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2025 on Tumblr: Trends That Defined the Year
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@water-stained
Edward Hopper (1882–1967), Red Barn in Autumn Landscape, 1927. Watercolor and graphite pencil on paper. Whitney Museum of American Art, New York; Josephine N. Hopper Bequest. © Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art
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Emil Bisttram (American, born Hungary, 1895-1976), Abstract Canyon, 1958. Watercolor on paper, 53.3 x 73 cm
Followers of Japanese artist Kazuki Takamatsu may already know his process: painstaking gouache layers that recreate scenes first imagined on 3-D computer software. Yet, in his latest set of paintings at the Corey Helford Gallery in Los Angeles, it’s the otherworldy nature of Takamatsu’s new work that draws viewers into this haunted world of hologram-like characters. See more on HiFructose.com.
When asked about his venture from comic illustration to his more abstract and surreal illustration, artist Graham Yarrington offers a candid observation: “I’ve always found that painting is the best therapy. I think that sadness and struggle will always play an important role in my growth as an artist.” Growing up Rochester, New York, his work is informed by his childhood surroundings- “lots of open space and trees”- manifested in highly imaginative ink and gouache landscapes. Though his work is at times bright and fantastical, the stuff of daydreams and Grimm’s fairy tales, there is also a darkness that the artist can’t shake.
See more on Hi-Fructose.
Emil Nolde (German, 1867-1956), Frauenkopf im Halbprofil [Woman’s Head in Half Profile, c. 1918-19. Indian ink and watercolor on Japan paper, 35 x 27.5 cm.
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Anni Albers Design for a Jacquard Weaving, 1926 watercolor and gouache over graphite on heavy cream wove paper image: 25.8 x 16.3 cm, sheet: 34.3 x 28.6 cm
Otto Piene (German, 1928 – 2014), Ohne Titel [untitled], 1966. Fire gouache: Oil, smoke and fire on black cardboard, 50 × 70 cm, framed under glass. via
Robert Colescott (American, 1925-2009), Three Nudes, 1925/1969, ink wash, graphite, and gouache on paper, Gift of Max W. Buhmann, © Robert Colescott, 69.5
This work is not currently on view.
Lourdes Sanchez, Chevron Bleed
Christian Rohlfs (German, 1849-1938), Untitled (Landscape in Hagen/Westphalia). Watercolour on light cardboard, 47.4 x 50.8 cm.
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Egon Schiele, Standing Male Nude with Arm Raised, Back View, 1910, watercolour and charcoal on paper, 44.8 x 31.4 cm, MoMA, New York. Source
Egon Schiele, the Austrian master of expressionist nudes, chose a multicoloured palette for this male study. Greens, oranges, pinks and purples are used with a brown base to emphasise the different planes of the body and colours of the skin. It shouldn’t work, but it really does!
Robert Rauschenberg (American, 1925-2008), Untitled, 1952. Transfer on paper with gouache, watercolor, crayon, graphite, and cut paper, 27.7 x 21.3 cm.
Andrew Wyeth (American, 1917-2009), Frozen Race, 1969. Watercolor on paper, 51.4 x 52.1 cm.
Paul Cézanne (French, 1839-1906), Pot of Geraniums, c. 1885. Pencil and watercolor on paper, 35.5 x 24 cm.
Salvador Dalí (Spanish, 1904-1989), Déesse de la Pluie, 1966. Gouache, crayon, sanguine and ballpoint pen on paper laid down on canvas, 38.4 x 27.3 cm.
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Cover up, mixed media on canvas, 40 x 30 cm, 2013.
Graphite, watercolour, acrylic, gesso in different layers and/or mixed. The final layer is seen. Will the cover up hold? Time will tell…
Kyriakos Papageorgiou
Emil Nolde (German, 1867-1956), Meer mit Sturzwellen und hohem Horizont [Sea with crashing waves and high horizon], Jutland 1920. Watercolour and brush and ink on Japan paper, 35.2 x 47.2 cm.
