My patricidal princess.

sorry i came back wrong do you still wanna hit it

call me terminally academia-brained but i do think a lot of the fun of character analysis is figuring out how to build a compelling argument for a particular reading using lines of evidence from canon as well as meta/intertextual support

and you could say that what i’m saying here is basically “a lot of the fun of doing character analysis is doing character analysis” but let’s be real a lot of fandom character analysis is pretty heavily vibes-based. and i think that’s where i really chafe up against the traditional thought-terminating fandom attitude of like, everyone’s opinions hold equal weight and any interrogation of that is inherently hostile. because i think it’s fascinating to dig into where others are coming from in terms of their views on characters or dynamics or whatever, especially when they differ significantly from more commonly expressed views, and part of that digging is asking people okay what parts of canon are you drawing from to support your opinion? what parts of canon are you disregarding or downplaying? how does this argument hold up in the light of how race, gender, class, ability, etc. operate both in the piece’s in-fiction and real world contexts?

The first mistake the girl makes is to fall in love. The second is to fall in love.

i’m a fujoshi and i’m a himejoshi and im a hetjoshi i just like it when people fuck i cannot lie

🫩 no i don't think those characters are siblings i think they're friends. I don't think that's their mom I actually think she's their friend. I don't think they're related actually I think they're friends with each other.