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Muséum étrusque de Lucien Bonaparte, prince de Canino, fouilles de 1828 à 1829. 1830. Cover.

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seemoreandmore

“It was suddenly dark, like a downpour. I stood in a room that contained every moment – a butterfly museum. And the sun still as strong as before. Its impatient brushes were painting the world.”

— ‘Secrets on the Way’ by Tomas Tranströmer

#tomas tranströmer

hara-bouclier

maps of my mind

finita--la--commedia

“Time is not a straight line, it’s more of a labyrinth, and if you press close to the wall at the right place you can hear the hurrying steps and the voices, you can hear yourself walking past on the other side.”

— Tomas Tranströmer (1931-2015), from “Answers to Letters”, in: “The Great Enigma”, translated from the Swedish by Robin Fulton

browndresswithwhitedots

víctor m. alonso

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seiitchi

iamjapanese

SUTO Kazuyuki（須藤和之 Japanese, b.1981）

河風　Mineral Pigments, Ink, Color on Paper　via

soracities

“For us, it is enough that the grass grows sideways into the loam, and that the wind is curious, silent tonight.”

— John Ashbery, from “At the Station”, Wakefulness: Poems

lilacsinthedooryard

Félix Vallotton (Swiss, 1865-1925),

La Seine bordée de saules, Tournedos 1922

Oil on canvas

derangedrhythms

You were, when I met you, both things for me: the sensuous and the spiritual. That can never come asunder…

Paul Celan in a letter to Ingeborg Bachmann, quoted in ‘The Correspondence of Ingeborg Bachmann and Paul Celan’ by Charlie Louth from 'Centres of Cataclysm: Celebrating Fifty Years of Modern Poetry in Translation’

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inthisrealityorinanother

01|2019

iamjapanese

HIRAMATSU Reiji（平松礼二 Japanese, b.1941）

梅の宴 Banquet of the Plum Blossoms via

a-quiet-green-agreement

I would go out under the stars and enter the smallness of being that was mine, and I would disappear into the emptiness within, and it seemed enormous.

– Mark Strand, from “Wooley,” Mr. and Mrs. Baby and Other Stories (Ecco, 1994)

#mark strand

lilacsinthedooryard

Félix Vallotton (Swiss-French, 1865-1925)

Les Pommes 1911

#félix vallotton

memoryslandscape-deactivated202

“The world passes by above my head in place of the sky, of course. I watch that world pass by.”

— Marguerite Duras, from the screenplay Hiroshima mon amour (Argos Films, 1959)

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garadinervi

Giuseppe Penone, Un anno in piu dell'albero, 1969 [Centre Pompidou, Paris. © Giuseppe Penone. Photo: © Cecilia Laulanne/Centre Pompidou. © Adagp, Paris]

lesfoudres

Leaf Shadows (di Jem Magbanua Illustration)

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