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thereās an old fic iām gonna rewrite for nick + charlie, it just SCREAMS them, childhood best friends to lovers with angst sprinkled in but iāll make it great aaaaaaa
iāve deleted my last post about me struggling with writing and why. if you missed it, tldr: i wrote a fic for someone i admired, they never acknowledged and iāve been spiraling ever since.
iām actively trying to get myself out of the mindset that i donāt need to post everything i write, it doesnāt have to be perfect to be posted, and that i write FOR ME too, as well as others. but first and foremost, i write for me. with that said as well, iāve looked at all my old fics that iāve posted and decided to delete the one that made me spiral, and delete other fics that i just felt icky about. i orphaned almost everything else, except the magnus archives fics i wrote two years ago. the fox that made me spiral was a bts vminkook fic i wrote in 2020, couldnāt finish, and then it taunted me for a long time. itās gone now and i feel lighter.
i decided too i will not be writing real person fan fiction anymore. i wrote fics for exo from 15-18 and bts fics from 18-21. iām 23 now. itās a long time to be doing that, but ultimately i have bad memories associated with writing rpf, so i wonāt be doing it anymore. and i just donāt like rpf anymore?? in general lol.
iām trying to get back in the groove and i already have a few ideas on what iād like to write so if youāre interested, follow along :) iāll be writing for genshin impact, heartstopper, the magnus archives (tentative), and mo dao zu shi (tentative). i want to start focusing on original work as well. wish me luck
i donāt think i ever updated LMAO my dad actually enjoyed it and didnāt even comment on jonmartin and georgie/melanie, i think he just didnāt care which is weird bc he usually scoffs but he listens to it still sometimes so thatās better than i thought he would react
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what about sasaki and miyano gaming streamers auā¦ā¦lots of projecting here so ofc they primarily play genshin impact, a little valorant and miyano likes horror games and otome games, and sasaki will try anything but heās mostly known as a genshin streamer (he gives me big lore player vibes)
they would meet through hirano whoās a more lowkey gaming streamer, plays valorant and horror games with miyano, and genshin sometimes with sasaki if heās really bored. other than that he joins his friends calls on streams so everyone just kinda knows him. heād probably be on a call with miyano once, playing phasmophobia and ask if he could bring a friend on, and ofc itās sasaki. chaos ensues between the three of them and they play for hourssss. literally sasamiya hit it off so well (why wouldnāt they) and hirano almost feels like a third wheel.
āso do you play other games, mya-chan?ā sasaki would ask.
āof course i do. i like a lot of different types, but mostly genshin.ā
āoh same! we should co-op later.ā
from then on, thereās rarely a time where theyāre both streaming and not playing together, or at least in each otherās streams. miyano gets sasaki to try otome and bl games (and manga), and sasaki gets miyano to join his genshin lore streams, just talking about theories and how deep it goes (if you know you know). off stream, they def video call a lot, and they play casually together, and watch movies.
i could say so much more this is just stream of consciousness i need to make this
imagine my surprise when my homophobic, republican, capitalist dad says to me last night that heād give TMA a go.
how do i tell him no but at the same time i want him to get so invested that when it gets as queer as can be the farther he goes, he doesnāt have a choice but to keep listening and then get hit with capitalist criticism
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these days iām constantly thinking about how iām kinda late to get into a lot of things, like narrative horror podcasts and shows a lot of people watched as kids or teenagers. i was very limited to what i was allowed to consume as a child and my technology frequently monitored. yeah i was into anime and kpop but that was kind of it, everything else was so out of reach for me, because i was terrified of getting in trouble for liking something my parents wouldnāt approve of. and now iām here, 21, getting into things i definitely would have found comfort in as a teenager and i donāt know if i like it.
Reblog with your comfort TMA episode that "really shouldn't be your comfort episode, that should be unsettling and should be scaring you" but you just love it so much
Relationship: Jonathan Sims/Martin Blackwood
Tags: Post-Canon, Hurt/Comfort, Angst with a Happy Ending, Conversations and Arguing, Trauma, Relationship Issues, (they will be okay I promise. just not right now)
Work Summary:
Jon coughed again, and blood stained his lips and blood stained Martinās hands where they pressed against Jonās back and blood stained the floor beneath them and help, they needed help.
Martin doesnāt remember shouting. He barely remembers the faces that had surrounded them, wide-eyed and terrified, all utterly unfamiliar.
.
Jon and Martin wake up somewhere else. Jon begins a slow path toward physical recovery, and several important, long-put-off conversations are had as they begin to navigate a new world that they hadnāt thought theyād be alive to see.
Chapter Summary:
Regarding conflict, past hurts, and hopelessness
Read on Ao3 (link in source)
Chapter One | Chapter Two | Chapter Three | Chapter Four | Chapter Five | Chapter Six | Chapter Seven | Chapter Eight
Or read below:
(cw for arguments, hurtful language, harsh words, mentions of depression/suicide, relationship problems, mentions of chronic illness/dementia, mentions of parental emotional abuse, mentions of death and violence, mentions of apocalypse, mild possessive language, discussion of power imbalances)
.
When Martin still lived with his mother, before she decided to move into the care home, there were good days and there were bad days.
The good days werenāt good by any normal metric of the word. His mother was still sick, and her aches and pains and memory lapses never went away entirely. She still snapped at him if he turned the television up too loud or not loud enough, or if he put too much salt or too little on her eggs in the morning. She still never quite seemed like she wanted him around, but⦠that was okay, Martin told himself. He understood that she was tired, and sheād always been just as stubborn as he wasāmore so, even. He knew heād be upset too if he kept forgetting things or couldnāt hold a mug of tea steadily enough to drink from or needed help washing his own hair. It was only natural that she would be frustrated with him, even on the good days.
But on the good days, that was all it amounted to in the end: frustration. The memory lapses were infrequent or nonexistent, and his motherās hands trembled less than they usually did. She would even mutter a thank you under her breath if he was particularly helpful. On the good days, they would go outside in the short time between when Martin got home from work and when it grew too dark to venture out. His mother hated being seen by others, particularly once Martin started having to push her wheelchair after she lost the strength to do so herself, so they stuck to the quieter areas. Neither of them spoke to each other, but that⦠that was all right. At least she was spending time outside, and Martin could stretch his legs properly after sitting behind a desk all day.
Once they were home, Martin would make one of his motherās favorite mealsāthe chicken casserole she liked with the almonds, maybe lemon pepper salmon if they could afford it that week. The fact that she ate her meal without complaint was as close to a compliment as Martin ever got, and it felt⦠nice. She would turn in early, more exhausted than usual from the time spent outside, and he would have some time to himself to write. He can still look back on those poemsāthe ones from the good daysāwith a certain fondness.
The same cannot be said for those from the bad days. In the months leading up to his mother announcing, unexpectedly and painfully, that she intended to check herself into a care home in Devon, the bad days began to outnumber the good. And the bad days were bad. In every sense of the word.
Her memory was always the worst on the bad days. Martin knew, logically, that at some point, she would begin to forget who he was. It was common in dementia patients, the doctors saidāshe might confuse him for another relative or become convinced that she was living thirty years in the past. He was told not to get frustrated with her and not to correct her. That would only upset her, the doctors told him firmly. Martin understood that, so he made sure to avoid telling her when she was misremembering things. He bit his tongue every time she accused him of having forgotten to do something that heād done yesterday or every time she incorrectly claimed that theyād had the same meal twice in a row. It wasnāt worth it, he reminded himself. It would just upset her more.
He wondered, though, if it would have upset her less if heād corrected her when sheād looked at him and called him by his fatherās name. But maybe it wouldnāt have done a thing, even if he had managed to convince her that his name was Martin and that he was her son. After all, the memory of what she saw when she looked at himāon the bad days, on the good days, on every day in betweenāis burned into his mind like a brand. He doesnāt know if it would have made much of a difference at all to know that he wasnāt his father. Not when she already hated him.
Martin had grown accustomed to this systemāgood and bad days mixed together with no way to predict which was going to come next. He likes to think heād learned from it, if nothing else. How to adjust his behavior based on the manner of day. What to say and what to keep hidden. Which activities would be best and which should be avoided. He took the bad with the good and moved forward and took care of his mother to the best of his ability, because what else was he to do? It had to be done, so it would be. There was no other option.
Here, somewhere else, in the borrowed house they have made their temporary home, there are good days and there are bad days. Itās a situation Martin should be equipped to handle but isnāt, in part because Jon has good days and bad days and he has good days and bad days as well. Sometimes they align; sometimes they donāt. In a battle of good versus bad, the bad wins every time, hands down. Like an oil spill, polluting everything it touches.
Martin wakes an hour before he has to leave for work. He stares at the ceiling above him, feeling something heavy and sour settle in his chest, and knows that today is a bad day.
Maybe thatās why he brings it up. Because heās tired and cranky and having a bad day. Or maybe itās because heās always thinking about it in one way or another, like a song thatās been stuck in his head for the past eight weeks. Maybe heās just ready to be done with this. This⦠tension. He knowsāhe knowsāthat itās not always this bad. That it doesnāt always eat at him. But, if he were to keep track, he knows that the bad days would far outnumber the good. And he is so very tired.
Maybe itās none of those reasons. Whatever it is, he still finds himself sitting at the kitchen table across from Jon, looking up from his morning mug of tea, and saying, without any apparent preamble or origin, āWhy did you do it?ā
Jon looks up from his computer with a frown. āDo⦠what?ā
Martin grips his mug just a bit tighter. āK⦠kill Jonah. Go off on your own.ā
Jon blinks at him, clearly trying and failing to figure out where Martin is coming from with this. Given that Martin isnāt entirely sure himself, itās probably a futile effort. Jon closes his laptop and says, āI, er. I thought weād already talked about this. You⦠already know why.ā
Martin does. Jon has explained it to him, and if prompted, Martin could probably repeat back those words. He knows. But he⦠he still doesnāt understand why. Explanations and thought processes, they- they donāt make the aching chasm in Martinās chest go away. He thinks that even if Jon implanted the knowledge in his mindāemotions and rationale and allāhe still wouldnāt understand. Not really.
He doesnāt know that he ever will.
āI- I know,ā he says. āBut I still⦠I donāt understand, Jon. Iāve been thinking about itāt-trying to wrap my head around what you said, y-your reasoningāa-and I canāt come up with an answer that Iām happy with.ā
āIāve given you the answer.ā Jon is frowning now, a small crease forming between his eyebrows. The bags under his eyes are heavy. He⦠hasnāt been sleeping much lately, ever since his dreams took a turn for the worse. āItās not my fault you donāt like it.ā
āItās not about likeāā
āNo, I- I think it is.ā Jon picks at the edge of his placemat with a fingernail. āIāve told you my reasoning; you know why I made the decision that I did. If the facts are there and youāre still struggling, it comes down to the emotions. You donāt agree with my reasoning. You donāt like it.ā He sighs. āI⦠I canāt change your mind about that. I know. But itās been weeks, a-and weāre here now, so I donāt see how dwelling on whether or not I should have made the decision I did helps us in our current situation.ā
āBecause it affects us, Jon!ā Martin takes a breath and tries to calm himself. He feels⦠restless. Like the only way he can scratch the itch deep beneath his skin is by casting bitter words out of his mouth. Itās an overwhelming sensation. āIt affects us. Ever since we arrived here, weāve had this- this cloud hanging over our heads. Yeah, sometimes things are⦠good. Great. A-and Iām happy, a-a lot of the time. But I just⦠I can never stop thinking about how we got here. The last moments we spent in our world. And I-Iām sorry that I canāt let it rest, but itās⦠important to me that we figure this out? I- I donātā¦ā Martin hesitates. āI donāt know that I can really be happy here while Iām still bothered by the things that happened in the past.ā
āI⦠suppose youāre right.ā Jon worries his bottom lip between his teeth. āBut I- I really donāt know what else you want me to tell you, Martin. I canāt give you anything other than my own thoughts on the situation, and you⦠you already know those. If this is just another way to tell me again that you didnāt agree with me⦠Iām sorry, but I donāt want to hear it.ā
āThatās not what this is.ā
āThen what is it?ā Jon studies Martinās face. āI canāt change whatās happened. I canāt change your mind on the matter. I donāt know what you want from me, Martin.ā
āIāugh, I donāt know!ā Martin takes a few deep, calming breaths. āI⦠I think I just want it all to make sense.ā
I want it to stop hurting, he should say. He doesnāt know why he doesnāt. Maybe because he knows thereās nothing to be done about that. And isnāt that a terrifying thoughtāthat thereās nothing to be done at all? That thereās no way to change?
Martin tries not to think about it.
āI⦠donāt know how to help with that.ā Jon sighs. āIt- it makes sense to me, which I know is⦠unhelpful. But true. I⦠do still stand by my decision.ā
Martin knows that. He knows that Jon hasnāt changed his mind. So why is he still frustrated at hearing it?
The decision to leave me, you mean? he doesnāt say. Thatās⦠well, itās a little bit petty, honestly, and maybe childish as well.
But thatās the core of it, isnāt it? The fact that Jon laid down next to him in the tunnels and let him think that everything would be fine and then snuck off by himself. The fact that Jon told him that, if given options, he would choose the one where they both lived. The fact that Jon broke his promise.
āYou just⦠you promised me you wouldnāt,ā Martin finds himself saying in a small voice that sounds uncomfortably close to whining. He wants to take the words back as soon as they leave his mouth, even more so when Jonās expression shutters.
āYou⦠keep saying that,ā Jon says slowly. āThat Iāve ābroken my promise.ā But as far as I recall, my promise was that I wouldnāt sacrifice myself at the first opportunity. And in my mind, thatās⦠thatās not what happened. I- I didnāt go to the Panopticon with the intent to die, Martin.ā Quieter: āAnd you promised that you wouldnāt try to stop me.ā
āI promised to let you go if you had to. And you didnāt! We had a plan, and it would have worked. Regardless of why you did it, it- it wasnāt necessary! So donāt try to imply that I went back on my word, b-because I didnāt. I didnāt.ā
Jon takes a breath. āSo then, the way I see it, we⦠we both kept our promises.ā
Technically, Martin knows, Jon is right. Frustratingly so, but right all the same. Still, something about it doesnāt sit well with Martin. Probably because it doesnāt feel like a resolution to say, well, we each kept our promise and we each understand why the other wanted to do what they did, so we might as well just stop discussing it. Itāll just keep bothering him, and itāll keep coming up again and again and again.
No, this⦠this needs to end now.
āMaybe,ā Martin says. āBut thatās⦠thatās still not good enough.ā
āWell, Iām sorry that thereās not an easy resolution to this!ā Jon sets his mug down a bit harder than strictly necessary. The sound nearly makes Martin flinch. āNot everything can be figured out or brushed away or- or fixed! Some things just⦠are.ā
āI know that, Jon. Christ, you- you think I donāt know that? I know itās complicated; I know itās hard. Thatās why Iām asking you about itāso we can figure it out!ā Martin scowls down at the table and mutters under his breath, āBut I suppose I shouldnāt be surprised.ā
Martin doesnāt necessarily mean for it to be heard, but Jon, predictably, catches it anyway. The frown on his face deepens, and he says flatly, āWhat?ā
āI said, I shouldnāt be surprised. Youāre not the most⦠emotionally available person. I- I thought it was getting betterāth-that we were getting better, a-at talkingābut⦠evidently not.ā
Jon raises an eyebrow. āIām not emotionally available?ā
āWhat is that supposed to mean?ā
āItās justā¦ā Jon drums his fingers on the table in an urgent, agitated rhythm. āI- I feel like sometimes, there are things you donāt tell me. A-about how youāre feeling, o-or things youāre thinking about. And I- I donāt⦠I donāt know how Iām supposed to help if you wonāt tell me whatās wrong.ā
Martin doesnāt know if heās irritated because Jonās wrong or because heās right. That irritation bleeds into his voice, turning it as sharp as knives. āSorry, j-just let me be clearer then. Iām angry. A-and frustrated, and tired, and anxious, a-and hurt. It hurt me when you lied to me and left me and put me in a position where I had to kill you. And you donāt get to pretend that it didnāt, e-even if you think you made the correct decision.ā
Jonās eyes are wide, like he hadnāt expected Martin to say so much all at once. āI- I wasnāt going to,ā he says faintly. Thereās a pause, like heās taking the time to process Martinās words in full. āIām sorry, Martin,ā he says finally. āI- I donāt know what to do besides apologize. I donāt know what you want from me.ā
āIāā Martin breaks off, surprised to find that the words arenāt there. Slowly, he deflates. āI⦠I donāt know. Youāre right; whatās done is done, and we canāt change any of it. This is just⦠how things are now. No way to change it; no way to go back. Just⦠this.ā
But what if this isnāt good enough?
āRight,ā Jon says decisively. āSo the best thing we can do i-is just move forward. Put it behind us. N-not dwell on it.ā
āYouāre not getting it, Jon.ā Martin rubs a tired hand over his eyes. How is he supposed to go to work after this? āI canāt put this behind me. I- I canāt just stop being hurt by this.ā Then, maybe a bit spitefully because heās weary and frustrated: āMaybe you can, but⦠I canāt.ā
āYou think this is easy for me?ā Jon says, eyebrows raised in disbelief. āYou donāt know what itās like to see, e-every time you close your eyes, the results of your mistakes. To be tortured by them. I am choosing to deal only with the things that are happening here, in this reality, b-because thinking about what happened beforeāagonizing over the decisions I made and the things that brought us hereāhas never helped me in the past.ā Quieter: āItās⦠itās the only way I can handle the guilt, Martin. I canāt think about how things could have gone differently. I just⦠canāt.ā
āIām sorry,ā Martin says, and he means it. āI- I get it. But I canāt stop thinking about how things could have been different. And I justāI keep coming back to what happened.ā Martin hesitates. He feels very constricted, like his skin is on too tightly. He wishes he could wriggle out of it, then feels promptly nauseous at that mental image and the unfortunate connotations of that line of thought. āI just⦠I- I thought, after we first saw Jonahāwh-what heād becomeāthat weād decided that you taking his place was out of the question.ā
Jon stares at him for a long moment. Then, he says flatly, āBecause you āforbade itā?ā
āNo.ā Martin actually tries not to think about that particular part of their argument. Itās⦠not his proudest moment. āBecause you told me, the night before you⦠you left, that you were sorry.ā
In hindsight, Martin realizes that Jon had probably only brought up their argument because he thought it would be his last chance to do so. It was lateāor at least, it felt lateāand Martin wasnāt really in the mood to talk about it. He was too nervous, too occupied with what they were about to do. He just wanted to wrap his arms around Jon and talk about nothing at all and take comfort in the knowledge that soon, it would all be over.
But they talked about it anyway, if only briefly. Jon began by apologizing, quickly following up his sorry with the assertion that heād wanted to do so sooner but Martin had already been gone. (He said the word gone the same way one would deliver bad news, as if expecting to be yelled at or punished in some way.) He said that he shouldnāt have shouted and that Martin was rightātaking Jonahās place in that moment wasnāt something that would have made a difference. The conversation was short and not nearly enough. But once Jon had the apology off his chest, he didnāt seem interested in discussing the matter further, and Martin wasnāt either. Maybe⦠maybe he should have done so anyway.
Thinking back on the conversation now, Martin realizes that Jon never actually said that heād stopped considering taking Jonahās place as a viable option. His wording had been very careful, and he hadnāt lied. Somehow, that almost makes it feel worse.
āOh.ā Jon looks down at his hands. āI⦠Iām sorry Martin, but that wasnāt⦠that wasnāt what I meant. I just⦠I- I felt awful still, for yelling, and I- I didnāt want to leave that lingering between us.ā
āBecause you already knew you were going to go.ā Martin swallows. āYou knew how I felt about itāweād already talked about that exact scenarioāa-and you did it anyway!ā
āIt wasnāt your decision to make!ā Jon snaps. āIām sorry it hurt you and Iām sorry you feel that I abandoned you, but it was bigger than us. I- I had to make a choice, a-and you already know why I made the one I did.ā Jon hesitates. āItās⦠not as if you didnāt do the same.ā
āWhat.ā
Jon takes a breath. āA-Annabelle. When⦠when you went with Annabelle. You made a choice that you thought was best a-and left without telling me, putting yourself in a potentially dangerous situation. And it⦠hurt, when I found out that youād gone willingly. So, yes. I made a choice, and it hurt you. But please, just⦠donāt pretend like you didnāt do the same.ā
āThose two situations were not the same. My decision didnāt involve killing an entire world! Actually, my decision helped save an entire world, i-if weāre really getting down to the details.ā
āBut thatās not what this is about, is it.ā Jon looks at him, his eyes sharp and ringed with dark, sleepless circles. āThis whole conversation, the- the fact that weāre getting nowhere. Just⦠rehashing the same things, over and over again. Itās because itās not about my decision at allānot really. Itās about us. This is about how what I did affected you. Not once before now have you mentioned the rest of the world, o-or even Georgie or Melanie or Basira. Even back then, when you found me in the Panopticon, i-it was all about you and me. How I could have done this. How I could have broken my promise to you. How I had left you, and what I⦠I asked you to do when I gave you the knife. It was never about the decision itselfāit was about the fact that I made it in the first place.ā
āItāthatās notāā Martin exhales heavily in frustration. āFine. Maybe th-thatās part of it.ā A big part, he doesnāt say. āBut i-itās more complicated than that!ā
āI really donāt think it is. My decision hurt you because I made it without you, and I chose to leave you, and you felt like you couldnāt trust me anymore. And⦠I felt the same when you left with Annabelle. That, a-and more.ā
āI left because I didnāt have another choice. I thought she was going to kill you Jon, and- and besides, w-we needed another way to fix things!ā
Quietly, Jon says, āThereās always another choice. There was with Annabelle, and there was with Jonah. We just donāt always like what it is.ā
āTaking Jonahās place was never a choice. At- at least it shouldnāt have been.ā
āWell, it was. You canāt wish something out of existence just because you donāt like it.ā
āThat is not what Iām doing.ā
āIsnāt it?ā Jon takes a deep breath and lets it out slowly. āIt was an⦠impossible decision, Martin. There were no good choices. I- I am sorry that I hurt you when I left, and I⦠I recognize that I made the choice to do so. I just⦠want you to understand that I felt similarly when you left with Annabelle. R-regardless of your intent.ā
Martin softens, just a bit, at the vulnerable, pained expression on Jonās face. āI⦠understand. I am sorry for worrying you.ā He hesitates. āBut⦠I couldnāt just do nothing. Y-you get that, right? Doing nothing would have been⦠objectively worse in that specific scenario. I had the chance t-to find another way, andāI took it! And you know what? If given the opportunity, Iād probably do it again. Because weāre here, and weāre alive, and our world is⦠well, I- I suppose thereās no proof that itās better now, but I have to assume that it is. This is the best possible outcome.ā
āFor us, maybe.ā Jon gestures toward the door. āBut not for them. They will suffer because of the choices we made.ā
āAnd weāll not have committed mass murder.ā
Jon pinches the bridge of his nose. āCan we not have this moral debate again?ā
Martin bites back a retort about how it shouldnāt be a debate at all and says instead, clipped: āFine.ā
āFine,ā Jon echoes.
They sit in silence for a long moment. Thereās a clock on the wall in the kitchenāan old analog thing, with little golden designs etched into its marbled faceāthat ticks rhythmically. Martin glances at it, almost absently, and realizes with a start that itās five minutes after when he typically leaves for work.
He stands, maybe a bit too quickly, and says, āI have to go, or Iāll be late for work.ā He turns away, about to hastily collect his things, before pausing for just a moment more. āYouāll⦠be okay?ā he says quietly. āI-if I go?ā
He half expects Jon to say something snippy about how heās not a child and can take care of himself. Instead, after a long few seconds, Jon says with surprising softness, āIāll be all right.ā Then, tentatively and a bit awkwardly: āYouāll⦠youāll come back?ā
The words shouldnāt hurt as much as they doālike razor-sharp needles in his chest. āOf course,ā he says, trying not to sound as affected as he is. āI- Iāll see you later.ā
He collects his things and goes. He can feel Jonās gaze lingering on him until itās severed by the front door as it shuts between them. Martin takes a deep breath to steady himself and then walks away, leaving his emotions further behind with every step.
Itās better that way. Theyāll⦠still be there when he gets back.
Heās always been good at compartmentalizing.
.
.
.
Itās not until after dinner that night that Jon brings up their morning discussion. He does so tentatively, as if handling a bomb or a rattlesnake. Something that will cause him serious harm if he fumbles it. Given that his first words are, āI- Iāve been thinking,ā heās probably right to be cautious. In Martinās experience, rarely does anything good come from those words.
Jon seems to expect Martin to respond in some way, so Martin sets his book down on the couch next to him without bothering to mark his page and says, āOkay?ā
āItās⦠about the conversation we had. A-after we saw Jonah for the first time.ā Jon fiddles with the yarn on his lap. Heās been learning how to crochet, and though Martin canāt quite tell what the amorphous blob of yarn on his lap is supposed to be, itās⦠nice to see him picking up a hobby. āI- Iāve been thinking about it for⦠some time, actually, but i-it was never quite the right time to bring it up? But I think, with our previous conversation, it⦠might be beneficial if I do so.ā He hesitates. āYouāll⦠youāll tell me if you need me to stop?ā
Martin nods, more so to be reassuring than to actually indicate his agreement. Being away from the house and doing mindless filing work at the historical archives had helped to clear his mind, but only slightly. As much as heād tried to avoid it, he also couldnāt help thinking about their conversation as heād shelved boxes and organized files. As such, he⦠doesnāt know if heās going to ask Jon to stop. His need for closure is still strong, and his fear that heās never going to get it has grown with every passing moment. If thereās a chance that Jon can prove him wrong⦠he has to take it.
Jon exhales slowly. āAll right.ā He tangles his fingers in the loose yarn, tugging it out of shape. He hesitates, then speaks quickly, as if trying not to lose his nerve. āDuring that⦠conversation, y-you said that when I looked at Jonah, I⦠I was envious. You⦠used it as proof that I- I must have secretly wanted t-to hurt people. That I enjoyed smiting other avatars. That I- I āgot a kickā out of making people scream.ā
Right. Theyāre⦠jumping right back into it, then. Martin distantly remembers saying those things, like reflecting back on a dream. Somehow, when Jon phrases it like this, it makes it sound like he was accusing Jon of being a monster. And that tastes so incredibly bitter on his tongue. āI⦠remember,ā he says, for lack of anything better to say.
Jon nods, looking down at his lap. āWell, it⦠it wasnāt envy.ā He takes a deep breath and lets it out slowly. āYou- you were right; it wasnāt anger or fear either. It wasā¦ā Jon pauses, face pinching as if trying to figure out a way to put words to a concept that resists the very notion of human language. āPart of me wants to call it hunger? Imagine, you- you walk into a room and in front of you i-is a table of all the food you could ever eat. And suddenly, youāre just⦠aware that youāre so hungry, more than youāve ever been before. Thatās⦠the best way I can describe what it was like to walk into that room, look at Jonah, a-and feel all of that fear.ā Jon seems to shrink in on himself a bit. āIt was never about the suffering, Martin. It was just⦠who I was. O-or what I was. The position I held in that world. But the decision I made, t-to take Jonahās place, it was⦠it was always in an effort to help. Not t-to take power. It was never about that.ā
āIā¦ā Martin deliberates over his words for a moment, trying to collect his thoughts into something cohesive. āI- I donāt know if you can divorce the situation from the fact that thereās power involved. You and I, we- we both know what itās like to not have any control over what happens to us. T-to the people we care about. So to finally have the means to help, to- to do something about it⦠I get it. But i-itās not that simple.ā
Jon worries his bottom lip between his teeth. āI⦠suppose. B-but I do think that my motivations make a difference in this situation. And I- I thought that clarifying how I felt in that moment might help you to understand that I didnāt make the decision I did for selfish reasons, o-or because I wanted that power. That, a-at least for me, it was solely about the worlds a-and containing the Fears, not⦠not any alternate personal desires.ā Jon hesitates. āI⦠also wanted to mention it because it⦠has bothered me. That y-you thought I enjoyed the- the position I found myself in in that world. P-part of me has always assumed that- that you didnāt really mean it, that it was just⦠words said in anger in the moment. But part of me h-has always wondered if you⦠you really meant it.ā Quieter: āIf you really saw me that way.ā
āI⦠donāt know,ā Martin says honestly. āI-it was complicated, Jon. I donātā¦ā He trails off, fiddling with a loose thread on his trousers. āI donāt think you really understand what it was like for me? T-to be traveling through an apocalyptic wasteland with you, the⦠the Archivist. I know that you didnāt⦠choose to be in that position of power, a-and I know that you didnāt want people to be suffering. Itās⦠not about that. Itās- itās just⦠I- I feltā¦ā
Something must show on Jonās face, because his voice is soft and concerned when he says, āMartin?ā
āI felt powerless,ā Martin manages, voice choked suddenly. There was so much out of my control, he almost says. I felt like I needed to be louder, more assertive, just to put us on equal footing, he almost says. I felt like an afterthought, just a reason to keep you human, he almost says. But he canāt. He leaves the word powerless hanging there in the air, and he doesnāt elaborate. He doesnāt think he can make his lips form the words.
āIām sorry,ā Jon says after a moment. āI⦠can see how you would feel that way, given the situation. But you- you know I never⦠you know that I never thought that I- I was more or better than you, right?ā Jonās hand twists in the yarn. āWe were equals, in my mind.ā
Martin purses his lips and nods. Knowing and feeling are two very different things, though. He knows, logically, rationally, that Jon would never have thought of him in that way. But he still canāt help but worry that he did. Canāt help but feel all the negative, awful, swirling emotions that come along with it.
āIs⦠is that why the smiting was such a big deal for you?ā
No. Yes. I donāt know. Martin shrugs. Then, even though heās aware that he sounds a bit pathetic, he says, āDid you⦠did you really hate it that much? The- the smiting?ā
When Martin chances a look at Jonās face, he sees Jonās lips pursed into a thin line. āItās⦠complicated. It felt⦠good, at times. G-getting revenge, hurting people who had hurt me a-and others. But it also felt⦠bad. I- I would use the Eye to destroy them, and then I would feel this wave of⦠guilt? N-not for the smiting itself necessarily, though⦠I suppose that was part of it.ā Jon pauses. āI⦠think it made me feel inhuman. M-more than I already did, that is.ā
Oh.
āIām⦠sorry,ā Martin says quietly. He thinks about it thenāreally thinks about itāand finds that heās earnest when he says, āI- I didnāt mean⦠what I said, w-when we were arguing back then. I was justā¦ā
āAngry,ā Jon supplies. āI⦠understand.ā He hesitates. Then, stiffly, like heās not quite comfortable doing so yet: āI understand, but I⦠am still upset.ā
āI know.ā
āA-and I still donāt agree with your sentiments.ā
Shorter: āI know.ā
āAndā¦ā Jon hesitates, long enough that Martin is on the cusp of asking him to just spit it out. Then, he says, āAnd o-one of those sentiments is the⦠Oliver situation. While weāre, um. On the topic of the smiting.ā
Didnāt we already talk about this? Martin wants to say. But that appears to be the theme of todayātalking about things that have already been talked about, beating the dead horse until itās broken beyond recognitionāso instead, he says, āOkay?ā
āI- I know that Iāve already brought this up,ā Jon says hastily, like he feels the need to justify himself, āb-but I- I think I should clarify my feelings on the matter. N-namely the fact that itās⦠something that the more Iāve thought about, the less I see the levity in.ā
āOkay,ā Martin says again, for want of anything better.
Jon takes a breath. āThere is⦠a sufficient amount of blame that should be placed on me, f-for not alerting you sooner to the fact that I was not⦠always comfortable with our brief endeavor into serial revenge killings. But I also think that it is fair for me to say that I always feltā¦ā Jon hems and haws for a moment before saying quietly, āI always felt as if it was you who enjoyed it more than me. And⦠Oliver was one such instance in support of this.ā
That⦠is not how Martin remembers things happening. āI-in my defense, I thought you were enjoying it as well! I wouldnāt have asked if I knew you hated it.ā
āWouldnāt you have?ā Jon says it so softly, like heās admitting a dark truth. It just feels vaguely patronizing. āI said that I didnāt want to kill Oliver. You pushed. Because you were jealous.ā
Maybe Martin is more tired now than he was this morning. Maybe itās been a long day. Maybe itās been a long few years. Whatever the reason, sharp, bitter frustration is beginning to bubble up within him once again. Maybe it never left. He doesnāt really know. āBecause I thought that was what we were doing!ā he says, more sharply than he intends. āKilling avatars, making the world⦠well, better might be a strong word, but you knowāa semblance of! And I thought you had agreed to it!ā
āI had! But Oliverās situation⦠it was different.ā
āI didnāt think it was.ā
āWell, it was different to me,ā Jon bites out. āI get that you- you were jealous of him a-and that you donāt exactly think⦠highly of yourselfāā
Martin canāt believe what heās hearing. āOh, no, hold on. Thatās not fair. You do not get to bring that into this.ā
Jon looks at him skeptically. āI donāt see why not, given that the two topics are related. Itās important to address that your motivations behind wanting Oliver dead were not entirely related to his actions and were likely rooted in your jealousy and low self-esteem. Given your history ofā"
No, nope, this conversation is not happening right now. āShut up. Shut up! You do not get toāā
Jon raises an eyebrow. āIām just following the natural line of conversation.ā
Condescending bastard. Well, fine. If thatās how things are going to be. Martin can play this game too. āOh? Then why donāt we talk about your belief that your decision is always the right one? How about the fact that you throw yourself into danger because you think your own life is worth less than- than a statement or a-a bit of knowledge? What about your history, Jon? Because Iām not the only one who has issues. But at least I acknowledge mine.ā
āDo you? Do you really? Because you never talked to me about what happened in that Lonely house you were trapped in. You hardly said anything about your domain. Hell, we never really even talked about what happened recently w-with the fact that you were exhaling fog.ā
āI said plenty about that.ā
āOnly that it happened and that you werenāt in danger of it happening again. You didnāt say anything about how you felt about it. W-whether it bothered you or not.ā
āWell, forgive me for not wanting to talk about the thing that Iāve been trying really fucking hard to leave behind.ā
āI thought talking would help!ā
āWell. It wouldnāt have.ā
Martin glowers at the floor. The carpet probably doesnāt deserve the full force of his ire, but itās that or glare at Jon, and this feels⦠safer. Easier.
Then, Jon says out of nowhere, āDid you go with Annabelle because you donāt value your own life?ā and, well. Martin finds himself turning the full force of his scowl on the man in front of him.
āReally? Really, Jon?ā
āI-itās a legitimate questionāā
āNo, itās an asshole question. Itās the kind of question I mightāmightāexpect my therapist to ask, but you arenāt my therapist, a-and I donāt want you to be! So donāt try to ask pointed questions a-about whether or not Iām suicidal.ā
āIāā
āNo, you know what? Fuck this.ā Martin stands, so quickly he almost knocks his book off the couch. āIām not going to sit here and getāpsychoanalyzed by you right now.ā
āI am trying toāā
āDonātsay that youāre trying to help.ā
Jonās mouth snaps shut with an almost-audible click. āFine,ā he says, his voice like acid. āI wonāt try to help. Because god forbid I care.ā
Martin laughs, too loudly. āThis isnāt caring. This isnāt helping! This is asking fucking invasive questions that arenāt wanted or appropriate!ā
āYouāre the one whoās been implying this whole time that I went off by myself to kill Jonah and take his place as a-a convoluted way to martyr myself! I really donāt see how this is any different.ā
āIt justāit just is!ā
āHow?ā Jon laughs sharply. āPlease, explain it to me. Iām all ears.ā
āBecause Iāve explained why I went with Annabelle, and it was not because I- I wanted to sacrifice myself! Fuckās sake, Jon.ā
āAnd Iāve explained why I left to kill Jonah. I have explained this so many times, MartināI donāt know whatās so hard to understand!ā
āRight,ā Martin says with a bitter laugh. āBecause it was about saving all the other worlds. It wasnāt about us.ā
āExactly!ā Jon makes a wild, frustrated gesture. āMartin, we have had this conversation over and over again. I donāt know what you want me to say.ā
āI want you to say something that makes sense!ā
āWell, this makes sense to me!ā Jon scrubs a hand across his face. āChrist, weāre⦠weāre talking in circles. Weāre not getting anywhere new, justārehashing the same old arguments.ā
Martin thinks, suddenly, of their conversation a few weeks ago. Of his conviction, lying on the couch that night and staring at the ceiling, that⦠that this was going to be it. That nothing would get any better and nothing would get any worse and that they would just be stuck in this awful limbo forever.
Martin feels that same fear now. That no matter how hard they try, no matter what he does, nothing is going to change. That theyāll never be rid of this conflict, this constant argument, this tension that never seems to fade or falter.
Maybe it will be this, always. And that thought sends an icy wave of awful numbness washing over him, replacing all of the anger and hurt and pain with⦠nothing at all.
āYouāre⦠youāre right,ā Martin says faintly. āWeāre not getting anywhere new. Itās been months, and- and weāre still here. Nothing has changed.ā He takes a small step back. The new distance between them feels like a chasm. āMaybe nothing ever will. Maybe⦠weāre only ever going to argue.ā
āYouā¦ā Jonās voice drops to a near-whisper. āYou donāt mean that.ā
Martin laughs humorlessly. āI really do. And I⦠I canāt, Jon. I canāt do this forever.ā
He takes another step back, seized with the sudden and overwhelming desire to just⦠not. To not be here; to not be with someone else. (To not be with Jon.) The front door is there, inviting and close, but he ignores it. He⦠heās not going to do that to Jon. No matter how angry he is. So instead, he turns and walks toward the bedroom.
āMartin,ā Jon says, insistently and a little bit desperately. āJust⦠talk to me.ā
Martin swallows sharply. He doesnāt look back as he says quietly, āThatās not going to help.ā
āNo,ā Jon says, his words so faint theyāre almost covered by the sound of Martin opening the bedroom door. āI suppose itās not.ā
Then, the door is closed between them, and Martin ignores the way it feels like an ending.
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just started the penumbra podcast itās interesting iām very intrigued. smth about junoās voice gets me, like how jonathan sims and elias bouchard did in tma oop š³
love to see people be like ājonmartin is the least romantic romance iāve ever heardā bc thatās so incredibly untrue and i donāt know how you think that after listening to tma in its entirety.