Hermann Schieberth (1876 – 1948) ~ Wienerin (Akt), 1925. Heliogravur. Original der Zeit. Editiert und gedruckt 1925 von der Gesellschaft zur Verbreitung klassischer Kunst, Berlin. | src artografie on eBay, & on vintageAds
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Xuebing Du
occasionally subtle

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Andulka
Aqua Utopia|海の底で記憶を紡ぐ

shark vs the universe

oozey mess

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Three Goblin Art
PUT YOUR BEARD IN MY MOUTH
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he wasn't even looking at me and he found me
we're not kids anymore.

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Hermann Schieberth (1876 – 1948) ~ Wienerin (Akt), 1925. Heliogravur. Original der Zeit. Editiert und gedruckt 1925 von der Gesellschaft zur Verbreitung klassischer Kunst, Berlin. | src artografie on eBay, & on vintageAds
view more on wordPress

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The struggle for work during the Depression: a despondent young woman leans wearily against the door outside an employment office, ca. 1935.
Photo: Camerique Archive/Getty Images
In the Gershwins’ Funny Face, 1927, Fred Astaire finds himself the legal guardian of three pretty sisters. From left to right, Betty Compton, Adele Astaire, and Gertrude McDonald.
Photo: Hulton Archive/Getty Images
Exhibitors Herald, October 30, 1920
The Scar of Shame (1929)
William Herbert Mortensen :: Art study for Selected Quatrains from ‘The Rubaiyat of Omar Khayyam with Camera Projections (*)’, 1925. (*) The photographer’s first book. This hand-bound title was produced by Mortensen while he was designing sets for a mid-1920′s production of the Rubaiyat entitled ‘A Lovers Oath’. | source Swann Galleries
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March, 1918 Ad for Betty Wales Dresses from “Ladies’ Home Journal” magazine.
Clara Bow in The Motion Picture Director, 1926. Photographed by Harold Dean Carsey
A very stylish flapper in the snow, late 1920s.
Fashion article in the Brooklyn Daily Eagle, Tuesday, February 23, 1926.

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The Rolled-Stockings Trend Of The 1920’s Brought On A Fad Of Hand-Painted Knees
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