we've had one fuckable wizard, yes.
how could you do this to us larian

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@votivedragongas
we've had one fuckable wizard, yes.
how could you do this to us larian

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Isopod
British Library, Harley MS 3244, c. 1236-1250, folio 64r
birth
THE PORTAL OPENS
people will say “they’re only friends” and then show me two people who would crawl through broken glass to hear the other laugh once. two people who have memorized each other’s coffee orders, fears, childhood stories, and emergency contacts. two people who would haunt each other’s houses as ghosts. be serious.
Just an FYI—the original intention of this post was to challenge the way people say only friends, as though friendship is somehow lesser than other forms of love. As if being deeply known, cherished, and chosen by another person could ever be a small thing. Normalize profound platonic love. Some of the most fulfilling, transformative, and enduring relationships we will ever have are friendships. 🫶🏼
”‘Just’ friendship? A poor modifier for so high and honorable a state.”
I don’t understand why people who cannot accept any moral grayness or complexity decide to join fandoms for the most emotionally complex stories and then try to shame everyone there who actually is able to understand the material.

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One year retrospective
they may be one of the most important things in the world
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
the thing with a lot of the templars dragon age deems as "good" is that said templars believe the templars as an institution are perfectly fine. instead, it is individual people who are giving the noble templar order a bad name. the rampant abuse in the circles is only the fault of some templars who had "forgotten" the true purpose of the order. if only those bad apples are rooted out, the templar order will be what it "originally" was—nevermind that the whole barrel is rotten.
exactly!! even if you get rid of every single "bad" templar, the practices of the templars themselves are still harmful. every single templar who assaults and rapes mages is expelled from the order. but the order still requires you to watch young mages face demons. the order still requires you to kill young mages if they fail the harrowing. the order still requires you to make mages tranquil. the abuse of mages is built into the duties of templars that there is simply no way for a "good" templar to say the templars should only get rid of the "bad" ones, say thedas should keep the templar order, and still claim to protect mages.
Cole
C0mmish for @inquisitorfatima

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Girl are you the Hays Code the way you consider media irredeemable if it depicts anything that strays away from the norm you're comfortable with or depicts anything morally questionable without definitively condemning it and anyone associated with it, therefore creating worse stories and content and making it difficult for people to engage with complicated issues from a nuanced and controlled perspective?
remembering the work miranda raison put in to create the unique nevarran accent for cassandra and then in veilguard everyone in the mourn watch is just british
Adventures in Crestwood, Chapter I. Solas has no chill.
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
I am once again begging you to get your hands on physical media and/or save your fave stuff OFFLINE.

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love seeing revisionism in the wild “free the nipple never meant you can walk around topless every where that’s still sexual harassment it just meant for like breastfeeding and stuff”no it literally means you should be able to walk around topless anywhere because get this. breasts aren’t fucking sexual organs.
I remember when I was about 12, I watched a show on TLC that followed people as they got somewhat uncommon medical procedures.
There was one episode with a trans woman getting different gender-affirming operations, including breast implants. It showed the procedure, and (what I found so fascinating that it's stuck with me for decades), as soon as the doctor put the implant in, a censor blur popped up on the nipple.
And you just know there was a meeting between the TLC lawyers and the editors and producers of the show to discuss what the difference was between a "man nipple" (can be shown) and a "woman nipple" (no no must obscure, 'tis naughty). And they decided that as soon as the implant goes in and the nipple has more mass behind it, that's the moment when it becomes a woman's nipple and must be hidden to comply with TV rules.
But it's the same nipple. On the same person. I know what it looks like; I just saw it. But TV and obscenity rules are rules, and the rules say woman nipple = sexual and therefore explicit, but man nipple = neutral, just fine.
"Free the Nipple" was calling out arbitrary bullshit like that, because someone just existing with their body parts should not be considered obscene, and the double standard that men can be topless but women can't is so blatantly ridiculous. All nipples are just nipples. If you get turned on or bothered by them, that's on you.
the horrors persist but so do books, art, hot chocolate, winter nights, the moon, the sea, the stars, sunsets, literature, libraries, cats, flowers, stories, love and the wistful feeling you get when you finally return home