Low Ranks

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Ending

Because the Twitter word count does not suffice I wrote about the anime here.

I could not summarize it well, so here roughly:

To the people who watched the anime because they liked the original work, for the people who watched it without knowing the manga-

Thank you very much.

The cast was wonderful from the beginning to the end.

I was not that interested in the voice actors, but I think that I can understand the people who like them a little bit better know. (Things like: Oh, Sugô-san [Yoshimura] was the voice actor of Cardeas Visit from Gundam Unicorn! or the Ice Prince of Oreshika: Tainted Bloodlines was Konishi-san! [Amon])

Normally the characters are born when I draw the first lines, but when the voice actors breathe life into the characters, I feel that they are born once again-

It was a very mysterious experience.

Especially with Mado-san and Nishiki, I hear their voices from the anime in my head, while I am writing their lines. Through that I experienced the power of voices. I think that the work of voice actors is truly wonderful.

Thanks also to those who made plans to go out and let me join them.

Miyano-san [voice of Tsukiyama] is a funny person.

I’m grateful to Mikasano-san, who wrote the screenplay, that he liked the original work a lot. He read how the story developed in the magazine and told me his thoughts on it over skype and seemed to be having fun, so I personally like him a lot.

That someone such as him, who held the position of screenwriter, was asked to compile things from the original work for the anime, was probably a hard task and left him struggling with these things while writing and I found that to be quite ironic.

I like about him that he is a very enthusiastic person.

The drafts I wrote for season two were probably about 300 pages long.

Since I sometimes wrote things very detailed, and other times used scenes that were similar to the original plot I am not sure of the exact number of pages, but I think I worked on it in July 2014.

Because I had to work on it while continuing to write the manga, I had to write the story that is still progressing now and a “what if it happened like this” story of the past at the same time and it almost made my head explode, but it was a valuable lesson.

Even in scenes that were not used in the anime there were many wondrous developements (like for instance, Ayato and Tsukiyama having a conversation) so I’d be happy if there was an opportunity to show these things sometime.

(…but maybe it would be interesting to leave that open for now just like Reading Tokyo Ghoul)

Thank you for all your help, Satou-san, who was Animation Director for season 2. I left him notes for my wishes on how to let them move the ending illustrations and entrusted the task to him, and he was so kind as to animate it.

Thank you for supporting me on top of your rough schedule.

The Ending was such a hard task that I had to cry while drawing, but I also think that this was a valuable lesson.

I was so happy that I could ask artists I really liked for the musical composition of season 1 and 2.

Thank you very much tk-san, People in the box-san, amazarashi-san and Takahashi-san.

All the compositions were wonderful and they are a treasure to me for the rest of my life.

To Isao-san who drew wonderful illustrations for season 1 and designed the clothes,

to Towada-san who chattered with me and wrote the lightnovels,

to Toyama Maki-san who drew the anime countdown illustrations and let season two become exciting,

Thank you very much.

Thanks to my supervisor Matsuo-san, who had to put up with me on many occasions, to Young Jumps editorial department, whom I threw of their schedule, I am sorry but very greatful to the Tokyo Ghoul staff. Thanks to you I could continue the serialisation in the magazine. I am always grateful to you.

My favorite scene is the last one when Kaneki walks to the CCG. I stared at it for a few minutes. I like the script that director Morita improved.

Yeah, I think there was a lot more to say, but for now goodbye.

While men Kill, rape and beat women, on a systematic, social, economical and cultural lvl, but people still doubt if they hate us, so much that any rebellion against them must surely be hatred. 

Maybe men are telling us something we don’t know? Maybe we should hate you, and that is why you cannot fathom that our words are not motivated by hatred.

But you will not steal my compassion, love and humanity away from me. Not even in death.

Save the person from possible identity theft, DMV fees to have it replaced, and panic.

1. Take the ID to your nearest USPS mailbox.

2. Drop it in.

3. The mail person will come and pick up the mail and take the ID as well.

4. When the ID is taken to the post office it is then mailed to the address on the ID.

5. Upon delivery, the mail person will charge the ID owner the price of postage. Usually less than $1.

Usually if this is done during the week, the person will have their ID back after 1 business day.

why should you make a webcomic?

it’s regular drawing practice

you get to draw and develop the universe your OCs live in

you could draw your OCs making out with context

see number 3

how can you make a webcomic?

make a new tumblr

install this theme https://www.tumblr.com/theme/37061

post comics as you would on any other tumblr they show up on their own webcomic site

what if nobody sees my webcomic :(