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@thewisestqueen
Lots of drama in our household

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Seeing people talk about the Trolley Problem on here is always... interesting. Because the Trolley Problem isn't meant to be a narrative trope, and it's not meant to have a "right" answer, and it's not meant to be an immediately realistic scenario that you can argue your way out of, it's not meant to make you feel proud that you picked the "right answer". It's an ethics thought experiment. "Somebody has to die and you can't save everyone" needs to be taken as a given premise in order to get at what the Trolley Problem is making you consider, which is how you allocate value of people's lives, something that it's very, very hard to get people to address in any circumstances but extremely contrived ones.
Because the way I was taught it, the Trolley Problem isn't a one-and-done thing in isolation - its classic form is there to set up the variations and test where your values change.
The classic form is: a runaway trolley is careening down the tracks. The brakes are broken, it can't be stopped. In its path, five people are tied to the tracks, and if it's left to its own devices, the trolley will run over them and kill them. BUT you have the option to pull a lever and send the trolley down a different track. On that track, one person is tied to the tracks. As it stands Right Now, if you do nothing, the five people will die, and the one person will live. But you can pull the lever and switch the trolley's track so that the one person will die, and the five will live. The trolley is approaching and you don't have time to untie anyone from the tracks. Would you pull the lever?
In its base form, the question is fairly simple, and it's about if the capacity to intervene makes you morally obligated to intervene, and if doing nothing and letting more people die is better or worse than personally intervening to make it so that fewer people die, but one person will die who without your intervention would otherwise have lived.
But that's even one iteration of the problem, because most people say yes - saving five people and sacrificing one is, overall, better than saving one person and sacrificing five.
And the real value of the Trolley Problem comes after you've said, yes, I'd pull the lever.
You've established that you believe intervening to save five people even if that means sacrificing one person is the more morally correct option. Then the question-asker hits you with,
... what if the five people were strangers, and the one person was your mom/your spouse/your sister/your best friend? Would you pull the lever then?
... what if the five people were adults, and the one was a child? Would you pull the lever then?
... what if the five people were convicted felons, and the one was not? Would you pull the lever then?
... what if the five people were disabled, and the one person was an Olympic athlete? Would you pull the lever then?
... what if instead of one person, it was four people? Would you pull the lever then?
... what if instead of five people, it was a critically endangered bird, whose death might doom its species to extinction? Would you pull the lever then?
The one that sticks in my head is, let's go back to the baseline version - a trolley is careening out of control towards five people, and you can intervene to shift it to the track where it will kill one person. Did you say yes to that?
Now imagine there are five terminally ill people who need a heart transplant, a liver transplant, a lung transplant, and two kidney transplants, or they'll die. Meanwhile, there is a perfectly healthy adult in front of you with fully functional organs that are a perfect match for these five people. Would you kill that healthy adult and distribute their organs to the five sick people, saving their lives?
If you said no to that, but yes to pulling the trolley lever... why? The logic is the same: kill one person who would otherwise have lived, in order to save five people who would otherwise have died. But it feels different, doesn't it? Why?
That's what the Trolley Problem is for. It's a deliberately contrived ethical thought experiment to draw out our values, our feelings, and how we apply our values about people's lives when we make decisions - and maybe make us face the realization that we have some gut feelings about the value of some lives over others, and make us ask ourselves why we feel that way.
It's applied to hospital triage situations about who to treat first, and to decisions when programming self-driving cars in a crash scenario of whether to prioritize the safety of a pedestrian or the driver.
And it exists so that once you realize the way you're thinking about this, you then have to turn the question to the trade-offs we actually make in society.
... what if instead of five people, it was seven million people, and on the other track, instead of one person, it was The Economy?
... what if instead of five people, it was 7,500 people, and on the other track, instead of one person, it's letting car companies do what they want forever?
... what if instead of five people, it was 1,000 people, and on the other track, instead of one person, it was police budgets and police immunity?
... what if instead of five people, it was a ground invasion of Japan, and on the other track, instead of one person, it was 140,000 people in Hiroshima and Nagasaki?
... what if instead of five people, it was 251 hostages, and on the other track, instead of one person, it was the entire population of Gaza?
These are treated as acceptable tradeoffs, as things that are acceptable sacrifices for the other. And it's up to us to ask. Is this an acceptable trade-off. And is it really a Trolley Problem the way that the people in power want us to believe it is, with no other options.
Make a mans whole retirement here why don't you
I have, like .... seventeen uses for this. Where do I get one?
Didn't even know this post was moving till it hit my dash again, I put it in the replies too but it is called a "chompsaw" and it's by Chompshop
They've got all kinds of patterns and such on their site for different creative projects, it does appear to be limited to cutting cardboard so if you want to do wood you will need something beefier.
My woke take, as someone who has worked in both a public library and a school library, is that we desperately need both more books that are at a higher reading level but a less mature subject matter, and more books that are at a lower reading level but a more mature subject matter, because 8 year olds who are advanced readers are still 8 year olds and don't want to read about graphic violence and torture, and teens and adults who have learning difficulties or who are just later readers for whatever reason are still teens and adults and don't want to read about Billy the Bunny going to school or whatever the hell.
Shoutout to people in the notes also mentioning people learning the language, I should've mentioned that really, given that I've been stuck reading German picture books myself while learning German.

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suddenly the fucking
they must've opened the fridge
I used to really like the ✨ emoji but now she's best friends with AI and I feel like I can't trust her anymore
i hate how much people care about their ships being "canon" now. spirk fans didn't publish zines full of fanfics in the 70s only for modern fandom to grovel at the knees of corporations and beg for things to be canon. use your imaginations, don't allow billionaires to think for you.
I have a lot of pet peeves but I think the biggest one is when people say things like “oh it’s such a small town, only 35,000 people” like bitch my town has 200 people, you need to pick a new adjective
According to Wikipedia, a small town is 1,000-20,000 people. So although you are correct in stating that 35,000 people is not a small town (it is a large town), you are incorrect in thinking that you live in a town. You live in a village. You are a villager.
I…… don’t know what to do with that information……a villager…
australian mutuals what are they saying
josh wants to steal it and use it to deal speed
josh is making wise business moves and i respect him

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I cant believe this tweet is how I find out
now all the things you guys have told me about american high schools are starting to make sense
holy shit.
You're not really supposed to say it this way, because its considered crass, but here in the US children are culturally and legally considered essentially the property of their parents.
Note that its considered more crass to point this out than it is to treat children as property in the first place.
I don't think Tolkien is a good fantasy writer because he scored the highest at some objective Best Fantasy Book Test that every fantasy writer has to take, I think he's a good fantasy writer because he created a world based on things that he was interested in. I feel like a lot of fantasy writers think that they need to create a whole language for their world because Tolkien did and obviously his books are the best so they have to emulate him, but Tolkien did that because he was a linguistics nerd. I think the lesson to be learned from him is not that you have to include elves and deep history and new languages, but that you have to write endlessly about the things you are a huge nerd about and use those things to create your fantasy world
also I don't think parents "these days" are uniquely terrible, I just think neglect is showing up in new ways as technology progresses. today's ipad kid would've been wandering around in a ditch alone all day and night before. parents not wanting to have to deal with children is not a new phenomenon.
I think that life back home after Korea felt a lot like living in a Edward Hopper-painting to Margaret. Isolated, lonely. Like she was watching life go on around her, but couldn't really relate. The light harsh, angular, the shadows deep. The shapes and forms too, no more tents that moved in the wind, with the sound of other people constantly present, just massive, unmoving walls, looming, and waiting, just like her. Waiting for her real life to begin, for her to feel all the things she thought she would, to be swept up and embraced by the world she had chosen to live in.
(Automat, Morning Sun, Room in New York, Sunlight in a Cafeteria)
She would see her friends in strangers in the street. A bad posture, a big mustache, a bald head shining in the sun. Or friendly eyes in a wrinkly face, but they were only just echoes of the real people. Of her family. Her yellow sunrise-pillow she had carried back all across the world would look stupid on her new bed, so she'd throw it in a closet and try to forget it existed, try and stop making her new home remind her of her real one. A tent wasn't a real home anyway, it was stupid to think of it like that, stupid to long for it. She had chosen her new life, and she would get used to it, damn it, that's what a Houlihan did, they adapted. Even if the light was too harsh, the shadows too deep, and it felt like her back was always turned away from everyone else.

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The kid will cherish this for their whole life. If they remember it.
went to look this tweet up so I could rt it and discovered this is the same dude as the tubthumping tweet masterpiece