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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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ana mendieta

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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ben shahn,Ā āi never dared to dream,ā 1960
Dorothea Tanning, Fantasy Figure, 1949
Académie des Beaux-Arts, Kinshasa, Congo 1970 by Eliot Elisofon
MildutÄ Å½ilinskaitÄ (Lithuanian, b.1983) - Shrovetide masks, linocut, 1992.
source
Marie Vassilieff (Russian, 1884-1957)
Miraculous Virgin, N/D
Mixed media and collage on cardboard, 31 x 24 cm

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Voynich Manuscript
Weird plants that never existed; nude women frolicking through intestinal shapes; mandala-ish diagrams of spirals and stars; words in an indecipherable code: nobody knows what the deal is with this thing. Maybe made in Italy in the 15th Century. Maybe itās a real language that nobody has ever spoken. Maybe not.
Currently stored in one of my favorite buildings: Beinecke Library
SkupljaÄi Perja dir. Aleksandar PetroviÄ (1967)
Maternity (Marc Chagall, 1912)
Simone Weil (centre, with spectacles) with a group of students
š·frag ment šø

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Anselm Kiefer, Winter Landscape, 1970.
Currently reading Lisa Saltzmanās Anselm Kiefer and Art After Auschwitz. Though I donāt agree with a large portion of her theory, her analysis of this early watercolor made me do a lot of thinking. Is this the ashen-haired Sulamith of Celanās āTodesfugeā, in her spacious grave above the clouds after symbolically dying in the Holocaust? Or, as Saltzman suggests, is it a self-portrait of Kiefer and his working through his death of identity as a German artist born in 1945? Saltzman argues that this watercolor is both melancholic and a symptom of Kieferās own melancholia, his inability to mourn the Holocaust, instead inertly dwelling in his own loss.
Heksenkring x Haunted House Spooky Autumnal drawings, prints available in my Etsy shop Pencil, 2018Ā