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jaylen hotdogfingers of blaseball fame. undead pitcher for the seattle garages. written by rosemary. sideblog to @violnc.
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pinned.
jaylen hotdogfingers of blaseball fame. undead pitcher for the seattle garages. written by rosemary. sideblog to @violnc.
guide.   pinterest.   playlist.
video:Â Â Â Â what the fuck is blaseball?

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im gonna move jaylen to her own main blog
go follow jaylen @unpitch
im gonna move jaylen to her own main blog
DEICIDE.
@sunkillr:Â Â Â Â youâve done too much now. i canât trust you any more.Â
there are things jaylen would say if she were a little more brave and a little more cruel. allison, do you know what itâs like? being given one damn way to survive, to take the chance thatâs been offered you, and then be blamed for taking it? it makes her sound so fucking innocent, doesnât it? oh, it isnât jaylenâs fault. itâs the only way. youâre the one who brought her back; you, allison, and the garages, and every person who got her on that fucking leaderboard, and every person behind the scenes. everyone who put their filthy hands on the binding of the forbidden book and pried it open five years ago. sheâs just making sure it wasnât all for nothing. isnât that a good thing? shouldnât they be grateful?
itâs the aftermath of what the news has dubbed as ruby tuesday, and the tigersâ ranks have been decimated down in hades. jaylen is... jaylen would like to believe this is simple. jaylen is simplifying it, in her mind; sheâs focusing on the rush of life that sparked her heartbeat into threefold strength after the game was over. itâs almost two months into the season and she hadnât realized, until the comparison was offered, how dead she still felt. not until she felt alive; some of the smoke siphoning off her skin, dispersing in the air. she is thinking about billowing chimneys, not about the lives sheâs taken.
maybe that line of thought doesnât explain why sheâs shown up at the steaksâ stadium. she isnât pitching today. the time between games tends to skip and glitch and dance around like a busted record player, screeching all the while, but itâs moving in a straight line for once. jaylen thinks thatâs âcuz of the deaths, but itâll take more before she can confirm the theory. so sheâs in dallas and now sheâs in front of allison, and if itâs not to absolve a guilt she doesnât feel then she doesnât know why sheâs there â because allison doesnât want her there, and the garages donât want her in seattle, and nobodyâs ready to deal with the fucking consequence her resurrection brings.
maybe thatâs why sheâs there. ding. got it. she is a consequence. allison looks at her like a ghost, the garages look at her like a murderer. the truth is somewhere in the middle. the truth is unavoidable.Â
â not having fun, al? â  jaylen puts on her best grin. itâs the kind sheâd give the audience from the stage of a run-down basement show back with the band; the kind that says keep your distance, these teeth are sharp. itâs got more bite to it, now that everyone knows what sheâs capable of.
â yâknow, â  she says, dropping her voice lower. like itâs a secret, or an oath. something she doesnât want to say or something allison wonât want to hear.  â you look at me like iâm different, now. you and the band. you all do. but you trusted me before, didnât you? â  jaylen gives her a look, roughly translatable to i know you did, we both know you did. crosses her arms over her chest.  â i havenât changed. maybe you forgot in the last five years, but iâm exactly the person you all decided to bring back from the dead. same old me. â
and itâs true, in its way. if death has changed her, she canât remember the difference now. sheâs just learned what sheâs willing to give up to stay alive.

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book meme :// white is for witching by helen oyeyemi ( lightly edited to fit structure; change pronouns as necessary. )
youâve done too much now. i canât trust you any more.
i conjure you.
what else is real about you?
why do people go to these places, these places that are not for them?
black wells yield only black water.
are you now resentful?
there is another shelter inside the house.
i donât need you to be strong. i need you to crack a little now.
i suppose i am frightening.
so i have done you good, and now, some harm.
things appear as they really are. people appear as they really are.
this house is bigger than you know.
did you choose to be good, or were you so created?
i chose to be created.
i am only tangible when you donât look.
easy to see the solution when youâre not in the story, isnât it?
i know of witches who whistle at different pitches, calling things who donât have names.
itâs like thereâs an extra window, an extra room i havenât seen before.
maybe âi donât believe in youâ is the cruelest way to kill a monster.
please tell me a story about someone who gets away.
iâm not sure whatâs really meant by happy or good. i would like them to be free.
all monsters deserve to die.
how is consumption managed?
everything you have i will turn against you. iâll turn sugar bitter for you.
it seems to me that the dead only return for love or revenge.
no one likes being sick.
i think i am a monster.
there is absolutely no one even a bit like you anywhere else.
thereâs something wrong with this house, isnât there?
iâm trying to think of next year and there is no place for me in it.
what happened that night?
madness is present when everything you see and hear takes on an equal significance.
book meme :// white is for witching by helen oyeyemi ( lightly edited to fit structure; change pronouns as necessary. )
youâve done too much now. i canât trust you any more.
i conjure you.
what else is real about you?
why do people go to these places, these places that are not for them?
black wells yield only black water.
are you now resentful?
there is another shelter inside the house.
i donât need you to be strong. i need you to crack a little now.
i suppose i am frightening.
so i have done you good, and now, some harm.
things appear as they really are. people appear as they really are.
this house is bigger than you know.
did you choose to be good, or were you so created?
i chose to be created.
i am only tangible when you donât look.
easy to see the solution when youâre not in the story, isnât it?
i know of witches who whistle at different pitches, calling things who donât have names.
itâs like thereâs an extra window, an extra room i havenât seen before.
maybe âi donât believe in youâ is the cruelest way to kill a monster.
please tell me a story about someone who gets away.
iâm not sure whatâs really meant by happy or good. i would like them to be free.
all monsters deserve to die.
how is consumption managed?
everything you have i will turn against you. iâll turn sugar bitter for you.
it seems to me that the dead only return for love or revenge.
no one likes being sick.
i think i am a monster.
there is absolutely no one even a bit like you anywhere else.
thereâs something wrong with this house, isnât there?
iâm trying to think of next year and there is no place for me in it.
what happened that night?
madness is present when everything you see and hear takes on an equal significance.
jaylen played bass with the garages before she died. after she comes back, she still plays, but the band doesnât really want anything to do with her after itâs apparent that she came back wrong. she also picks up acoustic guitar; sheâs not as good at that, but it helps keep her somewhat grounded to have something other than blaseball to focus on.Â
Day 19: Up the Wolves, The Mountain Goats
iâm gonna bribe the officials, iâm gonna kill all the judges, itâs gonna take you people years to recover from all of the damage
psychexchâ.
SOMETIMES THERE ARE NO GOOD ANSWERS. thatâs the shitty reality of the thing. blaseball is a splort and people play it and now they get incinerated and it rains blood and there are peanut shells everywhere, too many for them to be cleaned before the next game but somehow they are. jaylen, who died and then came back, is asking for some kind of order to it. he knows the feeling. you can look for barriers everywhere, but thatâs not the point of things. he shifts uncomfortably this way and that.
a few seats down, mr. robot flicks a peanut shell towards the empty lower seats that turns into dust as it flies, just particules buoyed by a breeze.
â god, the fucking book. yeah. â he can hear the tension in her voice. to her itâs something that started the end of everything. to him it was â a pain in the ass to implement. â look, let me⌠explain to you what blaseball, inc. is actually like. i do back-end programming. so i implement things like idols, for example. which, youâre welcome for that. but hereâs how it goes. i get an email. it has this fucking block of code. not even organized with some decent comments orâŚ. or line breaks. itâs just a big mass of code, couple thousand lines. so i email the boss i got it from and iâm like, âhey, what is thisâ and i get back an email whose subject line is IMPLEMENT ASAP in all caps. thatâs also the body of the email. so then i get to sit there for at least fifty hours that week and try to fucking figure out what it even  means, and by that point everyone just wants to get it out the door, fuck it, weâve got our supervisors breathing down our necks all the way up the top. â
he leans forward, elbows on his knees, and peers out towards the field. if jaylen wanted to push him over he would fall and crack his head open on one of the chairs, probably. or she could just tap him with a baseball. though it might have to reach a certain velocity to make someone vibrate apart in the right ways. he mightâve seen that in an email somewhere, forwarded sixty-three times and redacted to hell and back.
elliot closes his eyes. at least it wasnât bloodrain, the metallic smell of it clinging to everything as a janitor scrubbed away at where it coagulated on the steps. â the book wasnât me. we got told to leave the choice on it up to the participants. you know. democracy in the classic american pasttime, or something. itâs like a machine, right? all these little cogs and gears that work, and eventually they wear out, but thereâs just another gear. thatâs you. thatâs us. you want to blame someone? blame â have you read any of the portions of the book we have out there? did you see the part about fucking entities? youâre doing your job. weâre doing ours. only way out is⌠well, i guess we destroy blaseball, or we destroy whoeverâs at the top. â
he looks down at his shoes for a moment. plain black sneakers. when he was a kid, he used to dream of playing blaseball. used to practice like every kid did. and now heâs gotten his wish. he is a player in the great game of blaseball. just not in the way that he thought.
the fucking book is, well... itâs a good way to describe it, and itâs not. itâs the reason all this happened. itâs not like the league was ever fucking normal, but it was only as odd as the rest of the world, once. strange in ways jaylen could process, could reflect. so what if the magic had wizards on their team or whatever; so what if the baltimore players tended to turn crablike after enough time near the bay. seattle was normal. seattle used to feel a little bit like a haven: in the garage, with the band, jaylen felt at home once in a way thatâs absolutely unfathomable to her now.
so the book. itâs the reason for all the strangeness, the reason she died, and also, probably, the reason there was framework to bring her back. of course sheâs read it. sheâs scoured those goddamn pages and sheâs thought about marching into the commissionerâs office with a fucking knife â not a blaseball, not using the tools he and his gods have given her, but goinâ the old fashioned route.
none of them have any real power here. nice to dream, though. and she wonât say it out loud, but when she throws a 500 mph fastball directly at some dipshitâs chest... thereâs something nice about that, too. knowing she can affect the world in some way, paying her debt while sheâs at it.
â yeah, alright. not blaming you. itâs all the gods or what-the-fuck-ever, and weâre all spare parts in their great holy blaseball machine. message received. â  sheâs pretty damn acquainted with the powers that be, at this point. the garages think theyâre solely responsible for bringing her back, maybe with a bit of help from some of the more spiritually-inclined teams, but jaylen knows: at some point, she made a deal, or someone else made a deal for her, and now her body will go up in smoke again if she doesnât fulfill it. and this is what we call life. this is what she calls life. others may disagree.
she leans back, puts her feet up on the seat next to her. itâs a pose that could be called relaxed by a casual observer, but jaylenâs not sure she can actually do that, anymore. doesnât even sleep much. (death, as it turns out, makes for excellent nightmare-fodder.) she doesnât look at the field, doesnât look at him; her eyes fall on the half-empty peanut bags littering the stadium instead, their contents spilling out. she thinks about the satisfying crunch they would make under her sneakers if she got up and left right now.
â i know the bandâs done a lot of big-talking about killing gods while i was gone, but what the fuck would that even do? â  maybe itâs pessimistic. out of everyone, she thinks she has the right to pessimism.  â theyâd just kill you. and then theyâd replace you, and someone else would do the exact same job. â
she shrugs. closes her eyes.  â besides, â  she says.  â yâkill the gods, thereâs no game left. and then what happens to all of us? they wouldnât let us get away so easily. youâd have to be an idiot to think they would. â

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Where and what is home? How much can a body be home? / These questions haunt me.
â Meena Alexander, from âPrelude,â In Praise of Fragments (via lifeinpoetry)
psychexchâ.
A LOT OF PEOPLE DONâT WANT TO BE AROUND JAYLEN. itâs said; itâs unsaid. a lot of players donât know what to do. some blaseball players â okay, a lot of blaseball players, and a lot of the audience, and a lot of the higher-ups â are kind of superstitious. elliot doesnât really buy into that. sure, there are clearly some whims, and the gods of blaseball love them, but the fact is that if you concern yourself too much with superstitions youâll never get anything done. blaseball players especially seem to have their little pre-game rituals, well-documented and accounted for, but that makes sense. as far as he can tell, most splorts are just kind of like that. so whatever. let them do all the things that make them feel safe, and he can know deep down that it wonât do anything to help them when it comes down to it. and jaylen knows this too. of course she would. the first person incinerated would understand more than anyone that the rituals donât help.
thereâs only one thing that matters, which is the continuance of the game, no matter what that means. it takes new forms. it changes shape. but the core remains the same. all of the new functions are just auxiliary, to keep things interesting, to keep the participants from getting bored or to satisfy whatever idea the gods of blaseball have devised. or thatâs his theory, anyway. it allows for just about anything to happen, like resurrection.
the assumption is that he knows things. and he does know certain things, but not as much as many blaseball players would like to think. itâs the only reason heâs tolerating jaylenâs presence. she doesnât seem to think heâs some kind of arbiter of what happens out on the field. he didnât invent bloodrain. sometimes he still tries to look at the source code behind the forbidden book and it feels like something is scratching around at the inside of his skull, about to claw its way out. then he stops looking, usually.
and sometimes he looks a little longer, just to prove that he can. that fear is relative. that you can make choices and it isnât all just predetermined, or subject to the whims of the people putting down bets. itâs nice to think you have control for one precious second.
â maybe, â he says. â it mightâve been in the contract somewhere. i just needed a job, mostly, and i guess blaseball needed a fucking halfway decent programmer. â elliotâs better than halfway decent, but you donât just say things like that. itâs better if you say things like this. people take it better.
he glances over at her for a moment. then he laughs, a short sad sound that seems too flat for the area theyâre in. elliot closes his eyes against the sun and looks up at it until he sees spots on the inside of his eyelids. imagines, ever so briefly, looking until he goes blind and useless. whether there would be pain, and what kind, and for how long. these are all relevant questions.
â okay. i wonât. â she asked, so he wonât clarify. but he doesnât really know anyway, and thatâs the funny part. â i donât really know much beyond the basics. itâs easy to write code. create parameters. variables. like, i donât know why they catalogue your guysâs blood type like that, considering the main cause of death is incineration. i just make the variable and it gets filled in for all the players like that. blaseball bettingâs just a big spreadsheet and occasionally i add a new row of data. â
( and i go home. and i donât really watch the betting much. seeing the results of the machine matters less when i know how it works, at least in the ways that interest me. )
itâs all just simple enough. and then not simple briefly. and then even the not simple becomes rote.
he knows more than heâs saying. sheâs sure about that. behind-the-scenes as he is, he must know a lot. sheâs halfway grateful for him not saying any of it â sometimes the not knowing is a blessing, and thereâs a hell of a lot she wishes she could forget. a hell of a lot more she just never knew in the first place. it blurs together sometimes now: the things she knows, the things she doesnât; the things she knew when she was alive but doesnât know when sheâs only halfway there, one foot still in the darkness.
so she remembers the first time she played a real blaseball game as a kid, but not the name of the team. she remembers her parentsâ names but not their faces; knows theyâre dead but not where theyâre buried. she remembers what it felt like to burn alive, but sheâs got no idea what her last words were or who mightâve heard them.
she keeps count of the people sheâs beaned, but she forces their names and faces and jerseys and fates out of her mind. easier not to remember. that oneâs a conscious erasure, but does it matter? itâs gone all the same.
â parameters. variables. right. â  she says it like she doesnât understand it but doesnât care to learn. sheâs curious, but not about the computer-speak. about the rest of it. the way it impacts her, her teammates â jaylen canât exactly call them her friends anymore, but that doesnât mean their lives no longer interest her. thereâs something nostalgic that clings to the edges of every relationship sheâs ever had, even if they look at her like a funerary procession.
â so. the book. â  itâs a hard-swerve into what sheâs really wondering about. the reason sheâs looking at him with cold pale eyes that shine something awful.  â you must know more about it than we do, right? tell me. â  she says it like a threat. maybe the gods would strike her down again if she hurt one of their minions, but she thinks itâs more likely theyâd just replace him. Â
the questions come quick, then:  â was it supposed to do that? was it planned? â  most importantly,  â did you all know exactly what would happen, when you let people choose to crack it open? â  the blame. it has to go somewhere. itâs certainly not on her own shoulders; much as she could be faulted with, in this, she is holy and innocent and still covered in her own goddamn ashes.
mike t*wnsend rp blog when
Reblog if you're supposed to be dead...but Oops! Look who's back
psychexchâ.
@uncineratedâ sent: do you have a human soul and can you prove it?
SO HEREâS THE FUNNY THING ABOUT BLASEBALL, THE THING PEOPLE DONâT REALLY LIKE TO TALK ABOUT. people have always made bets on blaseball since the beginning. which was maybe forever ago. or maybe always. ever since some fucking caveman first smacked a projectile with a stick by accident. there is some terrible human impulse, or maybe inhuman impulse, to play ball. thatâs just kind of how it is. but the system of blaseball â the workings, the nuance, the bureaucracy â had to be built. it had to be made. someone had to decide to democratize it, and decide they did. elliotâs best guess is that the powers that be just donât have the ability to hit keys and write code.
you know. spinning howling peanut (peanut shell?) that likes to manifest and shit. canât exactly make exact keystrokes. so you hire a mix. some script kiddies to get all the basic work done, and you pull together some programmers thanks to a seemingly infinite budget to create things according to your whims. apparently the front-end guys get a lot of the shit. he wouldnât know. he just works on the back end of things, and leaves the backdoor into the system open that they ask him to. he tries not to ask questions. sometimes he thinks if he asks too many questions, heâll have to see something he doesnât really want to see.
fine. okay. sometimes he asks questions, but theyâre just in his head and between him and the other people in there.
watching jaylen makes something in his head hurt. maybe itâs the smell of smoke that seems to follow her, faint but present. maybe itâs something about the way she looks, or the knowledge she shouldnât be. what he hasnât said to any of the players, the few that do actually ever notice him huddled in the stands, thinking about how to translate stats to the audience, is that he put together a good portion of the idol system. it wasnât hard to do. they already had individual blocks for every player, and it wasnât a big deal to sew everything else together into â
well. the point is: codingâs easy. results? difficult.
he doesnât know what to say to jaylen. she seems curious. not many of the people involved on the higher levels of blaseball actually show up. maybe they donât need to. but he isnât part of that level yet, where the splort and the person are the same thing. no. heâs just a programmer. thatâs all. he just watches sometimes. avoids certain weather conditions. observes the peanut shells piling up on the field. thereâs compulsion there, but heâs been good at resisting certain kinds of compulsions.
â ⌠what, you think everyone who puts together the background shit is just⌠gone? like you sign a contract with blaseball incorporated and they steal your soul like a fucking demon? â he isnât sounding particularly mean, as sharp as his tone is. heâs just tired, his body sinking down into the cheap plastic seat and ignoring the sun beating down from overhead. he hunches there. itâs technically too hot to wear a hoodie, but itâs not like he really gives a shit. he just keeps staring out at the field for a moment. â i know it must be weird to⌠talk to a guy who helps run the whole system. but i can tell you i donât really do much. upper level â yeah, they might be pretty soulless. i just write the code. blaseball across all borders, right? or something like that. â
he can imagine the way it must sound, like words inscribed on a corporate letterhead. maybe they were, in some email he skimmed and trashed as soon as he got it. he peers over at her for a moment. wants to ask what it was like to be incinerated, in the same way that he used to read up on ways to die when he was a kid. all the ways it might happen. percentages of survival. what might happen if catastrophe struck and he didnât die.
but he wonât. itâs not his place to ask.
sheâs been thinking a lot about contracts lately.
you know, maybe that makes sense. debt and all. sheâs wondered a few times, though less than she probably should, whether she could walk off the field and keep the second chance at life sheâs been so graciously allowed to fight to keep. the short answer: no. the long answer: sometimes jaylen blinks and the time between games is just gone, up in smoke (ha), and sheâs not sure she really exists beyond blaseball. maybe at one point, she did. she had friends and a life before she died. none of that holds true.
she canât actually remember if the contract sheâd signed when sheâd joined the garages, almost a goddamn decade ago, had provisions for umpire-related deaths. seems like all the players wouldâve fought back, refused to sign onto the league, if that were part of the established rules. what legal bearing does the opening of the forbidden book have, and why was it enough that her own death was overlooked, mourned but not fought for? mourned but only fought for when she would be convenient to resurrect for the team? (mourned, fought for, regretted the moment that fighting had consequences.) sheâs asked around a bit, but the higher-ups claim the paperwork doesnât exist anymore. go fuckinâ figure.
there wasnât anything official about her resurrection, but she knows the price she has to pay, anyways. doesnât need to be spelled out on corporate letterhead for her to know she owes a debt.
what she knows is: blaseball is part of her, somehow. blaseballâs the only thing keeping her alive. if she fights hard enough, maybe, someday, there will be something beyond the rotating cast of stadiums, the players that grow deathsmoke when a ball goes sideways. but, yâknow, not right now.
she laughs. not like she thinks itâs funny, but like sheâs trying to show how sharp her teeth are.  â i dunno, â  she says. sheâs sitting backwards in the row of seats in front of him, the hellmouth stadium otherwise empty, too early for the trickle of crowds, or maybe too late. is it before the game, or after? to say her sense of time is fuzzy since her return would be the understatement of the season, and the sun here beats down the same regardless.
â thought everyone involved in blaseball signed their souls away. not just the background people. seems logical, you know, from a playerâs perspective. â  she doesnât say how else do you explain what happened to me?, but she doesnât need to. everybody knows who she is, what happened to her, what she does now. a fucking blaseball tech asshole definitely knows all about her. probably knows things about her she doesnât know, yet.
she wonders just how much control the behind-the-scenes folks have. did he know what the book being opened would do? did he know about the umps? when he was inputting all the numbers into his little computer, watching them appear on the screen in neat orderly lines, did he know what itâd equate to in the real world?
jaylen doesnât ask.
â been going on a soulless until proven otherwise basis, here, anyways. saves me a lotta grief. â  sheâs almost always got a ball in her hand at this point. she wonders, absently, if that frightens him. it scares most people, but most people donât have that kinda insider perspective on the inner workings of the splort. she hasnât tested out whether beaning someone outside of a game has the same effect; maybe he knows, one way or the other.  â i donât know how much wisdom youâve got about all of that, but donât correct me if iâm wrong on this one. â

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send me memes or come plot w me :knife: