PAUL VANDECARR: In this, the final collage in the series, I cut up and reassembled George Tookerâs original 1950 painting into a nightmarish vision or version. I created this all on paper, without any digital editing. Like the one in Tookerâs painting, this subway station has no exits, but it does have hands and eyes reaching up and looking from beneath the surface of things.Â










