TRIGGER WARNINGS FOR DEATH, MURDER AND VIOLENCE MENTIONS
  â can you tell us when the curse first manifested ?â
         NIGHT ONE. ALBANY, NY. CA 24:15. NUMBER OF CASUALTIES: THREE.Â
like the lore on which children are weaned, ella would like to share an account coated with inveiglement. a tale about the heavens cracking open, unleashing a thunderstorm like no other. and then, sheâd say, the sky wept. it rained for days and days; alleyways flooded, and the sky remained overcast, as if still scarred, a week after. if it were up to her to paint it, sheâd embed it with a weight akin to that of prophets retelling a fraction of the book of revelations.Â
but in reality, the delivery of her curse was nowhere near as glamorous. like most cursed, a long-winded, ponderous contract was a luxury not offered to her. the dealing was quick, done with as quickly as oneâs click of the fingers. an unprofaned existence quickly turned blighted.Â
it rained that night, though it was one of those unenergetic, wavering rains that do little besides ever so annoy the careless new yorker. had she made up her mind, begged to be granted some alternative penance and returned home an ashamed, failed runaway, she wouldnât have noticed a difference.Â
sheâd reached albany at 04:00. by 04:35, news12 had already broadcasted the gruesome note. a commercial-looking news anchor stood outside one of her familyâs houses. the building in the chelsea neighborhood stood there, housing but darkness inside. the home always looked different at night, but now, with the lights all off causing the walls to look uncharacteristically dull, it was a sight sure to send shivers down her spine. the barricade tape made it worse.Â
much like the order of their births, bellissa was first, then carina, and then gian. bellisa had just been admitted to medical school. she remembered everyoneâs names and birthdates. corny jokes with lame punchlines made her laugh the hardest. carina looked like her mother the most out of them. though she was too modest to admit it, she was a child prodigy. their aunts never missed a chance to say she had the âmakings of greatness in herâ. she crafted beautiful things, like paintings and musical compositions, to give to others as birthday presents. gian was always quiet, never really liking to be called the âbabyâ of the family. everyone still dotted on him still. during spring, heâd fill the house with wildflowers collected from the backyard. ella refused to look at the coronerâs report, which was leaked and remained accessible for the more meddlesome media outlets to peruse. then any trace of it vanished overnight, likely a doing of her fatherâs hand. if she ever slept, sheâd dream of the three of them, drifting toward a sea of darkness and numbness and nothing. itâs a more reassuring imagery than all the other scenarios, all the images of them shrieking and turning around in the ground.
â as far as our reports state, the effects are not restricted to blood relatives - can you confirm this ?â
         NIGHT TWO. BOSTON, MA. CA 23:02. NUMBER OF CASUALTIES: TWO.
ella remembers the first hostel the least. itâs always cold, despite how crowded it is, and lonely. she says a mere ten words throughout her first three months there. the couple in the mattress next to hers leaves one morning, and from sacramento comes another one.
      is ella short for anything?
                short for isabella.Â
      sweet. iâm jill. this is red.
               red? is that your real name?
        it is now.Â
and so it is. theyâre young californians whoâd come to new york pursuing a more bohemian lifestyle than california had had to offer. theyâd landed themselves at different temporary homes after getting evicted from their flat, and now theyâre stuck in the big apple. theyâre generous, welcoming her as if they were lifelong friends. they donât ask about her family, and sheâs thankful. they teach her how to tie-dye and cut her own hair, then they let out a collective laugh when the first cut ends up looking dreadful.Â
but the fourth month rolls around. one morning, she catches a glimpse of a familiar face in her periphery. a glance at the somber-looking suited man is enough to spark the familiarity. she feels a breath down her neck as she packs, writes a note addressed to jill and red promising to write and ending with an apology.Â
their demises donât create large ripples, but are instead restricted only to their two obituaries at the back of a local newspaper. itâs not until afterward that their deaths come into view as parts of the larger puzzle.Â
         NIGHT THREE. CONCORD, MA. CA 14:26. NUMBER OF CASUALTIES: ONE.
ella wasnât expecting much when she knocked on a random door upon her arrival. sheâd ditched all the cards and other means that could serve as trackers, but had now almost burned through the cash. concord was nice, and it felt like an escape from the bigger cities. it was quiet, though that wasnât inherently good. a middle-aged woman answers the door, furrowing at ella like the strange visitor she is. as she rambles, beads of sweat scattered over her forehead and eyes aiming not to cry even a little bit, she feels like a horrible burden. she was always taught not to ask for favors she couldnât repay, and yet there she stands.Â
but the woman nods, her laughter lines deepening as she steps aside to let the brunette in. as ella explains she will get herself a job at the local gas station and offers to carry out chores and other labor in exchange for a place to stay, the scent of cinnamon floods the new england home. thereâs a perfect-looking pastry handed to her, then a handshake.Â
mrs. herrera reminds her of her mother. maybe the two wouldâve been great friends. though ella can tell she feels as lonely as herself. still, she is kind - surprising, to say the least, in the face of such odd circumstances.Â
but her stay is short-lived, this time prompted by a quick phone call. it is not menacing, just straightforward and hurried. her father even chimes in from the back, though itâs one of his colleagues who directs the call for the most part. she pleads for them to stop, for them to leave her alone for good - the call ends the way they wanted it to. âweâll send someone to get you in the morningâ, and then itâs hung up.
the tears in her eyes prevent her from seeing the names written on the billboards through the window of the bus. the ghost of a motherly hug still lingers, the prospect of the quaint life that couldâve been hers loading every sob with bitterness.Â
when miranda herreraâs gruesome death is attributed to a manic episode caused by early onset dementia, things click right as they begin falling apart. the puzzling case of the two deceased hitchhikers seems to come up in connection to mirandaâs case. a cover-up emerges, referencing the opioid crisis and the devastating effects it allegedly had on the three decedents.Â
but those who know which signs to look out for know better. the cases are deliberately closed and left to gather dust, a bypass of the law enforcementâs own confusion and inability to close them with a coherent narrative. though rumors filter and spread, the eerie details of the couple and the woman who figuratively tore themselves apart earning them the same character as campfire stories. rarely are they told as cautionary tales, and even more rare is it for the consistent red thread binding them and the three previous fatalities together.Â
â do you have any way of knowing when the accidents are going to happen ?â
        NIGHT ONE AT THE DATABASE. LOCATION UNKNOWN. TIME UNKNOWN. NUMBER OF CASUALTIES: ZERO.
is that what theyâre calling them - accidents? she lets out a dry laugh. the way her head shakes in response is as insolent as sheâll allow herself to be. thereâs still a nagging voice in her ear telling her not to dare misbehave or else⊠but she is angry, or so she thinks as her temples throb. she feels heavy with the weight of so much pointless, unnecessary death. at night, the dead come to her in her dreams. they open their mouth to say something, but all that comes out are blood curdling screams. itâs then that sheâll wake up, her own throat hoarse and thus disclosing that itâd been her own screams that had seeped into her subconscious.Â
she finally blurts out the answer they want. no, i donât.Â
â did you ever try reconnecting with people youâve previously met, maybe thinking that itâd- ?â
ella doesnât care for the rest of the question. she never had the chance. it all happened overnight, mere hours after sheâd departed from a place and headed to another. gods have little use for indecisiveness, for vacillating. the most time sheâd get was one night, but none of the people whom sheâd left behind had not made it for that long.Â
        NIGHT TEN AT THE DATABASE. NO CHANGE.
she thinks about it for a while, namely when the silence in her room becomes too overwhelming. while there are others around her being probed and observed, those assigned to her case might have little use for tests. it doesnât grant her any peace of mind, but it provides the foundations of an answer nonetheless.
there is a nightmare that comes back to haunt her along with the old ones. itâs cold, and the air smells of gunpowder and chemicals. she hasnât been in this place in an eternity, though not by choice. charred and destroyed into smithereens, she knows this place to be the ghost of the database. in the dream, she looks for a familiar face - someone like thad, or january. but then her heart will turn heavy and full of grief, and in this same dream she will know they are gone, extinguished by her own selfish hand.Â
when she wakes up, the bright white lights threaten to burn her retina. the lack of answers and repetitive outline of the place do everything but lift her spirits. but despite all of this, there is some assurance in the decision she has made.Â
even if it demanded for the database walls to be tore down over her, ellaâs curse would end in this place. if her own curse couldnât be removed, then sheâd stay there, watching all the others be pardoned and rid of their curses even if her own weathered her down to the bone. sheâd wave thirteen goodbyes and force herself to nurture some sense of peace and belonging here, making the database grounds her home to ensure she wouldnât have to go anywhere else ever again. sheâd turn herself into the one left behind this time around, even if she died the desolate and miserable way the gods intended her to.
she would like to tell this epiphany the same way people speak of the works of prophets. she hadnât been born the kind of person people wrote stories about, so if she had the chance to, ella would like to at least go out with a final good one. but just as with the beginning, the end was not deserving of any sugar-coating, of any misleading descriptions. it was straightforward and simple, as if intending to make up for the painstaking and sufferable net she had woven. no skies cracking open, no long-winded lore. just an end.















