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@theusual
Mira Nedyalkova

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Map of Dante´s Hell
Cécile Baldewyns - Darknees, 2023
Queer 2024 | Luca Guadagnino
so many. stupid fucking people. smugly wrong. the term . "all art is political". does not mean. every artist puts political intent into their work. no. the guy drawing dicks on the subway did not intend any deep message by it. HOWEVER. all art. IS political. he chose to draw that dick. for a reason. society shaped what he finds funny. what he finds shocking. the fact he chose to draw a dick at all says something about his society. actually, the fact it is a dick and not a pussy is itself political. we are all. ALL. shaped by our environments. in an alternate universe a woman is drawing a vulva on the wall. and shes saying "TCH! this isnt political. stupid liberals". all art. has political CONTEXT. that is a more specific way to phrase it. because we live in a society. who has access to art? where is the art located? who is the artist? why did they draw that in that specific location. what led to them even having the sharpie they used to draw the dick to begin with. their society shaped their tools! their society shaped their choice of subject! their society shaped the location of their art! but these people are too stupid to understand this. so theyll continue pretending that they are not shaped by their political environment. SAD!

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— Uma Thurman (via lunamonchtuna)
my final act of love is the crossing of the street
Everything is so rushed. People in their twenties complaining about being old, sped up songs, sped up videos, too many things to do in such a short time. We have lost the art of lingering.
also the sunset light was back at it again in my apartment last night
Hideo Tanaka — Cut II (oil on canvas, 2017)

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Wild horses crossing a river in Iran Photo: Eydi Heydari
Andrea Gibson, Lord of the Butterflies
Nikki Giovanni, The Collected Poetry, 1968-1998
Leila Chatti, from "I Went Out to Hear"
and who here is not buried in another person's heart?
- Richard Jackson from "Filling in the Graves at a Cherokee Site"

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by Brooke DiDonato
I almost pitied him; I almost loved him. I did not hate him—or, if I did, it was only as one loathes the looking-glass, that shows one one's imperfect form in strict and fearful clarity.
—Sarah Waters, Tipping the Velvet