Watered silk man's mule, originally pink; English, 1650s-60s. and Velvet mule for a woman; English, c.1650s-60s. Embroidered in couched and raised gold thread.
Keni
todays bird
let's talk about Bridgerton tea, my ask is open

ellievsbear
Aqua Utopia|海の底で記憶を紡ぐ
styofa doing anything

roma★

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Claire Keane

art blog(derogatory)

tannertan36

Janaina Medeiros

#extradirty
Cosmic Funnies
PUT YOUR BEARD IN MY MOUTH
Three Goblin Art

祝日 / Permanent Vacation
Xuebing Du

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@vestements
Watered silk man's mule, originally pink; English, 1650s-60s. and Velvet mule for a woman; English, c.1650s-60s. Embroidered in couched and raised gold thread.

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everyone check out this cool shirt i just made for pride this year :)
Gown c.1912, Girolamo Giuseffi
Butterfly costume, House of Worth, 1912

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Four-Cornered Hats from Peru and Bolivia, c.600-800 CE: these colorful, finely-woven hats are at least 1,200 years old, and they were crafted from camelid fur
Above: four-cornered hats made by the Wari Empire of Peru (top) and the Tiwanaku culture of Bolivia (bottom) during the 7th-9th centuries CE
Often referred to as "four-cornered hats," caps of this style were widely produced by the ancient Wari and Tiwanaku cultures, located in what is now Peru, Bolivia, and Chile.
According to the Metropolitan Museum of Art:
Finely woven, brightly colored hats, customarily featuring a square crown, four sides, and four pointed tips, are most frequently associated with two ancient cultures of the Andes: the Wari and the Tiwanaku. The Wari Empire dominated the south-central highlands and the west coastal regions of what is now Peru from 500–1000 A.D. The Tiwanaku occupied the altiplano (high plain) directly south of Wari-populated areas around the same time, including territory now part of the modern country of Bolivia.
Above: pair of four-cornered hats made by the Wari people of Peru, c.600-900 CE
Both cultures used the hair of local camelids (i.e. llamas, alpacas, or vicuñas) to produce their hats. The hair was harvested, crafted into yarn, and treated with colorful dyes, and the finished yarn was then woven and/or knotted into caps and other textiles. Four-cornered hats from both cultures were often decorated with similar stylistic elements, including geometric patterns (particularly diamonds, crosses, and stepped triangles) and depictions of zoomorphic figures such as birds, lizards, and llamas with wings.
Above: four-cornered hats made by the Tiwanaku people of Bolivia, c.600-900 CE
The two cultures used different techniques to construct/assemble their hats, however:
Although they shared certain technological traditions, such as complex tapestry weaving and knotting techniques, the Wari and the Tiwanaku utilized significantly different construction methods to create four-cornered hats. Wari artists typically fashioned the top and corner peaks as separate parts and later assembled them together. Tiwanaku artists generally knotted from the top down, starting with the top and four peaks, to create a single piece.
Above: a four-cornered hat from Bolivia or Peru, made by either the Tiwanaku or Wari culture, c.500-900 CE
There is evidence to suggest that four-cornered hats were often worn as part of daily life, as this publication explains:
Many have indelible marks of hard usage: wear along the edges and folds, a crusting of hair oil on the inside, remnants of broken chin ties, and ancient mends.
Above: a pair of hats made by the Wari culture of Peru, c.600-800 CE
Above: more hats from the Wari culture of Peru, c.700-900 CE, with colorful tassels decorating the four peaks of each cap
The oldest known/surviving examples of the Andean four-cornered hat date back to nearly 1,700 years ago. They began to appear along the northern coast of Chile at some point during the 4th century CE; these early hats had an elongated design with four short peaks, and they are typically associated with the Tiwanaku culture.
Above: this early example of a four-cornered hat was created by the Tiwanaku culture between 300-700 CE
Why indigenous artifacts should be returned to indigenous cultures.
Sources & More Info:
Metropolitan Museum of Art: Four-Cornered Hats 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, and 12
Museum Publication: Andean Four-Cornered Hats (PDF available here)
Emory University: Four-Cornered Pile Hat
Metropolitan Museum of Art: Andean Textiles
Ann Demeulemeester at Paris Fall 2010
Bodice
c. 1883
silk, glass
probably American
The Metropolitan Museum of Art
fish nails by nailsby.fresita 🐟🫧
I know it's a decently well-known fact nowadays that pretty much every foundational aspect of metal aesthetics was introduced by Rob Halford, whose outfits were explicitly inspired by the leather scene of the gay bars he used to frequent, but still. Sometimes I have to stop and think about how funny it is. Like. This one gay guy got entire generations of straight metalheads to start dressing up like gay sex perverts.
A couple more pics bc his outfits still go hard as fuck
I'm adding more recent pictures of him because he's 72 and still rocking, is in remission from prostate cancer, and posts cat memes on his instagram

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Worth fancy dress inspired by Austrian folk costume ca. 1880
From Coutau-Bégarie & Associés
Bernous (Shetland, Scotland; 1851), The Shetland Museum
Initially purchased for the collection in 1978, this ‘Ladies Dress Shawl’ was reputedly commissioned by Edward Standen and Co., London importer of Shetland lace knitting, for display at the Great Exhibition in 1851. A burnous is a North African cloak with fronts that often end as points. It has a simple hood that drapes down the back. It is often made in striped fabric and tassels decorate the hood and front.
crab makeup by pradaolic on IG
cifonelli man's suit, 1960 + yves saint laurent beadwork evening dress, 1967 in fifty years of fashion: new look to now - valerie steele (1997)
🕷️ Halloween Fashion: Robert Wun Fall 2024 Haute Couture Collection 🕷️

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Pointe Skirt by Darinika Atelier
Folk hairstyles documented among ethnic Hungarian communities of the Szilágy region (Sălaj), Romania