Kim Gordon, early 1980s on a NYC subway

Acrylic on canvas, 1967

conditions of love: the philosophy of intimacy

Egon Schiele

Second Cycle

Nan Goldin documented post-punk new-wave music scene, along with the city’s vibrant, post-Stonewall gay subculture of the late 1970s and early 1980s. She was drawn especially to the Bowery’s hard-drug subculture; these photographs, taken between 1979 and 1986, form her famous work The Ballad of Sexual Dependency — a title taken from a song in Bertolt Brecht‘s Threepenny Opera. These snapshot aesthetic images depict drug use, violent, aggressive couples and autobiographical moments. Most of her Ballad subjects were dead by the 1990s, lost either to drug overdose or AIDS; this tally included close friends and often-photographed subjects Greer Lankton and Cookie Mueller. In 2003, The New York Times nodded to the work’s impact, explaining Goldin had “forged a genre, with photography as influential as any in the last twenty years.”

Lush, Julien Palast

El teorema de Katherine

flowers die too.