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@theodoradove
I think your taste in/knowledge of vintage film is really cool
I am immediately seeing the downside of this approach which is that I can't reply with what I think is super cool about anon but having one's personal nerdery perceived as cool is the bee's knees
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Anonymously tell me something you think about me 💭
Via amandapourlesintimes
it’s called german expressionism because they’re all making EXPRESSIONS. with their FACES
Remedios Varo (1908-1963) — El Otro Reloj (The Other Clock) [gouache on cardboard, 1957]
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morose code I communicate in short and long sighs
Hilma af Klint (Swedish, 1862-1944) Group X, No. 1, Altarpiece (Grupp X, nr 1, Altarbild) ( and detail) 1915 From Altarpieces (Altarbilder) Oil and metal leaf on canvas 237.5 x 179.5cm © The Hilma af Klint Foundation, Stockholm Photo: Albin Dahlström, the Moderna Museet, Stockholm
Most of the Hilma jams should be visible now (got to look). this one too, but nice detail on the new post
serving and he knows it
Relatedly, 'which version of this is the original/authentic/'real' one?' is just fundamentally not a valuable conversation about basically anything for anyone but antiquarians and sociologists. Embrace multiplicity! Embrace mutation!
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Greta Garbo.
Changyong Wang - Peaceful Dwelling in Blessed Land, 2026 - Ink on paper
Energía Cósmica (Inspiración) (1956), Remedios Varo.
the true elation and dopamine hit I get when I have a friendly random conversation with a stranger in public needs to be studied
no this is exactly it
A Masque for the Four Seasons - Walter Crane
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Monsieur Noir and the Red Teapot, 2026 by Elena Polishchuk (Russian, b. 1978); Oil on canvas, 60x60cm
Monsieur Noir in the Yellow Room, 2026 by Elena Polishchuk (Russian, b. 1978); Oil on canvas, 60×60cm
