ARTFIGHT!!
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@theladysherlock
ARTFIGHT!!

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consuming media like
did anyone hear one single demonic screech
something that i find interesting about independent animation nowadays is that if you don't have studio/streamer backing, you have to release your work yourself on the internet, but you have to do it for free on the internet because virtually nobody is going to be willing to accept a paywall just for one original show, so what you have to do in order to make any money off of it is make all of your money from merchandising, but then this means that you show must be merchandisable and have very toyetic character designs that translate easily to plushies and whatnot, but then you also need to cater your show to people who are disproportionately inclined to buy merchandise like that in the first place so that your sales can be enough to sustain you, which means that even if you want to communicate complex or difficult ideas in your work, your independent animation project must attract (at least on a first impression) and retain viewers who are both very consumerist and very capable of rabid passion, which unfortunately has a single-circle shaped venn diagram with a lot of the most toxic fandom tendencies known to man, and this explains a lot of things about independent animation and its fandoms nowadays I think

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βIt's not fair.β The little ghost kicks impotently at the chalk lines around her feet. βI ain't done nothing.β
I nod, setting down my chalk and spellbook. βIt does sound like there might have been a bit of a misunderstanding.β
βShe took against me, that's what happened,β the dead girl says with a scowl. She looks about fourteen, round faced and spotty, with whisps of brown hair peaking out from under her mob-cap. Her face and her crossed arms have a tell-tale bluish tinge to them. A cholera death.
βI been here for don't know how long and never gave any trouble. Nobody ever complained about me 'till her.β
β¦well, that's not strictly true.
Number 12, Barclay Street has been attracting rumours of haunting since the mid nineteenth century.
Sounds of faint singing and crying in the corridors at night. Cold spots. Doors that open and close by themselves. Animals acting strangely. Harmless, mid to low-level stuff, typical for a bored teenage poltergeist.
Still, pointing that out isn't likely to achieve much, and certainly the most recent complaints of blood running down the walls, screams in the dark and paralysing night terrors seem distinctly out of character.
The ghost toes the chalk again, more tentatively this time. It stays resolutely unbroken.
She could get out if she wanted to. I'm not one of those assholes who brings out their full arsenal of wards and sigils for a first meeting with a level 2 spectre. The summoning circle will keep her in one place for as long as I need her to talk, but it wouldn't hold for a moment if she really fought against it.
I take it as a good sign that she's still here. Pouting or not, she's clearly willing to work with me.
βNone of the others could do this,β she says. βNone of 'em even saw me.β She looks up. βAre you here to exise me?β
βExorcise,β I say instinctively, and curse myself when she flinches. βSorry, no, no! I don't exorcise people from their homes without good reason, not if they're happy where they are.β
βI was happy. Till she started calling in all them ghost hunters.β
Mrs Delaney had been quite persistent in her attempts to 'fix' her haunted house. Most of the people she found were charlatans, of course, but I'd still arranged an appointment as fast as I could once word reached me. It wouldn't have been long before she happened upon somebody with Talent, and unfortunately not everybody in this field knows how to behave like a professional.
βI think we might be able to help each other,β I say, careful to keep my voice calm and level.
βDon't see how. Not unless you can exorcise Her.β
βNot quite what I had in mind.β I pull out my phone and scroll through my photos. βYou say that you're not the cause of the most recent incidents of paranormal activity?β
A pause. The ghost gnaws on her lip. I wait, patiently, keeping my body language open and nonthreatening. βIβ¦ I knocked her coffee cup over,β she admits at last. βShe was being mean and talking on her telephone, saying I done all these things when I never did! So I decided to show her what I could do if I wanted.β
βHmm.β The ghost eyes me nervously, as if expecting me to pull out a book, bell and candle and banish her on the spot.
βI only tipped it,β she adds. βI didn't break it or nothing!β
βYou shouldn't have touched it at all,β I say sternly. βButβ¦ I can appreciate that you were frustrated, so let's say no more about it.β
The ghost looks relieved.
βMy point is,β I continue, βif you weren't the one making blood rain from the ceiling or tormenting people in their sleep, then what was? There's no other ghosts on the property.β I find the picture I was looking for. βYou can get anywhere around the house, right? Including behind the furniture and in the backs of cupboards?β
βYes'm.β
I hold the phone up so that she can see the picture on the screen. βI'm going to let you go free in a moment, and I need you to see if you can find anything that looks like this.β
The ghost wrinkles her forehead. βWhat's that when it's at home?β
βBlack mould,β I say, reaching out a foot to break the binding circle. βAnd I'm pretty sure it's the cause of this haunting.β
Really glad predictive text exists. Should i bring my own parking lot
como mi gato piensa que voy a reaccionar cuando me trae un ratΓ³n saltarin vivo a la una de la maΓ±ana
Humanos sΓ£o tΓ£o mas tΓ£o ingratos. Eu dou meu sangue e minha alma pra pegar um rato e trazer ele VIVO pra eles aprenderem a caΓ§ar e nΓ£o passarem fome e nΓ£o recebo nem sequer um obrigado, Γ© sempre "mas que caralho Γ© esse" "que nojo" "eu nΓ£o como rato". Γ por isso que eu vomito nos seus tapetes e mordo vocΓͺ.
desde cuΓ‘ndo mi gato tiene tumblr
desde cuando tu gato es brasileΓ±o
eso ya lo sabΓa le sentΓa esa vibra
this is not an original observation but i really do think so many of BBC Merlin's problems stemmed not from bad politics but from the fact that it was trying to be Arthurian Smallville
SO i confess i have not seen Smallville but the consensus seems to be that it's a solid, competently written television show. BBC Merlin is, um. Not That.
here is the first of the show's major Smallvillisms:
okay so in Smallville the fact that Clark Kent has superpowers is a secret. I cannot speak for Smallville in particular but Clark Kent keeping his powers a secret generally works for audiences bcos 1) it is a core element of the Superman narrative. if he was just publicly Superman that would feel weird and jarring. 2) Clark Kent is a nice and good boy and we understand that he is keeping his secret with the best of intentions
the secret superpowers angle is completely foreign to the Arthurian mythos however; in fact it's kind of the opposite of the usual deal with Merlin as a character? but they wanted to do Young Merlin with a Clark Kent thing going on. OK. now they need a reason why his magic is a secret.
uhh it's bcos they made magic illegal. who made magic illegal? the king. not Arthur obviously. different king. we want to keep the whole Camelot/royal court aspect tho so instead of doing the usual King Arthur backstory he's just uhh normal prince. and magic is illegal bcos it killed his mother. okay now we're cooking with gas. but obviously we want the villains to mostly be other magic users for Merlin to fight. why are these other magic users trying to Get Arthur? well they are mad that his father banned magic. and Merlin has to protect Arthur bcos he's going to be King Arthur one day and save the land. so Merlin's gotta explode all the other magic users. he gotta!!
it never really works partly bcos it's just not an established Arthurian Thing and also bcos it renders basically everything Merlin does extremely sketchy? I don't think it's inherently a problem that he's a morally dubious protagonist (if anything Merlin is kind of traditionally a little bit evil) but the show wants him to be a Good Boy like Clark Kent and frames him as such even though he keeps blowing up other magic users with legitimate grievances. its very strange!!
which brings me to the second big Smallvillism:
Morgana has THAT arc bcos Smallville has a whole thing where Lex Luthor and Clark Kent are childhood friends.
i re-iterate that I haven't seen Smallville but I imagine Lex being the guy in the friend group who is going to turn out evil works bcos Lex Luthor's whole thing is that he's an asshole rich white man. definitely possible to do a character like that who's sympathetic whilst still having it ring true for the audience that they're just gonna be a bad guy.
and like they maybe COULD have made this work with Morgana? but here i suppose we do get into the straight up just bad politics, doing Morgan Le Fay but she's Lex Luthor would maybe involve leaning into the privilege she has as a noblewoman (effectively a princess) but instead they just u know victimised her over and over and then when she snaps and starts exploding people it's like wow Morgana i can't believe you're evil now. stop exploding people Morgana. only Merlin is allowed to explode people.
it's like, i don't know. they didn't realise they couldn't just go directly from s1-2 Morgana (was end of s2 the switch? I forget) to 'oh she's just evil now' without it being really weird and jarring? they didn't realise that a female character could have motives for being evil that didn't revolve around all the men in her life abusing her?
but like im hesitant to even come down on it too hard for being sexist (even tho it was) bcos first and foremost its just stupid. wym she's just evil now. you didn't earn that at all. what are you DOING.
it all comes back for me to that part in s1 where we realise that Sophia's father is and was always planning to sacrifice himself for her and Sophia is distraught and suddenly these 2 characters who hitherto have been straight up evil gain a new sympathy and depth and its like oh no what are they gonna do!!
and then Merlin rocks up and explodes them both. just blows them up like bombs. and its like ok that COULD be a really interesting character moment for him but it. its not. bcos really blatantly what's going on there is they were like 'ok we're out of time, wrap it up folks. Merlin comes in and explodes the bad guys like bombs.'
it feels weird & jarring not bcos it was morally bad behaviour on Merlin's part but bcos straight up its just bad writing.
eta not gonna reblog this again but the OTHER issue w the Smallvilling is that it means Merlin is constantly not just lying by omission to Arthur but flat out lying to his face, manipulating him, on occasion straight up brainwashing him?
and like Clark Kent DOES on occasion engage in acts of gaslighting. see for example this scene. but in that instance its like well yes he did go to great lengths to deceive her but also she jumped out a window in an attempt to force him to reveal his secret so i don't think either of them come out of it great.
Itβs cause youβre always on that god damn bident of thassa

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π³οΈβπ happy pride queers! π΄ββ οΈ
i'll write a symphony for the departed
sheβs talking about tuba covers of mainstream funk songs
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Uncanny X-Men #22 - "No Clean Hands" (2026)
written by Gail Simone art by David Marquez & Matthew Wilson
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