Willem van Leusden (German, 1886 – 1974)
Lane in Winter, 1917 Oil on canvas, laid down on panel, 69,4 × 40,2 cm.
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Willem van Leusden (German, 1886 – 1974)
Lane in Winter, 1917 Oil on canvas, laid down on panel, 69,4 × 40,2 cm.

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Paul Ranson - Witches in Saturnalia
Great Altar of Zeus at Pergamon

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purple mountains is the last album david berman worked on. it was released on july 12th 2019. david passed away not even a month later.
Lina Bo Bardi / Casa de Vidro, São paulo 1949-1951; © Markus Lanz, 2014.
Calendula. Catalogue of rare Florida flowers and fruits. 1892.
Conscience, Judas, 1891, Nikolai Ge
Medium: oil,canvas
Athens, Greece. Ionic capital of the propylaea of the Acropolis. Ιωνικό κιονόκρανο των Προπυλαίων της Ακρόπολης.

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Sphinx of the Naxians
Delphi, Greece
560 BCE
12.5 M high total, Sphinx alone 2.2 M
Ionic order
This beauty is one of my favorites. Its early Ionic capital and towering presence are mesmerizing
The Sphinx of the Naxians, also called Sphinx of Naxos, is a colossal marble statue of a sphinx, a mythical creature with the head of a woman, the chest and wings composed of the impressive feathers of a prey bird turned upward, and the body of a lioness. It was originally set up on a stele around 560 BCE next to the Temple of Apollo in Delphi by Naxos, one of the richest Cycladic islands at the time. The Sphinx stood on a 10 meters column that culminated in one of the first Ionic capitals.
The statue of this mythical creature stood on a towering Ionic column, which may have been the oldest Ionic construction project in the site of the Oracle of Delphi. Her statue had been set up close to the Halos, the most sacred spot of Delphi, where Apollo had presumably killed the python. According to tradition and its mythological representation, the Sphinx had the face of a woman bearing an enigmatic smile, prey bird wings, and the body of a lioness. It was carved from a large piece of Naxian marble. The solid construction combined elements that gave the statue a character of motion and vitality, such are the details that depict the hair, chest, and wings. It is also notable because it is an early example of carving in-the-round, as opposed to relief carving that was common during that time. The monument was made entirely of marble and created awe to the visitors and constituted a typical example of Naxian sculpture in its peak period, i.e. in the sixth century BCE
On the base there is an inscription dated to 328-327 BCE, renewing the promanteia (The privilege, bestowed upon cities or individuals by the Oracle of Delphi, to ask the Pythia in priority) for the Naxians:
ΔΕΛΦΟΙ ΑΠΕΔΩΚΑΝ ΝΑΞΙΟΙΣ ΤΑΝ ΠΡΟΜΑΝΤΗΙΑΝ ΚΑΤΤΑ ΑΡΧΑΙΑ ΑΡΧΟΝΤΟΣ ΘΕΟΛΥΤΟΥ ΒΟΥΛΕΥΟΝΤΟΣ ΕΠΙΓΕΝΕΟΣ Delphi accorded the Naxians the right of Promanteia as before, at the time of archon Theolytos and Epigenes the Bouleutes
Disks Bearing Spirals, 1923, Marcel Duchamp
Medium: pencil,ink,paper
Looking northwest from the 11th St. bridge, Grant Park, 1956, Chicago.
Marble statue of Aphrodite, the Venus Genetrix, copy of Greek bronze statue attributed to Kallimachos (late 5th century B.C.)
Roman, 1st–2nd century A.D.
Jasper Johns 0 through 9 1960 Lithograph 24 ½ x 18 15/16"

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Huérfanos de Babel. Gustavo Díaz Sosa (born 1983, Cuba) ~ 2015 • via Bibliothèque Infernale on FB
Planisphere of the Seasons, from a ceiling in Villa San Marco, Stabiae
Roman, 1st century AD