Britney photographed by Gilles Bensimon (2000)

Today's Document
styofa doing anything

â
Alisa U Zemlji Chuda
sheepfilms
Show & Tell
Keni
Acquired Stardust
Sade Olutola

Product Placement
trying on a metaphor
d e v o n
Peter Solarz

Andulka

blake kathryn
tumblr dot com

shark vs the universe
KIROKAZE

seen from Malaysia

seen from Mexico
seen from United States
seen from Russia

seen from China

seen from Japan

seen from France

seen from United States

seen from United States
seen from United States

seen from Malaysia
seen from Malaysia

seen from Singapore

seen from United States

seen from United States

seen from United States

seen from TĂźrkiye

seen from Czechia

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seen from United States
@twedescafe
Britney photographed by Gilles Bensimon (2000)

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âThe flag I was carrying is the same one I always hold in all the other protests Iâve attended. My friends make fun of me, saying it is easier to throw rocks without holding a flag in the other hand, but I got used to it.
If I get killed, I want to be wrapped in the same flag. We are demanding our right of return, and protesting for our dignity and the dignity of our future generation.â
â A'ed Abu Amro (x)
Taken by Mustafa Hassouna
@ literally all the responses to/tags on this post:
Stop romanticising that viral image of a Palestinian protester â itâs not a poetic moment
âRomanticising the image of a desperate man taking on an army allows us to justify its circumstances and distract ourselves from the grim truth that, in the real world, David rarely defeats Goliath. Aed could die today, tomorrow, or the week after that. If he keeps protesting, it is almost an inevitability.
[âŚ]
âIn the most tasteless responses, social media users have remarked on Aedâs chiselled jaw and physique. This overt fetishisation of his suffering is obscene, but the idea that the pain and anguish of marginalised groups is a price worth paying for beautiful art is a notion far older than even the paintings of Delacroix.
âFrom Asadâs chemical weapon attacks in Syria, to the bodies of refugee children washed up on the beaches of Europe, images have a radical, empathy-spreading power that can change the world. But the flippant reaction this particular shot, of someone literally risking being shot, represents our growing detachment from pain and lack of collective responsibility for it.
âDonât let this photograph fool you: there is nothing beautiful or poetic about the oppression of Palestinians. Beyond the lens, the constant misery of wasted life and unnecessary death in Gaza continues - we must not let that drift out of focus.â
âDonât let this photograph fool you: there is nothing beautiful or poetic about the oppression of Palestinians. Beyond the lens, the constant misery of wasted life and unnecessary death in Gaza continues - we must not let that drift out of focus.â
Frank Sinatra in Anchors Aweigh (1945)
Marlene Dietrich during her last appearance at the Deutsches Theater, 1960
The cottage of William Shakespeareâs wife, Anne Hathaway.

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Fascination (Jean Rollin, 1979)
Love Grows (Where My Rosemary Goes) // Edison Lighthouse
araki what the fuck
woah itâs lit in here huhâŚ. EUHHHHHH , FOLLOWERS
The Japanese lesbian couple we street snapped in Harajuku several weeks ago started a new lesbian pride Instagram account: Lets_Go_Lesbian

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Lol, mine is apparently, Maximum Risk (1996) âWelcome to the other side of safe.âÂ
https://playback.fm/birthday-movie - #1 movie on your bdayÂ
my last 2 brain cells
I Married a Witch (RenĂŠ Clair, 1942)

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Once I said something to the effect of âheâs more impressed with himself when he calls you beautiful than he is with youâ as some sort of statement towards the self-serving nature of compliments from men. This is especially true when you are not conventionally beautiful, in whatever way that means to you. The exchange then becomes âI can see beauty in youâ carrying the implication that other men cannot, and you are supposed to thank him for completing such a strenuous task.
Halloween mood