Antoni Zdebiak
http://www.bialo-czerwona.pl/index.php?a=bw&id=pw&e=3&idw=203
Claire Keane
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EXPECTATIONS
official daine visual archive
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Mike Driver

Love Begins
wallacepolsom
2025 on Tumblr: Trends That Defined the Year
The Stonewall Inn
Game of Thrones Daily

Aqua Utopia|海の底で記憶を紡ぐ
PUT YOUR BEARD IN MY MOUTH

Product Placement

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Cosimo Galluzzi

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@victimrosi
Antoni Zdebiak
http://www.bialo-czerwona.pl/index.php?a=bw&id=pw&e=3&idw=203

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Martin Margiela from La Force de L’art 11. Grand Palais
Alexander McQueen F/W 2006/07 ‘The Widows of Culloden’
Lygia Clark, Dialogue: Goggles, (1968)
In keeping with her experimentation with therelationship between the artist, the artwork and the audience/participant, Clark fabricated a pair of goggles that restrict the visual field of the participants and force an eye-to-eye exchange through a series of mirrors that distort their vision. In this piece, Clark merges concrete examples of performance, interactivity and dialogism. For Clark, the object becomes “a mere vehicle for bodily experience and exists only in relation to the body that holds (or interacts) with it.”
the Metamorphosis - Franz Kafka
Channeling Gregor Samsa
selfportrait by Alexei Siozov

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Photography by _marcelsiebert
Hermès Kelly bag customized by Jun Takahashi
comme des garçons wool maxi dress
A Serbian boy outside his home in Velika Hoča enclave, Kosovo

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Doug Aitkin’s mirage house, photographed by Ashley Cho
Shhh… (at Dean & DeLuca - Georgetown)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Overcoat impermeabile, Nautica; dolcevita beige, Carol Christian Poell; jersey top, Nike; black pants, Voyage. Cintura David Saity, NYC; stivali Cesare Paciotti
Vogue, 1997