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@wholesomesmith
physical manifestations of health bar?

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completed weaving of the penelope skyphos from chiusi:
the header is tablet-woven linen, with the linen weft for the band used as the warp for the rest of the piece on a warp-weighted loom, which you can see in the photos below (there is also a previous post with more process photos here). the reverse is a negative mirror image of the front, since I wove this as double-weave pickup rather than tapestry:
additional details below the cut:
Let go of the idea that diy will inherently look shit. All your clothes are handmade you just don't see the people doing it.
This doesn't just fall under fashion: really any craft doesn't have to look like shit. I get the first one you do of anything is always the "bad pancake", but learn as you're doing it.
I've made a lot of things: from chain mail to my own work table; from Blacksmith tongs, to twisted wire brackets; from tablet weaving ribbons, to making and sharpening knives; i also draw (haven't doneit in a very long time); you can* do this and it can look really nice.
Yes, to git gud you must first suck, but know what you need to work on... and work on it.
“spicy pillow” jokes aside, I think @flowerkrone’s tags deserve a serious reply:
#my old phone looks like this on my shelf lmao #im too scared to touch it to throw it away #idk what trash this even goes into when its at this point
The pillow-shaped object here used to be the phone’s battery. It’s not a battery anymore. Now it’s a balloon full of corrosive, pyrophoric chemicals and hydrogen gas and it’s one puncture away from burning your house down. I am 100% serious. You should be scared to touch it.
But you gotta touch it, because you gotta get it out of your house before the pressure builds up to the point where the balloon pops. This isn’t going to happen soon – there is no need to panic – but it will happen eventually.
And, indeed, it doesn’t go in the ordinary trash. You put this in the ordinary trash and you’re gonna set the garbage truck on fire. Don’t do that to the garbage collectors, their job is hard enough already.
The first thing you need to do is get a fireproof container. The most common household item that qualifies as a fireproof container is a cast-iron cookpot with a cast-iron lid – often sold as a “Dutch oven.” Any other cooking container that’s unreactive, has a very high melting point, and has a lid made of the same materials will also work: enameled or stainless steel, Pyrex with glass lid, etc.
However: Do not use a pot with a PTFE-based non-stick coating. If the battery does explode, the fire will probably be hot enough to degrade a PTFE coating, producing toxic smoke. (Not that you should breathe the smoke from the battery fire either, but PTFE breakdown products are worse.) Do not use a pot made of aluminium or copper. The fire might even get hot enough to melt those.
Whatever container you use, you might have to throw away along with the phone, so don’t use your good Dutch oven for this. Go to a thrift store and buy a cheap one.
Once you have the fireproof container:
Gently pick up the phone and put it in the fireproof container. If possible, gently tape the phone to the bottom of the container to prevent it from bouncing around. Don’t put any padding in there, that’ll just make a fire worse if it does happen. Put the lid on and tape it shut.
Put a label on the container, something like “DEFECTIVE LI-ION BATTERY – FIRE HAZARD”.
It is now reasonably safe to move the container around. However, if the battery does explode, the container is very likely to leak smoke and get hot, so keep it in a well-ventilated area and away from things that will be damaged by heat. Don’t leave it exposed to the weather, either.
You need to find either a hazardous waste disposal site, or an e-waste recycler that will accept defective Li-ion batteries. I can’t help with that because I have no idea where you live.
However, your local fire department, if you have one, will probably be happy to help. Call their non-emergency number. Nothing is on fire yet, so this isn’t an emergency, but things that can easily start a fire are still within the fire department’s responsibilities. Tell them you have a phone with a bulging lithium-ion battery, you put it in a fireproof container, and you want to know how to dispose of it safely.
If the fire department tries to tell you this isn’t dangerous or it’s okay to throw it out in the regular trash (with or without fireproof container), hang up on them and write a cranky letter to your local government representatives, then keep looking for a proper disposal site.
When you do find a a hazardous waste disposal site or an e-waste recycler, call them and make sure they will take defective Li-ion batteries, before showing up. That’s also a good time to ask if they will let you have the fireproof container back.
Reblog to save lives.
[Image: A phone with the insides visible, including a battery that has inflated like a balloon. The photo is captioned, “Pillow :33”]
Reblogging because I would have had absolutely no idea what to do, either.

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Equiping an armor tutorial
i'll prob make more bc i love talking ab armors
I'm fascinated by how the animators for TADC handle Caine's impossible anatomy so well. There's so much to balance and they've somehow engineered a solution for his expressions to hold during speech.
I also traced Caine answering the phone from episode 4 to demonstrate his phonemes and mouth shapes.

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Wouldn't be weird of the Digital Circus became a musical in the future?
Shrek wasn't one, but it became one
For a while now, I've imagined Hephaestus having his workshop built around the fact that he can't use his legs:
- he sits in a chair that's inside a pit and is able to travel in a circle, allowing him to travel around the perimeter of the pit, letting him touch every station.
- each station has all he needs to work there: grinding status has all his grindstones and files and a vise; he has a pile of materials with a scale for weighing; a vast collection of crucibles with a mold making area next to it; and his furnace with is manned and managed by a couple cyclops.
Once he gets a commission, he figures out what he needs, makes a master of it, wheels himself to the material section with a crucible in hand, weighs it all out, packs it, then turns to the furnace and gets that cooking while he's prepares the mold.
When it's ready, he moves back to the fire with the mold on his lap, puts the mold down, and pours.
This system does get overhauled when Greece transitions to iron; still being in a pit, but it's more compact; he just needs tongs, material, an anvil, his grinding station, and his forge. Any heavy hammering is done via Cyclops.
Any "magic metal stuff" (carbonizing, smelting, etc) os wrotten down and done off-site.
To clarify: Hephaestus has a chair that's attached to a beam or something, and that's what's letting him spin all around his pit: the beam being the radius of the circle.
There are grabbing rails near the rim of the "bowl" for him to push off and slow down with, like a giant wheel chair without being a wheel chair.
Dice go "hot" and "cold" like a deck in blackjack.
Hot numbers are half the max value ot above (12 for d20s); cold is below that value.
Statically, they'll roll even with enough time, but on the roll... it's all based on the current "heat"
Your dice aren't cursed; they're just cold. Once you find they've gone ice cold (nothing above an 8 or 5 for d20), toss them in the bag and grab the next hot one.
Yes, it ebs and flows like the waves, but when the dice are fire or ice, you'll know.
Dice are supposed to be random, but even in randomness, there are patterns.
Not sure if anyone made the connection between the Warp in warhammer 40k and weaving yet.
In weaving, the Warp is the threads that go up and down (the gap made being called a Shed); of one travels via the warp, you're literally traveling *through* space-time, thus bring you somewhere at some time else.
Space-time in Earhammer is like the metaphor in Doctor Who: a carpet... or a weave with a bunch of knots or just underwear; ever intersecting and winding and unwinding as the currents eb and flow.
Second note: the thing in weaving that travels through the shed/warp is called a shuttle.
It's literally all a fabric analogy!!

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It blows my mind how complicated crafts can be passed down from parent to child: the process of going from level 1 and the kid climbing their way up to the stuff that look awesome but extremely complex that they'd have to be basically reading the matrix itself to make the pattern.
Example: card weaving or tablet weaving (same thing, different name) is, on the hole, pretty easy once the thing is set up: sting goes in the gap and you twist the cards forawds of backwards and depending on what colors are there, when, the direction they're in, and the direction they twist, you can make a lot of cool patterns (4 threads per card, the easier ones have 8 or 10 cards but you can easily get to 28 to 50 cards, depending on pattern).
This was past from mother to daughter in a number of civilizations around the world, and the only differences are the more complicated patterns and their meanings.
We still don't know how these patterns were pasted down, but, once again, the ones thinking of how to do them were ficken geniuses. There's some that are brain bending, while the ones the daughters started with were "put them like this. These all turn forward for 5, then turn back 5" or something like that.
And these were *belts or sashes* a lot of the time. Like, wtf, this is insane!
In case you need this today
- you are not a failure - you are not a waste of space - you are loved - you are wanted - i believe in you - you can do it