This is what I was alluding to when I discussed that the volume of name changes you have to make as a trans person highlights the ridiculous amount of documentation attached to you.
Misplaced Lens Cap
RMH
Show & Tell

❣ Chile in a Photography ❣

shark vs the universe
Stranger Things
Xuebing Du

PR's Tumblrdome
YOU ARE THE REASON

★
Noah Kahan
The Stonewall Inn
𓃗

#extradirty
TVSTRANGERTHINGS
almost home

blake kathryn

if i look back, i am lost

seen from Canada
seen from India

seen from Türkiye
seen from T1
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seen from United States
seen from Réunion
seen from China

seen from Türkiye
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@theyhaveacavetroll
This is what I was alluding to when I discussed that the volume of name changes you have to make as a trans person highlights the ridiculous amount of documentation attached to you.

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"Steve Irwin of Los Espookies" gets me every time.
"You don't know me. I'm not the same person anymore."
"That's okay. I'll get to know you again."
To be quite frank I think that every single person who thinks it matters more that they had fun than the fact that Nolan cast Helen of Sparta as a Black woman only to add a completely original scene where she is “punished” with abuse and mutilation, that the Odyssey production crew dumped plastic props into the ocean, that they also refused to compensate the group in Norway who made the authentic trireme replica after they damaged it, and the fact that Zendaya wore fucking looted earrings stolen from Iran and permanently damaged just to be used on the red carpet, shouldn’t speak about how people are “annoying” for thinking that a story that completely warps and misunderstands an epic from a culture that has been appropriated by racist white people for hundreds of years is badly written. And that they should shut the fuck up
Edit: I’d like to add that the Christianizing of the Ancient Greek understanding of what gods are is rooted in white supremacy. It is this idea that there is only one way to view divinity and that way is the way of the religion that has bulldozed and annihilated any other way of believing by murdering and colonizing Black and brown and indigenous people. It’s fucking exhausting seeing people defend it over and over with “it’s his interpretation!”. People, his interpretation is rooted in white supremacy.
Edit 2: It’s also frustrating to see people misunderstand Helen of Sparta, since that’s her real title; she wasn’t politicized and she wasn’t treated like the prize in the war. She was fucking kidnapped. I understand that that makes you uncomfortable but she was stolen from her home and that’s a really important aspect of the story, actually. Making Menelaus mutilate and abuse her for being kidnapped is not only one of the most egregious misunderstandings of his character I have ever seen, but really weird when you consider that change was made in an adaptation where Helen is Black. You watched a scene in a movie directed and written by white people where a white man mutilated and humiliated a Black woman and somehow, some way, the fact that you had fun is more important.

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Look, I realize that the whole Schrodinger's Mitch thing has real political consequences on a national level, but since I'm not from Kentucky and have no say whatsoever in the outcome of the situation, I'm honestly just finding the entire thing grimly hilarious. Has Horrible Turtle Man died? We don't fucking know! Turns out senators can just not show up to work indefinitely and there are no consequences! What fun!
Cannot believe this post is still relevant completely unedited. This timeline is utterly off the rails.
i made a post like this before but I can't find it now. so. I'll just redo it.
What's the first "big news story" you remember from when you were a kid?
It's something I love to ask mixed-aged groups sometimes because I think it's really interesting to see the responses. I've gotten answers from the Olympics of [whatever year] to Watergate to more recent stuff from my niblings.
My first news thing I remember is the OJ Simpson trial. I vaguely remember watching the news with my grandparents before that, but that's the first story I remember, in part because my second grade teacher had us go play so she could watch the verdict 😂
We also figured out—the hard way—that the ancients probably cut each layer of linen to the proper shape before gluing them together. For our first linothorax, we glued together 15 layers of linen to form a one centimeter-thick slab, and then tried to cut out the required shape. Large shears were defeated; bolt cutters failed. The only way we were ultimately able to cut the laminated linen slab was with an electric saw equipped with a blade for cutting metal. At least this confirmed our suspicion that linen armor would have been extremely tough. We also found out that linen stiffened with rabbit glue strikes dogs as in irresistibly tasty rabbit-flavored chew toy, and that our Labrador retriever should not be left alone with our research project.
I love this in every way possible. What is it from? Where can I read more?
The pitfalls of experimental archaeology and puppies.
link to source:
“Unraveling the Linothorax Mystery, or how Linen Armor Came to Dominate our Lives.”
https://jhupress.wordpress.com/2013/04/24/unraveling-the-linothorax-mystery-or-how-linen-armor-came-to-dominate-our-lives/
holy shit read the article. it’s short but wild
We found that even more of a threat than rain was one’s own sweat on a hot day. So, yes, it does need waterproofing, both inside and out. We did a number of experiments along those lines, and found that rubbing a block of beeswax over all sides of the armor provided nice waterproofing. It also makes the armor smell nice! When you wear it for a couple hours, your own body heat softens the glue a bit and makes it conform to your body shape, so it is much more comfortable to wear than rigid types of armor. Our reconstructions weighed about 10 pounds–about one third the weight of bronze armor that would provide the same degree of protection.
Honey i gotta go to war… not to smell my bee armor or hang with the boys or anything no.. uhh we need to uh do war things?
#i've definitely read this before and i've probably reblogged it before but like.#no one in this thread is mentioning that they actually shot someone with an actual arrow in this armor.#they were like 'we've got to test this in practice' and instead of getting a mannequin or something they had an actual person wear it.
They what?
from the article:
While all of this mayhem (both scientifically controlled and free-form) convinced us that our linothorax was ancient-battlefield-ready, we still felt compelled to try a real-life scenario, so Scott donned the armor and Greg shot him. And while we had confidence in our armor, our relief was still considerable when the arrowhead stuck and lodged in the armor’s outer layers, a safe distance away from flesh.
a good life-size mannequin is expensive but i guarantee it would've cost way less than they were spending on all that linen.
Academics are just like that.
They wrote a book about it btw
Reconstructing Ancient Linen Body Armor: Unravelling the Linothorax Mystery - Gregory S. Aldrete, Scott Bartell, Alicia Aldrete, 2013. and here's the "they shot a guy" pic, with one of my favourite captions ever
WOW YAY thank you @captainhelion , one for this important update and addition to my tbr and two, because I remembered you didn’t have the username On Here that I met you under but had forgotten what you changed it to!
Odysseys drawing his bow
what if u were a private investigator who excelled at your job but struggled as a woman in a male dominated field so you created a false male identity under which to open your business and one day a con artist who is obsessed with classic films and lacks a stable sense of identity shows up and basically moves into your office and starts using the identity you created for yourself and his personality clashes with both yours and the version of yourself you projected onto the false identity and you therefore start to feel that your own identity is being eclipsed by his as he transforms the identity into something not just of yourself but also of himself and he starts to feel insecure in both his own identity and yours as he fails to live up to your expectations whilst searching for his own identity within yours before you both realize he IS himself and yourself and you ARE yourself and his self, and also you were in a workplace situationship this whole time. well this happened to my good friend laura holt on network television from 1982-1987.

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some of you weren’t around for the fan fiction dot net purge of 2002 (when they banned explicit content and mass-deleted thousands of fics) and the livejournal purge of 2007 (when they deleted hundreds of blogs, disproportionately targeting queer & kink content) and it shows
this kind of policing is why ao3 was created
remember, kids, the three laws of fandom are:
- don’t like; don’t read
- your kink is not my kink
- ship and let ship
your kink is not my kink *but your kink is okay* don't forget that part
your kink is not my
kink *but your kink is okay*
don’t forget that part
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
i was training a young person at work, and she referred to sexual assault as "SA" out loud, and i immediately was like, "no, it's sexual assault, call it what it is," bc idgaf if the algorithm overlords have taught y'all that you should fear direct language, how tf do any of you expect to ever address real issues with any amount of seriousness if you can't even say the words? imagine an advocate looking a sexual assault survivor in the eyes and asking "did he grape you?" it's absolutely fucking absurd, but these young interns and new hires are coming into an environment where we deal with survivors of all different kinds of abuse, and they're coming with the mindset that the words are as bad as the actions, and that makes them shitty at the job and look juvenile af
i HATE self-censorship for a lot of reasons, but being in crisis work makes it even more frustrating. who are you censoring for? like i am being so fr, WHO are you censoring for? have you even thought it through? people who have been raped know that they have been raped. if someone attempts suicide or is grieving someone who did, saying "sewer slide" isn't going to protect them from any of the feelings. a murder victim's family isn't going to feel better bc you said "unalived" instead of murdered. if anything, it's just extremely invalidating and othering. it's saying "what happened to you is so bad that i won't even say the word," which is NOT trauma-informed care. you are not protecting survivors/victims when you self-censor. the ONLY things you protect when you self-censor are the puritanical ideologies that are being encouraged by rich fascists who want your money and obedience
say the fucking words, guys. just say the goddamn words before i go insane!!!
Sucks how many people were taught that "horses put their ears back when they're mad" but then never taught the difference between "angry backwards ears," "mildly annoyed backwards ears," "pain backwards ears," "concentrated backwards ears," "sleepy backwards ears" and "just happens to be listening to something behind it."
"Horses put their ears back when they're mad" idk man i think it depends
These are all completely different expressions in completely different scenarios, and only two of them are decidedly negative.
Actually, I wanna talk about the third horse, the one putting its ears back in pain. Over the last 15 years veterinarians and animal scientists have worked out pain scales for most domestic animals by taking photos of the during routine procedures.
We know vaccines painful, and by comparing horses at rest with horses getting vaccinated, we've been able to determine how they express pain visually. By looking at horses with disorders like colic, broken bones, wounds, and so on, we can determine their facial expressions during more severe pain.
At zookeeper school we were drilled through the pain faces of the most common lab animals and livestock. Nowadays I believe this has become a routine lesson in all animal related fields, but the general public still doesn't know that this is a thing that exists.
Here are all the pain face/grimace scales I've been able to find. Please study them if you interact with any of these animals on a regular basis:
Can you please explain your dialogue theory of fanfiction?
In short, that dialogue, more than anything, makes or breaks a fanfic. What do posts like "He would not fucking say that" and "They would NOT have communication skills that good" have in common? Talk. Characters expressing themselves to one another. The faithful recreation of identifiable speech patterns is weighted heavily in the evaluation of a fic's quality. By "speech patterns" I do not just mean the semantic content of a given character's expression, but idiosyncrasies of style and slang, vocabulary and idiom, even gesture, musicality, and rhythm.
Of course believable dialogue is far from the only thing that makes a good fanfic Good. And there are forms of fic writing, particularly highly abbreviated ones like drabbles and ficlets, that in practice tend to de-emphasize its significance. But if we are talking about the romantic, erotic shippy stuff that is the meat and potatoes of online fandom, dialogue does the heaviest lifting short of the consummation itself. Arguably more so! It's the real keystone to the catharsis, and often the catalyst for it. Is there a confession occurring? A provocation? An evasion or ultimatum? Zoom out, big picture: What is the most potent and fundamental mechanic for developing complexity, tension, and transformation within a relationship, getting it to go from one thing to another? Making these two idiots talk to each other! Often clumsily and indirectly and maladaptively, at the worst possible time and in the worst possible situation, about anything or everything but what they should be — but talk they usually do.
What makes fanfic specifically so challenging and rewarding in this regard is that the talking is as much a feat of translation as invention, because both reader and writer are working off an existing model. Liberties taken with plot, form, and even narrative voice have wider buffer zones; you can get creative with circumventing the events of canon while still conforming to its emotional and substantive essence.
But the training wheels come off the moment you open your mouth to speak in another character's voice. And man, nothing will break a reader's immersion quite like he would not fucking say that.
I probably should have clarified at the outset (though maybe it’s obvious) that this post was made with televisual media in mind. I’m seeing a lot of comments/tags to this effect and if you want a very straightforward exercise that will strengthen your ear for writing in-character fic dialogue, start transcribing the source material. Re-watch relevant scenes of interaction with either a notepad out or an open Word/Scrivener/Google Doc and translate it word for word back down to written form. Pause wherever necessary to make sure you get it all down, and annotate with any useful observations that jump out at you. Go back over and re-read what you’ve transcribed when you’re done. You’ll start to pick up on, at the very least, certain modular fundamentals: shorter vs longer sentences, preferences for certain words or phrases over others, regional slang, how and how often they curse (or don’t), etc. Do this often and you will get better at replicating how your blorbos speak to each other. Promise.
ID: screenshots of three sets of tags: 1. i read this at a time where i am struggling to get a characters voice and perhaps that was a bad time to read it but youre right 2. its why dialogue being my achilles heel hits so much harder - because it becomes so quickly inescapable 3. ah my arch nemesis - dialogue. but this is an interesting read tho
There is a post I saw ages ago, and cannot find which is maddening, but it had some very useful advice about finding character voices by using various scales. I have tried to recreate some of the scales since they've helped me. All of these are going to change depending on the situation, who the character is speaking to etc. but it can help to get a baseline. Formal ----- Casual Does the character speak as though they're meeting the head of state, or like they're talking to their best friend? When they meet someone new, do they say 'Hi!' or 'Pleased to meet you.'? Verbose ----- Taciturn Do they ramble or are they a person or few words? Rude ----- Polite Do they demand to see a manager, or ask an assistant if it would be possible to get some help? Blunt/To the point ----- Meandering Do they say exactly what they mean, or do they hedge/soften their words? 'This will not work' vs 'I think we could also look at other options' Complex ----- Simple Think of this as a scale from scientists discussing black holes at an academic conference to explaining black holes to a five year old. Clean ----- Vulgar Do they swear a lot? Do they make dirty jokes? This one tends to be a bit hazy i fanfic because there are characters who definitely feel like they should swear a lot, but are restricted by being in a PG-13 rated show/game. So for my current Character, Osiris from Destiny... He tends to be fairly formal, especially with people he doesn't know well. He is verbose - the man goes off on rambling tangents frequently and loves talking about things he's interested in. He can be rude - he often ignores the niceties of social interactions, but it's not (usually) because he intends to be rude. He is very blunt and speaks his mind and appreciates others doing the same with him. He tends to fall on the complex side of the scale - he will casually throw high level scientific and philosophical terms into a conversation and just assume everyone understands him. His language also tends to be clean - he doesn't swear much in casual conversation (though he has been shown to in moments of frustration). If he does dirty talk with Saint in the bedroom is up to the writers' interpretation. One thing I also tend to take notice of is if a character uses a lot of contractions or not. Do they say 'It is' or 'it's'? 'We are' or 'we're'?

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BLACK SAILS 1.02 “II.”
a collection of sorts