Vintage Gear

     Robots Make Better Friends is a community of people who are seeking to explore the                                                   frontiers of electronic music composition.

1982 - E-mu Emulator, Polyphonic, 8 Voices, 8 Bit sampler, One LFO for Vibrato, 128kb memory (about 2 seconds), 49 keys. But more importantly, Sir Arthur C. Clarke's third law of prediction is used as the slogan for the model. Seriously, advertisements where awesome in the 80's.

1978 Korg MS-10, Monophonic, 1 VCO with mixable white/pink noise generator, One LFO w/ multiple waveforms, One lowpass VCF, ADSR with Hold, 32 keys.

1970's - Sansui SR-212, two-speed, belt-driven, auto-cut and return turntable, 300mm aluminium alloy die-cast platter, Signal to noise ratio: better than 45dB, s-shaped tubular tonearm. Perfect match for the AU-505.

1972-1981(the logo is the give away) Moog - Minimoog, Monophonic, 3 VCO's, ADS envelope generator VCA, 44 keys, single trigger, low-note priority. 

1971 Ems Synthi A, 3 oscillators, and a "semi-modular" voice. In spartanite briefcase. First use of the famous patch matrix with resistive pins. Could be used with capacitance sensitive Buchla like keyboard.

1973 Sansui AU-505, 90 Watt Solid State Integrated Amplifier, inclusive of classy teak side panels and a very nice phono stage.

1955-1958, Fender Duo-Sonic, 3/4 scale, Desert Sand finish, with maple fretboard Alder body, and gold anodized pick-guard. 

1958 Gibson ES-335, solid maple body and centre block, un-bound dot inlayed rosewood fingerboard, maple neck. And a Pair of original PAF Gibson Humbucking pick-ups.

1968 Fender Jaguar aka. “No Jag”, Black with matching headstock, bound & block inlayed Maple and rose wood neck., Alder Body.