Yerevan, Armenia, June 2024, Kodak portra 400, Olympus mju II.

blake kathryn

Janaina Medeiros

Origami Around
Peter Solarz
Lint Roller? I Barely Know Her

if i look back, i am lost

❣ Chile in a Photography ❣
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day
AnasAbdin
$LAYYYTER
Three Goblin Art
todays bird
almost home

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izzy's playlists!
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Andulka

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@transvestat
Yerevan, Armenia, June 2024, Kodak portra 400, Olympus mju II.

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The Bologna Bible (ms 2705), late 12th century
This manuscript (ms 2705) was copied and illustrated in Bologna, Italy, during the late 12th century, perhaps by members of the Armenian community in exile there following the fall of Constantinople in 1204. The illustrations in the Bologna Bible exhibit refined elegance and bear witness to a distinct artistic sensibility. The colours are soft and delicately nuanced, the forms rendered with remarkable precision, and the compositions reveal exceptional mastery. Western influence is evident in the introduction of new themes, such as the Apocalypse.
The manuscript’s presence in the Crimea is attested in the 14th century and again in the 17th century. It later came into the possession of Bishop Yovsep‘ Arlut‘ean (1743–1801) before entering the collection of the Holy See of Etchmiadzin. In 1920–1921, it was transferred to the National Collection of the Matenadaran.
Portraits of Armenian women who were forcibly tattooed during the Armenian Genocide, from the Nubian Library Collection.
Left to right: 1: L. Bilandjian, 17 years old, from Aintab. 2: Marie Bisninyan, 20 years old. 3: Melek, 17 years old. 4: Victoria Delikeshishian, 18 years old, from Keghi. 5: Gurdji, 16 years old. 6: Annig Barugian, 19 years old. 7: Astghik, 16 years old, from Urfa. 8: Khatoun, 17 years old. 9: Mariam Chaparlian, 27 years old, from Marash. 10: Vardanoush Khabetjan, 25 years old, from Qghi. 11: Soultan, 14 years old, from Yeni Shehir. 12: Victoria, 19 years old, from Adiyaman.
Armenian Gospel with silver cover manuscript, 13th century; cover: dated 1691. MET (ID: 16.99) These jeweled, enameled, and gilt-silver repoussé covers for a gospel are examples of the work produced in the late seventeenth-century Armenian silversmith workshop of Kayseri. Both front and back cover are signed, informing us that they were made in Kayseri in 1691 by Astuatsatur Shahamir. The central image on the front cover depicts the Adoration of the Shepherds, and above, the magi following the star. Amid angels, the banner in the sky proclaims, "Glory to God in the highest and on Earth peace." The same composition of shepherds appears on two sets of gospel covers made in Kayseri by M. Karapet Malkhas, one dated 1671 (Mekhitarist Library, Vienna, MS 416) and the other dated 1691 (present location unknown). On the back is the Resurrection, showing Christ in a mandorla holding a bannered cross, surrounded by baroque cherubs and clouds. The green velvet spine is decorated with six garnets and numerous glass or crystal gems arranged in a diamond pattern. These covers were attached to a gospel copied and illuminated by a thirteenth-century scribe named Grigor, possibly from Cilicia. (MET)
the vampire lestat as a persona is essentially male drag. he almost embodies a tom of finland painting there, if you will

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In the early years following Claudia’s arrival, nothing much happened inside 1132 Rue Royal. There were no grand parties. No shocking calamities. The days seemed utterly empty, but everything splendid was in them.
reposting some close ups of my lestat paintings in honor of the new season being less than a month away now :’)
NEVER HEAL indulge in self sabotage romaniticize self isolation ALWAYS QUIT reject your potential never break the cycle let the curse win
Oh how he loves him so

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i got a bottle of wine and that's me watching as you sleep at night and that's me laughing in the darkness as you dream all of the desperate desires of your life
FINALLY BACK TO DRAWING LOUSTAT
Honestly something I was so taken aback by when reading The Vampire Lestat for the first time was how much I related to the way Lestat reacted to the abuse his family put him through. (This isn't a post about me projecting, more so me using my own story to illustrate why I think Lestat's was so well written).
I also grew up in an abusive household, and I was constantly ridiculed for my inability to fit in with the rest, and not adhere to their status quo. I wasn't quiet in response; I was loud as hell. I fought back, I argued, and I became even bigger to protect myself from having to shrink. Because of this, a lot of people struggled to see me as a survivor, or as a victim at the time (I was often told I couldn't be scared of an abuser if I was still bold enough to argue with them). When I read The Vampire Lestat, I was stunned to find myself crying. I've written before about the use of the word "impossible" which Lestat's brother calls him when Lestat is gifted the coat by his village made of the wolves he killed (a moment where he was actually shown thankfulness by the people of his village). Nicki recognizes this, and assures Lestat he's also seen as "impossible."
When I was young, "impossible" , "dramatic", and a whole lot of other adjectives were used to describe how I acted. It's a way to remove attention from the abuser and place it on the survivor. Well, if they weren't so "impossible", if they just "fit in", then they wouldn't "have" to be abused! Survivors react to abuse in a host of different ways, and that is completely valid. Some people, like myself, see something so inherently wrong with the situation, and become bigger versions of ourselves so we're not lost before we get the chance to escape. Lestat takes an interest in theater, performance, he's denied access to being able to read (a form of escapism), so he instead finds a way around it where he can still play the roles he desires. When he's denied even this, he comes back to his village and becomes the provider for his family despite their lack of appreciation towards him. They won't respect him, but he'll know, as they eat the food he provided, that he was the one who nourished them, that he is the one they rely on.
I was the only child in my family to go to college (this is not an insult to my other siblings at all, because again EVERYONE REACTS DIFFERENTLY and not everyone HAS to go to college, either. It's not a sign of success), and I had to scratch and claw my way to get there as I was repeatedly sabotaged. My grades became the way I could actually present my worth, and even then it wasn't enough, because NOTHING ever would be. Still, I knew I was doing it. Achieving what no one else thought I could get. (Ironically, much like how Gabrielle gave Lestat his first gun and the means to hunt, my mom fought to allow me the chance to go to college. Even though she'd prevented me from leaving before (I'd tried to run away), she changed her mind. Before I left to actually go live in the dorms, she whispered in my ear, "run, and don't come back here.").
Despite Lestat seeming strong (and he WAS SO STRONG) he still had moments where he mentally broke down (notably his breakdown after finding out Gabrielle's diagnosis). Because having to put on a front of strength is absolutely EXHAUSTING, and the dichotomy between how people view your life versus what it ACTUALLY is makes you feel like you're going mad. Isolation adds to this, and often the only one who can calm Lestat down is the one "friend" (aka lover) he has (I also relate to this. My dad claimed public schools were brainwashing kids to become democrats/gay (lmao), and as a result I was homeschooled and only had one consistent friend who I met online).
The idea of escaping to Paris wasn't a fantasy to Lestat, which his family treated it like. Lestat was happy, even when he wasn't earning much, didn't live in the best conditions, and was struggling. Because there's a difference between struggling in a cage someone built for you, and the struggle you experience when leaving the cage. (I lived in HORRIBLE housing situations after college. All of my apartments had an infestation of some sort, and they were rarely safe. I was still happier). Nicki, on the other hand, saw Paris as a way to die in defiance, as a way to punish his father (this is how Nicki's mental illness impacted him - he'd been beaten down to the point he saw his life as worthless, so the only way he could find meaning was to use it to punish the person who'd hurt him his whole life). Even when Lestat was horrifically turned by Magnus, he couldn't give into despair, because he fought SO HARD to get his own life. Sometimes, even when you escape, you're still constantly fighting, with the quiet moments being more terrifying than the traumatic ones (I kind of link this to Jacob Anderson and Sam Reid's statements about how, in the books, Lestat would go back to Louis when life was so fucked and he needed something simple, only for him to run away again. Peace sometimes feels scarier than terror, because once you accept it, you have something that can be taken away from you. When you're abused, you learn to almost not allow yourself to enjoy things, as anything you love visibly enough is something that will be painfully torn from you. Such as Lestat loving the monastery).
I'm VERY intrigued to see how this will play out on screen. I really like the way the show handled Louis' trauma and mental state during the first two seasons (he's a ridiculously complicated character who often only feels he has worth and meaning if he's caring for someone else, as that's the only thing his family ever gave him any praise for doing). I think it will be a difficult watch, but I think it's also important. Louis, Lestat, and Claudia are all people that society doesn't usually see as survivors because of their responses to their situations. The show doesn't go to the end of the earth to prove they suffered by making them perfect, it instead forces you to contest with the fact that survivors aren't going to be perfect. Louis responds to the realization of what Armand did by tossing him into a wall, he becomes frustrated by the situation with Claudia even though he was the one who initially asked for her to be turned, Claudia becomes more ruthless after being assaulted, and Lestat is "defiant" and wearing a mask forged from a necessity to survive the whole way through. It saddens me when the fandom tries to turn these characters into one dimensional paper dolls. Everything they experienced is still valid, it was still horrible, even if they're not always perfect. That's not demonizing survivors, it's humanizing them.
i NEED people to realise foreshadowing is. in fact. a literary device. and not a Bad Thing. the audience picking up on your hints is a Good Thing. because. it makes the story and it’s conclusion make sense. and some people will not see those but enjoy seeing them on a second read through. red herrings are one thing but if your novel consists of nothing but red herrings it’s not a coherent story it’s just a collection of paragraphs that don’t actually plausibly link to one another. you're not fighting with the audience you don’t look clever you look like you don’t know how basic fiction works. be vulnerable for once in your goddamn life and don't treat writing like a game to be won where the audience losing is a good thing.
Getting to the end of a story and going "THE CLUES WERE THERE THE WHOLE TIME!" is always joyous for me whether or not I picked up on the clues leading up
If I saw the clues and caught the hints then yes! I am clever and me and the author/creator/artist etc were in on it together the whole time!
If I didn't notice the clues or got fooled but can clearly see them in hindsight then "Ha! You won this time storyteller! I am delighted by this game we play!' and then I enjoy putting the pieces together afterwards and enjoying how clever it was. I feel like the creator respects me as an audience
If there is a "twist" that comes with 0 clues or foreshadowing at all I'm annoyed. I'm pissed off. I feel like I'm being condescended to and patronised. It's not clever or interesting and makes me annoyed I ended up caring about characters and plot points that ended up meaningless.
Because it's not that these stories don't have foreshadowing or plot clues. They just abandon it for a "surprising twist"
A story that pays off the clues is letting me into the fun and makes a participant in the story
A story that just gives me a "shock" but no pay off is telling me not to engage or get attached or care. So why would I watch?
OMG! THIS!
Random plot twists that don't connect to anything in the story are not clever. If we don't see it coming because the writer didn't provide any clues, they aren't clever and it's totally unsatisfying (and I will NEVER read this writer again). These clues need not be lit up in neon with a parade of elephants and showgirls. But they need to be present
I'm a writer and am rarely surprised. Often, if I am surprised it's because the writer was a dumbass and included a "twist" that makes no sense (and therefore isn't really a twist, it's just random bullshit). If a writer genuinely surprises me, without being an absolute dumbass, I am FUCKING DELIGHTED! I will tell everyone I know to read the book/see the movie/watch the show.
Foreshadowing is the reward for paying attention. It's the story letting you in on the secret like a co-conspirator because you're the clever little audience member who has been picking up on the clues the writer has been setting up.
It even makes watching/reading again more worthwhile because if you didn't notice the foreshadowing the first time you have the joy of being able to notice the things you missed!
delicate

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Is it true you were a stutterer as a child?
📜 Faded Gilt - AO3 Skin
This AO3 skin was inspired by antique books featuring elegant gold foil stamping.
Truth be told, I am not entirely satisfied with the day mode. It might not be as comfortable for extended reading as some of my past designs. However, I am absolutely in love with this purple and background color combination—it evokes the feeling of writing and sketching with purple ink on old parchment. The purple foiled motifs also carry a slightly mottled texture, as if gently faded by the passage of time. Perhaps I will update the palette if I discover a better match one day?
I actually began with the night mode and tested several color schemes. I attempted a red, gold, and black palette, but it was a miss. During the process, the contrast felt far too glaring, and the black background was suffocatingly heavy. This purple and gold, on the other hand, reminds me of the beautiful gowns of noble girls in classical oil paintings. I am truly delighted with how it finally came together.
⚙️ Quick Installation Guide
The installation process is almost identical to the famous "🌹 𝕸𝖎𝖉𝖓𝖎𝖌𝖍𝖙 𝕭𝖑𝖔𝖔𝖒 🌹" skin, but with just one extra step: the base file.
You will need to create 4 skins in total. First, create the base, the Day skin (Violet Parchment with light mode checked), and the Night skin (Gilded Velvet with dark mode checked). Finally, when creating your Master Auto-Switch Skin, add them as Parent Skins in this exact order:
Faded Gilt - base
Faded Gilt - Violet Parchment
Faded Gilt - Gilded Velvet
📌 A Quick Note
Just a quick heads-up: Since this skin is highly optimized for mobile devices, the position of some decorative assets might shift slightly if you use it on a desktop or a larger screen. Please don't mind it too much! The layout and immersive reading experience are absolutely at their most perfect on a mobile phone. 📱✨
📢 Disclaimer
Non-Commercial: This skin was created purely for fun and personal interest. It is shared for free and is not intended for any commercial activity or profit.
Language: Please note that English is not my native language. There might be some grammatical errors or awkward phrasing. No offense is intended—if any wording feels inappropriate, it is purely unintentional.
Assets: All visual materials and decorative assets used in this skin were sourced from the internet. All credits go to the original creators.
Content: The works shown in the screenshots are for demonstration purposes only. They are not my own writing; I have only used them to showcase the visual effects of the skin.
Contribute to lovewithless/Faded-Gilt development by creating an account on GitHub.