Andrés Domenech Alcaide

La historia no siempre necesita de obras de gran tamaño para imponerse.

En el Palacio de los Condes de Gabia, las miniaturas militares convierten la guerra, la táctica y la memoria en algo casi íntimo: pequeñas escenas donde cada uniforme, cada formación y cada gesto ha sido reconstruido con una precisión casi silenciosa.

Las Ermitas de Córdoba.

Un lugar donde naturaleza, arte y espiritualidad conviven desde hace siglos. Este breve recorrido muestra parte del acceso al complejo, las antiguas celdas de los eremitas y algunos detalles de la capilla, incluyendo vidrieras, esculturas y pinturas al óleo.

Reference study → digital painting start.

Night Elf character (my own Night Elf druid from the original WoW) blocked in Procreate using both a physical figure and in-game reference. First paint pass focusing on hair structure and base color blocking.

Yesterday I had the chance to take part as a speaker in the 1st Conference on Artificial Intelligence Applied to Design, held at the Digital Business Hub of the Granada Chamber of Commerce.

It was a genuinely interesting afternoon, covering AI from different angles: its role in business, creative workflows, and (on my side) its impact on contemporary art.

What I enjoyed the most is that the event didn’t feel like pure “AI hype”, but rather a space to talk about the real things: tools, limitations, risks… and also the possibilities and the problems that come with AI. Because AI is already here, and the conversation is no longer about whether we like it or not, but about how we choose to use it (or not).

In the photo: me (left), Alejandro Prats, Álvaro Fernández and Teresa Cañas. (Claudia Fuentes had to leave earlier, so she couldn’t join the picture.)

Granada is clearly pushing forward in this field, and events like this prove it.

2B (NieR:Automata) - digital oil painting WIP (Procreate / iPad)

A short work-in-progress clip from my NieR-inspired illustration. Here I’m painting the white blouse, focusing on folds, shadows and volume using a digital oil approach. The scene is set in the flower field at night, with 2B resting and her eyes uncovered (no blindfold).

Bloodborne Doll Hair Painting WIP (Procreate / iPad)

A short work-in-progress clip from my Bloodborne-inspired painting. Here I’m painting the Doll’s hair, moving from the flat base color into the first layers of volume, texture and light. Done in Procreate on iPad.

FICZONE 2026 FANART TRIBUTE 🔥

Popuko & Pipimi from Pop Team Epic, drawn like an 80s action manga duo: back to back, weapons ready, full “final boss” energy.

This was a gift for Bkub Okawa. I couldn’t give it to him during the interview because he got sick, but the FicZone staff made sure it reached him anyway 🙌

Absurd comedy meets chaos meets pure style. Long live Pop Team Epic.

One Piece fanart time 💙✨ I drew a caricature of Kazuki Yao (Franky’s original voice actor) with Franky behind him, smiling in a 3/4 pose with his sunglasses 😎💥

First pic: messy desk + pencils + my One Piece pencil case (which have travelled with me to places such as Serbia). Second pic: clean scanned artwork

This Saturday at FicZone I had the chance to interview Bkub Ōkawa, creator of Pop Team Epic, for CoolJapan.es.

It was a surreal and genuinely fun experience, very much in line with his chaotic and brilliant style. I also drew him a fanart of Popuko and Pipimi.

The following day he was unable to attend due to health reasons, but thanks to the event staff and interpreter Michie, the drawing was successfully delivered to him at the hotel.

Today at FicZone I had the chance to interview legendary seiyū Kazuki Yao for CoolJapan.es.

Final portrait reveal!! María in a 1920s flapper style: elegant dress, vintage bun hairstyle, and a tiara with a feather.

Drawn with pencil, ink, and ink washes, finished with soft sepia tones. Process images included (sketch → final). You can watch part of the process here:

Sketching María as a 1920s flapper ✨🎩 Vintage glamour, tiara with a feather, and that classic Jazz Age elegance.

Final artwork reveal 🎩 A 1920s-inspired portrait study of my friend Emilio, focused on vintage elegance and cinematic mood.

Premios Meridiana 2026 – Granada

ESADA (the art school where I work) was awarded for its commitment to promoting women in science, innovation, and the creative industries, especially through initiatives linked to video games.

Black ink and loose lines no polish, just instinct