Past Sins
The surviving men of Franklin's expedition return home a national embarrassment.

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@veganthranduil
Past Sins
The surviving men of Franklin's expedition return home a national embarrassment.

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i love clicking on somebody’s ao3 profile and seeing the most nonsensical collection of fandoms. like yess let's live a thousand lifetimes
being obsessed with captain america: the winter soldier in 2014 is something that will always be inside of you
you're not making enough of stone fruit season. that's another thing you're fucking up. a few dozen stone fruit seasons you get your whole life. you need to take a hard look at your peach and mango consumption.
can't believe Caspar David Friedrich was out here painting tlhod fanart 140 years before the book was even written

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anyway what’s the best book you’ve ever read and yes if you say some YA shit i will kill a hostage.
oh that’s right, vienna waits for me
Art Nouveau Villa Ruggeri in Pesaro. Italy
In Orwell’s essay “A Hanging,” the writer watches the condemned man, walking toward the gallows, swerve to avoid a puddle. For Orwell, this represents precisely what he calls the “mystery” of the life that is about to be taken: when there is no good reason for it, the condemned man is still thinking about keeping his shoes clean. It is an “irrelevant” act (and a marvelous bit of noticing on Orwell’s part). Now suppose this were not an essay but a piece of fiction. And indeed there has been a fair amount of speculation about the proportion of fact to fiction in such essays of Orwell’s.
The avoidance of the puddle would be precisely the kind of superb detail that, say, Tolstoy might flourish; War and Peace has an execution scene very close in spirit to Orwell’s essay, and it may well be that Orwell basically cribbed the detail from Tolstoy. In War and Peace, Pierre witnesses a man being executed by the French, and notices that, just before death, the man adjusts the blindfold at the back of his head, because it is uncomfortably tight. The avoidance of the puddle, the fiddling with the blindfold—these are what might be called irrelevant or superfluous details. They are not explicable; in fiction, they exist to denote precisely the inexplicable. This is one of the “effects” of realism, of “realistic” style.
But Orwell’s essay, assuming it records an actual occurrence, shows us that such fictional effects are not merely conventionally irrelevant, or formally arbitrary, but have something to tell us about the irrelevance of reality itself (…) There was no logical reason for the condemned man to avoid the puddle. It was pure remembered habit. Life, then, will always contain an inevitable surplus, a margin of the gratuitous, a realm in which there is always more than we need: more things, more impressions, more memories, more habits, more words, more happiness, more unhappiness.
— JAMES WOOD, from How Fiction Works.
What exactly do these irrational standards mean? They mean the supremacy of the detail over the general, of the part that is more alive than the whole, of the little thing which a man observes and greets with a friendly nod of the spirit while the crowd around him is being driven by some common impulse to some common goal. I take my hat off to the hero who dashes into a burning house and saves his neighbor’s child; but I shake his hand if he has risked squandering a precious five seconds to find and save, together with the child, its favorite toy. I remember a cartoon depicting a chimney sweep falling from the roof of a tall building and noticing on the way that a sign-board had one word spelled wrong, and wondering in his headlong flight why nobody had thought of correcting it. In a sense, we all are crashing to our death from the top story of our birth to the flat stones of the churchyard and wondering with an immortal Alice in Wonderland at the patterns of the passing wall. This capacity to wonder at trifles — no matter the imminent peril — these asides of the spirit, these footnotes in the volume of life are the highest forms of consciousness, and it is in this childishly speculative state of mind, so different from commonsense and its logic, that we know the world to be good.
— VLADIMIR NABOKOV, from Lectures on Literature.

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truly few things instantly put me in a bad mood more than humidity
WHY is the fucking AIR out here TOUCHING ME
get OFF
fic: in the next world, for new people
Fandom: The Locked Tomb Series Pairing: Harrowhark Nonagesimus/Gideon Nav Rating: T Tags: Written in the style of Disco Elysium, Angst, Memory Loss, Canon Typical Lobotomy
1. Pledge your eternal loyalty to your Lord. 2. [DEBTOR - Challenging 12] Ask God to restore your house. 3. [SALTWATER - Godly 16] TEAR OUT HIS HEART. > 4. [NEMESIS - Legendary 14] Beg for the life of Gideon Nav.
YOU - “Please undo what I’ve done, Lord. I will never ask anything of you, ever again, if you just give me back the life of Gideon Nav.”
NEMESIS - Don’t ask for some stupid shit like that. You’ve got more important things to deal with.
terrifying when you watch a movie or a show or whatever & youre like that was fun but it felt a little redundant they didnt need to hammer the point home that much & then you go online & theres thousands of people going that was so weird i did not get it what did that mean google.com ending explained please?
Stop delaying joy until life looks a certain way. You're allowed to be happy while you're figuring things out.
CRITICAL ROLE 4.18 Vindicta & Vale

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by Resonant
I haven’t read this essay in… twelve years? I think? But someone (ETA: that someone was @whetherwoman who deserves the credit) linked it today and rereading it was a) a treat and b) honestly really helpful. If you, like me, want to write smut but often find it difficult, this essay may help a LOT.
Reblogging this as I periodically do because it’s still relevant (especially with so many new writers coming into fandom spaces who are SO ENTHUSIASTIC but maybe need some pointers?) and because I myself need the reminder. Wherever you are, Res, I hope you’re doing great.
This government sucks so bad, I’m going to [remembers the Sundered Houses are trying to seize greater control and censor the people] put on the best play this world has ever seen