I make audiobooks for The Grimm’s Brother Faitytales
New video out every week
https://m.youtube.com/playlist?list=PLnWRPrVsO4iBVpq-yflJCPy7H5oj8IHsg
Grimm's Brothers Fairytales
I’d love some followers

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@thelegendarygoblin
I make audiobooks for The Grimm’s Brother Faitytales
New video out every week
https://m.youtube.com/playlist?list=PLnWRPrVsO4iBVpq-yflJCPy7H5oj8IHsg
Grimm's Brothers Fairytales
I’d love some followers

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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never forget when saruman literally told gandalf "you've been smoking too much weed bro"
"You're smoking too much weed," says the guy who got addicted to manosphere podcasts on his orb and started a fascist militia with a side hobby of deliberate environmental destruction. Started cutting down trees to own the woke elves.
Elliot Page does not play Achilles in The Odyssey like transphobes were preemptively angry about but Homer just told me he updated the Iliad and Achilles is canonically transgender now and not just subtextually transgender like in the first draft.
You'd think "don't use a fictional creature as an allegory for oppressed minorities and as a horde of vile automatons that it's always okay to kill in the same work at the same time" would be a no brainer, but roughly 70% of all works featuring goblins and/or robots demonstrate otherwise.
Star Wars using this exact formula with droids blows my mind to this day. Like, they really can’t decide whether they’re actually an oppressed group or genuinely mindless automatons whose inner lives we don’t need to worry about.
Given that Solo: A Star Wars Story features a droid liberation activist who's very obviously characterised as a mean-spirited parody of a women's rights activist and whose concerns are consistently treated as misguided and laughable (before they blow her up and use her brain to repair a spaceship), I'm not sure it's that the writers can't decide so much as it that they don't want to say what they really think out loud.
It does, however, give some fun new context to C-3P0's line in Empire Strikes Back: "I don't know where your ship learned to communicate, but it has the most peculiar dialect."
L3 was probably blasting the robot Internationale at him.
Next up someone is going to claim that the Narnia series isn't kids books.
Kids books is probably not the best way to word it, you can enjoy them at every age, including your childhood, as you get older you may find new truths in them, but they're still good for any age.
I want you to understand this. I NEED you to understand this. My mother read me the hobbit as bedtime story, and I started pushing myself to read before pre-school so I could in fact read the hobbit for myself instead of having to wait for bedtime.
I didn't do so right away but jesus wept I PUSHED myself to learn to read SPECIFICALLY so I could read The Hobbit! It is, in fact, a children's story! And children only see page count as 'there is a lot of this fun story to read!'
Like... come on man, 310 pages isn't even what I would've considered a particularly long book as a kid.

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You'd think "don't use a fictional creature as an allegory for oppressed minorities and as a horde of vile automatons that it's always okay to kill in the same work at the same time" would be a no brainer, but roughly 70% of all works featuring goblins and/or robots demonstrate otherwise.
Star Wars using this exact formula with droids blows my mind to this day. Like, they really can’t decide whether they’re actually an oppressed group or genuinely mindless automatons whose inner lives we don’t need to worry about.
Given that Solo: A Star Wars Story features a droid liberation activist who's very obviously characterised as a mean-spirited parody of a women's rights activist and whose concerns are consistently treated as misguided and laughable (before they blow her up and use her brain to repair a spaceship), I'm not sure it's that the writers can't decide so much as it that they don't want to say what they really think out loud.
It does, however, give some fun new context to C-3P0's line in Empire Strikes Back: "I don't know where your ship learned to communicate, but it has the most peculiar dialect."
L3 was probably blasting the robot Internationale at him.
I finally got around to reading Not Easily Conquered and I'm just about as okay as you'd expect after that
this is one of the fics they're talking about when people say stucky fandom in 2014 was writing beautiful poetry and academic papers in their fanfictions
I am being so, so real with y'all right now
The artistic ecosystem of Bucky Fanfiction is an intricate, fascinating, gorgeous landscape of entwined artistic works that deserves analysis and recognition
Cringe culture, intellectual property law, and the self-destruction of the franchise it was based upon have conspired to isolate and devalue this art-ecosystem, and this makes me want to throw myself in the ocean
Yes, it's a gay love epic for the ages, on par with kirk and spock, or gilgamesh and enkidu, but it's also just fascinating how so many writers took compelling pieces and bits from the source material and formed an interconnected labyrinth of stories, all in conversation with one another and forming new nodes of compelling concepts that were then picked up by further stories
most contemporary storytelling considers "originality" as an inherently good quality. Creators are encouraged to conceal their influences as much as possible, so it should be difficult to trace directly where ideas descended from. It's not spoken out loud but once you see it, you can't stop realizing how weird it is.
An artistic ecosystem that rejects that premise can do some BONKERS stuff.
It's intoxicating to see stories interacting on an ecosystem level so closely, exchanging and circulating ideas, refining and clarifying
And with early Stucky fandom, it's driven by this frenetic sense of passion. I don't think everyone believed that the ship would become canon, but in a way that's hard to describe, you can tell they believed it was real.
There is no self-consciousness. It is blisteringly sincere art
I feel like this kind of Storycosystem can't emerge with a franchise that actually understands what it's doing, or reckons with its own implications, or is actually uncomplicatedly good, because then, the NECESSITY of telling the story wouldn't be burning a hole in our heads.
video game with a flaccid -> boner meter in the ui but the whole game it never changes at all and nothing makes the boner meter go up so youre jusg aware of the protags flaccid penis the whole time for no good reason
on another note, watched The Mummy (1999) the other day and I couldn’t help feel like the O’Connells and the Addams (Addams Family Values (1993) would get on really well ya know? The O’Connells are basically the pastel adventure version of the Addams, surely they would just be vibin’ over tea and crumpets in an extremely haunted mansion having a ball of a time
Morticia: “So what is it you do for a living my dear?”
Evelyn: “We dig up dead people who often have monstrous curses placed on them!”
Morticia: “fascinating”
Gomez: *leaping out from behind a pillar which is encrusted with ominous looking runes* en garde!
Rick: *grabs sword from equally ominous looking wall full of weapons one of which seems to be glowing* fantastic I was getting a bit rusty
Gomez: *nearly in tears* oh he’s screaming nonsensically, what spirit! what reslove!
*Rick and Gomez, still frantically sword fighting*
Rick: Have I mentioned how wonderful my wife is yet, I really feel like I haven’t really expanded enough on how wonderful she is
Gomez: do go on, I would be delighted to hear about how wonderful your wife is, I strongly encourge all men to extoll the virtues of their wives with rapturous praise, however I should perhaps mention my wife is in fact better
*sword fighting intensifies as both men rapturously extoll the virtues of their wives*
Jonathan and Fester and Cousin Itt watch from the bar, where Lurch and Thing are making the drinks.
Jonathan and Thing knew one another from The War; each thought the other to be dead
Their reunion is highly emotional
Rick, whilst swordfighting: My wife resurrected an ancient evil that brought about the plagues.
Gomez: What. A. Woman.

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I love how some fics are called shit like "They Only Shoot The Birds Who Cannot Sing" and it's like the most insane porn you're ever read and then some fics are called Spit On Me and it's 18,000 words of the most achingly id-scratching prose you've ever read and they're both. They're both so fucking good. thank God for fanfiction.
i have wild sentences roaming through me at all times
If you're a new writer and you're asking yourself "is this too personal, is this too much, will people think this is weird" that feeling is the exact location of your actual voice. The stuff that makes you want to close the laptop is the stuff nobody else could write. The safe version is always worse. Always. I have never once read something and thought "this would have been better if it was a little less honest." go further. It's always go further.
The most valuable thing you have to offer an audience is yourself. It's the one thing nobody else can give them.
I sometimes act out my own scenes and when I start crying or really feeling an adrenaline spike is when I know it’s perfect
Unfortunately my face gets swollen for an hour or two after
evoking bertholt brecht’s “the way people cast a play!” quote as a spell against prescriptive, stereotypical, fatalistic typecasting
idk what to tell you except go look at the fishwives
Last survivor of an extinct alien civilisation who regards this as a personal victory.
Last survivor of an extinct alien civilisation who's just as surprised as you are.
Last survivor of an extinct alien civilisation who's mad about being left out.
Last survivor of an extinct alien civilisation who tells a different story about how it happened each time they're asked.
Last survivor of an extinct alien civilisation who, in their unguarded moments, admits it's probably for the best.
Last survivor of an extinct alien civilisation who claims the others are "just resting".
Last survivor of an extinct alien civilisation who insists it's not their fault.
Doctor Who
[Image description: A comment from tumblr user theemmjay that says: "> Last survivor of an ancient civilization who blames their ex for the whole thing." Followed by a reply from doccyuk that says: "Still Doctor Who". /end ID]

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reading a negative review of something you love written by a person who very clearly didn’t understand it at all
reading a positive review of something you love written by a person who very clearly didn’t understand it at all
Reading a negative review of something you hate by someone who very clearly didn't understand it at all and hates it for the wrong reasons
I don’t like this actually
This is depressing does anyone else find this depressing
I would actually make the argument that the heart of the problem here is not either about fans, as the article claims, or production companies being exploitative cowards, as some of the comments are claiming. The heart of the problem is the increasingly eroding privacy we are seeing in the modern age.
There's some people in the comments saying "fandoms have always been like this" and others saying "No, it's worse than it was." And both are to some extent right. Fans (or at least a small percentage of fans, and the larger a fanbase gets the larger a group this will describe) have always been Like That; but they did not always have the level of access to creators and actors that they have now.
The notion that a performer needs to be constantly available to public scrutiny, that their personal information should by default be available to any rando with google, is pretty new. It used to be that actors would only be expected to engage with the public on limited, specific, and controlled occasions, usually with security provided. Now they're being asked to rawdog exposure to the mob 24/7 on their own.
(Also, production companies have always always always been exploitative cowards, just to get that straight; reading the biographies of literally any actress from golden Hollywood years makes that clear. It's just, again, more public now.)
There has also been a negative feedback loop as fandoms come to realize that the constant access they have to creatives increases their leverage and power. It did not use to be the case that this was so; fandoms pre-internet largely worked under the assumption that they didn't really have any meaningful way to contact or influence the publication houses. Even if they sent a letter or a campaign of letters, they wouldn't even know whether the letters were being received or read unless the publishing house chose to respond. So, without that expectation of access, the drama usually stayed internal. Nowadays, with constant immediate feedback from creators and publishers, fans are ever more incentivized to act out to try to push an agenda, get attention, or just vent whatever is going on in their lives onto a face contractually obliged to be friendly to them.