László Moholy-Nagy, Composition, from Masters’ Portfolio of the Staatliches Bauhaus (Meistermappe des Staatlichen Bauhauses), 1923 [MoMA, New York, NY. © 2021 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn]
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László Moholy-Nagy, Composition, from Masters’ Portfolio of the Staatliches Bauhaus (Meistermappe des Staatlichen Bauhauses), 1923 [MoMA, New York, NY. © 2021 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn]

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«Architecture in Australia», Royal Australian Institute of Architecture, September 1963 [Re:collection, Melbourne]. Art Direction: Guy Warren. Design: John Witzig
Anni Albers, Printed image of design for ‘Vicara Rug’, (detail), (1959-)1960 [© 2021 The Josef and Anni Albers Foundation/ARS, New York]
Antonio Maluf, Codificação das peças, 1964 [Bibl.: Antonio Maluf: ‘Construções de uma Equação’, Curated by Fábio Magalhães, Galeria Frente, São Paulo, 2016, p. 77 (pdf here, issuu here)]
Antonio Maluf, Untitled, 1952 [Bibl.: Antonio Maluf: ‘Construções de uma Equação’, Curated by Fábio Magalhães, Galeria Frente, São Paulo, 2016, p. 42 (pdf here, issuu here)]

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Kenneth Pike Emmory, A petroglyph boulder at Tipaerui, Tahiti, 1934.
From “Archaeology of the Pacific Equatorial Islands”, 1934. https://www.instagram.com/p/CLNGv7pA1A9/?igshid=1ucsd6k431oyx
Alfonso Hüppi, 1964
Thomas Wilfred, Lumia Diagram
/ Free (1969)

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L’étoile de mer, Man Ray, 1928
Kiyoshi Takahashi, Sun, 1968
Sun is made up of two 7 meter high gigantic white “Suns” made of reinforced concrete, each one segmented into two parts with two quarter parts eliminated from each body. From the optical illusion that the speed of the cars as they drove by on Periférico caused and the use of the spaces described in the sculpture, the author managed to project the effect of two complete Suns rotating on their own center, of which the spectator can only observe a small part of.
Blooming, Educational Film, 1950′s
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