Intervention Project Morningside from Charlotte Belle on Vimeo.

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Keni
Cosmic Funnies
trying on a metaphor
TVSTRANGERTHINGS
almost home

Kiana Khansmith

⣠Chile in a Photography âŁ

Discoholic đŞŠ
wallacepolsom

çĽćĽ / Permanent Vacation
Mike Driver

#extradirty
One Nice Bug Per Day

Origami Around
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Not today Justin
Stranger Things

seen from Malaysia
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@unstablecreations
Intervention Project Morningside from Charlotte Belle on Vimeo.

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Terminus VR - Fleshold Crossing 360 from Simon Ward on Vimeo.
Fleshold Crossing, the first chapter of the 5 part Terminus VR artwork by Jess Johnson and Simon Ward.
An arcane world that was illustrated over several years through drawings by Johnson, brought to life by Ward and developer Kenny Smith, and enriched with soundtracks by composer Andrew Clarke.
TERMINUS presents a quest, a choose-your-own adventure into a mysterious universe of alien architecture populated by humanoid clones and cryptic symbols, traversed via a network of travelators and gateways.
To find out more about Terminus visit jessjohnson.org/terminus
NO SH*T SHOW from Bent Design Lab on Vimeo.
Bent Design Lab made this short film for the Advertising and Design Club of Canada: A collaboration between 3 directors and their teams, "NO SH*T SHOW" Is a call to arms and an irreverent skewer of all the shit one encounters working in advertising and design. . . . Commissioned by the Advertising & Design Club of Canada, this film is an introduction to the 2018 ADCC Award Show.
A Bent Design Lab production. Directed by: Nathalie Cusson, Joshua Cox and Solomon Burbridge. Additional Art Direction by: Greg Arden Written by: Solomon Burbridge Cinematography by: Jim Birkett, Mark Klassen
Camera assistant: Charlie Schache Assistants to Ms Cusson: Kathy Soutsamrane, Olivier Paquette Compositing and 2d Animation: Joshua Cox 3d: Joshua Cox, Patrick Coan Sound design: Jessica Pearson, Solomon Burbridge, Hans Lindauer Edited by: Joshua Cox Actors: (in order of appearance) Annie Kim ThĂŠriault, Penande Estime, Jack Reed, Danny Arellano, Sarah Deflaminis, Billie Knight, Omari Jazz, Nadia F. Almond-Chaparas
Special thanks to : Productions LâĂloi (studio); Julien Valmary (project coordinator) Bent Image Lab (studio)
The Advertising & Design Club of Canada is a not-for-profit organization, that strives to encourage the highest possible quality of creative work in Canadian advertising and design.
Typography Titles from Arthur Gorsharik on Vimeo.
You can buy this template: videohive.net/item/typography-titles/8390342
This is fully customizable, clean and glitch typography titles. It gives you a full freedom for your ideas, you can type your title names, change colors for all scenes with one click and use your own photos. Enjoy;)
Audio: http://tinyurl.com/ncld5ez
Particular from Funken on Vimeo.
An interactive audiovisual installation by Funken.

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Delic
Delic presents discussion and Q&A:
The Future of CreativityÂ
Kicking off Paradigm's Workshop and Talk sessions with a panel discussion and Q&A, the team from Edinburgh-based start-up Delic has assembled an insightful panel from across the UK sector, to focus on where our creativity may be headed in the age of AI.
Panelists:
John Maxwell Hobbs, CEO Delic.network Kim Simpson, Senior Producer In Between Time, Bristol International Festival Ben Southworth, Chief of The Impossible, Unicorn Hunt Caroline Parkinson, Interface Scotland
John Maxwell Hobbs
CEO, Delic.network https://cinemavolta.com/about-john-maxwell-hobbs/
Media consultant, internet pioneer, and BBC Scotlandâs former Head of Technology, John Maxwell Hobbs has worked at the intersection of art and technology for over 20 years. He recently conceived and developed BBC Musicâs initiative with PRS Foundation and BASCA to foster, promote, and commission new British songwriters.
Joining the BBC in 2006 to launch BBC Scotlandâs 21st Century broadcasting facility, Pacific Quay, John oversaw PQâs hosting of the Commonwealth Games coverage, and coverage of the Scottish Referendum. He launched BBC ALBA, Scotlandâs Gaelic television channel, and developed the BBCâs first fully tapeless, HD workflow.Â
In New York City, as Ericssonâs Head of Creative Development for CyberLab, John lead mobile internet development and helped to create the Delphi Pad, a forerunner of devices like the iPad. Heavily involved in the internet start-up scene in New York City, he worked for EarthWeb, one of the first dotcoms to go public.
He produced performances by DJ Spooky, Robert Wilson, Philip Glass, Steve Reich and others during his time as the Producing Director of The Kitchen, the celebrated avant-garde performance space in New York City.
As a composer, John has released several CDs and composed scores for a number of independent short films
Kim Simpson
Senior Producer In Between Time, Bristol International Festival http://www.inbetweentime.co.uk/about/team/
Kim Simpson is an artist, producer and cultural manager working in Glasgow, Bristol and internationally across the arts, screen and creative industries. Founding director of Shift, her clients and collaborators include creative individuals and companies from a broad range of disciplines from dance and performance to film, design, science and technology.
Kimâs particular skills and interests relate to exploring creativity, the ecology of the arts and creative sectors, organisational and individual development, effective communication and collaboration. She enjoys the duality of working on strategy, structure and organisation as well as creatively on the development of ideas, concepts and artistic process. She is also committed to her own continued professional development and sharing learning with her community through collaboration.
Kim has worked within a range of international contexts and has built relationships across Europe, Australia and Asia. Prior to her career in arts management, Kim was a music promoter, band manager and Architecture student.
Kim has Hypermobility Syndrome, a complex multi-systemic genetic condition affecting connective tissues. This informs her practice in immeasurable ways.
Ben Southworth
Chief of the Impossible https://unicornhunt.io/
Co-Founder of entrepreneurial events company 3beards, UnicornHunt & Techbikers â Ben is also founder of Yes,&.. and Southworth Industries. With 17 years raw startup experience, as early employee, founder, manager, advisor, mentor, and everything in between. He specialises in communication as a whole, from pitching, marketing, branding, through to front-end development and product.
Caroline Parkinson
Sector Executive for Engagement in the Creative Industries http://www.interface-online.org.uk/
Caroline has worked in the creative industries for the past 24 years, building on her earlier years in ballet, contemporary dance, rhythmic gymnastics, fashion, music and photography. She studied business and politics alongside her creative pursuits.Â
Over her career she has led her own businesses in fashion design and photography, as well as worked with PACT (Producers Alliance for Cinema & TV) as Director of Scotland & NI, Creative & Cultural Skills in Scotland & NI and joined the newly formed Creative Scotland in 2010 as Director of Creative Development at Creative Scotland (Film, TV, Music, Creative Industries, Innovation and Skills). Since 2014 Caroline has worked as a freelance creative industries consultant and business mentor in Scotland, London, and Toronto.
The session will be hosted by Paradigm's assistant director Ed Stack, locally known also as creative director of DECAGRAM, trustee of All or Nothing Aerial Dance Theatre, and founder of Delic.
Humans
Jack Handscombe
Humans, for time immemorial, have tried and failed to capture the fleeting effects of nature. âIt just doesnât look the same in the pictureâ is a work that comes from the futility of the camera flash against the vast canvas of the sky. At this very moment, there are thousands of cameras pointed towards a horizon as somewhere on the planet the sky is ablaze with the painterly sublime of a sunset. The liminal time between day and night suffuses the world with magical colours and we so often are drawn to capture this totalising display of colour of unimaginable scale in our camera phones. We bid our little cameras to do the impossible, in the low light they strain for more photons, flashing in desperation towards the nebulous clouds over two kilometres away. But what if we created images that are only activated by the flash of a camera? The highly engineered retro reflective fabric used in âIt just doesnât look the same in the pictureâ inverts the relationship of the inadequate camera to the inadequate eye â by revealing a sunset that canât be seen until captured in a flash photograph jackhandscombe.com
Audio Pervert
An LL favourite featuring analogue machines. Nik Kinloch AkA AudioPervert (4 Player Records) centres his sound on dubby, evolving, improvised performances focused on analog synth lines and unfussy drum sequences. His work crosses a number of genres, from Techno to classic Electro, always keeping it simple, stupid!
soundcloud.com/audiopervert-1/bumping-mix
www.youtube.com/watch?v=n6GaKKuW0Fs
Dtef
Lno1_A/V
Lno1 is an audio-visual piece which takes an informal approach to noise and drone. Heavily layered and fazed, the piece explores disassociation within digitally constructed soundscapes. Its aim is to consider darkness as a crucial element in audio-visual performance.
Dtef is a composer and an audio-visual artist. His practice revolves around multichannel/multiscreen compositions. He explores abstract relationships between order, disorder, darkness and dazzlement.
https://vimeo.com/dtef
https://dtef.bandcamp.com/
Glyph
Blueroom Collective
'Glyph' explores social actions, dichotomies and opposites through the familiar symbols we use in everyday language, whether spoken, written or encoded.
Blueroom Collective is group based in Edinburgh, working in experimental visual. Their work celebrates the connections between the conceptual and the constructive, and is primarily expressed through typography.  Blueroom Collective received the Designer Award at the Sunday Herald Scottish Culture Awards 2017. The group has exhibited in Edinburgh and Berlin. Their most recent show 'Nowhere' ran during October at Custom Lane in Edinburgh.
studio.blueroomcollective.co.uk

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Whitespaces
DESIGN FOR VIRTUAL REALITY Tutors: Ross Sneddon and Chris McIntyre
If youâre curious about what it takes to make a VR experience, this is the session for you. Hosted by two of the lead Creatives behind Scotland VR (designed for VisitScotland), you'll be guided through the various stages of bringing a VR experience to life; from initial artwork, to animation, to developing an interactive landscape. With a work-along guide supplied prior, expect to leave the session with an understanding of the process of designing for VR.
Topics covered will include design, optimisation, unity development and tips for working with 3D modelling software such as Cinema 4D. Additionally, if you have a VR project in the pipeline, bring it along and receive expert insight on how to elevate your current approach to VR.
whitespacers.com
Lorenzo Senni-Mumdance-Eclair Fifi-Joe Howe from UnstableCreations on Vimeo.
Wrapping up Audio Day at Paradigm Electronic Arts Festival, our Warehouse Event in partnership with Substance showcases some of the most innovative and daring Live Electronic Music Acts and DJ's on the planet right now. Featuring: LORENZO SENNI (LIVE) - Warp ECLAIR FIFI - Lucky Me / NTS MUMDANCE - XL Recordings / Rinse FM JOE HOWE live - Sound Pelligrino + SUBSTANCE DJs
LORENZO SENNI (LIVE) - Warp Tireless investigator of dance musicâs mechanisms and working parts, The Italian producer's amazing deconstruction of sounds and culture of the 90âs, carefully analyzing itâs constituent parts for reuse in a very different context, with repetition and isolation as key concepts. âDo it differently. Fly your own wings. Rave voyeurism is not a crimeâ
ECLAIR FIFI - Lucky Me / NTS The Scottish artist and illustrator started DJing at 16-years-old on pirate radio at InterFACE FM in London, and has since gone to host an In New DJs we Trust residency on BBC Radio 1 airing to over a million live audience, the LuckyMe show on Rinse FM and now, NTS. Renowned for a series of European headline tours and club residencies; from curated parties in Paris, Coachella, ADE & The Warehouse Project - balanced with special guest sets at the likes of Ed Bangerâs 20 Years of Party and MoMA PS-1 in New York, Fifiâs peerless energy is in part due to her consummate knowledge and love of weird and rare music. Her sets traverse Latin Freestyle, italo, techno, hip hop and RnB - fearlessly peppered with emergent unsigned demos.
MUMDANCE - XL Recordings / Rinse FM Mumdance is one of the UKâs most respected DJs and producers, honing an influential and often imitated sound that draws from grime, techno, experimental sound design, hardcore and more. Holding down one of the most popular shows on Rinse FM, inspired by both the anything-goes attitude of Radio 1âs legendary John Peel and the focused style of the dance music forefathers who originally inspired him to start DJing.
JOE HOWE live - Sound Pelligino Synth Funk, Fun electronic Sound Design & Composer. Classically trained on both Piano & Saxophone, Joe took to electronic music via permissive high school teachers, an old Atari ST equipped with a rudimentary version of Cubase and a slightly broken SH-101 and has been steadily recording and releasing music since 2005. His countless projects include collaborations with Momus and several releases under the moniker Ben Butler & Mousepad. Now signed to Sound Pellegrino (Paris) Joe has appeared on SND.PE Vol 3, 4 & 5 as well as his own EP âEXEPâ, which stands for âEXtra Extended Playâ. As a testament to their immediate charm, tracks: âGroove-scriptâ and âZipâ from the release have both been licensed by KENZO for the unveiling of their recent capsule collections.
Laurence Chan
An audiovisual artist with a background in sound design and music composition. His works maintain a strong focus in visual music, sound art, optical art, and audio-reactive visualisations, which extend into VJing. Currently exploring areas of glitch aesthetics in a synchronous audiovisual realm - utilising both analog and digital technology.
Immersion is enhanced through multi-channel surround sound mixing. With a passion for popular music & culture, it has continued influence on his occasional plunderphonic methodology and music production.
http://laurencechan.wixsite.com/portfolio/video
Silo Portem
Silo Portem create improvised experimental soundscapes and music with a range of influences from film, soundtrack, found sounds, industrial and 20th century/contemporary classical music, with their own experimental films projected at their gigs.
Soundcloud: soundcloud.com/silo-portem/sets/imd-improvisations-may-2016
Showreel: vimeo.com/158118339
Massive support from functionkreep
Laser specialists Funktioncreep will supporting us, helping bring this Warehouse Event to life with a full on laser show for Lorenzo Senni.Â
They are the largest laser show provider in Scotland, with over 30 years experience of delivering breathtaking indoor and outdoor displays, a peerless visual productions team, renowned for creating award winning, innovative and high impact experiences for a vast range of clients including Annie Mac, BBC Radio 1, Boiler Room and Carl Cox to name just a fewâŚ
http://www.funktioncreep.com/

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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SIN/RED
"When I'm alone, I create. It keeps me sane. I made something. Now I'm sick of it but, maybe you'll like it."
Dark and atmospheric storms of voices and electronics experimenting with pain, love, future, and permanence.
https://sinredofficial.bandcamp.com
alt.arcade
We Throw Switches
We Throw Switches are a production and curation duo, who specialise in bringing video games and other interactive media out from behind closed doors and into public spaces.
Their alt.arcade project is a collection of modern-day, alternative arcade cabinets, created around the core question of: What would an arcade look like if the idea was conceived in 2017, and not 1977?Â
The result is a collection of cabinets that use modern technology and design cues; feature one-of-a-kind commissioned pieces by local artists and illustrators; and also showcase unique work made by a variety of diverse and independent game creators from around the world.
The collection is designed to show that games - a medium now dominated by private play, in our living rooms and studies - can comfortably and effortlessly exist in the completely opposite setting: outside of the home in public, primarily-social spaces.Â
http://wethrowswitches.com/