Nick Waplington

Game Changer & Make Some Noise
Sweet Seals For You, Always
Lint Roller? I Barely Know Her

roma★
sheepfilms

Misplaced Lens Cap
One Nice Bug Per Day
Xuebing Du

izzy's playlists!
The Bowery Presents
Noah Kahan
taylor price

Jar Jar Binks Fan Club
2025 on Tumblr: Trends That Defined the Year
he wasn't even looking at me and he found me
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Interview Vampire Daily

shark vs the universe
I'd rather be in outer space 🛸

seen from United States
seen from Canada

seen from Türkiye
seen from United States
seen from Germany

seen from United States
seen from Australia

seen from Eswatini

seen from United States

seen from Malaysia
seen from United States

seen from United Kingdom
seen from United Kingdom

seen from United States
seen from Argentina

seen from Malaysia
seen from United States

seen from United States
seen from United States
seen from Morocco
@we-are-bric-a-brac
Nick Waplington

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Natalia Stuyk’s stock minerals for Adobe Stock Found.
Photo taken during a routine military expedition in Chukchi Peninsula, Soviet Union. It isn’t sure if the Chukchi Peninsula has more people or white bears. The climate is very severe and sometimes weather can be so fierce in winter that the temperature falls 40C degrees below zero (it is the same by Fahrenheit, -40F) so that poor white bears and their cubs start starving and freezing. The soldiers, who served on the Army District of Chukchi Peninsula, didn’t turn their backs on the poor and starving animals and started to feed them every now and then. Of course you do not have such big amounts of meat at home to feed several white bears. And soldiers decided to feed the bears up with what they had in abundance – tins, or to be more exact, condensed milk. / Source: Vintage News
Yanns Floriniotis by greek photographer Spyros Staveris

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Rui Palma / Konika Blues
#3: These things, they go away, replaced by everyday.
“Untitled #1 - the project is based on vintage photographs purchased from an image bank. Most of these photos came from American archives from the 1950s and 1960s.” / Weronika Gęsicka
KangHee Kim
"The pliage developed out of nothing. It was necessary to simply put myself in the place of someone who had seen nothing... in the place of the canvas. You could fill the folded canvas without knowing where the edge was. You don't know where things stop. You could even go further, and paint with your eyes closed." / Simon Hantaï

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Simon Hantaï
Architecture practice Studio Ossidiana has reinterpreted traditional Persian carpets as a series of concrete pieces installed at this year’s Dutch Design Week.
The Petrified Carpets installation was designed by Alessandra Covini and Tomas Dirrix of Studio Ossidiana.
Architecture practice Studio Ossidiana has reinterpreted traditional Persian carpets as a series of concrete pieces installed at this year's Dutch Design Week.
The Petrified Carpets installation was designed by Alessandra Covini and Tomas Dirrix of Studio Ossidiana.
"Gufram and Paul Smith are two dimensions descending from the 70s. The strength of this project lies in the fusion between two different worlds: Sir Paul Smith did not merely cover a cactus with colours, but he reimagined and transformed it by drawing inspiration from the hallucinogenic vibes of that crazy time period. The outcome is psychedelic, a creativity peyote." / Gufram's Charley Vezza on Paul Smith’s interpretation of Gufram Cactus.
Maurizio Cattelan

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Undisputed king of Japanese Graphic design, Shigeo Fukuda
From an elephant stopping traffic to a fireman leaving a blaze to buy a pumpkin, a new show gathers together the astonishing work of Joel Sternfeld, who has influenced generations of photographers. Joel Sternfeld at Beetles and Huxley, “Colour photographs 1977-1988″, 27/01 - 18/02/17.