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Aline Brosh McKenna talks about making the right hires and nurturing Rachel Bloom while making Crazy Ex-Girlfriend.

I have so much respect for Aline Brosh McKenna. Love to hear her talk about making tv!

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Is your dialogue scene missing something? You might be able to enhance it with sound design.

I absolutely love sound design.

One left Ukraine as a child and the other escaped the Ivory Coast by foot (and then migrant boat) just months before they both became the leads in Laura Luchetti’s new film.

The authenticity of the freshness can really read on screen.

Ken Miyamoto uncovers the truth about the Script Doctor — that there is no such thing.

Hmmmmm.

#writing

Find out how to utilize practical lights to enhance the look of your shots.

Excellent and practical suggestions.

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There are a multitude of articles with apparent advice on the differences between movies and plays (cinema is storytelling with pictures, theatre is storytelling with words; theatre is confined to...

Having been involved in both, I would say this seems harder than adapting a novel.

#stage play

While “shaky cam” films like Cloverfield have been incredibly successful at the box office, many recent “found footage” movies will now begin with some shaky, handheld shots and transition into stabilized tripod footage. Stabilized footage is expected in most projects like commercials, corporate videos, documentaries, and wedding videos. Think about it; would you really want …

And rehearse using it!

The legendary filmmaker and film preservationist makes his case.

Yes, yes, yes.

The summer's biggest breakout hit was helmed by a filmmaker in the business for decades.

Interesting.

Universal Studios presents an early Halloween fright flick for the family.

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During a panel at this year's TIFF, filmmakers, theater owners, and studio executives gathered to discuss the role of theatrical distribution in 2018.

I will never forget watching Under the Skin with an audience in Chicago. Pin-drop quite, glued to our chairs. It was magical. There’s a psychic connection when watching with other people that doesn’t happen at home on a small screen, and it’s worth it from time to time to go and be blown away.

Ken Miyamoto features quotes from some of today's best cinematic storytellers and applies their words to screenwriting.

Great quotes!

#writing

Academy Award nominee Paul Weitz's latest film is a serious drama with global implications.

I love this book and I’m curious how it will turn out as a movie. The thing I liked so much about it as a book was the omniscient point of view. That will be tough to capture.

Ken Miyamoto explores the TV writing lessons that can be learned from the cult classic series FREAKS AND GEEKS.

Love this show so much.

#writing

We all have seen scenes featuring directors with their berets and megaphones, yelling orders to their actors. It should come as no surprise that yelling at your talent is not the best way to elicit a good performance. Think of it this way — a seasoned director is more like a Conductor than a Drill …

There are some solid suggestions here, but also some tips I would be wary of. It’s risky to say a line FOR your talent, hoping they will give you the performance you want. I think it works better to ask them to try it a few different ways and then guide them to the one that best matches your expectations.

#production

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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Ken Miyamoto answers lingering questions screenwriters have about the studio script reader and their process.

I enjoyed this frank expose.

#writing tips

“I understood this was big,” said the usually unfazed Werner Herzog about speaking with the infamous former president of the USSR in his new documentary, 'Meeting Gorbachev.'

The skills for a documentary are similar but also different in many ways to narrative filmmaking.

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