take me to florida | joel miller
summary | turning up on his doorstep covered in blood was not was Joel had expected of you, and when you open your mouth, he expects it even less. There's a shitstorm in Texas you both have to escape from, but how long can it last?
pairing | Joel Miller x F!Reader
word count | 4,496
warnings | it's a lot. Descriptions of murder (stabbing), blood, violence, domestic violence and the death penalty (yeah idk either don't ask), basically reader does a bad thing to someone who did bad things to her. One singular slap (reader to Joel). Mentions of adultery and cheating. Explicit smut - grinding/dry-humping, fingering, rough sex, biting, squirting. No use of y/n. No outbreak AU.
authors note | *taps mic* is this thing on? Hi! It's been a whilst hasn't it?! I've been doing life, enjoying being offline and in love and all of that stuff, but the new series has my brain WHIRLING and I wanted to share this with you all. I wrote most of this back in the autumn last year and was inspired to finish it, so here you go. Let me know if I've still got it! As always if you enjoy this, please like, reblog, comment or scream in my ask box. I've missed you.
Divider by the wonderful @saradika-graphics
Itâs viscous, dripping down the back of your hand, seeping through the webbing of your fingers. Crimson staining the floor as it drips from the tip of the knife, pooling around the body, slumped against the wall now. Your limbs are heavy, vice grip on the handle easing, arm dropping to your side as the knife clatters to the floor. Your chest is heaving, sucking in air, you steady yourself by putting your palms against your knees, bending over, trying not to throw up. Thereâs a pool of blood forming against the toe of your shoe, deep red staining white canvas. No-one ever mentions how messy it is, but then again, not many people stick a knife into their husbandâs ten times. There are splatters across the wall, you can feel some of the warmth seeping down your forehead, you can taste it on your mouth when you lick your lips to wet them.
You let out an animalistic groan as you straighten up, the fucker deserved it, you think, picking the knife up from the ground, wiping both sides of the blade against the white of your tank top. Pushed you and pushed you until you broke. Put his hands on you one too many times with no remorse, no punishment. Called you a useless whore for the last time. There was some sick sense of satisfaction the bloomed when your mind replays the the look of shock on his face when youâd stabbed him the first time, like he couldnât believe you had the guts. By the fifth time, there wasnât anything behind those eyes of his, but you added five more just to be sure.
Thereâs a rage simmering underneath your skin still. Rage at the fact that no matter how many police reports youâd filed, how many hospital trips for split lips and black eyes, the law were going to come for you, and youâd go down, no doubt about it. That distinct feminine rage that a man could push you to the limit and back, and itâs still going to be your fucking fault when you stand in front of a jury and plead your case. The mad woman, the violent woman, the unhinged woman. It makes you want to scream, makes you want to thrash, maybe it makes you want to stick the knife into your own middle and twist it deep. You donât though. You take the knife, run it under the tap until the water down the drain runs clear, wipe it dry with the towel and then shove it into your bag.
The mad woman indeed, you think, unhooking your car keys from the hook by the door. Well, if they wanted to fucking fry you, they were going to have to catch you first.
The darkness makes this easier. The hood pulled up over your head, covering your face just enough that the few passing cars donât notice a thing on the drive there. Thereâs only one place you think to go, one person you know will understand, probably getting ready to go to bed on the other side of town, none-the-wiser that youâre on your way to him, covered in blood with a murder weapon sitting on the front seat of your car.
His home is unassuming. Two levels, two bedrooms, one for him - brown wood and dark - the other for his dead daughter - still pink with the sheets messed up, not made or changed for years as some sort of fucked up shrine. His truck, parked on the driveway, right next to yours. Most of the houses on the road have their lights turned out, families tucked up and sleeping for the night, but the light in his lounge is on - hard day at work, you think - as your fist knocks against the wood.
It takes him a minute, but then again, it always does, with his aching knees and his sore back, but he opens the door anyway, looking at you with confusion for a second, like heâs forgotten youâd arranged something, until you look up at him, let the light hit your face and show the blood spatters, drying and flaking, then his eyes are concerned, his big hand on your shoulder, dragging you inside.
âWhat did he do?â Heâs asking, voice gruff.
He does this a lot, when you turn up in the middle of the night, bruises on your arms or lip split and sore, threatens to kill him, threatens to kill the cops who wonât do anything. Soothes your wounds, puts plasters on you, and then fucks you into his mattress and promises to run away with you. Well, jokes on you Joel Miller, you think as he leans you against the kitchen counter to look at you, I already fucking did kill him, and now youâre going to have to run away with me.
âWhat did he do to you, baby?â Voice still gruff, but tinged with concern this time, his hands cupping your face, turning it into the light to try and find the injury.
You cup his face too, congealed blood in the palm of your hand smearing across his skin, catching in the coarse whiskers of his beard, âHe didnât do anythinâ Joel.â You whisper, watching as the realisation hits his face and he takes a step back from you, dropping his hands like youâve burned him.
âWhat did you do?â
You smile at him, the way he looks a little scared, âI killed him, Joel.â
He sucks in a breath, takes another step away from you, pinches the bridge of his nose and sighs, âWhy the fuck would you do that?â
You scoff, âWhy the fuck do you think?â You snarl, âHad his hands around my neck,â You say, moving your head to show the red marks where his fingers had squeezed, âTold me I was a stupid whore and just squeezed harder.â
Joelâs eyes soften as he takes a step back towards you, âSo I stabbed him,â Itâs so matter of fact, âIt was that or it was me Joel, do you understand?â
âWell then we go to the police,â He says, trying to reason with you, âOne stab wound in self-defence and theyâll understand.â
âTen.â
âWhat?â
âI said ten, ten stab wounds.â
Heâs silent now. Those brown orbs staring directly into your soul. You can see the snarl of his top lip, the faint twitch in his left eye, âFuckinâ hell, baby.â
And then itâs a whirlwind. Youâre stood in his bathroom and heâs taking off your clothes, forcing you into the shower and scrubbing your skin raw like he doesnât trust you to be thorough enough in doing it yourself. He shoves your blood-stained clothes into a bag, along with his own, worried that thereâs enough blood on that shirt that theyâll come after him too. He dries at your skin, gives you the single set of clothes you keep at his house to change into, dressing himself frantically. Then heâs shoving more of his clothes into a duffle bag, avoiding your eye as he swipes the picture frame off his chest of drawers - the one of him and Sarah, soccer trophy in her hand - and shoves that in the bag too.
When heâs satisfied he has everything he needs, his palm grips the scruff of your neck and guides you down the stairs, like heâs scared youâre going to bolt, only letting go to put his boots on and pick up his keys. He makes sure to turn all the lights off, even the one on the porch, letting you go again to lock his door, then his hand is back on you, guiding you roughly to his truck, where he opens the door and waits for you to get in.
âWhere are we going?â You ask.
âJust get in the fuckinâ truck baby.â
Youâre two hours into the drive before he speaks, clearly trying to focus on getting as far away from the scene of your crime as he can. Heâs silently fuming, having had to go back and put you back in your own car, have you drive behind him until he pulled onto the side of some deserted country road. He sat you back in the passenger seat of his truck, took the bag of bloodied clothes and put them in the boot of your car. You watched in the rear-view mirror as he doused it in petrol from a can and then set fire to it.
Neither of you looked back as you drove off.
âAre you okay?â
It makes you laugh, a full body-shaking laugh, the kind of laugh where you have to bite your lip to stop yourself. His hand is back on your shoulder, rough and tight, as it shakes you, âWhat the fuck is wrong with you?â
âWhat the fuck do you think is wrong with me?â You spit, âI just killed my fuckinâ husband Joel, donât ask stupid fuckinâ questions.â
Heâs sailing down the highway, hand still gripping at your skin, âDo you have any idea what weâve just done?â He asks, eyes forward, not looking at you, âYou have any idea what theyâll do when they catch us?â
âYeah, I got some notion.â You sigh, sinking back into the seat.
âWhat did you do with the body?â
You shrug, âI just left it there.â
âHow long do you think we got?â Heâs finally letting go of you, both hands back on the wheel.
âCouple of days,â You hum, âHe ainât due at work until Monday,â It was Friday now, âNo-oneâs gonna look for him until he doesnât show.â
Joel nods, finally relaxing into his seat as much as he can, but heâs tense, you both are, and youâve got to be careful. One wrong move and this is all going to unravel.
Itâs silent then for another couple of miles until he speaks again, âIâm sorry,â He says quietly, âIâm sorry he did that to you and Iâm sorry that you had to do that.â
âIâm not.â
It comes out at easy and breathing. Your asshole of a husband deserved it. Years of beating you around, of belittling you in front of your friends and family, all those nights of being curled up, forced to unravel and undress and lie there in the dark whilst he used you. Youâre not sorry you had to do it at all.
Youâre in a motel in Alabama when the news hits. Itâs a shitty place, middle of nowhere vibes, with a receptionist who couldnât have given less of a shit about the two of you when you arrived. Handed the keys to a room to Joel once sheâd insisted on him paying cash for the three nights he wanted. Joelâs not long come back from the store down the road - a large bag of chips, two cans of soda and some candy shoved into a plastic bag, enough to stave off the hunger for the evening.
Youâve actively avoided the news until now, settling instead on trash tv for background noise, but itâs Monday, and you know that as soon as your shitty dead husband didnât turn up for work, it would be a shitstorm back in Texas. Thereâs a woman, sitting behind a desk, looking incredibly morose over a dead man she doesnât know. You listen intently to what sheâs saying as Joel cracks open your can of soda and hands it to you.
Itâs the basics right now, heâs been dead a few days, a brutal murder and the police are following all open lines of enquiry. They donât mention you, they donât mention Joel and thereâs no appeal for witnesses. You sigh out some kind of breath of relief that youâre okay for now, but you know in the back of your mind you have to get moving. Itâll only be a matter of time before your photograph is pasted across the news channel, Joelâs too - you have to move on.
âWhere are we going to go?â You ask quietly, sipping the sugary cold syrup from the can.
âWhere do you want to go?â He replies just as quietly.
âMexico?â You offer, itâs the only place you know that criminals go, crossing the border and down into South America to disappear into obscurity.
âGone in the wrong direction for Mexico, baby,â He shrugs, âMaybe we head into Florida, lay low as much as we can, and then move on from there if the heat follows us?â
âSounds good.â
Thereâs something about Florida that feels freeing. Sure, youâre in a dead end town, nowhere near a beach where you could enjoy the sun, but thereâs something about the air here that feels different. Joel manages to find a small apartment for the two of you. Conscious that he doesnât want anyone to know your faces when they start getting plastered across the news channels, he phones a number from a newspaper, asks for the keys to be dropped somewhere outside and three days ago youâd let yourselves in and settled down.
Joel had gone out and bought new clothes for the two of you, the old ones thrown in the bin, not sure any amount of laundry would have taken the smell away. He stocks up on simple groceries, and for the third night in a row, you sit down to spaghetti with tomato sauce from a jar. Youâve got the news on again, low on the volume, but just enough that you catch the news anchor speaking, âWe have a development in the Austin murder case to bring you tonight.â
The spaghetti in your mouth turns to lead and whatâs already in your stomach threatens to reappear when Joel turns around to find his face plastered across the TV screen.
âAustin local Joel Miller has been reported missing today by his brother,â The anchor continues, âAnd police have been open in explaining that they believe his disappearance is connected with the murder of an Austin man, found days ago in his home, stabbed to death.â
The camera cuts to a shot of Joelâs house, covered in police tape with an office stood outside his closed front door, and then to add insult to injury, the familiar face of Tommy Miller comes into view. Heâd known about you, met you plenty of times, you think he liked you even, pulling cold beers out of the fridge for you and asking you how your day had been.
âI just wanna know where my brother is,â His Texan twang rings out, but youâre not watching him, youâre watching Joel, and the tick of his jaw as he grinds his teeth, âI donât know where he is, but Joel, if youâre listeninâ, come home brother, whatever has happened, just come home.â
Joelâs fist clenches the TV remote, turning it off, bathing the room in a dead silence that feels stifling. You donât know what to do, except chew the spaghetti in your mouth for what feels like the hundredth time in an attempt to make you swallow it. He wonât look at you, instead he stares down into his bowl of unfinished food, jaw still twitching in the way it always does when heâs angry or stressed.
âJoelâŚâ You trail off when he brings a hand up to signal you to stop talking.
âDonât say anythinâ.â
âThey just think youâre missing,â You offer, trying to lessen the blow.
He snorts, shakes his head and looks up at you finally, his dark brown eyes blown almost black.
âMissinâ, huh?â He scoffs, âAnd when Tommy airs this whole affair weâve been havinâ, tells the police everythinâ he knows about us, what then?â
You scoff right back, getting up from the table, chair scraping across the floor as you do, âSo what, you wanna run on back to fucking Texas and leave me here?â
âI didnât say that,â He sighs, standing up too, âIâm just sayinâ it ainât gonna be long until they realise what really happened, and then what?â
âWe move on, just like you said.â
âWe donât have that kinda luck baby,â Heâs started to pace, âTheyâre gonna find us eventually, and I donât know how youâre gonna talk yourself outta ten stab wounds.â
âOh fuck you, Joel,â You spit, sanity hanging by a thread, âYeah I stabbed him, maybe I even fucking enjoyed it, but youâre just as guilty in this as I am, youâre harbouring a criminal right now, even if they donât know it yet.â
âIâm as guilty as you?â He pries, stepping closer to you, making you step back against the kitchen counter, âI didnât stab him baby,â His voice is dripping in sarcasm, âThat was all you,â He drags out, taking another step towards you, âThey might arrest me baby, but when they catch you, theyâre gonna give you the damn chair.â
It all happens in such a blur, his taunting tone and the way heâs caged you in against the kitchen counters. Before you even know what youâve done, your hand has flown up and slapped him right across the cheek, following by a spitting âHow fucking dare you.â
Youâre both breathing heavily, the sound of sucking breath the only thing you can hear in the room. His eyes are darker than ever as he takes one more step, tangles his fist in the hair on the back of your head and tugs hard, before his mouth is hot and open against yours, tongue sliding against yours. Itâs the first time heâs touched you like this since you left Texas, hot and full of want as he presses his entire body to yours, your lower back digging into the edge of the counter. You groan into his mouth, let your arms wrap around the broad expanse of his shoulders, and melt into the hand his puts on your lower back.
Thereâs a fumbling of limbs when he finally lets go of the grip heâs had on your hair, palms against the globes of your ass as he pulls you up, legs wrapping around his waist. Heâs kissing you as he walks to the couch - itâs old, pattern faded, and when you sit on it you feel the springs pressing into you from below, but none of that matters when youâre legs are splayed wide across his thighs, straddling him as his hands rip open the blouse he bought not two days ago. Itâs torn from your body, cups of your bra pulled down, nipple sucked into his mouth, his tongue swirling it into a stiff peak before heâs switching to the other one.
Your hand is on the back of his neck, gripping tightly to the unruly curls there, body leaning back in pleasure as your start to subtly grind your hips down into his.
âI fucking hate you,â You breathe, knowing you donât really, not deep down, just for right now, âThis is all your fault.â
âAll my fault?â He asks, voice gruff as his teeth nip at the delicate skin on your breath, âI didnât force you to stab him.â
He sucks your nipple back into his mouth, this time adding his teeth, not enough to hurt, just enough to make your cunt throb.
âYou shouldnât have spoken to me that night,â You moan out when he lets your nipple go with a pop, moving to the other one, âIf I didnât know you existed this never wouldâa happened.â
You hear him chuckle a little against your skin, as if itâs not a bare-faced lie. Whether heâd have been here or not, youâre sure that knife would have found itâs way into your husband one way or another. Joel just adds a complication, another person who doesnât need to be caught up in this.
He doesnât reply, all he does is grip harder to your ass through your jeans and drag you across the growing bulge in his own. You can feel him pushing up into you, the friction of the clothes between you making you sigh as you continue grinding yourself across his jean-covered cock.
It goes on like this for a while, kissing and biting at each other, until Joel has enough. His hands move from gripping painfully to your ass to effortlessly unbuttoning and unzipping your own jeans. You lift up just enough for him to pull them down over your ass, taking your underwear with them. Thereâs awkward fumbling whilst you try and manoeuvre them off your body whilst staying as close to him as possible, but eventually you get there.
Before you can settle back to rubbing your wet pussy along the bulge of his trousers, his hand cups you. The heat is stifling, almost unbearable, hot skin against hot skin, but when his fingers find you soaked, and heâs pressing two inside you, everything makes sense again.
Nothing outside of this room matters. Not for the next few hours. The police, the dead husband, the nightmares that have started to creep in at night. None of it matters anymore. Not when Joel curls his fingers just perfectly, making you cry out to the ceiling with your head tossed back. When itâs like this you remember why you did it, to be with him, and only him.
âKnew this wouldâa shut you up.â Joel murmurs into your skin, face pressed between your breasts as he nips marks into the skin there.
Your hips are working in time to the thrusts of his fingers inside you, shamelessly grinding yourself into his palm so itâs not just his fingers inside that are setting you alight, but the palm of his hand rubbing against your clit on every move forward you make.
You can feel yourself tightening around him, getting closer, and you know he can feel it too, his fingers getting harder inside you with each push.
âCome on baby,â He coos, âLet go for me.â
And itâs always been that simple. He only has to say it and you do. Soft screams filling the room as your cunt spasms around his fingers. Body shaking as he holds you to his own, working you through it.
Thereâs no real reprieve for you after. Joel shifts you so youâre lying face down on the couch, and through the haze you can hear his belt buckle being undone and the zipper of his jeans being pulled down.
His hand fishes underneath your body, pulling you up so youâre draped across the arm of the couch, ass splayed upwards and legs spread wide. His hand runs up and down your swollen cunt a few times, gathering your wetness which you know heâs using to pump his cock with, before you feel the head of him at your hole.
Heâs unforgiving when he pushes in, giving you everything all at once as he surges forward inside of you. Heâs touching the deepest parts of you and you swear you see stars. You hear him sucking in breath behind you, his two hands gripping your ass to pull you open you he can watch himself slide in and out of your cunt.
There are no words spoken between the two of you, the only sounds that can be heard are the sounds of his skin slapping against yours, the obscene squelch of you cunt when he pushes in, and the moans you both let out.
Heâs rough, but you donât mind. You want it to consume you, the pleasure and the tinge of pain every time his cock nudges at your cervix. It means you donât think about anything else, just how good this feels, how good he makes you feel and how right it feels now that there isnât someone else to think about. Joel has always felt right, like the person you were always meant to find, but itâs different now.
One of his hands comes up to grip your wrist on the arm of the couch, dragging it underneath you until you feel your cunt.
âRub it for me baby,â He growls into your ear, âI wanna do this one together.â
So you do - you circle your clit with your middle finger, pressing harder and harder on every circle as he pounds into your cunt like itâs the last time heâll have you like this. Heâs gripping the back of your neck, pushing you further down into the material of the couch.
âCome on baby,â He groans above you, âYou can do it.â
âJoel,â You squeak out, almost pathetically, âI think Iâm gonna-â
âGo on then baby,â He says, âIâm right behind you.â
You let yourself go, feeling your cunt squeeze his cock as you gush around him. Your mouth is dropped open but there is no sound, only the hot spark that flushes across your body when he buries himself as deep inside of you as he can and stills, filling every inch of you with his cum.
His body falls onto yours, both of you struggling to catch breath as you recover. Joel eventually moves enough so that you can both lay down, pressed up against his body, almost uncomfortably so. His skin is hot to the touch and you can see small bruises on his neck and chest starting to rise where youâd bitten him - you suspect you must look the same.
Thereâs silence for a while, his hand tracing gently up and down your back, before you can think to ask anything.
âWhat are we gonna do, Joel?â
It takes him a while to respond, probably weighing up his options. There arenât many. He goes home and has to explain everything to the police and goes to jail, or he stays here with you, keeps running and hope for the best.
Heâs quiet when he says it, but you can tell when he does speak that whatever heâs feeling is genuine. Heâs too far in now, thereâs no going back, and you both know that.
âWe keep runninâ baby.â















