My blood smells funny!

second image based on this lol

FYI: New Pete DiNunzi (member of The Eltingville Club and Secreatry of Horror) card art up on eBay.

FYI: We have a new Eltingville Club t-shirt design at our Teepublic shop. The Eltingville Club "Pinwheel" design is available in four versions, "spun" so a different Club Secretary is featured facing upright and folks can proudly (or not-so-proudly) wear it so their favorite (or least-hated) character stands up and faces forward like the hopeless true believer they are.

The new design debuts just as Teepublic is having a sale, so shirts are $8 off for a limited time. Huzzah and all that!

Link below to check out the site.

Thanks to any and all who decide to pick up a shirt.

Adding normal text, since the copy on my phone was a little low res.

YOUR PORTFOLIO CRITIQUE, by Steve Lieber THINGS I'D PROBABLY TELL YOU IF I WERE LOOKING AT YOUR WORK IN PERSON

Violating the 180 degree rule makes this sequence hard to follow

A few more incidental overlaps will make this foreshortening a lot clearer

Symmetrical compositions with a character dead center imply an important moment. Maybe don't draw every panel like that?

This (whatever) looks kind of fake. Take the time to look at reference instead of just making it up

An establishing shot would help the reader understand where this takes place.

Find some life-drawing sessions to attend, or at least try to practice from photos online.

Show these pages to someone who doesn't know the story and ask them to tell the story back to you.

Nudge this part over a bit to eliminate that tangency.

You've flattened out the depth by rendering the foreground, middle ground, and background with the same values. You can create depth and direct the eye by organizing them into overlapping planes of light and dark instead.

There are better ways to use your time than rendering every brick.

These characters look like they're Floating (or falling.) Try to draw the figures and the background from the same eye level