Tarkovskyâs Offret (1986).
#offret #sacrifice #Tarkovsky
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Tarkovskyâs Offret (1986).
#offret #sacrifice #Tarkovsky

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I am back.
Arvo Pärt.
What a wonderful summer day. Feel free to follow at instagram.com/voddenman
Jegeren kommer hjem by Adoph Tidemand (1814 â 1876). 1854. Oil on canvas. 45 Ă 34Â cm. Lilehammer Kunstmuseum (Norway). Oscar Johannessens collection.

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Friedrich Nietzsche from the series Der kranke Nietzsche by Hans Olde (June and August 1899). Original at Goethe- und Schiller-Archiv, Weimar.
Scan of a reprint in Benders/Oettermann (ed.): Friedrich Nietzsche - Chronik in Bildern und Texten, Hanser / dtv 2000, p. 806/7
Liv Ullmann in Bergmanâs Skammen (1968).
Dead Is Dead by Luke Hillestad (born in 1982). More info at www.lukehillestad.com.
PĂĄtria granĂticia (Serra do Larouco).
Bonus de Manuel Gago: https://www.youtube.com/watch?v=Ih5tMBI3YK0
ĎΏνĎÎą ĎĎĎξῠκι὜ Îżá˝Î´á˝˛Î˝ ÎźÎνξΚ.
Everything flows, nothing remains.
I learned to love my own fate from my parents. Then came Nietzsche and told me that this thing was called amor fati. The things you know are not forever, so enjoy your life as it is. Donât waste your time looking for âhappinessâ because it doesnât exist without tears. Good bye tumblr. Good bye you.

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Na minha terra sou quem sou; na terra alheia sou quem vou.
Rien Poortvliet makes me wanna be dutch. Geen grapje: even dutch sounds beautiful to me.
The Triumph of Death by Pieter Bruegel the Elder (1525 â 1569). Ca. 1562. Oil. 162 Ă 117Â cm. Museo del Prado, Madrid (Spain).
NĂŁo sou nada. Nunca serei nada. NĂŁo posso querer ser nada. Ă parte isso, tenho em mim todos os sonhos do mundo.
Taken from the poem TabacarĂa by Fernando Pessoa.
Only bâtarde is real.

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The Granary by Andrew Wyeth (1917 â 2009). 1961. Watercolour.