Can't go back to the brothel after this one...
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Can't go back to the brothel after this one...

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i'm finally getting caught up on cr4 e31 and man. the clear influences of the player's real life culture in their characters (and in the worldbuilding in brennan's case) is amazing and adds such a richness. like thaisha is so clearly influenced by like. black american folk culture Especially with the orcish revolutionaries. idk if liam is irish but he's at least running with a lot of the irish american working class stuff brennan injected into the world in terms of the hal and the culture of the round. and azune's whole bit about not having anyone to speak his native language to and his disconnect to his own identity (diaspora narrative). i Love when real world cultures are reflected in fiction it's so good.
THE SCHEMERS
I'm so sorry

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inxolotle being the navika'an word for remember being derived from xolotl, aztec psychopomp and the twin of quetzalcoatl, the feathered serpent. azune talking about forgetting as a kind of death and thus theoretically remembrance as life and rebirth. azune using a word derived from the name of a real world mythological psychopomp on a sundered stone made from the bone of an in-universe psychopomp and awakening a dragon in the process. xolotl also being the god of fire and lightning, azune's father saying there was no ladder out for them except through fire and storm. also, xolotl guilding the sun every night into the afterlife and therefore connecting him directly with the idea of sunset
Throwback friday (??) to when Azune absolutely demolished an entire hallway full of assassins??!
[id: art of azune, shown swinging his warhammer back over his shoulder with a shield on his other arm. the weapon glows with blue-orange magic and leaves a long magical trail in its wake. azune's eyes glow with a similar white-orange fire. behind him, a stone archway is visible, full of black shadow. end id.]
..
yknow it really fuckin sucks when you tell your siblings how bad you wanna hear from them after not hearing from them for months and they respond with βwell the phone goes both waysβ
then you just try to be vulnerable again and itβs just radio silence
proving my point frfr
what an absolutely gorgeous performance from ruth connell, rowenaβs death actually kind of broke my heart
also can we talk about how mad i am that we fridged mary AGAIN for more male angst? i swear to god this show is allergic to meaningful character development, they've been doing the same damn dance for 14 seasons

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okay so let me get this straight, god has a crashout that his favorite characters aren't doing what he wants them to? he's like us frfr
I swear to god if they bring back Lucifer from the Empty I will lose my fucking marbles
I ALMOST LOST MY FUCKING MARBLES CHAT!!!!!!!
g o d, of course theyβre fucking failing miserably with jack. no one was ever there for them in the ways that truly mattered, so of course they canβt do that with jack. fuuuuuuuuck, man. i love this show but goddamn these guys never fucking LEARN
chat. are we so fucking for real. are we SO fucking for real. are we fucking kidding. what the fuck is happening.
You've had a hard time keeping a handle on yourself. The weight is all too much. It's like you've been at attention for your whole life because some general forgot to say, "At ease."

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Murray is not a Mag'nesson
Many people have been saying this, but I wanted to gather up all the evidence in one post. Let's review the tape, shall we?
In the episode 17 cold open, back in the year 46, a young Murray encounters some eccentric down on their luck academics in a bar and is immediately enchanted. She introduces herself as a Mag'nesson, a name the Penteveral wizards recognize as a family of gemstone merchants from the Sunset Mountains, and Murray offers to fund their venture using the Mag'nesson family jewels. All of this would seem to suggest that Murray is the daughter of a dwarven family that has gotten new money style rich by mining and selling gems from the Sunset Mountains.
I call bullshit. Murray is not a Mag'nesson, she got those gems by underhanded means, and she fenced them to fund the Penteveral.
First, let's turn our attention to Murray's cousin with her on the Hucklewend, Jasper. Now, in episodes 8 and 9, our soldiers encountered a middle-aged dwarf named Jasper who is leading a team of younger dwarves to build a new bridge in Sloak. I'm willing to bet dollars to donuts that this Jasper, who seems to be Murray's age, is her cousin. If they were both scions of a wealthy gemstone merchant family, why would Jasper be working on a bridge in Sloak?
Second, let's look at episode 2, when Dean Tallbarrel, 25 years after he first met Murray in that bar, is stepping down from his position. Murray says to him:
"I was just a shitty little squatter dwarf out in the gutters. You gave me a job. You gave me purpose."
Why would Murray lie about being a squatter dwarf from the gutters when she initially presented herself to Tallbarrel as a gem heiress? She's not lying now, she was lying back then. At some point in the intervening 25 years, Murray had a crisis of conscience and told Tallbarrel the truth, which is why she's speaking to him openly about it now.
There's more evidence that Murray is no daughter of privilege. In her conversation with Dean Kora in episode 19, Kora suggests that maybe Demodus didn't show up to teach his class because as a student from a marginalized background, the pressure got to be too much for him. Murray thinks, in response to that:
"This dumb bitch does not know what she's talking about. One, hangovers are expensive. He did not be able to afford a hangover."
Can you imagine a privileged person like Occtis or Wick thinking about something like this? Murray knows poverty.
In the same conversation, note Murray's reaction when Kora brings up Murray's supposed family background. Seriously, click the link, it goes to the right part of the YouTube video. Murray looks real uncomfortable talking about that. She doesn't want Kora to think about her background too hard, because it's fake.
I think there's another line of evidence from the latest episode, when Brennan is talking about Murray's past dealings with Pimley Morn the smuggler. "This is a guy that, I think, you guys did business 15 years ago when he was a lot more honest and you were a lot dirtier." Why was Murray a lot dirtier in the past than she is now? Well, back then, she was fencing jewels acquired by some kind of shady means. Now, the Penteveral doesn't need her fake Mag'nesson name or her jewels, so Murray no longer needs people like Pimley.
I'm fascinated by all of this, because Murray on the surface appears to be the most straightforward, most truthful, and least "scheme-y" of the Schemers. But the reality is, she's been scheming in this city for 25 years, she's been scamming and fencing, she's been lying about her identity. All of the Schemers have a complex relationship to the truth, including Murray.
Liam and Luis acting as Hal and Azune makes me sobbing so much. This moment broke me