the existence of this patch is objectively hilarious btw because it either means that he knows his fandom well enough to know that he could NOT put this in on release without it overshadowing literally everything else OR it means that he saw people calling friend a fraud on twitter and decided he had to shut that shit down immediately
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did the personal statement I am writing right now get you into anywhere???? if so go write a fanfic BECAUSE THAT'S THE SHIT I WANT TO BE WRITING RIGHT NOW.
written on 23rd of september of guess the year.
i am specifically planning this for summer!!! so you have free time!!! to go write!!!
love when video games use near death and revival in the beginning for both establishing stakes in the story and gameplay purposes. why does my cool protag I so carefully levelled up to kill everything need even more levelling up? well, you see.
read vigilantes a lil bit and i am obsessed with this lil panel.
guys you don't understand the hair is not for the silhouette and not for being recognizable it's his antennae. he stores might sense there. past one for all users were wrong the past quirks started manifesting earlier but only danger sense and only in yagi's hair
i love being in big fandoms and finding a fic i like, and then checking the author's bookmarks and reading a fic i like, and then checking the author's tumblr, and reading a fic i like, and then looking up the beta for the fic and finding a fic i like, and then looking up gifts for the author and finding a fic i like, and then picking a collection the fic is in and reading a fic i like, and then checking out the artist who drew a fanart for the fic and finding a fic i like.
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the differences between koichi and izuku are so compelling to me. koichi is a guy who does not want to go too fast without protective equipment and izuku when made to stand down from breaking his whole arm for a test settles down on a single finger.
i love the knuckleduster mindset. all the heroes see a normal bus get possessed by a cat and are like "fuck that bus is out of control" but knuckleduster goes "ah! the bus became a cat so i should treat it like a cat". i love this old man.
The exception is cheesy local commercials. Those should be the only ads. I will listen to someone who runs a store in my city doing an awkward rap. We once had a furniture store with these awful CGI ads and the slogan "where the deals are so low, it's almost criminal!" and then they got shut down, by the cops, because it turned out. It turned out the deals were so low because. You're not going to believe this but the prices were so low it was in fact
Peeling off the broken breastplate of a stoic knight who only fights and never speaks, just to realize there’s nothing in there. Not metaphorically—the armor is literally empty. It doesn’t appear to affect him. If the armor stays mostly in the shape of a knight, he just gets back up to keep fighting. But with the chest plate off he just sits there, equally impervious to curiosity as I reach up into the cavity where his body might’ve gone. Stubbornly, no answers are found anywhere in there.
So I forge him a new breastplate and on the inside, because I know he has plenty of room, I put a little pocket. Not big enough to hold anything functional of course. Just a little extra piece to see what he’ll do with it.
He comes back next time with some grievous injury to his nothing, presumably from the massive shredded gash across his thigh plates. He sits and waits. I fix it for him. He is still nothing in there. I decide to add a drawing on the inside, of the type of beast I imagine could rend metal into scraps with a single blow. He puts it back on. He no longer moves as if he is injured.
Over time the interior of the knight becomes decorated with whatever odds and ends I could think to attach to the inside of a guy who’s got room to carry it. What really gets me is that he never removes any of it. Never requests a change. Not even when I installed a curtain rod for a small tapestry, or a bud vase to carry roses for his beloved, or an accordion folder for letters. He didn’t say a word for any of the many, many drawings of mythical beasts that now fight forever inside of his shell.
There are plenty of other forges. I’m not entirely sure why he keeps coming back here anyway. We’re pretty popular, but he could get his armor fixed a lot quicker (and with fewer ridiculous modifications) literally anywhere else. I asked him if I could get a look at his nothing again. He flipped up his visor and nodded his head so I could take a look. It was the same as it had been, filled with drawings and trinkets and weird little fixtures I’d put in there. I asked if he was annoyed by it, or liked it, or felt anything at all, but he literally only ever says nothing, so I’m not sure why I asked.
There’s not much room left in his nothing now. When he comes back for repairs I’ve had to fix my own foolish additions. Some of these pieces are intricate and irritating to repair, but I fix them anyway. It feels wrong to take any of it away from him now, even though I’ve been rudely encroaching on his nothingness to the point where it’s barely even there. How he squeezes his nothing back into a body so full, I’ll never understand. But it’s a game to me now, finding a spot not yet filled and putting something there. A dark part of me wonders if he ever gets filled up completely, if whatever sorcery holds the nothing-knight together may break, and it will all clatter unceremoniously to the floor.
When he hands me his breastplate yet again, it is so shockingly disfigured that I wonder if being made of nothing has somehow kept him alive. No ordinary knight could sustain such injuries. So I fix it. And he waits, unmoving, in a quiet corner of the forge. It’s like he’s watching, even though I know the reading glasses I put inside his helmet were just for fun. I’m careful to put it all back exactly the way it was when he last left. There’s no room to add more this time.
He examines the breastplate, and pauses before putting it back on, like he’s looking for something. Is he worried about the fit? But it suits him just as it always did. He calmly points to a little space, about an inch, between a miniature shelf and one of many pockets. There’s nothing there. I ask him what’s wrong, and again he points. It’s the most emotion I’ve ever seen from him, and it’s barely anything at all. I take it to mean he wants something there.
I spend some time engraving a little snail in the gap. He watches, as much as nothing can watch. When I’m finished he holds the breastplate, but he doesn’t put it on right away. I ask him if something’s still wrong. He says nothing, and puts it on. I tell him I can’t add anything else. Even if he could ask, there’s no room left.
Next time he comes back, there’s nothing wrong with his armor—he lets me check to make sure. I ask him what he’s doing here. Out from one of many pockets, he retrieves a tiny rusted knife. It’s in miserable condition, barely worth saving. I tell him I could make him a nice new one, but I’ll fix it if he likes. He puts it away and reaches around to find something else, a needle and thread. Better condition, but I’m not a sewist and I tell him as much. He puts them away. He then retrieves a little twisted piece of wax paper. I open it. It’s candy. I ask if I can eat it. He says nothing. I eat it. It’s flavored with cinnamon. I’m surprised he let me take it.
He keeps bringing me candy now. His armor is the most laborious to repair out of every client my forge serves, but it’s my own fault so I can’t complain. Sometimes he keeps me company while I work. I wonder if he is trying to tell me something when he hands me mints. I wonder again at the lemon lozenges. He stares at me when I eat, as much as nothing can stare.
One day he brings me a little jar of honey. I thank him, I tell him I’ll save it for dinner. He watches me work, he puts his repaired armor back on, and he stays. My shift passes slowly, and when I finally pack up to leave it’s dark outside. He follows me out of the forge. I ask him where he’s going. He points to the jar in my hand. I ask him if he wants to watch me eat it. He says nothing, but the nothing-knight clearly wants something, so I open the lid and dunk my finger in the honey. I try not to get any on my chin. He stands there, inches away, watching me try to consume this jar of honey without a utensil. It tastes like clovers. About half the jar is left when I’ve finally had enough of pretending to be a bear, but he doesn’t move to leave.
I ask if he’s going to follow me home. He says nothing. I tell him he can if he wants to. Again, nothing. I start walking, and he follows at my side. I know he’s not going to say anything ever, so I fill the silence. I tell him I’m grateful for the sweets, I tell him about how his various components are made, I tell him I’ve never met anyone made of nothing before. I tell him it’s a rare opportunity for a smith to work so much on the inside of something. He says nothing. I tell him again how much I like the candy.
It occurs to me that maybe filling me with sugar is as close as he can get to filling someone else’s empty armor with trinkets. I’m not sure if that’s really why he does it. I tell him I don’t have room to be filled with anything on the inside, not like him. I’m not a container for much besides food. He offers me another piece of candy. Maybe he likes containing something, the way I like to feel full. Maybe it’s nothing at all.
—
I didn’t edit this even a little bit. Thanks for reading!
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i think the first mha movie has incredible comedy because there is a very real chance the kids were all made to sign ndas and as a result nobody told Aizawa what happened at I-Island.
like you can't just announce that a bunch of high-schoolers and all might defended your semi-soverign utopia instead of you know. actual heroes. also they all accidentally witnessed that there is a way of making a quirk godlike just by getting this one piece of technology or the scientists. they are covering that shit up FAST.
as a result aizawa only knows that 1-a were at i-island when a minor villain attack happened and was handled in an evening.
as a result aizawa only finds out because in second year iida uses "that awful costume that was only good to fight through hoards of robots" and he overhears. what costume. what hoard of robots. aizawa does not remember them fighting any robots in costumes. they did not go anywhere in costumes in their second year what the fuck happened.
iida defends himself with an nda, and aizawa immediately becomes even more suspicious. he interrogates them and then crashes out, because why did no one tell him, and how the hell did they hide this at summer camp.
also I don't think parents "these days" are uniquely terrible, I just think neglect is showing up in new ways as technology progresses. today's ipad kid would've been wandering around in a ditch alone all day and night before. parents not wanting to have to deal with children is not a new phenomenon.
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kinda obsessed with the way One for All vs All for One shaped society. I imagine the mind games. Japan as the biggest chess board ever and on one side it's a hundred year old cryptid and on the other 20 something Yagi fighting to keep hope in the hearts of people.
There are so many layers. Like the information game? Absurd
All for One fucking knows everything about One for All. He could just send this broadcasting on every station in the world. Here is the guy with the most fuck off power imaginable, if you torture him enough the power will be yours!
But he doesn't do it. Because, importantly if he does that All Might will turn right back at him and scream about all the fucking crimes he did and people he killed and the threat that he is and instead of a boogeyman he too would become the most hunted guy on the planet.
They are locked in a fucking cold war since the beginning.
It doesn't just stop there though. All for One, by his own admission has his fingers in every fucking pie. He probably has moles high in every branch of the government. All Might cannot just collaborate with the government on this one, he does not know, maybe All For One got "steal the information from your brain by touch" quirk yesterday and will know all of All Might's plans today.
There must be terror of like. All For One probably cannot simply attack and kill All Might himself because he is now known and beloved, and his killer shall also become known and thus hunted. Because you can't simply kill All Might and not become the threat to national security no matter how many moles you have in the government.
A lot of All Might's early career is probably dismantling organized crime as he tries to outpace All for One supporting more of it.
But in the end there is one thing that All Might needs to do to solve this all and that is kill All For One. But how the fuck do you catch a guy like All For One and actually make stay enough for a battle? Not emotional manipulation right?