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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Albert Ayler Quintet Sigma Festival Bordeaux, France 11/14/66
Albert Ayler - tenor Donald Ayler - trumpet Michel Samson - violin Bill Folwell - bass Beaver Harris - drums
Takesada MatsutaniÂ
Cercle 96-6-2, 1996
Polyvinyl acetate adhesive, graphite pencil on canvas mounted on board
Albert Ayler Quintet Munich TV Germany 1966
Albert Ayler - tenor Donald Ayler - trumpet Michel Samson - violin Bill Folwell - bass Beaver Harris - drums
Directed by Johan Grimonprez and based on Andrew Feinstein's globally acclaimed book The Shadow World: Inside the Global Arms Trade, this explosive film reveals the murky world of the international arms trade.
Stitching together archive footage and expert interviews, Shadow World reveals that corruption is not a dirty little side effect of the arms trade, but in fact its defining factor. Politicians, who are supposed to represent our hopes and dreams, sell us fear and nightmares in the interest of the very corporations that profit from war.
By shedding light on how our realities are being constructed, the film argues, with alarming plausibility, that we have privatized the function of war. As a result, bribes and corruption determine the economic and foreign policies of some of the biggest countries in the world, making sure that there is always a war to be fought.

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Don Cherry, Henry Grimes & Ed Blackwell - November 1961
Jazz scholar Lewis Porter is always turning up interesting and cool artifacts — and recently he shared a great one! An unreleased/unknown session with Don Cherry, Henry Grimes and Ed Blackwell? In 1961?! Sign me up.
Some details from Porter: Cherry’s playing is melodic and creative, and I think you will enjoy his work here quite a bit. And his colleagues here are Henry Grimes on bass and Ed Blackwell on drums! There are lots of connections here: Cherry had of course toured with Blackwell in Coleman’s quartet, and he would work with Grimes in Sonny Rollins’s quartet in 1962 and ‘63.Â
Yes indeed, a very enjoyable session — I'm surprised it's as early as 1961, since it sounds so modern and fresh. But that was Don Cherry, right? Modern, fresh, curious and always a joy to listen to.
Jazz and decolonization are entwined in this historical rollercoaster that rewrites the Cold War episode that led musicians Abbey Lincoln an
PREVIOUSLY
and the actual soundtrack as a youtube playlist
FULL ARTICLE HERE
HERE
Satie Studs, A film by Lynne Ramsay with choreography by Michael Clark.
You can view the film here.

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Josef Albers
Grand Pyramid, Tenayuca, 1937, Â
Governor’s Palace, Uxmal, 1952Â
Gelatin silver prints Solomon R. Guggenheim Museum, New York, Gift, The Josef and Anni Albers Foundation, 1996 © 2017 The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York
more
HERE

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This work depicts the ragged skyline of white pines at the west end of Basswood Bay in rural Minnesota, where Duchamp visited Frank Brookes Hubachek (the brother of his longtime companion Mary Reynolds) in the summer of 1953. Working without artist's materials, Duchamp created Moonlight on the Bay at Basswood on the blotter of a correspondence pad, using a fountain pen and pencil for the trees and shadows, a yellow crayon for the moon and its reflection, and talcum powder for the bay's white mists. Perhaps most ingeniously, he shaded in the heavy brown shadows in the pine trees with a chocolate bar.
HERE and HERE