I talk to myself here

Hm, I think a young (looking) woman probably would get the same results if “lol okay kid find someone your own age”. Now the evil milf who the two of them recruit for attempt number three? That works quite well

I do think Celine gave heterosexuality a shot once.

Finding all the paragraphs where you used some hyper-specific word more than once

Rearranging paragraphs that you swear you wrote in the right order but turned out to be totally backwards

Going for a walk, coming up with the perfect line, and forgetting it as soon as you get home and open your laptop

Creating a separate document where you can dump all of those nice sentences that no longer fit in anywhere

@orangei-sindy

It's actually kinda funny the difference their sexual assaults had in both of them. For Bobbi most people know her experience with Phantom Rider because it shared protagonism with in the main arc with the other adventure of the wca, and later it's a breaking point for her relationship with her husband. The weight it gets in the original story and her character is why (at least I think) everyone knows of it retcon (and also because even behind the femenist facade it's just blalantly insensitive, misoginystic and ultimely puts all the blame in the victim)

But with Kate it should be actually be just AS IMPORTANT for her character, since it was the reason of why she became a hero in the first place. Tw for sa under the cut

thanks for the tag :)

Last song: Saki (feat. Aliya's interlude) by LE SSERAFIM. I think it's a facinating song in terms of how it say the excat opposite of the "Idol idea". So much of idol culture stands for creating an emotional connection between the idol and the fan, and then suddenly LE SSERAFIM makes a song that say- You really think you know me like that? I think it's very bold of them. You can even say... Fearless lol

Currently watching: Nothing :)

Currently reading: The name of the rose. I'm having a really hard time though because after ten pages about the anti christ I forget even my name not to metnion the plot

Current obsession: Kpop demon hunters

Currently working on: Mice week, Thirdline week, If you were easy to kill I would have done it already, and (sigh) fighting bureaucracy.

Currently wearing: Dark blue skirt and blue T-shirt

Last internet search: Lee soo-man interviews (Trying to find reason for Celine to make interviews)

Favourite flower: IDK. The orange ones that you could suck the nectar from? I used to do it all the time as a child on the way back from school

Tagging people I'd like to know better (No preasure tho):

Zoey's aesthetic is the most butch. She wears a lot of skater gear. She also sits and stands in very traditionally feminine poses, not taking up space, making herself smaller, hands folded between her thighs, looking polite and delicate. She's conflict-averse. She's appeasing. She smiles. She wants people to be comfortable in a way that feels like a survival skill, because being liked will keep her safe and get her access to things that she has no means to achieve herself. She almost never makes a major decision, instead following either Mira or Rumi's lead. She worries about being too much or not enough, ie, is she performing her social role correctly, which controls whether she can have love or friendship.

Rumi's kind of in the middle. Her posture is usually politely feminine but she doesn't do shy or cutesy or draw into herself the way Zoey does. She's fairly conflict-averse with people she loves but doesn't hesitate to argue with strangers and, patterns notwithstanding, is pretty confident. She doesn't see hostility as dangerous or affection as necessary to keep herself safe or get what she wants, but she does clearly want to be liked and considers social approval to be valuable currency. She's the leader but she's nevertheless more patient and collaborative than decisive; mostly she rubber-stamps democratic decisions the three of them make as a group, and when she does disagree with them (eg Takedown) she waffles around behind their backs and makes demands and needs them to be on board with her rather than just confidently making a choice and letting them respond. She worries roughly equally that she'll be rejected or that she'll lose herself, ie, whether she has direct access to love and safety, contingent on her failings as a generic person and not whether she's following the rules of her role correctly.

Mira's aesthetic is the most femme. She wears skirts and darted tops. Like Rumi, she does some traditionally feminine body language but never makes herself smaller the way Zoey does; unlike Rumi, she also frequently manspreads and takes up space when she walks. She doesn't want conflict, but she doesn't fear it; she pushes Rumi because it needs to be done. She's assertive. She has RBF. She's not rude or mean - she's actually extremely kind and thoughtful - but she does not apologize for existing with her posture, facial expression, tone of voice, or word choice the way Zoey does. If you do not like her she does not feel that she needs to respond to that fact in any way; she does not see hostility as dangerous or affection as necessary to keep herself safe or get what she wants. She is decisive; she walks into Rumi's room without being invited, draws on Rumi the moment she damages the Honmoon without knowing if Zoey has her back (or needing Zoey to have her back to make that decision). She worries that she can't have a family, which is again about direct loss of something desired, something she does or does not intrinsically deserve rather than something she can or cannot perform correctly enough to lose access to.