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Brion Gysin, Untitled, 1963 [Centre Pompidou, Paris. © Galerie de France, Paris. Photo: © Audrey Laurans/Centre Pompidou]
"Kusho" ∿ Shinichi Maruyama — black ink and water captured mid-swing
Elephant (Alan Clarke, 1989)
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Franz Kline - Untitled, 1956
Pierre Soulages
Albert Ayler Quintet Sigma Festival Bordeaux, France 11/14/66
Albert Ayler - tenor Donald Ayler - trumpet Michel Samson - violin Bill Folwell - bass Beaver Harris - drums

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Takesada Matsutani
Cercle 96-6-2, 1996
Polyvinyl acetate adhesive, graphite pencil on canvas mounted on board
Albert Ayler Quintet Munich TV Germany 1966
Albert Ayler - tenor Donald Ayler - trumpet Michel Samson - violin Bill Folwell - bass Beaver Harris - drums
Directed by Johan Grimonprez and based on Andrew Feinstein's globally acclaimed book The Shadow World: Inside the Global Arms Trade, this explosive film reveals the murky world of the international arms trade.
Stitching together archive footage and expert interviews, Shadow World reveals that corruption is not a dirty little side effect of the arms trade, but in fact its defining factor. Politicians, who are supposed to represent our hopes and dreams, sell us fear and nightmares in the interest of the very corporations that profit from war.
By shedding light on how our realities are being constructed, the film argues, with alarming plausibility, that we have privatized the function of war. As a result, bribes and corruption determine the economic and foreign policies of some of the biggest countries in the world, making sure that there is always a war to be fought.
Don Cherry, Henry Grimes & Ed Blackwell - November 1961
Jazz scholar Lewis Porter is always turning up interesting and cool artifacts — and recently he shared a great one! An unreleased/unknown session with Don Cherry, Henry Grimes and Ed Blackwell? In 1961?! Sign me up.
Some details from Porter: Cherry’s playing is melodic and creative, and I think you will enjoy his work here quite a bit. And his colleagues here are Henry Grimes on bass and Ed Blackwell on drums! There are lots of connections here: Cherry had of course toured with Blackwell in Coleman’s quartet, and he would work with Grimes in Sonny Rollins’s quartet in 1962 and ‘63.
Yes indeed, a very enjoyable session — I'm surprised it's as early as 1961, since it sounds so modern and fresh. But that was Don Cherry, right? Modern, fresh, curious and always a joy to listen to.
Jazz and decolonization are entwined in this historical rollercoaster that rewrites the Cold War episode that led musicians Abbey Lincoln an
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and the actual soundtrack as a youtube playlist

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FULL ARTICLE HERE
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