He’s so pretty… I want him to be grievously injured
cherry valley forever
The Bowery Presents
$LAYYYTER

JVL
Jules of Nature

bliss lane
noise dept.
KIROKAZE
occasionally subtle
Cosimo Galluzzi

Origami Around

#extradirty

pixel skylines
Monterey Bay Aquarium
h

Love Begins
Xuebing Du

gracie abrams
Cosmic Funnies

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@theyhaveacavetroll
He’s so pretty… I want him to be grievously injured

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politicians will name their proposals "the act to defend freedom and justice by the honesty coalition of friendship" and the contents will be a comprehensive plan on how the state should spike the tap water with giardia and start guillotining elderly golden retrievers in public
Lots of drama in our household
Via cid_dwyer
it's so important to me that eliot is canonically not just parker and hardison's third wheel but in fact textually placed right in the middle of their relationship. when parker says she's in a great relationship in the swipe right job, she doesn't say "me and hardison and also you." she says "me, you, hardison." in the harry wilson job they change the infamous "til my dying day" to "til OUR dying day," implying that eliot has made his peace with the idea that he's not on the outside as parker and hardison's protector but an active part of the relationship that can't be lived without. hell in the long goodbye job nate's narrative doesn't have parker and hardison, the romantic couple, holding hands as they die, but the two of them holding hands with ELIOT, who's in between them. he's central to the relationship, and nothing and no one will ever change that

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GARRETT WITHOUT HOOD???
hot take but if it's really a free trial then people shouldn't be expected to give their credit card infos before entering the trial. they should only be asked to do that once the trial is ending or after it's already ended and they're satisfied with what they're paying for. not if they forgot to manually cancel the payment that they didn't sign even sign up for
Hanahaki disease is a psychosomatic illness. It's a thing that your body does in response to stress over constantly repressing/concealing your feelings in settings with high background magic. It's like you've been ignoring pain for a long time and suddenly your vision starts going dark, because your affected body is just YANKING on random alerts trying to get you to PAY ATTENTION there is a PROBLEM. Yes the flowers do really exist. So do non-magical psychosomatic symptoms. The flowers aren't special.
This does of course open up the trope to options for non-romantic concealed feelings. Which I think is great. There is something viscerally satisfying about the person who seems so outwardly chipper coughing and hacking and spitting up Depression Flowers so now everyone has to know they're hurting. Isn't there?
Hanahaki, but it's a child that feels neglected by their parents.
Hanahaki, but it's someone whose friends have started ghosting them.
Hanahaki, someone's wife is cheating on them.
Hanahaki, the disease that gives you three options: confront your feelings, destroy the love you hold for someone or perish choking on roses.
Flinthamilton + flirting through quipping
I like how even text posts with no links are hidden from tags and searches if you so much as type "kink" or "bdsm"
half this fucking website is bots posting hardcore pornography that is not at all hidden or tagged but actual human users trying to have a grownup conversation get blocked for using Words that the tellytubbies don't like

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I do really love it when women write graphic and fucked up things. I feel like so often people react to fucked up fiction with “of course a disgusting man would write this 🙄” and it often carries an unspoken (honestly sometimes spoken) message of “a woman’s PURE and DELICATE and FEMININE mind could NEVER think of something this VILE”. Thank you women in fucked up fiction 🫡
My favorite scenes in the LotR books are the ones where Legolas has vital information and just decides it's not important to share.
Like when Gandalf spent literal PAGES trying to figure out why the vibes were off in Moria and Legolas chimes in with just "it's a balrog :) that shit's evil :) we're so fucked :)" like what do you MEAN you knew already and just didn't tell him??
Or at the beginning of Two Towers when Aragorn thinks there's something nearby so he puts his ear to the ground to listen, and then like 10 minutes later is like "hmmm i hear horses" and Legolas is just like "mm yep. there are 105 blond bitches with spears" like you just let your friend put his face in the dirt and you can SEE them??
Legolas please gain a sense of urgency
It's because legolas hasn't spent enough time with non-elves to remember that they don't know what he knows.
gandalf is scratching his head in moria, and legolas is thinking "oh man, the wizard noticed something off *besides* the obvious balrog that we all are aware of??"
"I wonder what aragorn is listening for? must be hard to hear, what with all of the horses. How many horses are there, actually? 1... 2... 3..."
"What do your elvish eyes see?" is Aragorn saying, as politely as possible, "Because the REST OF US are at a significant disadvantage, Prince Dipshit."
ok but you guys do realize the following key things that are contributing to why I am feral about Epic, right?
Penelope doesn't need to prove to herself that Odysseus is really who he says he is in this version. She needs to prove to him that he's still the man she loves, still someone who can be loved, not the monster he fears he is.
The "waiting Waiting - Penelope - WAITING WAITING - Penelope! - WAITING WAITING WAITING! is her more or less shouting him down as he tries to find fresh reasons that he's awful and unlovable and should go die in a ditch or something because she needs him for once in his life to shut up because he's being dumb and trying to take himself away from her again when she's been WAITING FOR 20 YEARS and she's not having it, she's going to shout at him until he gets that he doesn't get to run away now that he's back
Just a Man is playing in the background at the end because after all of that, all of the fighting and dying and horrors, he finally gets to be just a man, not a monster, not the thing Poseidon and Zeus and arguably Athena tried to make him into. He fought for his life AND HE WON.
And this is just a random thing unrelated to the previous three - you guys do realize that when Odysseus says "I'm not sure I follow" to Circe, he's not being dumb, he's being deliberately obtuse, which is different. He doesn't want to sleep with her so he's acting stupid and hoping she'll get the hint and STOP HINTING.
Anybody else ever think about the way that Athena says "this way you'll know what your place is" and then Poseidon and Zeus proceed to utterly beat everything out of Odysseus except his love for his family and effectively serve him up on a platter to be a sex slave for Calypso? Anyone else ever wonder how many times it occurs to him over seven years to wonder whether that's what Athena meant when she said he should know his place - whether she meant on his knees/on his back and whether, when she appears again, he's quaking inside and hoping she's the one Hermes spoke of who fought for him and not just his patron returning to remind him of and return him to his place?
I like the Epic Fandom but I am in fact going to buy some of you a copy of Jonathan Shay's Achilles in Vietnam and its sequel, Odysseus in America and read it to you until you understand that Odysseus is not "ruthless from the beginning" or "lying to himself about who he always was when he calls himself Penelope's kind and gentle husband".
We open our scene on this man when he has been at war for ten. straight. years! The PTSD is running rampant already, the moral wound has been dealt, what in the fuck did you think Open Arms was about? We have no idea what he was like when he left Penelope, we never meet that man! He turns away from killing Polyphemus not out of hypocrisy or stupidity but because he's trying desperately, futilely at that moment, to reconnect with the man he was, he turns away precisely because killing that infant is the height of his own depravity and he knows it and he feels utterly horrified because he's still fucking human despite that! He still wants to be gentle!
Him refusing to kill Polyphemus is him drawing a line in the sand (one that he proceeds to stride over in Different Beast). He's looked in the mirror and the man he sees is someone he's scared of and that's the point. Epic is him learning to look that man in the face and NOT be scared, and it's a tragedy because he should be frightened, he should be allowed to be horrified, and he’s denied even that and that's. What. War. Does!
And that's why when he goes back to Penelope, the real challenge is not for her to physically recognize him, it's for him to be able to believe her when she says he's still the man who left twenty years ago and that she can fall in love with his trauma too but he doesn't get to run away out of shame.
Anyway, if I see even one more person who has no idea what trauma does say that Odysseus was never gentle or isn't capable of that, I'm going to eat Mt. Olympus.

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Above all else, don't think about Menelaus.
Don't think about Menelaus, whose wife is stolen from him, who wages a ten year war to get her back not just because he wants his wife back but because he couldn't really have avoided that war if he wanted to (thanks, Odysseus). Menelaus, who wins that war, finds Helen and forgives his wife/figures out that Aphrodite basically signed her up to be raped and kidnapped, and then leaves Troy - only to get stuck far from home for another eight years because the gods are still vengeful, still not done with them, and their daughter is at home but they don't get to raise her, and that's got to be killing both of them the entire time. And then - and then. Just to add extra heartbreak as if they hadn't been through enough. Menelaus talks to Proteus the seer, and finds out that his brother Agamemnon has been murdered, and his best friend, Odysseus, the person he'd sworn to found a city for so they could hang out more, the person who'd helped him rescue Helen - is now missing, kept by Calypso, in more or less the exact situation that Helen had been in only Menelaus can't. save. him.
And then they have to go home to Sparta and make the decision of whether or not to tell Odysseus's family, because logically speaking what good does it do to tell them? Oh, he's alive but there's this goddess and she may never release him and we don't know exactly where her island is, no one does, and so functionally that just means that Penelope is - what? Perpetually doomed to never be able to move on? All while carrying the knowledge that her husband is alive and miserable? And on the other hand, doesn't she have the right to know? Doesn't Telemachus? No wonder Menelaus says he can't eat or sleep every time he thinks about Odysseus.
the thing about john silver’s end of series betrayal of flint and madi is that it’s often framed as him sacrificing his relationship with them. which just isn’t the narrative’s intention. he’s sacrificing his SOUL not anything smaller than that. he becomes treasure island’s long john silver by forsaking his heart and ethics his SOUL!!!!!!