to bear witness to. âJess,â he rasps, âyou scared the hell out of me.âÂ
âWhat the fuck are you doing?â she seethes in a whisper.
âHaley and I got into an argumentââ
âWhat?â Jessica asks, âWhy?â
He shrugs, âI donât know, she was mad about⌠something.â Aaron glances towards his room and then shrugs again, âI think sheâs on her periodââ
âUgh!â Jessica exclaims, rolling her eyes. She shakes her head, ignoring his âwhat?â. She walks away, âYou would say that,asshole.â She goes straight back to her room, âsleep somewhere else! I donât want your junk where I have to sit!â Her door slams shut.Â
They lived together for three years of college, and for half of Aaronâs time in graduate school.
â---------------------------------
Aaron had honestly thought the most nerve-wracking part about getting married would be having to ask Haley. He didnât have to walk down the aisle and for that he was immensely grateful but Haley did beautifully. Aaron had stood shaking with anticipation, face wet with tears he couldnât wipe away fast enough. Half convinced, until heâd seen her, that sheâd take her fatherâs advice and run.Â
The most nerve-wracking part is after the wedding.Â
Haleyâs sobbing in front of the vanity in the hotel, a pile of bobby pins sitting in front of her. Her arms hurt and sheâs beyond doing anything but sitting there clutched by exhausted sobs with a thousand more little daggers pinning her hair back to her skull.Â
Nervously, Aaron steps behind her. Heâs shed most of his suit, left now to his white t-shirt and slacks, and feels a strange, immense guilt that sheâs crying. Clumsily, Aaronâs fingers pick through her hair, trying to figure out where the remaining bobby pins are. Her crying is making him nervous, itâs her wedding night and sheâs supposed to be happy, and if she must cry then they are supposed to be tears of happiness. But the day had worn her down, enough to sit and cry in her dress over bobby pins.Â
âHere,â he offers, pulling a napkin from his pocket. âI forgotââ Once the food had been brought out, Hotch couldnât keep up with it. There was so much and he couldnât get a hold of any of it fast enough. People who hadnât paid him much mind before, Haleyâs family who doenât even like him, were all trying to talk. Everyone needed something. Heâd grabbed a napkin and began stuffing food into it, unable to hear them over the rumbling in his stomach.
Haley starts to cry harder but Aaron can tell that these tears are very different. She doesnât wait for what he has to say, unfolding the napkin and taking the little loaf of bread heâd taken out. âIâm starving.â She picks off a piece of the bread and bites into it, moaning. âGod,â she gasps, âthis is good.âÂ
Crying subdued, Aaron finds his hands are a little steadier, his brain a little less fogged and able to find the bobby pins hiding in her blonde hair. He tosses one to the dresser, the little plink rewarded with a piece of bread Haley holds overtop her head. Aaron leans forward and accepts the bite. He groans too happily at the taste of cheese and bread warmed against his body heat, âthat is good.âÂ
As the lasts of the bobby pins come free, Aaron understands why she was crying. âI donât care for these,â he mumbles, glaring at the pile of pins as he sweeps them into the palm of his hand.Â
âHere,â Haley holds a bag open for him, ready to receive them.Â
âYouâre keeping. them?âÂ
âYes,â Haley giggles. She pushes them into the bag from his palm as he stands there continuing to glare at the offensive things. âIâll need them for something else.â
With a grunt as her reply, Aaron flops down onto the bed face-down and after a moment he feels the bed dip. Haley pats his butt affectionately and her hand comes up, rubbing between his shoulder. Aaron turns his head and looks at her â sheâs still wearing her dress. They smile at the same time, the same idea gracing their minds as they gaze at the other still in their gowns.Â
âThereâs still some wedding activities left,â Haley whispers, moving her hand between them, taking her finger and tapping his nose.Â
Aaron smirks, âyes, maâam.âÂ
Youth burns in their viens â that youthful, go-getting spirit the only thing that carries them through their goals.Â
Heâs asleep when Haley rolls over, poking his ribs until he grunts. âRoll over,â she whispers.Â
Aaron groans, âno.â
âYeah,â she pokes him again. âRoll over, itâs my turn.â He lays still and ignores her. âYouâre shivering like a big baby anyway. RollâŚâ she shoves him, âover.â With a sigh, Aaron turns over, pulling more blankets up over his shoulder. Haley scoots behind him and hugs him, pulling him back against her. âSee, donât you love this?â
Aaron grunts, âlike wearing a jet-pack.â Fingers poke into his ribs and Aaron squirms. âYes, yes,â he relents. He yawns and Haley can feel the yawn pulling him back down, his muscles relaxing. âLove you,â he whispers.
Haley squeezes him.
â---------------------------------
In his second year with the BAU, things began to really change for Aaron. Heâs not just the newbie, his opinion is starting to be viewed as expertise and heâs gotten better â his natural instincts have mingled with the knowledge heâs developed.Â
Dave calls her first, and tells her everything that he knows but it isnât much. But the last heâd seen of Aaron he was breathing on his own, awake and alert. Dave doesnât tell her about the full extent of things yet, he fears it would only worry her. When she can see him for herself, it wonât be as scary. The details over the phone only take root in the imagination, an awful place to ponder on nightmares such as this.Â
He calls her again, shortly after, when Aaron comes out of surgery. Itâs a matter of hours but Haleyâs in a cab, on her way to the hospital from the airport, and she finds immediate relief in hearing Aaronâs voice. She can hear the tears heâs fighting to keep at bay as he tells herâweâre in miseryâ. Dave holds the phone to his ear and Haley can hear him chuckle as he softly corrects,âweâre in Missouri, Aaronâ. His response is a whine, a sad,âthatâs what I said.âÂ
When she gets there heâs asleep, Dave tells her that Aaronâs been weepy. Haley believes him. Alone, Haley sits down on the edge of the bed, picking up Aaronâs hand from the bed. His left arm is in a tight sling strapped down his chest but she can see the tube snaking up underneath his gauze. Haley doesnât know the rest of the machines but she recognizes the chest tube and the strained sound of his breathing.Â
Tears prick his eyes the moment he sees her and wetly, he tries to speak but Haley shushes him gently. Still agitated, Hotch shifts his head back and forth, anxiously moving with nowhere to go. Haley stands and leans over him, her hand never leaving his, while her other gently comes over the top of Hotchâs head. Her fingers tame strands of hair sitting however they like, dampened by sweat. âIâm right here, sweetheart. Youâre okay, just rest.â Her thumb brushes down between his eyebrows, pressing where they bunch up, relaxing them. She watches him fight it, a caught breath and a small jerk of his head. But he doesnât want to move away. âJust rest, Aaron.âÂ
Heâd always called her sweetheart. Long before sheâd ever thought about love there he was with his thick accent and blushing cheeks, following her dutifully wherever she went. He was always there, from six through thirty. Sheâd made mud pies with him in her motherâs garden, giggling at as his accent and the way he called hersweetheart like they were already adults. Heâd stopped when they were ten, began blushing instead. He kissed her for the first time when they were sixteen, heâd changed suddenly after fourteen and Haley couldnât keep up. They were no longer the same. No longer little kids with missing teeth and matching sneakers. Something had changed and he wouldnât tell her what it was. Heâd called her sweetheart again for the first time in years and Haley clung to it.Â
Haley liked reclaiming the name, she didnât like that the BAU was trying to make him hard when he wasnât. Aaron was always a sweetheart, too good, too kind. Theyâd only hurt him.Â
And they did.Â
Haley would never forgive them for this.Â
Brakes squeal and everyone is silent, not even Foyet speaks.Â
âOh,â Foyet says after a long moment, ânow this is fun, Hotch.â And the line had closed. Gone. The call ended.Â
Haley shakes where she stands, waiting. All she can do is wait. Thereâs a gun to her chest but Jack isnât here â and Aaronâs coming. Her eyes swell with tears. An hour ago, Aaron was dead. She didnât know what to do with herself, what was there to do? Haley had left Aaron to avoid exactly this, being the first person to call, the name signing a death certificate. And heâd still died. She can hear the fear in his voice, proof of life that she doesnât even care. Heâs alive.Aaronâs alive.
Aaron opens the front door and some small hope in Haleyâs chest flutters â because Aaronâs home. And it doesnât matter how long itâs been since sheâs last thought that, it still brings that comfort. Aaronâs comfort.Â
Haley runs and hides as Foyet leaves her, grinning maddeningly as he goes to join Aaron in the kitchen.Â
She can hear them and she knows Jack must too. Aaron grunts,pained, and Haley flinches, hands pressed to her ears at the sound of something breaking heavily, more grunts and groans coming. She sits completely still, croached down in the corner behind the couch, but feels the need to run when she hears footsteps.Â
âWhereâs that bastard son of yours?â Foyet. âWhereâd everybody go?â He stops in the living room, looking around with his arms extended out. Haley can see the knife in his hand, wet with blood. Aaronâs. âJust tell me where he is Hotch,â Foyet nearly sounds like heâs whining but heâs still smiling. He turns, he must be able to see Aaron from there, âif you tell me I promise Iâll make it fast.â He turns back towards the kitchen, sulking, âcome on, letâs have some fun. Little boys do nothing for me, you know that. He wasnât evenââ
Haley flinches â and she hears Aaron roar, haggard and exhausted, but rampant with fury. Thereâs endless destruction, things breaking so quickly Haley isnât sure where they are or who is winning.Â
And then itâs silent. Not silent.Â
Haleyâs heart freezes â somethingâs being dragged.Â
 Someone.Â
They come to the living room and all she needs is the one ragged breath to know itâs Aaron. A ragged, weak breath.Â
Foyet moves around the living room, âIâm going to show that little brat both of his dead parents.â A table is thrown over onto itâs side as Foyet tears the room apart, searching for Haley. She moves her head, peeking behind the chair, and she sees Aaron face. Itâs scrunched up in pain, heâs weakly trying to lift his head from the ground. âAnd Iâm going to tell him that it was all your fault.â
Aaron head falls back and he looks at the ceiling.Â
âHow old is he?â Foyet asks, shoving a couch away from the wall. âHe might be my youngest yet.âÂ
Aaron sees her. They lock eyes and Aaronâs eye twitches and she watches him peel himself up from the ground, wobbling dangerously â and then she sees his chest. The blood. All his own seeping down the fabric of his shirt.Â
She looks away. She doesnât think about it, Haley pinches her eyes shut and holds her hands over her ears. One of them is going to die and Haley canât listen. It will either be Aaron or Foyet, and sheâll either hear Aaron die or hear as he takes another manâs life.Â
Haley hasnât seen him like this in years. Blood comes and goes, heâs clumsy and quick to rush into things without thinking, but she hasnât seen him afraid in a long time. There were always startles â spiders, fires, and wolves â but that was just tight, quick. He was just startled by a silly fear, something inspired by nightmares. Sheâd only ever seen him afraid of one thing. The only thing he knew would kill him before he could ever kill it.Â
His father was a big man, bigger than a little boy could imagine. It didnât matter how big Aaron got, he was still just that little boy.Â
And here that fear is. His chest is a massive hole and his eyes dart around him, trying to find Foyet. He canât breathe, his lungs are filling with blood, and heâs still trying to ensure the threat is gone. That Jack and Haley are safe.Â
But Foyet is unmoving. Haley had waited, timed silence passed by the sound of Aaronâs ragged panting. And Foyet had not moved. Not a twitch, not a moan. He did not breathe. Haley had been slow to stand, afraid still of a dead man. But he was dead, and now it was over.Â
Haley crouches down on the floor beside Aaron, trying to lift the unsteady corners of her mouth up. His eyes are open wide as he pants, his dilated pupils focused on her while his gaze flattens. His chest is a massive hole, sunken in like a drain. Blood pumps out and gathers, weighs down his lungs, fills his lungs. His breathing hitches, grated and raspy, as he lifts his bloody and broken left hand towards her. Lifting it as high as he can, just inches from the floor.Â
Sheâs clean of the carnage all around her â blood splattered across the walls, broken glass around her feet â but she is clean. The moment she touches him, blood slides between their fingers and Haley brings his arm closer to her, pressing their hands to her chest. His bloodied, broken hand weakly holding on. She sniffles back tears, leaning over him gently. Haley kisses his cheek, wiping the tears from his face with her free hand. âHey, sweetheart.â
His broken fingers try to curl around hers, his open mouth moves to speak but his voice is cut immediately by a wet cough, he spits up blood onto his lips.Â
Haley wipes it away quickly, leaning down pressing her forehead into his. âOh Aaron,â she sobs, shifting her grip on his hand, holding it there as she feels him cease to be able to hold it there himself. She wishes she could start over. Go back to that sunny afternoon in the front yard, when their parents stood protectively over them. To the boy wrapped in the ends of his motherâs dress.Â
Aaronâs next breath takes two of her own and Haley holds onto him, pressing them tightly together in the last seconds. Theyâre masters at the art of togetherness, nearly every waking moment from the day they first met. There is no separation, not even divorce had driven them completely apart. Theyâre one. One person. One breath. One life.Â
It feels like I haven't written anything in years. It's short and there's hardly anything but I guess I've gotta get back in the swing of things somehow.
-- Hotch + lake + poor Morgan doing all the work
Hotch falls to his knees, letting out wretched, deep gags as water from the frozen harbor exits his stomach. Dirty, icy water drips off of him â currents trailing from his hair down his neck and face, dripping off the tip of his nose. Wet clothing logged and heavy, pressing down on his back. Every inch of his body is cold, tingling with growing numbness. The cold mud and dead grass underneath the palms of Hotchâs hands spin and he watches it as if second-hand, removed from this situation with a flighty, floating detachment. Again his stomach curls and despite feeling it, Hotch can do nothing but remain as he is, on his hands and knees on a muddy embankment, with the water lapping over his legs. Audibly, Hotch gasps at a cut-off breath, making a wet, hurt sound as more water is purged from his body.Â
His arms begin to burn, shaking underneath him, and his brain lagging behind the present moment, Hotch realizes, only as he falls, that heâs fallen over. The ground is cold and hard, the impact jarring but nothing more than a deep echo coursing through him, ebbing into the numbness overtaking him. Hotch lays in the mud, chest a tight pain and limbs frozen in vain, trying to scrunch up and preserve his heat by becoming smaller. He shivers and gasps for breaths, foggily watching the sky. The sunâs coming up, lighting the sky a pleasant soft blue.Â
Hotch stops shivering and he lays with vacant, fluttering eyes watching the sun slowly crawl upward.Â
Absently, floating further from himself, Hotch realizes time is slipping away. Warm, gooey time, like putty, the sun. âGot a âpointment,â Hotch whispers deliriously to himself, cracking a smile. He forces himself upright, guided aimlessly to move, and stumbles forward until he crashes into a tree he hadnât seen, holding onto it with burning, hurting hands. Up his legs shoot daggers of pain and he stands for a moment, too disoriented to move.Â
One foot-dragging in front of the next, Hotch walks hunched over, arms drawn up but hands uselessly hanging. âMilkshakeâŚâ he mumbles, stepping through the slush of wet snow. âGoing to theâŚâ he stops, trembling but no longer shivering, as he stands for a moment looking absently at a sudden sharp rise in the embarkment.Â
Aimlessly, Hotch turns, mumbling intangibly, even to his own ears. His feet keep moving forward but stiffly, his gate stutters and Hotch trips over himself, falling back into the mud. His face smacks the ground and his vision fades in and out in pulses, webs of pain spreading out over his temple. On the other side of the water is a house, with warm lights on, and smoke bellowing out from the chimney. Blinking heavily, Hotch stretches his arm out, fingers dipping into the waves rocking gently to shore, towards the house.Â
âHotch!â
Morgan comes trampling through the trees, what little wildlife Hotch hadnât scared away scatters quickly now from the thundering pound of his feet. The ground changes from the wet underbrush of snow-covered layered leaves in various states of melting and freezing to slick mud, leaving no traction beneath Morganâs feet as he approaches the water and he slides to a stop, âHotch!â His bellow echoes over the water, puffing with a plume in the frosty air.Â
A faint, soft sound, hardly audible comes from his left, and although covered in mud, Morgan immediately sees him. âHotch!â He slips and his arms spin, but Morgan doesnât slow down in his approach. Icy ground biting into his knees, knees sinking into the mud, Morgan leans over and scoops up Hotchâs shoulders, careful with his head. âAaron?â he gasps, pressing his hand to Hotchâs face and finding his skin pale, his lips blue. The sudden dry heat against his cheek causes Hotch to moan, turning his head away. But Morgan pats his face again, irritably, Hotch peels his eyes open. âYou have to get up, the car is up there.âÂ
Things like this never happen with any sort of warning â then again, Hotch is the sort to jump at only the most sporadic opportunities to try and get himself killed.Â
Just behind them, Morgan had watched as the Unsub ran to the dock, taking one glance over his shoulder and jumping head-first into the water. Hotch hadnât bothered to look back, heâd followed immediately after. Out of the water, Morgan could only see both their floating heads. Immediately, Morgan had stripped out of his coat, tossing electronics onto the dock and waiting for any sign to follow after them.
One head disappears beneath the waterâÂ
âHotch!âÂ
The floating head turns and begins swimming quickly away.Â
The frozen, murky water had stung Morganâs eyes but he never stopped to think about it. With Hotchâs heavyweight in his arms, Morgan struggled to keep both their heads up above the water. Pulling Hotch by the straps of his vest the last few feet, heâs so exhausted he releases Hotch to the same hard ground that he falls onto. The slap to Hotchâs back, the wet but unforgiving ground knocks loose the pressure sitting tight and unmoving in Hotchâs lungs. Panting from the exertion, Morgan pushes himself back upright, stiff fingers missing and then grabbing (stinging) as he pulls Hotchâs vest, forcing Hotch upright more and he chokes and gags up a mouthful of water. âStay here,â Morgan instructed, and he left Hotch right there on the bank.Â
Stay is an easier instruction to follow than walk. Hotchâs legs tremble as they walk, his cold, heavy arm over Morganâs shoulder sending a new current of murky water drooling off of Hotch and down Morganâs back. âJust keep walking,â Morgan puffs. Heâs shivering, physically shaking but Hotch isnât. Each of his limbs seems to have taken on thirty additional pounds of weight, he steps as though moving large tree trunks. Hotchâs leg crisscross back and forth in front of each other, he wouldnât move in the correct direction on his own. He moves forward because Morgan keeps a tight hold on him, correcting his crossing steps.
âI have to get you out of these clothes.â
Hotch groans and looks around them, âwhâ whâr âr we?âÂ
âHuh?â Morgan pays him only half a mind, not able to make out Hotchâs gibberish and more concerned with pressing matters. Hotch is in no shape to dish out orders and certainly not in a place right now to be making demands or being too stubborn to accept help. Not with the way Morgan has had to drag his big sorry ass out of a frozen lake and then also up a damn hill. But â Hotch is just looking at him. Heâs sitting in the car, on the edge of the seat right where Morgan put him, waxing and waning out of needing to be held up by Morganâs hand and over-tensing his abdomen to prop and sway himself semi-upright.Â
Hotch is blankly staring at the interior of the car â getting blasted by dry, intense heat that feels like itâs slowly burning through him. The heat stings. Morganâs stepped away, he hasnât realized it, hasnât thought about how or why heâs gotten here. The clattering sound of things being dropped doesnât make him flinch, he hears it through the filter of white noise rattling around in his head. Then there's heat â intense heat on his neck, more sliding down his back, pulling and moving his arms. It all hurts.Â
âYour clothes have to come off,â Morgan grumbles, âstop fighting me.â His voice is sharp and clear through the muddle in Hotchâs head. Hotch sags back against the seat and Morgan grunts out a thanks. Buttons fly as Morgan rips his dress shirt open but the wet shirt requires even more struggling. âSorry,â Morgan says, bending Hotchâs arm awkwardly and getting a pained grunt in response. As Morgan moves to pull Hotchâs undershirt off, Hotch tries to sit up, his cold fingers collecting and fumbling in Morganâs way at pulling at the hemm.Â
âI caâcan do it-t.âÂ
Morgan lets him and silently, as the wet material sticks right to him like glue, he tugs the material away from Hotchâs face, and over his head when his arms start to shake. And Hotchâs numb fingers try and push his dress slacks open.Â
âCan I do it?â Morgan asks impatiently and Hotch angrily grunts, throwing himself back and letting his arms slack to the side. Heâs shaking again â shivering, teeth making a horrible chattering sound that Hotch doesn't realize is coming from him. Morgan pulls Hotchâs slacks from down under his hips and Hotch wants to fight but he canât move his legs. Morgan moves Hotchâs stiff body around, and sighs, âugh â small miracles, thank you black boxers.â Morgan wastes no time throwing the soaked pants to the ground and begins to pull at his own coat, working his arms out of it. Hotch groans as Morgan grabs his hand where itâs fallen to his lap, pulling it through the arm of Morganâs coat but he doesnât fit as the other arm is guided through.Â
Itâs a second thought, Morgan straightens and heâs going to shut the door, and he thinks twice. At first, Morgan wants to push on, forget Hotchâs seatbelt, and get them the hell out of here, but â No, no because reckless Hotch plus cars always mean an accident. As Morgan leans over Hotch they make eye contact and Morgan can see the depth, he can tell that even blearily, if only barely Hotch is back there. Behind twitching blue lips and red-rimmed eyes.Â
Finished this and out of habit I was about to start citing APA (that's for sure a cry for help). I hardly ever write at this point bc my brain is like a barren wasteland (no ideas) so... but I mean I guess I wrote this so that's something
Marie Ann screams when her boyfriend staggers back, the bullet exiting Hotchâs gun and tearing through Matt. He drops to the ground, hand still to his chest, and now collapses, death freezing the action of his shock to his face. Hotch shouts at Marie Ann to raise her hands but she drops down to Matt, screaming for him as her hands uselessly grab and pull. Her mouth agape, wailing, she turns and searches the ground for the gun Matt held. Hotch yells again, stepping forward, and as her finger curls around the trigger Hotchâs own taps uncertainty. They switch expressions as Marie Ann raises the gun to her temple, her face falling flat with certainty, and Hotch shouts in horror as the second gunshot rips through the room.Â
Hotchâs hands havenât stopped shaking.Â
âMakes it easier for us,â Rossi says, climbing the weathered hotel steps. âWouldâve spent months in trial,â he sighs, coming to the top of the landing and leaning on the railing a moment. âGo on,â he motions Emily and Reid ahead of him. âNow we can go home and those two are dead, everybody in the city tonight gets to hug their kids close and know theyâre safe. Thatâs a win, couldnât ask for anything better.â He turns to take the next flight, joining Hotch in the back. âYou remember that case with the, ugh, what were their names? That couple in Oklahoma, real rednecks, killed three couplesââ
âHowards,â Hotch mumbles, dejected.Â
âYes,â Rossi agrees, âthe Howards. Those twoââ
Hotch turns hard at the top of the steps, not glancing back as he heads straight for his room, ignoring the rest of the conversation and Rossiâs frustrated and then confused calls of his name. His shaking hands miss the first swipe of his room key into the lock, as soon as the door rings Hotch pushes inside, letting it shut behind him.Â
Reid, Prentiss, and Rossi stand bewildered by the stairs. Every night Hotch makes his rounds. Itâs standard and predictable that Hotch stands and watches each of them enter their rooms. Itâs customary to the point that they tell him goodnight and still anticipate that heâll be around an hour or two later to ensure theyâre still fine, usually just going through the routine of bedtime.Â
And besides routine, Hotch always waits for whoever is rooming with him to go in first, as he holds the door.Â
âShoo,â Emily shakes her head, reaching up and planting a supportive, but rather mocking, hand on Reidâs shoulder. âGood luck.â
Reid helplessly looks between them. âPrentiss,â he whines but she raises her hands, this isnât on her. âPlease,â he tries desperately but heâs left as Rossi and Prentiss join one another in walking towards their own rooms. âGuysâŚâÂ
Reid sneaks into the room, despite it being half his. Making sure the door doesnât make a sound, gently easing it shut and releasing the handle slowly. Hotchâs bed is made, untouched from this morning, and the sight of the sheets he left pulled back and in a mess makes Reid feel a pang of guilt and shame. Feeling anxiety already from the unpredictability Reid conceives from Hotchâs behavior, every little thing heâs left out or not done suddenly feels like an infraction, things that Hotch will be mad about.Â
But Hotch is in the bathroom. Safely contained to, technically, another room.
Reid walks over to the bed and sits but he stands back up, anxiously looking around him. Contemplating for a moment, Reid wrings his fingers and decides to start picking things up, hoping that this will place him in Hotchâs good graces.Â
Several things fall in the bathroom loudly and Reid flinches, nearly dropping the mug in his hands. He looks over to the closed door, and too quietly calls, âHotch?â Every frazzled bone in his body tells him to keep picking up, to ignore the sound, and not start yelling â which will only make Hotch madder. He starts to duck his head, moving quicker now to pick more things up, but something else guides him over to the counter. Gently, as to not let the mugs hit the hard countertop loudly, Reid sets them down. He brushes his nervous hands down his pants and returns them to one another, twisting and pulling at his long fingers as he hesitantly sneaks closer to the bathroom.Â
âHotch?â he asks, again too quietly. Reid canât bring himself to speak louder, to say Hotchâs name again, so he presses a little closer to the door, careful and mindful that he might be seen from the other side underneath the door. But as he steps closer he can hear the sounds coming from the other side. He canât tell what it is but itâs definitely a noise that makes him only 10x more uncomfortable as Reidâs confronted by the fact that he canât walk away. That he certainly has to knock on this door. âHotch?â Reid manages just a squeak above what heâd managed before. âArâAre you okay?âÂ
With no answer, Reid takes a step back. He works his hands through his hair a moment, leaving them against his face as he takes a deep breath and blows it out. âHoâHotch?â Knocking nearly takes Reid out but he manages weakly, âHey⌠Ugh, Iâmâ Are you okay? Do â Do you want me to come in?â
He waits a full minute without response before gently putting his hand on the doorknob, hoping with all his hope that the door will be locked. If itâs locked he can go get someone else, let them be brave. Itâs unlocked. Reid opens the door just a crack, âHotch?â With his face to the door, slightly ajar, he can hear now the sound of harsh breathing, and he opens it just a bit more.Â
Hotch is on the bathroom floor, sitting down beside the toilet, his knees to his chest and his face hidden against them. He looks up, wearing an expression that Reidâs never seen before, one that scares him back a step. Hotchâs eyes are raw and red, swollen. Wild. Theyâre not the piercing depth Reidâs used to, they donât hold an emotion that he recognizes immediately. Hyper-aware of every mood shift, Reid has adapted to Hotch. He doesnât really have an answer for why but he can just see it. And this look is not one that Reid is familiar with.Â
Reid tries to back out further but Hotchâs eyes are locked on him now.Â
Hotch tries to speak but he manages only the beginning syllable of words Reid canât understand. His right hand comes up and grabs his chest, his fist closing around the material of his dress shirt. âReid,â he manages, gasping, âCaâCallâ.â He tilts his head back, mouth open as he pants for air. âHeartââ
Reid tilts his head slightly, narrowing his eyes. He studies Hotch for all of a second and comes to his own conclusion. He looks down at the floor and back to Hotch before he hesitantly steps in. âI thinkââ Reid looks again at the hand Hotch holds to his chest. âStatistically, the average age for a heart attack in men, who make the proportion of the static, is sixty-five. Though, a heart attack shouldnât be ruled out by that factor. Diet and heart health play a big factor in that but four to ten percent of heart attacks are people younger than sixty-five.âÂ
âW-What?â
Reid sits down on the floor in front of Hotch, crossing his long legs underneath him. âI donât think youâre having a heart attack.âÂ
âMyâ My chestââ
âYouâre having a panic attack.â Reid points a finger at Hotchâs head to the pulsing vein he can see, âyour heart is beating very quickly.â He reaches slowly and watches Hotch, gently wrapping his hand over the back of Hotchâs wirst, and finding his pulse. âYes,â Reid nods his head, âvery quick, about 160, but not irregular. Canât rule out an arrhythmia but that doesnât fit⌠Your chest pain, does it feel like pressure or sharp?â
Fingers against Hotchâs pulse, the fast pace keeps up with Hotchâs frantic gasping. And after several long moments measured out by these two things, Reid frowns. He pulls his hand back away and Hotch tilts his head back again, letting it rock to the side, the rest of him trying to curl in that direction. Reid watches in terror as tears start to come down Hotchâs face, both of his hands up to his chest.Â
âYouâre experiencing a panic attack,â Reid offers lamely, pulling his own hands together. âYouâre not dying, Hotch. It should be over soon.â A stretch of the truth. Reidâs had panic attacks before and he knows that âsoonâ is all too relative. Heâs had some last anywhere between five minutes and an hour, and they all always feel like hours. Hours of that sharp pain and a panicking brain reassuring and trying to prove that youâre dying.Â
That sharp glare presents itself for a flash as Hotchâs red eyes snap to Reid. âYouâre not a doctor,â Hotch grits out. âJusâ a smartass wi-with â â Hotch cuts himself off with a whimper, fist tightening and his eyes pinching shut.Â
Reid flinches a little, and feels the impulse to scoot himself away, out of arms reach, but Hotch keeps his hands clutching his chest. âDoâ Do you want to me to go getââ
âNo!â Hotch shouts, louder than either were expecting and they both flinch. âNo, no donât.âÂ
Reid really wants to move now as Hotch starts sucking in worse breathes, his chest hitching. He knows this. Knows the feeling. Breathing is hard enough but in a flash it becomes laborious, trying to catch up but never getting enough. Like the rooms a sucking black hole, the oxygen running out, already too thin, but now dwindling.Â
âLâLâLeave,â Hotch sobs, pulling now at his shirt, turning his head from Reid. âPlease,â he rasps.Â
Reid stands quickly, going backwards until his back hits the ajar door. âOkay,â he obeys too quickly and stops too ubruptly. He stands frozen, unable to leave despite desperately wanting to. âIâll be right back!â He turns quickly on his heel and runs to the fridge. He throws the door open and looks frantically around it. âWhereâs the ice?â he asks and whirls around, looking at the rest of the room in a stupor.Â
The ice machine is down the hall.Â
Reid stands blinking as he tries to think of what to do. He doesnât think he can leave Hotch, as much as he wants to put a great distance between them, he feels nervous now, just steps away.Â
âIâm sorry,â Reid says, coming back into the bathroom, really to himself. Hotch doesnât acknowledge Reid coming back in. Trapped in his own mental hell, every limb numb, whole body shaking, all Hotch can do is be painfully aware of his breathing and his heart, which he waits antipanting the contraction that makes the muscle give out.Â
The rush of water into the tub is drowned by the ringing in his ears.Â
Reid stands up, the tap turned all the way to the blue C, and searches for a wash cloth. He grabs a towel and dumps the cup holding the hotel supplied two-in-one shampoos, throwing the first into the bottom of the rub. The cup fills quickly and Reid turns and freezes.Â
Hotch is still crying, eyes closed and head turned from Reid.Â
âSorry,â Reid says, drops the cup, instead pulling the towel out from under the water. Soaked, the towel is heavy, ice cold water pouring all over as Reid holds it up. âSorry,â he says again and tosses the towel down over top Hotchâs head. He takes several quick steps back, trying to ensure heâs out of arms reach.Â
For a scary second Hotch grabs at the towel in terror. When the white cloth is pulled down Hotch takes in a deep breath, the towel laying in his arms. âWhat the hell,â he gasps, looking up at Reid.Â
But this is Hotch. Reid can see it in his eyes, Hotch looks confused, shocked, but somewhat like himself.Â
Hotchâs head smacks the bathroom wall and closes his eyes. The towel is freezing and heavy, soaking into his sleeves and the front of his shirt. He feels jerked back from a ledge, but heâs still standing by the rocky cliff. One wrong step and heâll go back over but his head feels empty. His racing thoughts starved off as his body concentrates on the too cold towel across his lap.Â
He blinks his eyes open, squinting at the light as Reid steps over and picks the towel back up. Ears still ringing, Hotch can hear the tub run, and he watches in numb complacency as Reid puts the towel back under the cold water.Â
Again, the wet towel flops down but this time into his lap, and Hotch sucks in a breath at the contact.Â
âYour respiration rate is slowing down.â
Hotch grunts and listens to his body's call to be united with the floor, slowly leaning over until heâs on his side. From behind his closed eye, he can see Reid step back into the light burning through his lids. âAlright,â Hotch commands breathlessly, holding his trembling hand up between them. âIâm okay, thatâs enough.â His hand falls down to his chest and Hotch closes his eyes, feeling already bone-deep exhaustion trying to pull him down through the floor. âShit,â he curses breathlessly. Heâs still overly aware of his breathing and his heart but his hand rests on his solar plexus and below his palm he can feel the muscles moving, can feel his heart returning to a less alarming pace.
âAdrenaline fatigue results in lethargy but bathroom floors have seven hundred and sixty four bacteria per square inch. A motel bathroom can have millions ofââ
âReid,â Hotch grumbles, âjust turn the light off.âÂ
Reid rocks back and forth, wringing his hands, âbutââ He really tries to listen but he turns around and comes right back. âEnteric pathogens â Escherichia coli! Staphylococcus aureus, Dermatophitic fungiââ
Hotch groans from the floor, and after a moment, turns his hand to the floor, weakly sitting himself up with shaking arms. âYou do know those have layman names,â he remarks, looking down as his soaked towel flops wetly to the floor.Â
âYouâre not a layman.â
Hotch huffs, and starts to use the toilet to push himself up. He looks up, confused, when Reid extends his hand down. âIâve got E. Coli and staph all over my hands,â he reminds Reid and he watches Reidâs lip tighten before he moves a little closer. Reidâs grip is much stronger than his own and given the way everything beneath him shakes, trying to pitch him back to the germ encrusted floor, Reid might just be stronger. Without the helping hand Hotch wouldnât have been able to get off the floor.
The need to be useful prevails over a desire to continue to stand in the bathroom. Reid darts right out the door as soon as Hotch steadies to feet, âIâll get you a dry towel.âÂ
Hotch holds himself up with the sink, putting a little too much faith in the drywall patches around it. He observes himself with mild disgust, frustrated by his damp face and the sleepless circles pitting his eyes. Weak. Internally and out.Â
âSorry,â Reid says, he offers it reflexively but then he does mean it as he stands awkwardly, interrupting Hotchâs sour scowling at himself. âHere.âÂ
âThank you.â Hotch takes the towel but just holds it, âI should change.âÂ
Reid wordlessly lifts Hotchâs go-bag, and he bypasses handing it to Hotch and instead slides through the door, squeezing past and setting it in the sink.Â
âThank you.âÂ
Reid nods stiffly, fumbling with the door, âuh-huh. I mean, no problem, sir.âÂ
âSir?â Hotch asks. He looks deflated, his lifted eyebrow somehow soft and kind.
Reid blushes a little, âyeahâ Sorry.â He pulls the door behind him, quickly trying to get away.Â
Hotch leans his elbow back onto the sink, and looks behind him, dejectedly sitting atop the toilet seat. His hands come to his face and immediately he can feel his heart rate start to accelerate. Slow breaths do nothing to slow his heart. For a moment, Hotch tries to fight it but he has to move his hands as the panic grips his chest again. With a grunt, Hotch tries to stand but he falls to his knees, and he pulls himself closer to the tub. The edge hurts his chest but he presses harder, he jerks the nozzle all the way over, and light-headed, shaking resumes, Hotch ducks his head under the freezing water.Â
âHotch?âÂ
Icey water slides down both sides of his neck, cooling his overheated face as it trails through his hair and down over his face. âIâm okay,â Hotch rasps, and he groans when he hears Reid knock on the door. âReid,â he manages just a little louder, âIâm fine.âÂ
âOâOkay! ⌠Are you sure?â
âYes,â Hotch groans.
Reid walks circles around the room, trying but unable to find something to do. There are plenty of tasks but his eyes move right over them, his attention split and remaining mostly fixed on the bathroom door. He moves the mugs around on the counter, nudges his converse by the foot of the bed so that theyâre sitting beside one another, and stands there. Reid turns back ot the door when he hears the water turn off and again he attempts to find a task.Â
He ends up standing in the middle of the room at the table provided in the mini-kitchenette styled area. For a moment he pushes Hotchâs pen around in circles and opens Hotchâs file, looking through it despite knowing every word in it.Â
The bathroom door opens and Reid moves quickly but ends up standing awkwardly, hands clasped in front of his chest.Â
Hotch doesnât look up at him as he slowly exits the bathroom, his hand taking hold of the counter to balance his unsteady legs. Here, he glances at Reid out of the corner of his eye, and rights himself again, standing to his full height and taking a step that Reid can visibly see is not stable. Hotch resumes his slow pace, attempts to. âReid,â he grumbles and the younger man flinches, turning away immediately and pretending to place his attention back on the file on the table.Â
Over his shoulder, trying to look inconspicuous, Reid watches Hotch cover the rest of the small distance to his bed. Kicking at the carpet with his toe, Reid chews on the inside of his lip. He clears his throat, âum, Iâll be right back.â
Hotch grunts softly as he eases himself down on the mattress, âmhmm.â
Reid shoves his feet down inside his shoes, and goes to the door. âBe right back.â
âYou said that.â
Reid hurries down the half-hall to where he knows the vending machines are. As he passes the otherâs doors he can hear them faintly inside. Prentiss and Morgan are watching something with a laugh track, and Rossi something with the many firing cracks of a gun. The vending machine is just outside Rossiâs door, and itâs sparse. Reid frowns at it. He squats down to see the lower shelves and pulls change from his pocket, sorting coins in his palm before feeding them into the machine. Thereâs a weird brand of train mix and Reid takes it, looking over to the other machine with hard concentration.
Rossiâs door opens and peaks outside. âOh,â he leans out, âyou need more change?â
Reid rocks on his feet and shakes his head, âno. Does Hotch like gatorade?â
One of Rossiâs eyebrows drops but he shrugs, âI suppose. Why? If youâre trying to bribe him into a better mood youâll need something a helluva lot stronger, kid.âÂ
âIâm not,â Reid says, and types in code for the red gatorade. He waits patiently for it drop down and takes it, turning back and walking past Rossi.
âEverything okay over there?âÂ
âYeah.âÂ
The big light is off when Reid comes back in, the lamp on Hotchâs nightstand illuminating the shadows. Hotch hasnât gotten into bed, his flannel pajamaed legs hang over the side as he sits on the edge, his head slowly being raised from his hands as Reid comes in.Â
Reid puts the gatorade and trail mix down beside him.Â
Hotch looks up at Reid for a defeated moment, blinkling tiredly. âWhatâs this?â Hotch asks, wearily. A single finger rolls the gatorade slightly, the packaging on the trail mix crinkling.Â
âCarbohydrates increase tryptophan which crosses the blood brain barrier to synethizise serotonin.âÂ
Hotch hums.
âChocolate has tryptophan.âÂ
âOh.â
Reid rocks back and forth on his feet, rubbing his finger with his thumb. â5-hydroxytryptamine, serotonin, is a monoamine neurotransmitter acting as a hormone. Most of the serotonin in the human body is found in the gastrointestinal tract and itâs absorbed by platelets. Only about ten percent is produced in the brain. Tryptophan is an essential amino acid so the human body doesn't naturally make it. You have to,â Reid points to the trail mix, âeat it.âÂ
Hotch picks up the bag and it rest in his palm as he solemnly looks down at it.Â
âGatoraide⌠has electrolytes?âÂ
âMostly sugar water,â Hotch says gruffly.
Reid smiles, âproduces serotonin.â
Hotch raises an eyebrow, surprised, and when Reid says nothing more, ânot going to tell me how sugar become serotonin?â
Reid rocks back on his heels and shakes his head, âNo. We should watch a movie.â
âOkay.â
Finding the remote is a struggle and Hotch sits on the bed. His brain is fogged down, like a wet, dewy morning so thick that headlights canât be seen. Dejectedly, Hotchâs vision is unfocused, eyes cast unseeing to the floor. The sound of the television coming on, loudly, stirs him vacantly. Reflexively, his eyes move to it.Â
âDirty Jobs!â Reid points, smiling back at Hotch.Â
The light makes his eyes hurt and Hotch blinks slowly, squinting. Itâs not until it starts to hurt his head that Hotch looks away, that he has the thought to do so. Without much thought, Hotch rolls onto his side, facing the wall. White paint.Â
Reid says his name twice and hesitantly, afraid but also concerned, he taps Hotchâs shoulder.
He flinches.Â
Reid holds the opened trail mix up, âTryptophan.â
Hotch blinks sluggishly and finally frees his arm from beneath him, opening his palm.Â
Reid pours some of the mix into his hand and sets it back on the bed.Â
Pushing himself up, Hotch rests his back against the pillows, sitting in the fog of his brain and looking emptily at his hand. Seeing this, Reid sits down beside him, and carefully picks out a few peanuts. Itâs only after Reid inspects a peanut and places it in his mouth that Hotch does the same.Â
Side-by-side, Reid watches Dirty Jobs and Hotch slowly eats a single piece of trail mix at a time.Â
Reid sits up near the end of the episode, suddenly excited by a fact, âoh! Algae isââ Hotch is asleep. Reid hadnât realized and he clamps his mouth shut, watching as Hotch, unbothered, sleeps on. Softly, Reid leans back. He turns off the lamp on the nightstand and mutes the tv.Â
He hasnât shaken the feeling that someone else should know. Insecurely, Reid wishes someone else had been here. Morgan or Prentiss or Rossi. Any one but him would have done better.Â
Hotch starts to snore softly and Reid dares a glance from the corner of his eye. He wonât tell anyone what happened tonight.
Well⌠maybe the next time Morgan says Hotch doesnât snore heâll bring up this part.
What's the WORST torture you can think of in the next five seconds??
NO CHEATING
TYPE IT. TYPE IT NOW.
Well damn idk. Torture that would freak me the hell out would be sensory deprivation. What kind of normal person is gonna be able to handle that? Not me thatâs for sure. Iâd def go crazy, all you got is your head and adrenaline - not the vibes
But I think electrocution and waterboarding are also close on that list, very not fun either
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went through your master list again and craving for more headcanons đĽşđĽşđĽş
I couldn't think of very many (and I tried to come up with some but I just couldn't think of anything)
Garica runs to Hotch with the office drama. He doesn't seem like heâd be interested but he is invested. Because thereâs what he naturally observes happening and Garcia fills in the rest with what sheâs heard from the gossip pool. The two of them just sit in his office picking drama apart.Â
Morgan and Prentiss are either inseparable or need to be on opposite sides of the country. Their malicious ways are either connected in a strange, scary way or aimed at one another. Neither is ever any good for anyone. When theyâre on good terms, theyâre inseparable, and when theyâre not, they need to be in different cars. Hotch & Reid are their most frequent victims
When Rossi & Gideon meet Hotch in Seattle heâs working a case for the DA dealing with a cartel. Theyâre brought in because two DAs have been killed and now Hotch has been attacked, heâs in the hospital, should be dead, and as far the cartel knows, he is. Their first impression of him is under the influence, at an age where the southern accent heâs slowly losing hasnât actually been lost. So when he comes to Virginia a year later, theyâre surprised when the accent they met him with isnât there
JJ doesnât have the rank to issue orders but if and when she does, theyâre obeyed swiftly, and with far more vigor than most things Hotch tells them to do
Reid is intolerable to the Virginia humidity, and everyone does their best to keep the genius in the air conditioner to avoid any cranky temper that might show itself â Hotch is intolerable to the cold, which is harder to see and also not, he holds himself like heâs got every muscle in his body tensed to prevent himself from shivering
(Hotch wasn't with the DA in Seattle but I really don't care)
Hotch doesn't get a "concussion" properly assessed, naturally, there's consequences.
(lots of nausea and one puke)
Word Count: 6500
Jack doesnât really mind going to school, he likes it. Actually, Jack really likes school. But the weekends are still better. Breakfast is pop-tarts and they get to go do all the fun things. At the grocery store, they pick up chicken nuggets and frozen pizza. They walk to the park and like most weekends, Hotch carries Jack back when heâs too tired to walk. When they get home they watch movies and Scooby Doo. But on Monday they canât do any of that. Pop-tarts are only for the weekend and thatâs why Mondays are the worst days.Â
âYou like eggs,â Hotch reminds Jack, watching him pick and turn the scrambled eggs over with his fork. âYou want something to dip it in?âÂ
Jack shakes his head.
âAlright.â Hotch pushes himself up and goes over to the counter. He glances back at Jack as he refills his mug. Reaching up, he opens the cabinet and pulls down a plate. He scoops up what remains of the scrambled eggs on the pan still sitting on the stove top. As he comes back, he takes the ketchup from the fridge, and another fork, and sits back down. In his peripheral Hotch can see that Jack is watching him. He puts a little ketchup on his plate and stabs a bit of egg.Â
His stomachâs used to nothing but coffee until at least lunch time, and he got nauseous just cooking the eggs but he takes a big bite. He points to the ketchup with his fork, âyou sure you donât want any?âÂ
Jack hesitates for a moment, thinking it over. âYes,â Jack pushes his plate forward, âplease.âÂ
Hotch barely manages to swallow the bite but he smiles, stabbing more onto his fork. Jackâs still watching, timing his own bites with Hotchâs. His stomach does an ugly little twist, nausea rampant, but he cleans the plate, they both do.Â
Hand against his rebelling stomach, Hotch leans on the sofa as he waits for Jack to come running back with his shoes. In his hands are not his school shoes but the lime green rainboots they fight over frequently. Hotch had gotten Jack real sneakers this year, big boy sneakers, with shoelaces and not velcro. And seeing them, Hotch begins to say something but then he thinks about having to lean over and tie those shoelaces and, instead, he just request Jack hurry up before theyâre late.
Getting big boy shoes was supposed to mean that Jack tie his own shoes but itâs not that easy. On the mornings when Jack does tie his own shoes, it takes at least ten minutes. Other mornings he just throws his leg up on Hotch and waits expectantly for them to be tied for him. Shoes with the velcro straps were so much easier for mornings, but Jack had pleaded in the shoe store.Â
âDaddy can you get coffee?âÂ
Prentiss had called while they were in the car and Jack had been silent in the back, Hotch had nearly forgotten he was back there. Hotch glances back rearview mirror, pulling the phone from his good ear, âI already made coffee, buddy.â He replies to phone, âyeah, driving him to school.â Hotch glances back int he mirror again, âMiss Emily says hi.âÂ
âHi!â Jack shouts back, kicking his feet back and forth where they dangle.Â
âNo,â Hotch says, âhe just wants a d-o-n-u-t.â He glances back but Jackâs watching the window, humming a song to himself. âWeâre already late, Prentiss â He doesn't needâ Alright, alright. Yeah fine.âÂ
They take the same route everyday and Jack notices immediately when they detour. âCoffee?â he asks, perking up and knowing wherever theyâre going, itâs not to the school.Â
âYeah,â Hotch huffs, and glances back, âwhat kinda donut do you want?â
âChocolate!â
As much as Jack hates being wiped down with a baby wipe, heâs covered in icing and sticky, he doesnât like that more. âWhen I get big,â Jack says, pausing as the baby wipe circles back around his mouth, âIâm gonna eat chocâlate donuts everyday!â
âEveryday, huh?â Hotch tosses the dirty wipe back into the car and pulls out another, needing another to tackle the mess on Jackâs hands. âIf you have it everyday then itâs not as fun when you get one.âÂ
âItâd be fun everyday.â
The last of the donut finally comes off and Hotch pushes off the car, standing. âAlright,â he pats Jackâs shoulder and leans back into the car, grabbing his bookbag. Thereâs not much of a point for this silly thing, itâs light as feather, but it is pretty cute. The bookbag is bigger than Jack is. âHere we go,â Hotch holds it and Jack slips his arms into the straps. âYou want me to walk you in?â
âYes!â Jack grabs Hotchâs hand and starts to pull.
âAlright.â His father had never walked him into school. If he had, Hotch doubts he would have grabbed his fatherâs hand so eagerly. Itâs sort of strange, all of it is really. Half of him is certain that he has no idea what heâs doing, and the other half is bewildered that whatever heâs doing isnât as bad as what was done to him. He has only the one reference, one thing to compare it to and itâs not very comparable.Â
They get to the door and Jack lets go, running, âbye! Love you!â
âI love you.âÂ
Jack waves at the door and keeps going.Â
Already knowing whatâs waiting for him at the office, Hotch stands and watches Jack until he canât see him any longer. He feels immense guilt everytime he leaves Jack but itâs not enough to stop him from going and heâs not sure what that means. If that makes him bad at all this. Bad at being a dad.Â
Jack hates it. He thinks itâs really cool most of the time. He likes that his dad fights bad guys, he loves superheroes, but heâs coming to realize what that really entails. Now the superhero movies arenât always that great. Superman gets beamed out of the sky. Batman collapses in an alleyway. Captain America is intombed in ice. The bad guys win sometimes, and Jack knows that, but the heroes, sometimes they die. They get up bloodied and limping, and sometimes they donât get up at all.Â
âHeâs in Georgia,â Jess says, âheâll be home in a few days.âÂ
Jack erases what he has down on his homework.
Jess watches him, âyouâre going to end up with a hole in that paper if you keep erasing it like that.âÂ
Jack sighs, his head resting on his palm. His work isnât wrong, Jackâs fairly certain heâs got the right answer, but itâs still not right. Not right enough.Â
He hates Mondays.Â
He hates when Jess picks him up from school because that means his dadâs already somewhere else.Â
Tuesday somehow way worse than Monday.Â
âYouâre grumpy this morning,â Jess notes and Jack ignores her. Sheâs used to this treatment in the early morning. Hotch isnât much of morning person either but more so, Jack just has better mornings with Hotch. He doesnât want Jess to walk him in and even though sheâs bargained a Pop-tart this morning in a small attempt to lift his mood, Jack sulks into the school.Â
The PA system is very active and Jack hates it. The class falls to dead silence, fidgety excitement passed around while they cross their fingers in the hopes that it will be them who gets to go home early. But Jackâs heart pounds in his chest, terrified from the second that speaker dings with the incoming message.Â
When his father is in Virginia, Jack anticipates along with his peers, joyously for the rush of being pulled from school early. If the chance presents itself, Hotch swings by to get Jack. Every year, at the very least twice, Hotch randomly pulls Jack out and they go to museums or the zoo or the park or wherever Jackâs been itching to go.
But if his dad isnât in Virgina then thereâs no good reason that Jack will be called to the office. Heâs never been called to the office while Hotch isnât in the state, but the day that he is, Jack knows it wonât be for the dentist or a doctorâs appointment like the other students. Maybe Uncle Dave would be there or maybe Miss Emily, but Aunt Jess would be. Theyâd meet him in the hall, the principal somber-faced, their eyes red from crying. And Jack will stand trapped, like the insects frozen in their amber shells lining his dresser. A mosquito, a beetle, and Jack â caught in their fossilized crystal moments. The day that their worlds cease movement, hazed over, and hardened.Â
Jessâs phone pings on the counter and Jack looks up from his homework, watching Jessicaâs face when she leans over from the pot sheâs stirring on the stove to read it. âDad says theyâre on their way home,â she says. She turns over her shoulder to smile at Jack, âYou finish up your homework and he might be here before you go to bed.â Jack doesnât react so she tries to sweeten the bargain, âwe can wait up for him.âÂ
Jack nods. Heâd been too distracted to complete any of his work today. There was a vocab test today and Jack had only written down four of the ten words read out to him. The addition and subtraction worksheet slid in front of him liquified, black ink pooled to the surface, and floated around the page. It seemed every few seconds the class was being interrupted by the office calling down. Jack couldnât think. He couldnât breathe. All he could do was sit and stare down at the worksheets in front of him.
Jessicaâs noticed something is off with Jack and sheâs tried to worm it out of him, but he doesnât seem very interested in having that conversation with her. Her imagination has taken hold of the situation just a bit, and she fears the issue is another bully. Sheâd grown up beside Hotch, sheâd known him at the age that Jack now is. She seems to be the only one of them capable of seeing exactly how much Jack is like Hotch. He reminds her exactly of Hotch at this age, so quiet and observant. Sheâll say something to Hotch when he gets home, heâs far more successful at working out whatâs going on in Jackâs head.Â
âAlright,â Jess announces, âthis soup is just about done, Iâm gonnaââ Her phone cuts her off and Jess leans over, seeing whoâs calling her. She picks the phone up and takes it with her, heading back towards the guest room as she tells Jack to finish his homework, and that sheâll be out in a moment.Â
Jack knows this routine.Â
Jess becomes suddenly elusive, distracted. She lets him play in the bathtub until he gets bored of it. The phone rings again and she leaves him to get dressed by himself. Jack doesnât dry off, he steps right into his pajamas, and he sneaks his way back into the kitchen, crouching down behind the cabinets and listening to the phone call.Â
âWhy didnât you go earlier?â Jess asks, her fingertips pressed to her mouth. âThatâs serious Aaronââ
Jackâs own hand finds his mouth, his fingernails sucked inbetween sharp teeth as he starts to attempt to chew through. If Hotch were here heâd notice, heâd shoo Jackâs hand away.Â
âYouâre being stupid, what youâre saying is stupid. You canât be an idiot like this anymore â â Jess suddenly becomes conscious of Jack, and where he is. She thinks heâs in the bathroom but still close enough to hear. She takes a deep breath and pushes herself from where sheâd sunken against the counter, letting granite bite into her back and hold her upright. âJack thinks youâre coming home tonightââ Her face scrunches up, âno, no you should definitely stay thereââÂ
Jack presses his hands against his ears and tries his best to not hear anymore, but he can so he stands and walks into the kitchen.Â
âHey Jack,â Jess says loudly into the phone, jumping, as she pulls the phone away from her face. Her face relaxes a bit, or at least she tries to relax it. âIâm on the phone with your dad, go get up in the bed and heâll tell you goodnight alright?â The phone stays down and Jackâs itching to know what theyâll say when heâs gone. But Jess prods him along and he leaves.Â
They stay on the phone forever â twenty minutes, Jack watches his alarm clock. Jess never brings him the phone.
Hotch doesnât come home for another two hours, past Jackâs bedtime but heâs still awake. The front door opens and Jack sits up in bed, listening for who it is. He can hear Derek and Jess from his room, but not a word from his dad. Fear encourages Jack out of bed, carefully venturing to the door so he can press his ear to it. He holds his breath, trying to make as little noise as possible. His fear builds on itself in the silence, and as they begin moving towards the hall, closer to him, it suddenly occurs to him that they might be coming back to his room. And if they do itâs only to tell him that his father isnât coming home at all.
Heâs wrong. They continue past his room. The sound of feet dragging on the carpet as Derek and Jessâ hushed voices carry overtop one another. Jack hears the slow groan of his fatherâs mattress â a familiar sound. One that would wake Jack in the middle of the night, a small sign of life in the middle of the night. A safety coveted.Â
The sound was a relief and yet a burden, a weight that settled stiff and hard across Jackâs shoulders. Made his nerves jumpy â a wrong feeling he couldnât begin to convey. Though heâd tried to before and he would again. Complaining of a headache or stomach ache. Unsure of the remedy or even the ailment that was plaguing him.Â
And it plagues him now, a strong curl of writhing unease as Jack pushes his bedroom door open. The hall is dark and Derek and Jess have taken their conversation back to the kitchen. Jack glances once over his shoulder at them and creeps down the hall towards his fatherâs room.Â
There is none of the snoring that Jackâs familiar with coming from this room. Only soft breathing. Jack creeps around the bed, to the side of the mattress most frequently left empty. It is empty save for his fatherâs left hand stretched out from the rest of him, uncovered by the blanket. Jack pulls himself up onto the bed. Holds tight to the bedsheets and jumps, heâd learned that trick a long time ago. His motherâs death had hardened Hotch irreparably, but as far as the man Jack knows, he is still just as soft as before â he remains incapable of forcing Jack to go back to his own bed to sleep at night.Â
Curling tight, Jack pulls his knees up to his chest, pressing himself into the terrible feeling taking over him. But the bed is soft, so much better than his own.
âJess?â
Jack jumps, startled by the sudden depth of the voice coming from what he had thought was his dad. He peeks up a little, just for visual confirmation, but itâs too dark.
Hotch pushes himself up on one arm, only able to combat the pain through the undeniable and just familiar enough feeling of knowing heâs going to be sick. Unaware of his audience, Hotch grunts, and whimpers, hanging onto the edge of the bed as everything sways and pitches forward with him. He pants for a moment, trying to gather himself enough to stand. His legs shake beneath him, and more than walking, Hotch lurches forward on momentum and gravity, falling heavily into the bathroomâs doorway, using it to keep himself upright.Â
Jack canât see through the dark but he can hear how hard Hotch hits the bathroom floor. The way his fingers miss and grapple with the toilet lit, until inevitably, and right on time, his stomach curls up tight, and he gags but is unable to bring anything up.
At first, frozen, Jack scrambles over the side of the bed. His legs get caught in the bedding and he lands with a thud on the ground, but he feels only a small ache over the panic ramping his heart back up. âDaddy!â
Hotch gags harshly into the toilet again and he raises his arm up uselessly, trying to shoo Jack away. He can see through the visible pulse now of his vision, which has tunneled in, darkened in spots, timed perfectly with the throb in his head, that Jack is still standing, watching. âJackââ his voice is wrecked, nothing more than cracks. âBuddy,â Hotch tries again, âgo get Jess.âÂ
Jack stands, shaking slightly with fear, trying to suck his tears back up.
Resting his head on the toilet, sinking to a new low, Hotch groans, a sound artfully echoed in the bowl. âBuddy,â Hotch coughs, âI need you to go get Jess.â His eyes close on their own accord and each breath is a manual thought, harshly pulled in through his open mouth, as drool spills down into the water below. âPlease,â he rasps.
Blood rushes in his ears. Heâs not sure whatâs going to happen next but Hotch thinks this will kill him. The pain is certainly ramping up to a deadly point, like somethings burst and blood should be spilling out of his ears, or out his nose. Somethingâs got to give, and if itâll stop this pain, Hotch doesn't care what it is.Â
âAaron?â Heâs still leaning on the toilet and as Jess cuts on the bathroom light, he has no reaction. âJack,â Jess crouches down in front of Hotch, and points Jack away. âGo get Uncle Morgan! Run! Go get him!âÂ
Jack freezes for only a moment before bolting, he runs as fast as his legs can carry him. He throws the door open and looks both ways down the hall before running towards the main entrance. Heâs barefoot and itâs strange, heâs never been allowed to run down the hall, and heâs always wanted to, itâs not as fun this way. âUncle Morgan!â Jack yells, he can see the older man on the other side of the buildingâs door, heâs just stepped out. â Wait! Please, wait! Uncle Morgan!â
Morgan turns and when he sees Jack running towards him, he immediately turns back around, meeting the boy halfway. Jack grabs his wrist and starts pulling him back. âSomethingâs wrong with daddy,â he rushes, out of breath. âJess said to come get you âcause â.â
Morgan takes off running, Jack somewhere close behind. He doesnât bother looking back, going straight through the living room and shouting, âJess?â Her calls from down the hall and Morgan follows, running through Hotchâs room to the bathroom. âWhat is it?â
Jess stands and moves back, âhe passed out. I canât wake him up.âÂ
Morgan moves quickly, stepping over Hotch and getting behind him. He slips his arm behind Hotchâs back, gently moving his head back, crouhcing lower, Morgan looks back up. âGo get the kid some shoes, Iâll get Hotch in the car.â With a grunt, he starts to lift Hotch from the floor, painfully careful of his head as Morgan tries not to jostle him.Â
Over Jessâ shoulder, where sheâs bent down shoving Jackâs feet into his sneakers, Jack watches Morgan carry Hotch out of the apartment. One of his arms is on the other side of Morganâs back, limp and rocking with the motion of Morganâs quick pace.Â
âIs he dead?â Jack asks. He stands beside Jess as she grabs her own shoes, waiting for her to grab him too and lug him out of the door.Â
âNo.â This answer comes a little too quickly, not assuring, just positive. Unwilling. Hotch isnât dead because Jess wonât let him. So, no. Heâs not and he wonât until heâs good and old and Jess decides sheâs done with him.Â
Jack climbs into the backseat and Jess reaches over to buckle him in, before sliding into the middle seat and sitting up between Morgan and Hotch. Who looks dead, Jack thinks. Heâs not exactly sure what that would look like, but Hotch isnât moving. His head remains tipped back in the space between the door and the headrest. Heâs not sitting up, heâs tilted and shoved into the chair the way that Morgan had left him. He doesnât have his seatbelt on either and he doesnât look back to check for himself that Jackâs buckled in. Â
Morgan speeds and Jack watches the dark world outside whip by.Â
What does happen if Hotch dies? Jack doesnât like the idea. He can hardly remember now how his mother died, and though he knows itâs something that happens, he canât imagine it could happen again.Â
Jess scoops him out of his carseat and Jack lets her hold him. Over her shoulder, he watches Morgan throw open the passenger seat and stick his arms underneath Hotchâs knees and behind his shoulders. Itâs not impressive, Jack canât understand it, really. It doesnât feel like this is real, or that the man limply held in Morganâs arms is his father. Heâs certainly someone, but⌠Jackâs dad? Heâs not really sure how itâs possible at all.Â
Jess runs straight through the doors, towards the first nurse that she sees. âMy brother,â she says, turning back and watching the automatic slide shut. Morganâs still in the parking lot. âHeâs a federal agent, he was in an accident, he hit his head and he passed outââÂ
The nurse sees Morgan, he sees the man being carried through the parking lot.Â
Jess steps back and away, a stretcher procured and now being pulled to meet them as they come through the door. Jack turns with her, his eyes never leave Morgan, never leaving his father. Thereâs not a thing he can do to help but looking, being witness, feels important. He feels unable to look away, like he shouldnât, so he canât.Â
âWhatâre they doing?â he asks, and heâs suddenly anxious, his brain putting together what happens next before he really knows. He tries to pull himself up over Jessâ shoulder, trying to see. âAunt Jess, whatâre they doing? Whereâs daddy going?â Jack tries to push himself back, worm back out of Jessâ arms. He becomes suddenly frantic watching as Morgan meets the stretcher, not thinking twice as other men and women surround them. âNo!â Jack shouts, âno, daddy! Get away from him! No!â He twists and jerks, trying to throw himself out of Jessicaâs arms. âNo!â
Hotchâs hand jerks on the stretcher and the elelastic of the oxygen mask slips over his head, the plastic fogging and muffling the weak but present sound that Hotch makes. A nurse comes around to his side, flashing a light, and again he emits the sound, his hand jerking up from the stretcher. âSir? Can you hear me?âÂ
Hotch tries to sit up and Jack yells louder for him, only encouraging him further. Morgan steps inbetween them, taking Jack from where Jess can hardly hold him, pinning his arms down as he blindly throws his fist in any direction, trying to jerk, hit, and kick his way back to his father. âYou canât go back there,â Morgan says, but Jack keeps yelling, twisting his shoulders but unable to free his arms. He can see them pushing the stretcher back into a room, he can see his fatherâs head lifting, turning. âThe doctorâs are going to take care of him, Jack. You canât go back there.â
The door shuts and Jack continues crying but he slumps, smacking his head against Morganâs shoulder. His face pressed into the fabric of Morganâs shirt he sobs, his fist gathering handfuls of shirt. The fighting eventually subsides, more violent sobs take over and Jack screams, he cries as loudly as he can into Morganâs shoulder.Â
He cries himself to sleep in Morganâs arms.Â
âWhat the hell happened?â Jess whispers. Sheâs managed to wipe the tears from her face, and dislodged the ache in her throat, but her chest is still tight. A band of tension across her ribs. âHow did this happen?â
Morgan looks down at Jack. His nose stuffy from crying, his face still wet and eyes puffy. He shakes his head, âI canâtââ
Itâs well past her bedtime. This medical emergency is impeding on the sleep she needs to be the fun, cool aunt. No sleep means the jolly good Aunt Jess is not in the building. âDerek, I promise you, if you try and pull some âFBI secretsâ on me, Iâll punch you.â
Morgan huffs and moves his arm up, rubbing his fingers over his mouth. âAlright,â Morgan sighs. He distracts himself by rubbing Jackâs back, even though his shoulder is growing progressively wetter from drool, and tears. âIn Georgiaââ
âI know you were in Georgia.â
Derek cocks an eyebrow up, âyou gonna let me finish?â He sighs and licks his lip, âour vehicle was hit. I was driving and his side⌠His side took the brunt of the hit.â He looks at Jessica, âI could hardly get him to sit still for the EMTs. I let him â I mean, heâs Hotch, you know, you canât make him do nothing he donât want to. So we left, we left the ambulance, and I tried to get him to go to the hospital, after â after we got the guy, but heâs stubborn. He was more worried that Prentiss got checked out, and she did, but the EMT said it was just a concussion so he didnât think it was that bad.â Morgan shakes his head, sighing, âI took him to the hospital, had to trick him for that, but I couldnât make him stay. SoâŚâ
Jess curses softly, leaning down and placing her head in her hands. After a moment, she sits back up, pushing her hair back up out of her face. She looks at Derek with the heat earlier dissipating, slowly being replaced by something sadder. âTell me that he was at least⌠I donât know, that there was a good reason or something.â
Morgan shakes his head, âno, heâs justâŚâ
âA stubborn asshole?â Jess giggles and Morgan huffs, nodding, and chuckling along with her.
âA very stubborn asshole,â he agrees. Jack shifts, sighing in his sleep and adjusting his head on Morganâs shoulder, and Morganâs face falls. He clears his throat. âWe were⌠The victim, the victims, they were⌠just little kids. When we crashed, we were chasing the unsub.â Morgan looks back over at Jess, âhe had a boy in the car. Seven. Hotch, he lost consciousness for only a minute, and he got right back up. He was â he wasnât gonna let that son of bitch kill that kid.âÂ
Jess nods, looking down at the floor. âDid you get him?â
Morgan nods, and his smile half tugs up. âHotch did. Cuffed him himself.âÂ
âGood.â
It was good. When it happened it felt good, things felt over, it felt like a win. Prentiss needed a few stitches but she was fine enough to be angry with Hotch too. Morgan hadnât pushed that hard for Hotch to get really checked out. He was exhausted, and by the time he and Hotch got to the hospital, Prentiss was done, waiting for discharge papers, and at that point if Morgan really pushed for it, they all would have been stuck in that hospital for several more hours.Â
âI should have made him get checked out.â
Jess shrugs, âyou said it, you know? He wonât do anything he doesnât want to.âÂ
âYeah, I guess.â Holding Jack does nothing for his guilt. Morgan should have picked a fight, heâs never shied away from confrontation with Hotch before. But today he didnât. âHe just wanted to get home.â
They sit in the waiting room with nothing more to say. The hours of the night tick by and Morgan only grows more frustrated with himself. Heâd skipped out on something important to rush home, and now heâs sitting in a hospital anyway. If he hadnât been in such a rush, if he hadnât let his exhaustion guide him, he wouldnât have been so careless.Â
Itâs late, early morning by then, when a doctor comes out. Jess is resting her eyes and Morganâs no longer tired. They peel themselves up from the chairs and follow where theyâre directed. After being seated out in the waiting room for so long, they sludge back to room, relieved to at least be reunited.Â
âHey,â Jess goes right to the bed, watching Hotchâs half-lidded eyes track them. He blinks languidly and she smiles down at him, kissing the top of his head. âYou scared me.â
âMmm,â his head rocks over, âwasnât thinkinâ straight, âm sorry.âÂ
She frowns at him but he can feel her cold fingers over his wrist as she gently picks up his hand. She sighs and rolls her eyes, âstop looking at me with your stupid eyes.â She tries to frown but it only maintains for a few seconds, â I mean it. Iâm mad at you.âÂ
The right half of his lip twitches up and he slowly rolls his head over to the left, âJack?â
Morgan turns, showing Hotch the boy still out like light in his arms. âKidâs slobered down my back,â he smirks, coming closer to the edge of the bed.Â
Hotchâs hand trembles as he raises it up, the IV on the back of his hand preventing it from coming any higher off the bed. âLet me see him,â he asks, and he watches Morganâs eyes dart over him, to Jessica he presumes. âPlease, Morgan.âÂ
Theyâd raced home for this little boy and the please cracks right through to his heart. âIâm gonna lay him down here,â Morgan says. Unwrapping Jackâs arms from around him, Morgan leans down and gently lays Jack down on the end of the bed. Hotch inhales sharply as Morgan lays Jack down, the tips of his fingers grazing the ends of Jackâs hair. âIs that okay? You okay?â
âIâm fine,â Hotch sighs but any ice in his tone decipates, as Jack stretches and rolls onto his side, wrapping his arm over Hotchâs leg, and pressing his face into Hotchâs knee.Â
âYouâre not fine,â Jess says. âYou were in a car accident, you fractured your skull. You have broken ribs.â
âCracked,â Hotch rasps and he means to turn to look at her but pain spikes through his head. âTheyâre just cracked,â he whispers, through clenched teeth. He presses his lips tightly together and tries to contain himself but it only increases, like a great pressure, a weight laid on his head.Â
âIâm gonnaââ Morgan stands, and motions to the door.Â
Jess nods her encouragement for his unspoken train of thought, scooting closer to the bed, and holding firmer onto Hotchâs hand. âAre you in pain?â she asks.
Hotch releases the breath heâd been holding, pulling in laborious breathes a little too quickly. âA little,â he relents.
âA little? You look like youâre gonna pass out.â
âI think I might.â
Jessica squeezes his hand, âMorganâs getting nurse. Just hold on, okay?â
He tries to tell her that he heard that, he definitely understood, but his reply is cut short. Words are jumbled and all that comes out of his mouth a moan, a groan that deepens and is cut off breathily. His head tips to the side and Jess stands, leaning over him. âAaron?â she can see his eyelashes move, âthe nurse is coming.â
âI know,â he rasps, âmy headââ
A nurse steps in, Morgan hot on his heels. âMorning, Agent Hotchner,â he greets, âI was just on my way to you.â He smiles down at the sleeping boy on the bed, âgood to see you with some visitors. This the little guy you were worried about last night?â The nurse steps to the head of the bed, eyes flicking around, his attention eventually narrows to the IVs leading down. âCan you rate your pain, Agent? On a scale of one to ten?â
Hotch grunts, trying and failing to lift his head from the pillows. It listly slides to the side, his face has gone ashy, âseven.â
âDefintiely not an seven,â Jess says, sheâs moved back from the bed, crossed her arms. âHe said he felt like he was going to pass out.âÂ
âThought,â Hotch grunts, his voice is a harsh whisper, âand I said might.âÂ
The nurse glances between them and continues with the task he started.Â
âHe has a high tolerance for pain,â Jess adds, âand a tendency to embellish the truth when it comes to⌠these things.â
Morgan nods from the corner, âheâs definitely lying. Heâs stubborn.â
Hotch grunts but he canât think to speak, he can hardly think to hear. Cold, gloved fingers touch him but something colder starts to creep up his arm, and then quickly he feels warm, very warm. âNnm,â he rasps, his head feels less like somethingâs splitting it open, and more like hallow space between his ears, a vast, empty hallow place. Â
âThere really shouldnât be so many people back here,â the nurse says. Pain treated, he can move on to the other things. âCan you step out for a moment into the hall, for a moment? Iâll collect you when Iâm done.â
Eyes closed, breathing evened out, Hotchâs hand twitches. He drags his eyes open, trying to force focus out of his blurry eyes. âThey can stay,â his speech has slowed, his voice softened. âHm,â he turns slightly, ânot Morgan.â He squints at who heâs fairly certain is Morgan and grumbles, âtraitor.â
âWhat?â Morgan huffs, âManâ Nah, nevermind, you know what, I donât wanna see you in your skivvies anyway.âÂ
Hotch smirks, âdonât think Iâm wearing any.â He points to the nurse, âyou take âem?â
The nurse chuckles, âI didnât and youâre not.âÂ
Morgan leaves quickly, not eager to find out anymore than heâs already been told.Â
Jess steps back away, stuck in a middle ground between watching what the nurse does and looking away to avoid seeing what she doesnât want to. The nurse presses around his ribs and Hotch gasps, grunting â itâs not pain, but his body is still somehow aware this pressure isnât right, that is should be painful. Somehow itâs still equally unpleasant. He jerks, his leg moving with it, and Jack immediately sits up. Sleep clings to the corners of his eye and as his tired brain process the information before him, Jess steps around, lifting Jack from the bed and moving him to the side.Â
She tries to move herself between them. Hotchâs gown is open, the blanket across his lap preserves modesty, but doesnât do much hide the scars across his chest, certainly doesnât cover the black and blue bruises up his side. But Jack rubs his eyes, and stretches, pushing himself down out of the chair. âDaddy?â
Hotch bats the nurses hand away, turning his head and pushing his hand off the side of the bed. âHey buddy,â his eyes are getting harder to force open.Â
Jack ignores Jessâ request for him to come sit down, taking Hotchâs hand and folding himself up over the bed, lifting up on the top of his toes. He lays his head down and Hotch brushes his fingers through Jackâs hair, trying to tame the unruly strands. Jack reaches up, turning Hotchâs hand over and inspecting the IV taped down. âAre you okay?âÂ
Hotch tries to think of something but the mush inbetween his ears procures not a single intelligible thing. Reflexively, his hand goes back to Jackâs to hair, something else, not located in his head, guiding him back.Â
âYou remember what I said about wearing a helmet?â Jess asks, she stands behind him.Â
Jack turns his head to look at Jess and puts his hand ontop of Hotchâs, âhelmets are to protect my head. So I donât crack it open.âÂ
âYeah,â she agrees, âdaddy wasnât wearing his helmetââ
Jack stands, and with grave concern he asks, âdid your brain come out of your ear?â
Hotch cocks an eyebrow up and looks over at the nurse.Â
âNo,â he says once he realizes the questions been deferred to him. âYour dadâs brain is still sitting snug where it should be.â
Jack narrows his eyes and looks over to Jess, âbut Uncle Morgan said thatâs what would happen. How come then?â
âWell,â Jess struggles for a moment.Â
âUncle Morganâs not a doctor,â Hotch mumbles, âneither is your Uncle Reid but heâs always trying to argue otherwise.âÂ
âBut he is a doctor,â Jack argues and he stands back up on his toes to lean back into Hotchâs hand. âUncle Reid is a real doctor, he told me so.âÂ
âMm-mm,â Hotchâs eyes close, and it takes him a long moment to force them back open, âmath, chemistry and engineering.â He counts them off with his fingers and then they fall back to rest on Jackâs head. âNo, ugh, biology? Anatomy? Whatever doctorâs study.â He glances at the nurse from the corner of his eye, and slurs, ââm a lawyer.â
âYouâre a profiler,â Jess corrects.Â
âMm,â Hotch agrees, his eyes closed, âyeah, a profiler.âÂ
âYouâre silly, daddy,â Jack giggles.
Hotch smirks and he manages to crack his eyes open to slivers, âyou think so?â
âUh-huh.â Jack turns back to Jess, âcan I get up?â
âYeah,â Hotch rasps.
Jess sighs and looks to the nurse, he nods his head. âIâm done here, for now. If you need anything, use the call button.âÂ
Sheâs adamant about it, but Jack kicks his foot up on bed, trying to get up himself. So she picks him up and puts him back on the bed. âGentle,â she reminds him and Jack carefully crawls up closer and lays down.Â
He curls onto his side, reaches up, âyou've got scratchies.â Jack rubs the side of Hotchâs face, frowning at the feeling of his unshaved skin. âI donât like it.â
Hotch turns his head towards Jack, his chin over the top of his head. â âm sorry.â
Jess leans over, smoothing down some of Jackâs hair, âdad needs to get some sleep, alright?â
Jack nods.
â âm not.âÂ
âYou are,â Jess softy says. âStop fighting it, just rest.â
Jack moves a little closer and falls still, but between his fingers he rubs the material of the gown now closed back over Hotchâs chest.Â
Hotch tries to fight it but thereâs not much fighting to it. At least his head doesnât hurt, and heâs home. More or less. Heâd rather be home but Jackâs here, and Jackâs safe, and nothing else matters.
I'm rusty af and as always, the best I have to offer is angst (and Foyet). I've got zero creativity, zero motivation, and a lousy ass excuse of a story so enjoy what you will and disregard the rest
A measly 5,000 words
âWake up.â
Hotch forces his eyes open, his heart kicking into summersaults, landing with hard thumps, weakly reminding him where he is. His vision is blurry and tunneled, his quick shallow gasps inaudible to his own ears.Â
âHate to do this to you, pal.â With a grunt, Foyet hefts Hotchâs shoulders up from the ground, trying to sit him upright. âShh, now, youâre fine.â Foyet awkwardly tries to move Hotch into position, fighting now extra weight as what little coherency Hotch had leaves him in a rasped, weak groan. âYou just cannot handle a little fun, can you?â Foyet grumbles, shaking his head at the whites of Hotchâs eyes, where the pale lids remain slightly parted.Â
The apartment has fallen back into silence. Foyet had spent a lot of time waiting, heâd spent a lot of time in this apartment, and this silence was like no other. The walls were thin, for hours Foyet had sat here and listened to occupants of apartments around Hotchâs. Hearing their footsteps as they went from room to room or their voices fussing at misbehaving children or a couple's loud quarrels. But now there is silence. The silence of frightened children pulling bed sheets tighter around them and willing their stiffness, their closed eyes, and held breaths to be enough to ward off the nightmares just under their beds.Â
Foyet had been watching for a long time.Â
He knew that no one would come check under the bed of a man like Aaron Hotchner. Not even his neighbors would risk leaving the safety of their beds to stick their ankle out and risk being caught themselves.Â
Foyet has waited a long time for this.Â
Tom Shaunessy was a coward and Foyet had known it the moment that heâd seen the man. Everything about him screamed cowardice, but his eyes especially. Shaunessy could hardly look at what The Reaper had done. As he spoke to Foyet in the hospital, Shaunessy had looked everywhere but at him. Casting his eyes aside to the horrors, unable to even look at what the murderer he couldnât catch had done.Â
That first phone call had excited Foyet and he couldnât imagine letting something like that go. Not when this was it, not when Hotch was who Foyet had waited all this time for. The pieces were so simple to put together, it hadnât bothered Foyet one bit to change up his tactics to explore this new, far more exciting avenue.Â
Hotch would be the fight he wanted. This would be like nothing before and itâs all coming together perfectly.Â
âHey big guy,â Foyet taps Hotchâs face, smiling as Hotchâs breathing labors harder as he comes to once again. His pinprick pupils manage a slow, lazy climb to focus on Foyet. âLetâs get you outta here.âÂ
After calling 911, Foyet had passed out. Heâd done the research, he knew how many stabs were too many. He could look at pools of blood and know how much was too much, and how much was survivalable. But there is only ever one way to find out. Foyet imagines that Hotch knows these things too. Perhaps Hotch had never held the knife and found out for himself but Foyet has no doubt heâs an intelligent man. And if Hotch could see now the pool of blood being left to clot and thicken in his off-white carpet, heâd see for himself that he was toeing that line.Â
Too much and survivable.Â
But Foyet knew nine was survivable. He could have been a surgeon, he has very steady hands and is precise with a blade. Maybe he wouldâve liked that, if he didnât like this more. But taking a life is a far better thrill than saving one.
Foyet had waited long and hard for a good fight. And now Hotch had proven himself the proper opponent. The fight that Foyet had always wanted. A fight of equals. The night Foyet stabbed himself heâd never flinched, if he had, he would have nicked something, and dying wasnât an option. Hotch had endured for the same reasons that Foyet had â for what comes next.Â
And Foyet could excuse a little fainting.Â
âCome on,â Foyet urges, tapping at Hotchâs pale face, âcome on, donât make me kiss yaâ sleepinâ beauty.â Glassy eyes roll in their sockets as Hotch just barely finds it within himself to find Foyet who smiles down at him, âhey handsome, you ready to go?â Thereâs no answer coming, not that Foyet is waiting for it. On three, he hefts Hotch up, pulling them both to their feet in a great struggle. Quickly Foyet abandons the idea that Hotch is going to walk himself out, so he prepares for plan b.Â
With a grunt, Foyet maneuvers Hotch around. Heâs never really had to do this part before but heâs had more than enough time to prepare. Hotch makes no noises now, hangs limply over Foyetâs shoulder. Giving no response to the slap Foyet delivers to the back of his thigh as he asks, âyou got everything you need?â Thereâs no need to respond anyway, Foyet is too busy laughing.Â
Hotch passes out and comes to again in Foyetâs front seat, as Foyet wrangles him out his suit jacket. His vision returns, tunneled and littered in black dots obscuring what little he can see, as the Foyet presses Hotchâs jacket against his chest, forcing Hotchâs limp arms up and around himself, holding the jacket to his chest.Â
The door slams shut.
â-----------
Hospitals are cold and sterile. The white walls absorb and diffuse, creating an atmosphere thatâs nearly unaffected by the change of time, and the passing of guards. Hearts do keep time, a rhythm is predictable, measurable. A steady heart is.
âHow long has he been down?âÂ
âTwenty-five minutes.â
The thing about a stalled heart⌠on the one hand, it stops blood from accumulating further in the thick puddle of the emergency room floor. No pumping heart means the gushing flow has stopped, their John Doe isnât bleeding himself dry anymore. On the other, it means thereâs no blood getting where it needs to be. Blood can be moped up from the floor. For the most part, it can be scrubbed out of fabric. But bodies, people, need blood far more than the floor does.Â
Mr. Doe puts up a fight. They hit minute thirty-two and his heart finds a weak, but present pulse to beat to. Alive more on the stretcher than he had been as he was wheeled in the emergency roomâs doors. Theyâd lifted him from the wheelchair heâd been pushed in on, and deposited him on white sheets with more color than his face. Heâd been conscious throughout it, eyes open and loosely tracking movement. A nurse had spoken to him, and gotten minimal reaction to stimuli. Theyâd lost him after intubation, a predictable crash, dominos falling in line.Â
____________________
âHe doesnât lookâŚâ
âAlive,â Emily finishes, barely a whisper. She knows what dead people look like. There are days when she spends more time looking at corpses than the actual living breathing people around her. They should be a few more floors down, the morgue would be more fitting. This doesnât feel like visiting a friend, it feels like identifying him. Whatâs left of him, that is.Â
Dave eyes Emily carefully and precedes into the room. How many of Hotchâs hospital rooms has he occupied now in his career? Heâd worked for the Beaurea for over thirty years and hardly ever seen the inside of a hospital until he hired Hotch. Which was by no means a mistake, but it was certainly a decision. Thereâs not much left of that punk ass kid he hired.Â
Daveâs knee creak as he lowers himself into the chair pulled up the side of the bed. Heâd seen Emily here earlier, but now she seems far more content to stand in the corner, further away. Admittedly, Hotch looks bad. He doesnât just look bad, heâs living in a shadowy in-between. The doctors have cleaned him up on the inside but heâs not in the clear. âHeâs a tough kid,â Dave says softly and clears his throat, the sentiment adding to the growing knot of emotion stuck in his throat. On one hand he count the number of times theyâve been in this position, but itâs more than twice. âEver tell you about the car he drove into a lake?âÂ
Arms crossed, Emily gives a shrug despite knowing exactly what Dave is talking about. Hotch broke both the bones in his lower right leg doing that, heâd hobbled around on crutches for weeks. Scared the hell out of Dave, who had wadded out to grab Hotch by his soaked suit jacket and dragged him to shore, coughing and spitting water up. The story is better than the reality. When Dave tells it, Hotch fought him all the way the hospital, arguing and bickering. That Hotch was downright furious to be carted up in an ambulance and made to stay in the hospital. The reality was that heâd barely managed to get himself to shore, and by the time he was at the shore, in water that would have come to his shins, he was hardly able to keep his head up. Between the freezing water, the sudden impact, and his broken leg, Hotch was in shock. Freezing and shivering. There hadnât been a lot of fighting.Â
Dave tells her anyway and Emily doesnât interrupt him. Sheâs torn between looking at Hotch and avoiding him at all costs. Half of her is morbidly curious. Laying here, he looks nothing like himself. Itâs him, she supposes, but not recognizably, not in any way sheâs familiar. So her eyes keep finding him, hoping on some small, silly hope, that his eyes will open and heâll look back at her with a face she does know.Â
Itâs like being left in the room with a ghost. There is an active haunting happening, unsettled spirits. Looking at Hotch⌠it doesnât look like heâs settled. Doesnât look like his own spirit, or even life, inhabits his body. She wants to leave too, but Dave entrusts her, foolishly, to sit watch so that he can go handle bigger things. Emily would much rather be at the emergency meeting with Strauss right now, even if the Director was there, thatâd beat this. But Daveâs decided for her, bastard.Â
Dave has been gone for twenty mintues when Hotch makes a sudden noise that scares Emily. The room is so full of little noises, sheâs grown acquainted to them. She hardly hears the heart monitor, looking up only on the stray beeps. She looks as if sheâs got any idea what any one of these machines do, but she has only a rough idea. The leads can be tracked from his chest, so sheâs fairly certain of what some of them do, but there are too many other wires. A net of them that she really doesnât want to understand.Â
Hotch makes the noise again and Emily, despite her best efforts to look anywhere else, looks right at him. His eyes are open, hardly, but she can hear him breathing, laborious inhales through pale, parted lips. The sound occurs again and Emily watches, she sees his chest catch, the sound choked out again.Â
âHotch?âÂ
There comes no reply.Â
Emily looks out of the room, there are two nurses at the station, both far more prepared to handle whatever is happening now. But sheâs not even sure whatâd she say to them. It feels silly, ridiculous, to bring them in here and tell them what exactly? That has made a âweirdâ sound. None of the machines are making any weird sounds, surely if something bad was happening, theyâd be the first to know.Â
Taking a tentative step closer, Emily calls his name again. Only a whisper, all sheâs brave enough for.Â
His chest catches and Emily steps closer, even though she feels the instinctual need to step back. His hand is near the edge, fingers lightly curled by gravity, his wrist up. Not sure where she should be, Emily gets just close enough to nudge his hand with the tip of her finger, âHotch?â She tries to be within his line of sight, she thinks he is.
He makes the sound again and Emily flinches as it changes, rasping as he tries to pull in air.Â
âHotch?â His hand moves quickly, blindly, and wraps around her wrist. âHotch,â she tries to pull her arm away from him but she canât. She pulls but his grip is strong, unwavering in strength. She clenches her teeth, feeling the bones in hand grind together. âPleaseââ she strains, it hurts, feels like heâs close to breaking her wrist, but she canât wrench his fingers away. âLet go.â
The panick is starting to take hold of her, her brain easily supplies all the weak places she could hit to get him off of her but her fingers stay over his, trying to pry his fingers away. As Emily grows more desperate, Hotch makes a significantly worse sound and then the pain in her wrist takes second place in things that are freaking her out. Hotchâs grip falls slack back to the bed, but his fingers are still visible in their previous placement on her skin. His chest stops rising and Emily stumbles back from the bed, her hand over her wrist, and her feet trying to rapidly take her away.Â
Emily squeezes by nurses as she runs through the door, not looking back at the sound of an alarm going off.Â
By the time Dave gets back, the skin on her wrist is purple and pink, actively trying to bruise and immiting a popping sound when she moves the joint. She holds her palm over the bruising when Dave comes up, because heâs already alarmed by the fact that instead of being lead back to Hotchâs room, heâs been deferred to a waiting room.Â
âWhat happened?â
Coming out of the room, Emily had been shaking. Typically, that much adrenaline comes along with a good chase. A place to run to, a lot of energy to physical exert someplace. Now she takes it all with her and she has no where to go. Now as Dave comes to a frustrated halt, hand slipping over his goatee and then falling to his hip, Emily feels the force bubble right back up.Â
âHe ughâŚâ Emily stammers, âhe justâŚâ Anxiously, her fingers start kneading the agitated skin. âHe⌠I just but I meanââ
âWhat happened to your hand?â Dave asks and by the way that Emilyâs hand snaps to cover it, he already has a pretty good idea what sheâs hiding. âDid anyone look at it?â
Emily narrows her eyes for a moment and looks away. âItâs fine.â
Dave nods his head, and takes the chair beside her. âIâm sure it is,â he sighs, leaning back. âShould probably still get it looked at.â
Emily glares at him, her hand protectively held to her chest. âHe didnât mean to,â she mumbles.
âI wasnât saying he did.âÂ
Emily looks at him, and then away.Â
Dave smiles sadly down at the ground. Heâd already gotten a taste of the trouble Emily and Hotch could get themselves into together. Even though their relationship had been formed on distrust, even some hatred and anger. The two of them get on like flames on wood, Daveâs not even surprised that she would feel protective. Though, heâs not sure why Emily feels the need to protect Hotch from him.Â
âIt really is fine,â Emily says softly.Â
âI believe you,â Dave says, âbut Aaronââ
âI know,â Emily interrupts. âItâs not broken, he didnâtââ She shakes her head, âitâs just bruised but Iâllâ Iâll go get it looked at.â
âAtta girl.â
____________________
Hotchâs breathing sharpens and JJ sits up a little, eyes anxiously darting up to the heart monitor. She watches his eyelashes flutter as he stirs. His hand twitches, jerking against the sheets. He makes a soft noise, inhaling through his nose, and bends his elbow, moving his hand across the sheets towards the left. Twice already JJ had seen him do this. Hotch grunts, agitatedly when his hand comes in contact with the rail. His fingers lazily fumble along the rail until he takes hold of it, wrapping his fingers around it. On the next breath, his eyes open and he looks up for a disoriented moment before turning his head towards the rail.
âYouâre in the hospital,â JJ offers quietly, hoping not to startle him.Â
He turns his head a little at the sound of her voice but his attention remains on the rail. âI know,â he says hoarsely. He stares for a moment longer at the rail and his hand slips back down to the bed. Hotch turns his head to her and frowns. She has no idea what heâs going to say but she can see him thinking, the look on his face. âYou shouldnât be here,â he says softly.
JJ frowns sadly, understanding all that heâs not said. The crinkles of pain between his eyebrows and his eyes. Theyâre softer than the rest of him. Windows to the soul. âAnd leave you here alone?â she asks, brushing her thumb across his knuckles. âYou wouldnât leave me here alone, would you?â
Hotch looks away, slightly shaking his head.Â
âThen what makes you think Iâd leave you?âÂ
His mouth lifts a little and he turns his head away, shaking his head.Â
JJ knows someone else should be here. Dave or Emily would know what to say. They would take one look at him and understand whatever it is that heâs not saying. But JJ canât. JJ doesnât know what Hotchâs thinking. Itâs just locked inside of him, behind his determined grimace.Â
âI brought juice,â she offers lamely, looking over until she can find her bag. She pulls the bottle out of her purse and holds it, crinkling the plastic around the bottle. âItâs apple,â JJ says, looking down at it. âI donât know if you like apple juice but Iâ well I guess⌠I just wanted to bring somethingâŚâ
Hotch doesnât want apple juice. He doesnât really like juice. If she was offering some tea or coffee he might consider it a little more. âIâm okay,â he says to the wall.
âOh,â JJ says softly, âokay.âÂ
Hotch hadnât been interested in the slightest by anything they had tried to offer him. On the first night, Emily had gotten a few ice chips into him but his defenses were something else in those first twenty-four hours. His control was topsy-tervy. Boarding on crazed and belligerent and then nothing but tears and anguish. But they could be one in the same. They were. And while apple juice wasnât the first thing sheâd brought him or the first thing heâd denied from her, it was still disheartening.Â
There wasnât a whole lot that JJ felt she could do. Which wasnât a new feeling. Their jobs demanded something from them that it did not ask of her. She couldnât tell like they could when someone was lying or read between meaningless gestures to understand something deeper. She couldnât even look at her friend and tell what he was thinking, how could she do it with a stranger?Â
But she could do something. JJ enjoyed bringing snacks. She liked being the person hunting down the one specific thing that Reid would eat if he was too anxious or afraid or just sick. JJ liked knowing that she could be relied on in this way. That when everything else was going wrong she could meet this one need. Hunger. She knew their take-out orders by heart and if she needed to make an impromptu change, she knew what they would want.Â
Even Hotch. What coffee and a nap could not fix, JJ could. It wasnât so hard, really, she thought. When it came down to it, a good snack is a comfort. Something simple. And she could appreciate that. JJ thought it was cute, and sweet even how she could spend five minutes making a peanut butter and jelly sandwich and she would be in Hotchâs favor for weeks. Heâd thank her endlessly.Â
But Hotch isnât eating. He has no will to subsist off anything but what comes into his body through whatever they attach to him next.Â
Head turned from her, Hotch closes his eyes but the crinkle of plastic keeps playing through the room. JJâs anxious hands toying with it. âOkay,â Hotch sighs. He turns to look over at her, not even sure how to ask for the juice, but sheâs already looking up, face lit up.Â
That feeling in his stomach acts up, guilt tightening in his chest. Heâs selfish. Hotch watches her without a word. JJâs so excited that she moves quickly, grabbing at a paper cup and twisting the lid off the juice. Moving like sheâs afraid heâll change his mind if sheâs not fast enough.Â
âHere,â she presents the cup with a smile, tapping the straw so that it falls forward towards his mouth.Â
Something in his voice whispers the threat of poison, coils tightly in his stomach. Nausea creeps up, thick in his throat. He pulls only a tiny sip from the straw, forcing it down despite his immediate desire to throw it up.Â
âItâs important to get fluids in,â JJ says and then glances up at the IV pole, the medications, and hundred other things coming in through the line. Maybe itâs not the same but the way she figures, itâs not gonna hurt, and he canât stay here so heâs got to start eating and drinking sometimes. JJ places the cup on the tray, close by, and when she turns back heâs still watching her. Sheâs familiar with this face. The exhaustion that leads to tears, that worn down look on his face.Â
Hotch exhales shakily and averts his eyes. âYou should go home,â he rasps, barely containing a wince as he raises his left arm weakly to his chest. âWith Will and HenryâŚâÂ
JJ pulls in a breath, turning her head as tears unexpectedly begin to sting her eyes. She hadnât been able to stop thinking about Will and Henry. What would she do if they were sent away? How would she survive? And it felt selfish to even think about them, to have them waiting at home for her. JJ sniffles and wipes her wet face with the back of her hand. âI will,â she promises, taking her seat again and reaching forward for his hand. Hotch closes his eyes when she takes his hand, turning his head away. âBut not right now.â
Hotch keeps his head turned from her for a while. Enough time passes that JJ thinks he might have fallen asleep again but then he sniffles and lifts his hand to try and dry the tears that have fallen against his will. The hand sheâs holding moves just enough and he squeezes her hand. When he turns, his eyes donât meet hers right away. He looks to the wall to her side, mouth opening as he struggles to find the words. But then he looks at her, irritated wet eyes, âThank you for staying.â
Another round of tears nearly takes her out, they block her vision when she stands, leaning over him gently so that she can hug him. JJ kisses the top of his head, âYouâre my friend, Aaron.â She looks at him, down into disbelieving eyes. âIâd do anything for you and youâd deserve it all.â
âJJââ
âDonât argue with me,â she says sternly. JJ sniffles and wipes her eyes dry, âI mean it and I wonât be argued with.â She puts her hands on her hips and looks at him, a face heâs often enough. A very motherly glare. âSo just deal with it, kapeesh?â
Hotch doesnât even try not to smile. Itâs little, hardly a smile at all but itâs a grin at the very least. âYes maâam.â
âOk then,â JJ says sitting back down. âNow back to sleep,â she commands, âitâs late.â
____________________
Hotch is sleeping. Morganâs checked and rechecked, heâs just barely an expert but this isn't fake. Hotch had been playing at sleep for the last two days now, successfully warding off his visitors. Morgan had been his roommate for the first four years he was on the team, he could tell when Hotch was really asleep. Somehow, Prentiss could too. Morgan wants to know why, and heâs got a pretty good visual given every story Prentiss has ever told him and Hotchâs extreme need to relieve some stress.Â
âPrincess,â Morgan whispers, glancing slightly at Hotch but heâs been too quiet. âAre you awake?âÂ
She ignores him, keeping her eyes closed. Itâs ten at night and Hotch is sleeping, as far as Emilyâs concerned, Morgan needs to shut the hell up and either get a nap while itâs silent or go chatter somewhere else.Â
âEmily,â Morgan says a little louder. âCome on, I know youâre awake.â
âShut up,â she mumbles, cracking her eye open just enough to glance at Hotch.Â
âCan I ask you somethinâ?â Derek says, sitting up.
Emily sighs and opens her eyes, glaring across the bed between them to Derek. âWhat?â she demands.
âEarlier,â Derek says, âyou said you were in Hotchâs apartment and that nothing looked out of placeâŚâÂ
Emily nods, slowly. âYeah, okay. So what?â
Derek sits up a little more, his blanket falling off his shoulder and down into his lap. âHowâd you know something like that? What would be out of place and what wouldnât?â
Emily sighs and rolls her eyes, âI donât know Derek. Probably because Iâve been to his apartment once or twice. Is that a big deal? Are you jealous?â
Derek huffs a laugh, âhardly.â He smiles, âI was just wondering⌠I mean Iâm his friend too but I donât know if I could tell if anything was out of place in his apartment.â He shurgs, âbut Iâve been there only a handful of times.â
âWhat are you trying to say?â
âNothing,â Derek smirks. âNothing at all.â
Emily scowls at him, âyouâre such a pervert. Why is that where you nasty head goes everytime?â Emily tugs her blanket up around her, puffing, âI would never⌠with Hotch? Come on, now.â Derek doesnât look convinced. âAnd Hotch would never. He has a whole complex about power, heâd probably think itâd be manipulative. And besides itâd be ââ
âFraternization,â a hoarse voice supplies.
Emily immediately sits up. âHotch?â
He hums, slowly pulling his eyes open and blinking a few sluggish times.Â
âHey man,â Derek says, heâs already standing, his hand on Hotchâs arm.
âYouâre supposed to be sleeping,â Emily fusses, standing too, crossing her arms.
Hotch looks blearily between them and raises his eyebrows a little. âWas trying,â he rasps, voice giving out on him. He tries to clear his throat but his mouth is painfully dry and he winces.Â
Emily shoots Derek a dirty look but he ignores her, turing his back to them to fill a cup of water for Hotch. âIâm sorry,â Emily says, âweâll be quiet.â
âHere,â Derek offers, and he waits for Hotch to raise his hand. Heâs not yet been able to hold the cup himself but his fingers loosely curl around it, and Derek does the extra work.Â
âThank you,â Hotch says softly, and Derek nods back, putting the cup down.Â
âHowâre you feeling?â Derek asks, pulling his chair closer and sitting back down.
Maybe proof of the drugs coursing through him, Hotch hums, eyes already closed, and the corner of his mouth twitching up. âDonât put me under oath.â
Derek barks out a laugh and Emily frowns at him. âYouâre making jokes?â Derek chuckles, âdamn, you must be feeling good.â
âMm.âÂ
âAlright,â Emily interrupts, âwe should be sleeping.â Her voice lowers as she looks at Derek, ânot talking.â
Derek raises his hands and Hotch cracks his eyes back open, drowsily taking stock of them. He blinks sluggishly, licking his dry lips, âWhyâre you here?â
Derek and Emily shares a glance over him, one that he can clearly see.Â
âWeâre security,â Derek says, finally.Â
âSecurity,â Hotch repeats. He smirks a little, eyes dragging over to Derek, â...must not be that important.â
âHe wonât come back,â Hotch says. Turning his head to look at her is a physical exertion, more energy than he has to dispense. âHis jobs done for now.â
Emily only glances at him, moving her eyes instead to her lap, scratching at her nails.Â
âYeah well if he does, heâs gonna have to deal with me,â Derek huffs.Â
And without seeing him, Hotch knows Derekâs glaring at the door. Half willing, half daring Foyet to come. But Emily doesnât share his boldness.Â
âHe wonât come back,â Hotch repeats and Emily looks up at him.Â
She believes him, she trusts the profile that heâd written, but that doesnât do much to combat her fear. Itâs not as logical as the rest. âHeâd better not,â she relents, tucking her arms back over her chest.Â
The conversation feels far from over, but Hotch can feel his ill-timed fluttering of his heart trying to beat in his chest. He knows that Foyet wonât come to the hospital. The intent was never to kill him, and as long as Foyet wants him alive, he will be.Â
Hotchâs eyes shut on their own accord, his body submitting without a consult to the rest of him.Â
Summary: Hotch and Jack move into Derek's house and predictably there are a few hiccups. Nothing they can't handle.
Words: 2.3k
Pairing: Hotch/Morgan
Warnings: mentions of sex, medications/prescriptions, canon injuries/death...the story isn't dark but there are some casual drops of heavy things.
Notes: No plot. What's new? Hotch and Derek each come with their own special brand of baggage, tried to keep it lighthearted...Sam Cooper makes a brief appearance...continuing the moments of domestic bliss theme for the month. My brain is absolutely fried from sports and bad mean awful screamy team parents and thank you for indulging me while I deal with that by putting Hotch and Morgan in situations. I love you all! (It's all on AO3 because it jumps right into the sex talk.)
**
When Hotch and Jack moved into Derekâs place, it was a process. A good one, all around. But there were certain things that had to happen, certain quick choices that needed to be made.
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One of my favourite things in criminal minds is that moment in every episode when they say "we're ready to give the profile" and then they give the profile to a room full of police officers and then spend the next 20 minutes just solving the crime themselves without any help from the police officers they built the profile for.
I don't like this very much and it's disgustingly sweet when I want to wreak havoc but this is what I have instead...
word count: 4k
Hotch/Morgan and Hotch and Emily are drunk, and Morgan's walking them home from the bar. Takes place right after Emily comes back from being dead
--------
Derek didnât want to be mad at them. Nothing about being mad at them was fun, he didnât feel better holding this resentment so close to his chest, but there was no place else for a broken heart to be. Just wedged, propped up, beaten and sullen against his ribs. Emily had died. Derek had held her hand as she struggled to breathe, and heâd watched her heartbeat on the monitors in the back of the ambulance turn a flat green. His best friend had died right in front of him and then Hotch left. He hadnât said a damn thing to a single one of them, left on a plane at midnight somewhere he wouldnât know until he landed. And when they returned, two ghosts had come back. Two living members of the dead, sullen and ashy faced ghosts haunting themselves.Â
He didnât know how something like this could happen. Ian Doyle hadnât existed, just a year ago things were healing.Â
Derek thinks they donât trust him and the confusion he holds for these two strangers in the bodies of his closest friends is only tripled when Emily calls him late Friday night from Hotchâs phone. Heâs already in bed, craving the energy for a night out but unable to keep his eyes open. Derek groans already annoyed when he sees that itâs Hotch, but itâs Emily, babbling quickly, drunkenly, about a bar. He can hardly make out what heâs hearing over the sound of laughter, but he pieces it together â sheâs trying to bargain her way into a ride home.Â
Derek listens to her quick, slurred speech and for a moment, he forgets everything. Itâs pleasantly familiar, Emily calling for a ride home.Â
Her instructions are to a pop-up bar, a small back corner of a back street where businesses come and go. The nightlife is rampant, suits and ties shed for a night away. It carries with them, stress pinched into crowâs feet and nicotine-stained fingers thatâll poke out their car windows tomorrow morning as they sit in rush-hour traffic. Trailing wispy smoke and rubbing sore heads, sitting in stand-still traffic.
Derek sees Hotch first, stretched in the circular booth with his left leg on one-half of the booth. Heâs in a sweater Derekâs seen a thousand times â discarded on his bedroom floor, in his laundry hamper, in Hotchâs go-bag â and it makes his aching heart kick up a fuss. The soft material worn to Hotchâs frame; no doubt, the frayed sleeves are pinched over Hotchâs cold hands.Â
Emilyâs propped up against his shoulder, Hotch slumped down in the booth to her equal height. Sheâs also in a sweater, hair pulled back out of her face, and no make-up in sight.Â
Derek hadnât known what he was coming here to do but heâd forgotten Aaron would be here, that if Emily was calling from his phone then she was with him. Heâd assumed heâd be coming to pick her up from somewhere more lively, with people swarming and music playing so loudly he could feel the beat in his chest. Somehow Derek had forgotten exactly what they meant to one another.Â
Heâs not sure how to interrupt this leisure, their complete comfort. âYou guys ready?âÂ
They both glare at him for a moment, narrowing their eyes as they try to focus on his face. Emily breaks first, a big smile on her face as she sits up and starts scooting out of the booth towards him. âDerek!â She throws her arms up and around his neck, leaning into him through the hug. âI forgot you were coming!â
Derek is hesitant to release her but she doesnât go very far. Emily leans into his side, her arm still around him. Derek nods at Hotch as he climbs out of the booth himself, slower, and comes to stand, leaning into the booth. Derek looks away, smiling at Emily, âyou have fun?âÂ
Emily sighs, âoh yeah.â She points a finger at Hotch and he looks away, color already starting to rise to his face and neck. âThat oneâŚâ Emily squints her eyes, shaking her finger a little, âhe knowsâŚâÂ
Hotch shakes his head and Derek laughs, reveling in the sudden look of panic on Hotchâs face. But Derek is laughing at Emily, who is still making a face at Hotch. âCome on princess,â he says, squeezing her shoulder, âletâs get you home.âÂ
Emily steps away suddenly for this part. She searches around the table, âHotch, do you have your wallet and keys?âÂ
Hotch, who hadnât been prepared to suddenly participate in the conversation, struggles to stand upright, shifting his weight unevenly on his legs for a moment. âSorry?" he asks, nervously. Looking between Derek and Emily trying to piece together what heâs missed.
âKeys, sweetheart,â Emily says, softly, giving him a small sympathetic smile. âYour wallet? Do you have everything?â
The addition of sweetheart feels both endearing and mocking. Hotch feels his face get hot, âI have everything.âÂ
âOkay.âÂ
Hotch leads them out of the bar, walking alone, not sure how to insert himself into the natural duo Derek and Emily make. So instead he narrows his focus on walking. Watching and feeling his feet land on the ground, the weight and flexion of muscles. Trying to ground himself through the cloudy drunken haze. Heâs working with new hardware, physical and mental. There wasnât much out in Pakistan except soldiers and sand. Nightmares were often and silent, everyone would cut some slack for the occasional but the persistent warranted a talking to. The shift from home to there had been difficult, there was lot on Hotch's mind and his nightmares didnât let him forget it.
Behind Hotch, Emily and Derek speak softly to each other. He can hear them as they walk closely behind, but Hotch keeps his attention on walking.Â
Emily leans into Derek as they walk, his arm around her shoulders and hers around his back. She keeps an eye on Hotch, old reflexes die hard âI canât believe that you both managed to hide this,â Emily says, tugging Derek. âYou know I love breaking rules and this has lawsuit written all over it.âÂ
Derek smiles, âwhatâre you talking about?â
âI overestimated you; I thought you were smart enough to know better than to go after anybody we with work withâ though I had some doubts but Garcia swore on her Wish Bear there was nothing so⌠.â
âWhatâ Wish Bear?â
âItâs a Carebear. You donât know Carebears?âÂ
Derek shrugs.
âThatâs a crying shame,â Emily tsks, âeveryone should know Carebaears. Theyâre a National Treasure.âÂ
âI donât know them.â
Emily shakes her head, âthatâs a shame, really a shame.â She pauses only a moment with a frown hiccups and rubs her chest, âheâs a very honest drunk, Derek. You ought to know that. Told me everything.âÂ
âWho is?â
âHotch,â Emily says, pointing at him. âTerribly honest. Really did tell me everything.â
âEverything?â Derek asks, he feels completely lost. âAbout what?â
Emily grins, this knowing Cheshire stretch of her mouth that reflects the mischief gleaming in her glazy eyes. She reaches up and taps his nose, âfucking.â
âHuh?â Derek shakes his head. âWoman, what are you talking about?â
Emily sways as she sings, âAaron and Derek sitting in a tree. F- U-C- K- Iââ
âAlright,â Derek gets it pretty quickly, and nervously he pulls Emily closer to him. âShh, shh.âÂ
âWhy are you shushing me? He knows,â Emily points at Hotch, âhe was there. And heâs the one that told me anyway.â Emily rolls her eyes, âheâs such a blabber mouth when heâs drunk.âÂ
Derek huffs.
âSo donât tell him any of your secrets,â Emily says, in her wisest voice. âBecause Iâll just get him drunk and get him to tell me them.âÂ
âOkay,â Derek agrees, âI wonât.â Derekâs not sure that he has any secrets that they donât know anyway. Heâd gotten in the habit of confiding in them both. Unlike the both of them, Derek hadnât lied to them. He trusted them both, not just with his life but with the details. Derek doesnât want to be mad about it but he also canât stop thinking about it. Why hadnât Hotch trusted him? Because Derek knew heâd trust Hotch with information like that, so what was different?
Emily hiccups and pats her chest, âyou love âim then?â
âWhat?âÂ
Rolling her eyes, Emily repeats slowly, âdo you love him?â
Derek looks ahead, to Hotch. It felt like the answer wasnât very clear. Some small part of Derek still felt like there would be an obvious sign, a banner maybe, or a burst of confetti that would mark the right decision. There had been no obvious signs, Derek didnât think so at least. There were other things. Just standing at the table, waiting for Emily and Hotch to collect their things, Derek felt pulled to Hotch still. Seeing Hotch smile, seeing him squirm and flush under Emilyâs attention had ignited some of those feelings raw once again.Â
âIf itâs taking you that damn long to answer,â Emily hiccups, âthen the answer is probably yes, dummy.â
Derek huffs, âand what do you know about it?â He looks over at her, âsince you seem to think you know everything.â
Emily smirks, âI know he loves you too.â
Derek hadnât considered that. To him, everything that happened had seemed like a pretty clear severance. And now Emily is saying it wasnât and Derek doesnât know what any of it means anymore.Â
Emilyâs walking starts to take a bit of a turn and with a stumble, Emily curses, âmierda.â Derek doesnât understand a bit of the Spanish that leaves her mouth after that. She fires the Spanish off too easily, too quickly. Having done this enough, Derek knew exactly what Spanich brain meant â puking.Â
Intuition and experience have taught Derek all he needs to know about what comes next. âAlright, princess,â Derek starts guiding her toward the closest bench and garbage bin.Â
She clicks her tongue at him, âay, no, no es necesario.â She grumbles but sits down on the bench, right where Derek puts her.Â
âStay here for a second, Iâm going to get Hotch before he walks off without us.â
âNecestitas ir a dile que lo amas, estupido.â
Derek shakes his head, âjust stay here.â
Hotch hasnât gotten that far but his advantage is enough to make Derek need to jog to catch up to him. âAaron, hey!â Derek grabs his arm and Hotch turns. âHold up, man. Emilyâs in spanish mode, I left her on a bench, but I think sheâs gonna hurl.â
Now that heâs standing close, the street lights catching that honey brown color that Derek had been away from for so long that being close now made his knees weak. Close enough now to see the glassy sheen over Hotchâs eyes too, smell the alcohol on his breath.Â
Hotch looks at Derek and then away, to the ground. âGood call.â He glances up again, eyes moving along Derekâs face and he turns away, but heâs held there by the arm Derek catches. Easily, Hotch could turn away but he wants to be pulled closer, for Derek to hold him tighter until heâs certain heâll leave bruises. But the touch is hesitant and light.
âWait,â Derek says, and he doesnât know why he has to say this now. On a dark street. In the middle of the night. âWe missedâ I missed you. Andââ Hotchâs attention turns enraptured, all of him focused on Derek. It burns through Derek. The way Hotchâs eyes flicker the small distance over Derekâs face, to his lips, and back to his eyes. Like a shot of whiskey, heating up his chest and stomach. A comfortable buzz. Derekâs heart pounds in his chest, his breathing getting harder. âI missed you,â Derek stammers again, and he reaches, unabashed, for Hotchâs hand. âAnd I want usââ
Hotchâs mouth is warm. His lips right against Derekâs and gone so quickly, he leaves their heads spinning. All Derek can do is stare at him. His mouth open, lips tingling.Â
âI shouldnât have done that,â Hotch finally says. His head is buzzing with alcohol, cloudy judgment had lead him to believe this was his chance. And now heâs standing in the silence, having acted on a hasty, drunk thought. Realizing his mistake. Realizing he was wrong. âIâm so sorry, Derek. I⌠Iâm sorrââ
Wine and Aaron, who had been away for so long that Derek had forgotten. Heâd grown unfamiliar with the leisurely comfort of this. Of Aaron. Derek wishes he could just have him. Take him to bed and keep him there, away the things that make him cry, away from pain. Safe and here, always.Â
Derek doesnât hear Emily clear her throat but he feels Hotch jump and pull away from him. He can see the blush creeping up from around Hotchâs dark collar, the fingertips hovering over his lips.Â
âPuked in a trashcan,â Emily says, rocking back on her toes. âSâall good now.â She smirks, âyou guys talk?â
Derek smirks, âsomething like that.â He wraps his arm back around Emily and shoots a smirk at Hotch just to get another glance of his flushed, shocked face. âCome on, letâs get you home.âÂ
Emily had been taking Hotch out for years. Sometimes he just needed a friend, someone other than Jessica to talk to. Emily had gotten Jessicaâs number right after Foyet. They had instantly reciprocated a friendship. Similar enough to one another and with the same plan in mind, dragging Hotch out of this no matter how he kicked and fought. It was good having someone else on their team, someone that understood Hotch the same way they thought they did. And while Emily was a little hesitant when Jessica asked her to be Hotchâs friend, to take that label when Emily herself wasnât very sure Hotch considered them friends, Jessica was right.Â
And so Emily is his friend. And Jessica is the back-stabbing, secret-spilling mastermind. Sending them out on nights like this when they both think they other is mad at them. Tonight, was one of those nights. And those nights always end the same â at Emilyâs. After five years of this, they have long since been banned from trying to sneak back into Hotchâs apartment. They had tried twice to sneak back into the house but drunk and navigating in dark, both times they had woken up not only Jess but Jack. There was no allowance for a third strike.Â
âYou wanna stay with us?â Emily asks. She hands Derek her keychain and leans back against Hotch, hiding from the wind picking up around them.Â
The first key he tries fails, Derek tries another key and looks up as it slides in and turns the lock. âWhy? You got something planned?â
Emily makes a disgusted face and shivers, âew. With you? Thatâs disgusting.â She slips in the door past him and starts stripping down. Kicking her shoes off in a pile and tossing her coat on the table. âJust for that,â she says, rubbing her eyes and blindly walking towards her room, âyou gotta sleep on the couch.â
Derek smirks back at Hotch, a look that doesnât go unnoticed. Hotch smiles a little, looking down as he toes his shoes off beside Emilyâs. He yawns and stumbles down the hall following Emily, âI donât have to sleep on the couch.âÂ
âYouâre gonna leave me out here alone?â Derek asks, feigning hurt.Â
âMmm,â Hotch hums and shrugs, âyes.â Heâs drunk. Not stupidly so but enough to lack forethought, to let go of the reigns let somebody else handle it. Hotch doesnât realize his mistake until heâs decided to leave his sweater on so heâs warm while he sleeps. Leaving him standing in his clothes while Emily and Derek strip down to something they can sleep in.Â
He canât do that.Â
âYou sleepinâ in your jeans?â Derek looks up from folding his pants, over to Hotch standing stiffly by the bed, frozen. âYou go commando?â Derek asks, hands on his hips, on the waistband of his boxers as he teases.Â
âNo.âÂ
Bed ready to be slept in, Emily climbs in, pulling the blankets up around her and laying down. âYou can get the light on the way out, Derek.âÂ
Derek looks at Hotch, feigning hurt. âPrincess,â Derek says, âyouâre really gonna do me like that? Kick me out to the cold couch?â
Emily hums back, eyes already closed, âoh yeah. Thereâs only room for two of us and if I have to pick between the two of youâŚâ She doesn't hear anyone move so she adds, âlights please.â
Derek heaves a sigh and starts to go, sensing tension, Emily peaks an eye open to watch Derek softly bid Hotch goodnight. At the door he stops again, âtake me to dinner.â Emily almost sits up to see the look Hotchâs face. Derek continues, âI meant what I said earlier.â The lights cut off and he shuts the door.Â
It takes Hotch a moment to begin moving and Emily sits up, blinking as he eyes adjust to the low light. âAre you gonna take him to dinner?â Emily asks, scooting closer.Â
Hotch sighs, and glancing at her, Emily following his eyes down as he hesitates to completely take his jeans off.
Emily gently reaches over and touches his arm. Heâd needed a lot of liquid courage to get him to even tell her anything about what happened at all. Emily had spent a lot of time wondering what they had been up to while she was away, they were all she could think about. Strangers started looking exactly like them. Too many tall slender man with unruly light brown hair but no Reid. No stoic suit with dark hair was Hotch. No JJ. All she could was sit and hope that they were together. And so it breaks her to hear worse.Â
âHey,â Emily says, rolling her eyes and scoffing as she fights back tears, reaching up and brushing them away. âItâs just us, itâs fine. Itâs nothing.â Emily waves her hand a little, âI can hardly see, itâs way too dark.âÂ
Hotch nods solemnly, eyes still on his jeans. Emily understands, somehow she always does. Sheâll be angry but sheâll understand. Right now sheâs too drunk to be angry, just softened, and concerned instead. Terribly nosy as well. And this wonât freak her out. Sheâs seen him crazy â panicking to the point heâs in the bathroom hurling into the toilet. Sheâs helped him change the bandages on his chest. And now theyâve traveled to the very edge together. She had nearly died for him and he had nearly died to keep her alive.Â
Now, though, nothing really happens.Â
Hotch had told her what had happened, he had told her and yet it is hard for her to believe, even as she sees it. âDoes it hurt?â Emily asks as Hotch leans over trying to fish his leg out of his pants.
Hotch sits up and looks down. It had been months now and Hotch still wasnât used to looking at what remained of his left leg and mostly because he still felt like it was there. His brain hadnât fully comprehended it was no longer there. It takes Hotch a moment to really hear Emily, to get around to answering a question he doesnât really know the answer to. âNot really,â Hotch shrugs, because thatâs mostly the truth. It doesnât hurt so much as it isnât normal. Itâs not what heâs used to, so itâs a pain but itâs not painful.Â
Emily moves, allowing Hotch to lay back in the bed. âYou know,â she says, glancing at him, âif youâd bother to ask, I could have told you that many fake I.D.s would cost an arm and a leg.â
Hotch smirks, huffing as he pulls the blankets up and lays down beside Emily. âIt was all those passports,â Hotch huffs.
Emily laughs, "that government stamp comes with an expensive fee.â
âYouâre telling me.â
Emily says nothing for a short moment but her mind is still on her first question. Hotch had confessed it all to her tonight. From what he had done in the beginning, trading guaranteed protection for her and in exchange going to Pakistan, to the explosion he couldnât even remember. One minute he was out in the cool night air looking at the moon and the next he was waking up on a cot, falling onto the ground, and looking at the round, gauze-covered end of his thigh. That heâd spent months in a wheelchair, pushing himself around in the sand, because he still had a job to do. A contract to complete. And if Hotch could do all that, if he could give all that, such a noble idiot, he could still get the guy.Â
âAre you gonna take him out for dinner?â
Hotch huffs, âyouâre so nosy.â He stares up at the ceiling and sighs, âyeah... IâI kissed him.â The darkness feels like the same animosity of the bar, a safe enough hole to speak the truth in. âHe kissed me back.â
âReally?â Emily turns over to look at him, and he glances over at her, smiling a little and nodding.Â
âYeah but⌠Itâs complicatedâŚâ
Emily snorts and rolls her eyes, âbecause you got blown up? Be serious Hotch, he was there in New York. Heâs seen you get into trouble, okay, and heâs not gonna care about that.âÂ
Hotch shrugs, looking away. âI donât know.â
Emily shakes her head at him, stupid, stupid idiot man. âWhy would he be mad?â Emily asks, she moves her right leg over to him, swishing her legs back in forth in the bed, âwho would be mad about extra legroom?â
Hotch smiles, even though heâs trying hard not to. âOkay,â he relents. âI said Iâd take him to dinner, I donât even know if thatâs what he wants.â
âOh he definitely does,â Emily says, waving the notion off. âHe was like a love sick puppy, you two were unbearable.â
Hotch huffs, heâs not sure thatâs true. It was good, better than good, but love sick?
âItâs gonna work out,â Emily says and Hotch looks over at her but seeing nothing but darkness. He nods anyway, not certain but willing to be hopeful. Maybe but what was done, was done. Everyone is home, they survived, and they have another chance to keep going.Â
Heâd have dinner with Derek and they would have to talk about what happened but maybe things would work out.Â