“Shane, how does it feel to be back on Montreal ice?”
★
Cosmic Funnies
The Bowery Presents

shark vs the universe
Cosimo Galluzzi

Andulka

ellievsbear

❣ Chile in a Photography ❣
Color Me Curious
untitled

Not today Justin
🩵 avery cochrane 🩵
hello vonnie
Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON

oozey mess

Discoholic 🪩
seen from Bulgaria

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@vmcgmidlifecrisis
“Shane, how does it feel to be back on Montreal ice?”

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“What’s that for?” Shane says.
“To celebrate.”
“Celebrate what?”
“It’s our honeymoon.”
— Closer to where you are by @scacao-blog
They said Cass Elliot died choking on a ham sandwich. That lie spread around the world, and the truth couldn’t catch up for decades.
On July 29, 1974, in London, Cass Elliot—"Mama Cass" to millions—was found dead in a borrowed flat. She was only 32 years old. She had just finished two weeks of sold-out shows at the London Palladium, a career milestone most singers only dream of. A friend found her in bed, looking peaceful. A half-eaten sandwich sat on a nearby nightstand.
By the next morning, the rumor was everywhere. But it wasn't true. The coroner confirmed the cause immediately: heart failure. There was no choking and no food involved. The sandwich was irrelevant, but the story was too "perfect" for a cruel world to let go. It became a punchline that a woman of her size wasn't allowed to escape, even in death. For forty years, late-night comedians made jokes and newspapers repeated the myth without checking. It became "common knowledge" because, apparently, if you are a woman who doesn't fit the mold, the world will find a way to make you the joke.
Before the lie and the tragedy, Ellen Naomi Cohen was a force of nature. Born in Baltimore, she was smart, magnetic, and gifted. By the 1960s, she was the anchor of The Mamas & The Papas. Think of "California Dreamin'." That warm, iconic harmony wraps around you like summer, but Cass’s voice is what holds it together. It was rich, pure, and unmistakable. Musicians knew that when Cass sang, you stopped to listen.
Yet, the industry didn’t know how to handle her. She was brilliant, but she wasn't thin. Executives told her to lose weight to be a star; TV producers worried her appearance would be a "distraction." While male rock stars could be disheveled or overweight and be called "authentic," Cass was constantly scrutinized. She faced fat jokes on talk shows and was expected to laugh along.
Cass did what many women feel forced to do: she tried to "fix" herself. She endured years of crash diets and extreme weight loss cycles. She would lose 50 pounds, then gain it back, caught in a loop because the industry’s hunger for thinness was bottomless. Offstage, she was a dedicated single mother to her daughter, Owen, and a famously generous friend. She was "Mama Cass" because she took care of everyone. But the world still wouldn't let her be great without an asterisk. Even at the height of her solo success with "Dream a Little Dream of Me," reviews prioritized her dress size over her talent.
When her heart finally stopped at 32, the autopsy revealed heart muscle damage (myocardial degeneration). This is often linked to the physical strain of extreme yo-yo dieting and malnutrition—the very "solutions" the world demanded of her. The industry that told her she needed to change is likely what killed her. And when she died, the world turned that tragedy into a joke about a sandwich.
Her daughter, Owen, now 57, has spent her life defending her mother’s memory. She once noted that perhaps if the world had just let her mother be, her heart wouldn't have been under such impossible strain. We are still doing this today—reducing women to their measurements and making thinness a prerequisite for respect. But Cass Elliot’s voice is still here. It’s in the coffee shops, the movies, and the airwaves.
The lie lasted 40 years, but her talent is permanent. Cass Elliot didn’t die because of a sandwich; she died because her heart gave out under the weight of a world that refused to make room for her. Next time you hear her sing, listen to the power in that voice. It’s louder than any lie.
USERNAME LORE GIVE IT TO ME NOW YOU ALL

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do you think the other sensate clusters get annoyed about the sense8 sensates’ birthday? like ohhhhh look at me i’m in a cluster with a bunch of total fucking hotties and oh by the way our birthday is 8/8 which makes us the sensatiest sensates out there fuck youuuuuu
this is definitely not a link to a google drive with the first season of The Other Bennet Sister
it would be absolutely terrible if people were made aware of this and would share it
@userphotoshop event 2 | pride
Sense8 June 5, 2015 – June 8, 2018
“Difference is something to fear. Difference is something to laugh at. Difference, most importantly, is something that divides. So when I pitched Sense8 to Netflix, I told them that I wanted to tell a different story about difference. I wanted to tell a story in which difference was not something that set us apart from each other. It was actually fundamentally the thing that united us because difference is the one thing that we all have in common.” - Lana Wachowski
I'd like to buy some human artist-made templates for things like fliers/posters for an event. I used to get stuff like this on etsy and it would be available digitally and they'd give you a link to canva or another site where you could customize it. Now I'm looking at the templates and they all seem to be AI.
Do any of you sell this sort of thing or know where to look?

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long distance selfies
early access + nsfw on patreon
I maintain that the best summation of my feminist beliefs are that men and women are not fundamentally different. There are a few quantifiable differences if you average out every woman and every man, but they are not qualitative. And most of them are socially constructed, and would be fixed if we started treating men and women the same. Neither is inherently smarter, neither is inherently kinder, neither is inherently more stoic or stronger or angrier or softer. Everyone is obsessed with the differences between women and men, with finding them and creating them and distancing themselves from the "other half". It's fucked up
a little carter VAUGHN 💜 for @hollanovulation
by Laerte Coutinho
btw this is laerte. She is 73 now! Making art and being happy! It's never too late to transition
She's now 75 (as at 12th July 2026),
If you want to see more of her work try:
https://www.instagram.com/laerteminotaura/
First-name basis, 2026 Hope you enjoy 🫵🫶
You can use my art as icons, just let me know if you do✨
by @hellovelociraptor

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"Between Us Two", Shane Hollander & Ilya Rozanov [Hudson Williams & Connor Storrie] from Heated Rivalry | 1.06 The Cottage
Aug 2026
Original image sourced from google search, textures from stock image databases, overlines drawn mostly by hand. I wanted something soft, knowing how much more they're going to go through the ringer in the upcoming season 2.
Please do not repost my work to other sites without permission
thought i couldn't love nicola any more than i already do and yet