LS 26 | Habitare SUBMISSION
Jeremy J. Starn - ANTHROPO/CENE
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Today's Document

titsay

❣ Chile in a Photography ❣
Misplaced Lens Cap
Peter Solarz
d e v o n
PUT YOUR BEARD IN MY MOUTH

Origami Around
Lint Roller? I Barely Know Her

shark vs the universe
trying on a metaphor
"I'm Dorothy Gale from Kansas"
Aqua Utopia|海の底で記憶を紡ぐ
Jules of Nature

Kaledo Art

noise dept.
Sade Olutola
will byers stan first human second
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LS 26 | Habitare SUBMISSION
Jeremy J. Starn - ANTHROPO/CENE
magazine.landscapestories.net

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Tribunal des divorcées anonymes à Chicago / Court of Anonymous Divorced Women in Chicago, 1949 / src: Lumière des Roses
Rinko Kawauchi
Black Place II, 1944, Georgia O'Keeffe

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LED Doll Eyes
Project from Akira Tachibana is working on small spherical displays which can be used as eyes for dolls and certainly isn’t creepy at all:
電子工作で人形に組み込んだら面白そうな目を作って見ました。 (ネットにつくり方が公開されていました) 次の目標は人形に組み込んで遊ぶ。 pic.twitter.com/5iiZIc53J2
— 橘 明@〜賭ケグルイに地獄大夫! (@DollTachibana) September 10, 2017
[Auto-translate] I’ve made the intriguing eyes if in electronic devices include dolls. Play with the goal (to make was published on the Internet) built into the doll.
電子工作の目、ドラゴンアイになりました。少しずつ教えてもらい進化中です。なんか楽しい! 液晶の前に眼球になるレンズを透明レジンで試作してみました。 竜の目の人形作らなきゃ pic.twitter.com/zei56Bt037
— 橘 明@〜賭ケグルイに地獄大夫! (@DollTachibana) September 19, 2017
[Auto-translate] Electronics of the dragon eye. Little by little, is evolving. Something fun! I developed the eye lens in the front of the LCD in transparent resin. I have dolls made in the eyes of the Dragon
Updates on Twitter profile here
Tsai Chin in Taipei Story (Edward Yang, 1985)
“Oroth” Cinema, Be'er Sheva, Izrael.(50’s) by Z.Rechter #brutgroup photo by Mikaela Burstow
Christian Rohlfs (German, 1849 – 1938)
Sunset at the Baltic Sea (Sonnenuntergang an der Ostsee), 1929
Water-based tempera on nacreous wove paper, 51,5 × 71 cm
Boris Mikhailov

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Bruno Barbey
- Students in a chain passing cobble stones for the barricades, Gay Lussac Street, Paris, France, May 10th 1968.
2047 Apologue
Collaboration between WHITEvoid, Kinetic Lights and director Zhang Yimou incorporates a mechanical array of arrangeable lamps to provide context to a dance performance:
Chinese director Zhang Yimou who is best known for his movies “Raise the Red Lantern”, “Hero” and “The Great Wall” but also for directing the opening and closing ceremonies of the Beijing Olympics returns to the theater stage with his concept perfomance “2047 APOLOGUE”.
Zhang Yimou has unveiled his latest work at the National Center for the Performing Arts in Beijing. Based on Peking Opera “Sanchakou,” “2047 Apologue” is breaking the form of traditional stage plays, combining Chinese folk art with the latest technology. The show aims to mirror reality, commenting on how science and technology are a huge part of life in the 21st century. The show consists of 8 parts, each combining a traditional chinese craft, music or dance style with modern high tech such as lasers, robots, drones and kinetics.
WHITEvoid was commissioned to create, program and direct the kinetic display for the last part of the show called “Weaving Machine”. The 9 minute performance features 640 motorized LED spheres, an anchient chinese weaving machine and a modern dancer. German motor winch producer KINETIC LIGHTS provided the vertical hoist systems for the LED spheres and control software. Russian RADUGADESIGN animated a complementing video backdrop and CPG Concepts from Hong Kong provided the dance choreography for british dancer Rose Alice.
Link
The Seafarers (Short) | Stanley Kubrick | 1953
Damned impartial subterrestrial war

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Yoshiko Fukushima - That Day
Bruno Barbey MOROCCO. Tangiers. 1995.