I Should Really Edit My Desktop Theme

The very first experience it has with the base crew is that they save it from people shooting at it, give it warm hugs, and kill the people trying to deatroy it. After that it attacks and impersonates an unknown (at the time) member of the crew. After that it gets surrounded by dogs who are angry but too scared to approach, then it changes, then it attacks the huskies, and only then does anyone in the base camp treat it with hostility.

The entire first act of the movie is devoted to establishing that they know each other with an Intimacy so deep they can anticipate one another's actions and attitudes. They have been in an isolated arctic base for months and months where they can barely leave the same building. They are in one another's personal space throughout the movie. It's a vital plot point that the Thing can immitate people down to memories and personality traits. It's a vital metaphorical point as well. It's so deeply and fundamentally superficial and factually incorrect to call them unfamiliar with each other that it implies total inattention to what is happening on screen.

The Thing is, at heart, not a movie about any singular decision or behavior creating a bad outcome. Baked into the 1982 movie is failure, death, entropy, inevitable loss. It's not a movie that's meant to have a right solution, or a right decision - but when someone comes at this very bleak story without a good grounding in horror, there's a kind of urge to treat it like a puzzle. If only they were closer. If only they communicated.

That's not meeting it where it's at, because it rests on a situation where none of those elements really exist. People acted the best they could in the circumstances with the tools and information they had - and it simply was not enough. Nearly everyone dies. Even with the ambiguous ending, whoever is human is going to die, because it's winter in Antarctica and he is hundreds of miles from anywhere with no shelter and no food and no transportation. That's the sort of horror it is, the idea that when faced with extinction humanity's best efforts won't succeed. Creating an interpretation where if we had "just" this or that is shying away from the bleakness. But at the same time, not facing up to the idea that some things really might not be solvable, that the worst can happen in spite of it all, is a necessary skill. Not one we need to indulge in constantly, but we should have that knowledge.

In brief, fandom seems to be predominantly comprised of people who only want to talk about what isn't in the media. There is a fandom for The Thing on tumble, and it's very much about ideas that come from the movie, but not about anything innthe actual film. The few times I've had the misfortune to enjoy media with a large fandom, I find almost exclusively shipping, fantasies about specific characters antithetical to the subject matter, and an almost oppositional distaste for any of the actual intended or unintended meaning in the media. None of those are a problem per se, because the world is a big place and it doesn't matter in the grand picture what people want to pretended about a book or movie or TV series. This is mostly a me problem, where I can be perfectly fine and ignore what comes across my dashboard, but this is also a me post, which means I can complain about the phenomenon.

Anyway, where I find it frustrating is the encroachment of fandom focus on what isn't in the media into my little wading pool of enjoying digging through the ideas that are in the media, when a "what if it was completely different" idea inspired by the media gains so much traction that it begins to be treated as a reflection of the text, sometimes even exiting its primary fandom, like The Thing, into general circulation. Which is how you get people discussing the "creature is misunderstood" not-present ideas of The Thing by fandoms, while effectively ignoring the vastly more significant elements of the film relating to the Reagan era 1980s, cold war paranoia, and so on. Once a fandom non-textual idea propagates far enough, it not only occludes the ideas inside the original media, in my experience it almost invariably excises anything that was challenging about it. For example, how rapidly fandom's latched onto the idea of Remmick in Sinners as a misunderstood tragic figure - rather than anything to do with what the film is saying about systemic racism. It feels like a companion behavior towards people whose take away from media like Breaking Bad, Fight Club, or Obsession is that the male protagonist is meant to be viewed in a positive light - because that is an easy and more comfortable option than for example treating any character who isn't a guy or isn't white or isn't straight as a vital, human person at the center of the film.

tech news today is that Mullvad VPN has gone mask-off about being the major funding source for the Swedish Orebro party, who are racist nationalists. unfortunately all discussion of this is occurring on fucking Mastodon instances i can barely load

if you are a mullvad customer (as i am) and want to get out, here is guidance from this guy

Rhetorical dogwhistles are things that most people would not be able to identify as bigoted because they're INTENDED to have plausible deniability.

The wording changes are meant to be subtle enough that people really can mix them up accidentally when they don't have much information!

So when the gender critical movement calls trans women "transwomen", they're hoping for 2 things.

this usage will spread enough among people who don't know any better, to give transphobes the plausible deniability of not LOOKING like a frothing bigot constantly.

the usage grammatically places trans women in a different category than other women; it's changing "trans" from an adjective to part of a noun to make this distinction.

The more we can avoid this usage, the less deniability have transmisogynists have when using it, and the less we are helping their cause.

Other tips: if you are going to buy things that aren’t pre-taxed, you need to make a habit of always doing the prep AS SOON AS YOU GET HOME. it will NEVER HAPPEN if you don’t.

Get the bulk pack of steaks! But you are never gonna eat them before they go bad. If you freeze them in individual ziplocks as soon as you unpack you probably will?

Get the celery, but you need to cut it ALL UP and store it in the fridge in water or it will rot.

These are valid points for the busy parent, the overstressed college student, and the person working the “wrong” shift. 

Real story - I have thrown away SO MUCH meat and produce in my time. Frozen veggies can even be better than fresh, since they are picked when ripe and frozen rather than picked early and expected to ripen in shipping. My local grocer will sometimes pre-chop less-than-desirable veggies and sell them in the discount cooler - a chopped onion is more useful than a whole one! Meat in bulk packs is WAY cheaper, but you have to make breaking up that huge pack part of putting away the groceries. Also, having a place to put the groceries away helps make the process easier. It’s taken me more than one decade of life to figure these things out.